Hey everyone. Some of the bits of news that have come out this week, on the heels of February solicits, include the ending of Waid and Samnee's run on DAREDEVIL, the cancellation of ELEKTRA (slated to end with issue 11 in February), and several more books that seem to be wrapping (though I don't have links for those), including X-FORCE (brutal) and STORM (though I'm not hearing that that one's actually being cancelled, just that the numbers are much lower than they'd like). DAREDEVIL, it sounds like, is ending based on Waid and Samnee wanting to move on, but the others all seem to be numbers-based. One of those sad days where really good books aren't getting enough eyes on them and are being dropped, undoubtedly, for more events.
Bit of internal news, I doubt there will be many more reviews this week. I've read just about every book this week and many are very good (DAREDEVIL, BLACK WIDOW, ELEKTRA, AVENGERS, NEW AVENGERS, MOON KNIGHT, SPIDER-WOMAN, and several more) but, as you all know, it's getting harder and harder to get these reviews out on time. We'll see what the start of this week brings.
Showing posts with label Storm. Show all posts
Showing posts with label Storm. Show all posts
Sunday, November 23, 2014
Sunday, October 19, 2014
Leftovers 10-15-14
As I said on Tuesday, there were a whole bunch of comics out this week so let's dive right into it with these much shorter, much quicker reviews. Let's also hope that they're much shorter and much quicker than I tend to be, even in these.
Avengers World 14
The Next Avengers help Sunspot, Cannonball, and Hyperion bring down Barbuda and free Smasher from their control as Shang-Chi gets his revenge on Gorgon, replacing Madripoor in the process, and Druid, who was killed while in the land of the dead, giving him the ability to stay with them and now giving him access to the language he needs, successfully brings the dead back and closes the portals while the Avengers and Euroforce beat up Le Fay. Success all around! These three sweeping stories come to a close in a pretty clean way, but one that follows well enough from the rest of the series. Strong writing and wonderful art anchor this one. Total Score: 5/5
Deadpool's Art of War 1
Deadpan gets hired in some strange chrono-bending way to kill Sun Tzu, author of Art of War and he gets real interested in the work, deciding to re-write it and publish it, claiming it as his own. His would-be publisher demands he find a new way to write the story as many have already done just that and he decides it should take the angle of a survivor's guide. He decides to start a massive war so that he can test his theories out surviving just such a war and pits Loki and Thor against each other, trolls and frost giants against Asgardians. However, his advice to Loki gives Loki the upper hand and Loki actually wins the inciting fight. There is maybe an interesting story in here but I've yet to really see it. It's also not nearly as fun as you'd want a Deadpool story to be with only really a handful of fun moments even attempted and almost all of them missing the mark. With Loki standing over a beaten Thor on the last page, Deadpool asks us "Isn't this fun?" Nope, but thanks for asking such a specific question. Total Score: 2/5
Edge of Spider-Verse 5
The final EDGE OF SPIDER-VERSE shows us little Peni Parker, someone who I will not be talking about in the possessive sense, set to replace her father as SP//dr, a premiere crimefighter of her world who relies on a genetically keyed spider-suit to fight crime, which she does well, even despite her youth. After a run-in with Mysterio and some gangs (and a team-up with that universe's Daredevil), she's accosted on the train by two other Spiders from different universes, who warn her of the coming Morlun and other Spider-Killers. She agrees to go with them to help strengthen the Spiders. It's a pretty strong book (though I tend to have a distaste for books wherein some song plays and the lyrics show up as text in the book, particularly when the book is written by the frontman of My Chemical Romance, a band whose music I do not care for, but this is getting real nitpicky now and very nearly petty so let's close up this parenthetical) and the art is particularly strong. Overall, with a couple of missteps, the EDGE OF SPIDER-VERSE precursor mini-series has created some interesting characters and should get readers pretty interested for the main course, starting in AMAZING SPIDER-MAN 9. Total Score: 4/5
Fantastic Four 11
She-Hulk meets with Wyatt Wingfoot and they discuss how Johnny's in trouble and how everything else seems to have broken the wrong way for Marvel's first family. The duo agree to team-up and try to figure out who is behind all of this before whoever it is can figure out they're on his or her trail. On his way home from the meet-up, though, Wyatt is attacked by a mysterious archer, saved only when Spider-Man pops in, also called by She-Hulk to give a hand. Oh, and Thing keeps getting beaten up in prison with a pseudo ally in Sandman and Reed is doing stuff and Sue is still crying. Really continue to not like this book but I do think this might have been a stronger issue than the last few, almost because the F4 weren't in it as much. That, uh, that still didn't make the book good, I should specify. Still way too narrative heavy and hand-holding and painted with such a broad stroke to be dark and menacing to actually feel that way. Total Score: 2/5
Hulk 7
Doc Green, fresh on his de-gamma-ing of Rick Jones, meets with Hulkling, who promises him that his powers are based on mixed alien heritage, not gamma in a fun little scene. Green's next real target is Skaar, son of Hulk (who Green claims not to be any more), so he travels to the Savage Land. After a vicious fight, Green manages to inject Skaar with the serum and watches him revert to something more resembling human (though with Skaar's strange background, no one really knows what he is now). His next targets seem to be the Red Hulks, both he and she, but first he has to deal with what's going on inside him, which seems to be a rebellion from Banner and even Hulk, still locked away in his mind. Some interesting things afoot here. I still don't like and/or care about Doc Green, which is the only thing the book is slipping on but I have a feeling now that it's intentionally slipping on that point. With the reveal that Banner and even Hulk may be still in Doc Green's mind, showing that the Hulk and Doc Green might really be separate entities, it's probable that Doc Green isn't the one we're really meant to be pulling for. Some interesting stuff and I'm surprised by how excited I've become to see the other Hulks in this series. Apparently I like those guys. Total Score: 4/5
Loki: Agent of Asgard 7
Doom has trapped current Loki in time stasis after the villainous Loki showed Doom that he would destroy the world in the future. With Doom distracted, though, by Red Onslaught's hate-wave affecting Latveria, Verity reveals herself to Valeria and explains that Loki should be freed, the logic of which hits Valeria pretty quickly. They go and break down the time cube then, with Loki and his truth-sword released, they construct a way to broadcast the sword's inherent truth to Latveria, freeing the civilians from the perceived hatred they'd been feeling. As Doom and Loki debate what to do next, Magneto shows up and tells them they're needed to fight the Red Onslaught or else watch the world burn. Though I still can't help but eye-roll at Verity Willis (that name! What a specifically correct name PRE-DISCOVERY of her powers! Which are still undefined!), this is a pretty strong issue. There are an appropriate amount of funny moments and clever twists and turns. Valeria in particular gets a solid performance, with Ewing nicely toeing the line between naive child and brilliant wunderkind well (a line that so few others manage to hit). Best part is when Verity asks what makes hate easy and Val mutters "Mommy and daddy." Aww, poor angry kid. Also, great art from Jorge Coelho. Total Score: 4/5
Magneto 11
Hey, we just talked about this guy! Anyway, we see a bit of the last issue of AXIS as Magneto flees the fight with Iron Man on the verge of being crushed. He returns to his base with Briar Raleigh, wondering if maybe he isn't the massive villain the world thinks him to be, after unleashing Onslaught a second time and causing so much destruction once more, all while never actually helping his chosen people. Briar plays him a video she made of all of his greatest hits, which are mostly violent and despicable from the outside, but ends with a clip of a civilian mutant saying that, though Magneto was angry in all of this, he saved her life and she's happy, if a bit scared, that someone like him is on her side. Rejuvenated, Magneto travels to the ends of the Earth to gather a number of villains including Mystique, Sabertooth, Carnage, Doom, Loki, Absorbing Man, Hobgoblin, and Deadpool (who actually comes to him), to take on the hero-killing Sentinels Red Onslaught has at his command. Though this certainly wouldn't be required reading to understand what's happening in AXIS (we know by the end of issue two that Magneto left and got some villains and came back, which is pretty much all we need to know to continue), this one actually really does add a lot of depth to the stories, both the story of AXIS and the story of Magneto. It's extremely well-done and fits nicely with what Bunn has been establishing all along for Magneto. Great work. Total Score: 5/5
Miles Morales: The Ultimate Spider-Man 6
While the Green Goblin recovers from his gunshot-to-the-head wounds and promptly kills J. Jonah Jameson for them, Miles and Maria Hill talk to Peter and MJ, trying to ensure that he's the real deal. As they keep questioning him and he keeps basically saying that he is Peter but he doesn't know how he's alive, probably something to do with science or whatever, Gwen and Aunt May also show up, suddenly aware that he's still alive. Unfortunately, the reunion is cut short when Goblin turns up on the front lawn. Miles demands Peter get his family and friends to safety while he takes on Goblin. With a series of attacks revolving around his venom blasts, Miles takes down Osborn with ease. Hill calls for backup to restrain Osborn while the powered-down Norman pleads with Miles to help him, promising that he'll tell him the truth about Miles' own powers and DUN DUN DUN his real father. EYE-ROLL. I actually enjoyed this issue (though it came with a lot of the sort of back-and-forth dialogue that seems to only serve to extend the pages...now we're getting into different styles of Bendis writing) right up until that last page, where Norman promises to tell him about his REAL FATHER. I suppose there has to be more drama to the return of the Green Goblin than just "oh, Miles' venom works absolutely GREAT on that guy" but I really don't need more daddy issues in comics or, you know, anywhere else, thanks. It's possible this will be some sort of fake-out or won't have the desired effect on Miles, but I'm reviewing this issue for this issue, not for the future, and GEEZ, trope alert. Total Score: 4/5
Original Sin Annual 1
We get a look back at the days when Fury took the job to be the new Man on the Wall in the stead of Woodrow McCord. Fury, eager to know more about McCord, is shown around the moonbase by Howard Stark, who shows him McCord's diary. In it, McCord explains what happened between himself and the man he replaced, a man named Stafford, and what the job has done to him in turn. I went into this book with a lot of skepticism because I don't tend to love Annuals and I really don't tend to love Annuals for events or for one-year only comics and I already didn't love ORIGINAL SIN. To say, then, that this issue is absolutely the best thing to come out of ORIGINAL SIN feels a little like the truth and a bit misleading at the same time. It's the truth because this book really does feel, to me, like it outstrips anything in ORIGINAL SIN, thanks to the quality of ORIGINAL SIN, and it's a bit misleading because this book really is genuinely very good. It's an extremely well-written character piece about Woody McCord and, on the outsides of that story, about Nick Fury. There's a lot here and Latour does a great job to really make the Man on the Wall stuff compelling and interesting. I couldn't help remembering that Latour was the last person to write a WINTER SOLDIER series before this newest incarnation and that I'd absolutely have loved to see him as the writer on this current one, as a guy who clearly has a compelling take on the Man on the Wall thing and who knows Bucky well. Great stuff here. Really worth checking out for a single issue sort of thing. Total Score: 5/5
Spider-Man 2099 5
Miguel insists that Alchemax no longer do things like hire criminals straight out of prison and suggests that they instead work on building supervillain prisons, an idea that Liz Allan is onboard with. However, Miguel is bothered by searing pains in his head as Miguel O'Hara's from different worlds are killed by Morlun. He escapes to the roof and switches to his costume right as the Miguel O'Hara who linked all of his fellow Miguel's heads together in a misguided attempt to team them up opens a portal to 616. Before he manages to enter it, though, Morlun catches up with him and kills him, dropping the body to the 616 but shies away from entering himself, remembering that world as the one in which he died. Miguel takes the body and realizes he has to find Spider-Man. Interesting issue all around. There's maybe an attempt at a little too much backstory from the other universe's Miguels especially considering it's quite clear they're going to die before they have a huge impact on the story, but our Miguel does well here and it seems like he'll be our messenger for the SPIDER-VERSE entry point coming very soon. Total Score: 4/5
Storm 4
Storm, hurt by the loss of Wolverine, expresses her grief out a safe distance from Earth before settling down and moving forward. She finds Wolverine's phone on his desk, which instantly gets a text from Yukio, asking for him to come down to help. She instead travels to Las Vegas where she tells Yukio what happened to Wolverine and promises to accompany her to whatever she needs help with. Believing this could be a bad idea as Storm is bound to not like what's coming, Yukio leads her to an underground meeting with the heads of a few clans of the world. The four bosses talk and try to figure out land issues with two clans clashing over one AIM base drifting between their territories. To solve the dispute, the four bosses and Storm go into an arena where two champions for the sparring clans face off. Disgusted by the fight-to-the-death mentality, Storm intercedes, with Yukio pleading her not to, saying that these fights keep the civilian casualties down from these gangs. Storm can't abide it, though, and the head of the third clan challenges Yukio for supremacy after her champion broke the rules. The pain of the loss of Wolverine is handled nicely in this issue, with Pak and Ibañez dedicating about five pages to her overwhelming grief before having her refocus and continue forth. It's pretty much what you want from Storm. The fighting clans are a little confusing to write about in an attempted brief summary but work alright in the book (though the areas they're claiming are a little vague). It's also a nice example of the differences between Wolverine and Storm, with Wolverine abiding these fights because he understands that it could keep civilian casualties down and Storm unable to abide these fights for any reason. Total Score: 4/5
Superior Foes of Spider-Man 16
The penultimate issue of SUPERIOR FOES finds the Sinister Six ready to step up as the heads of the Maggia with the head of Silvermane in tow. Unfortunately for them, Overdrive, Beetle, and Speed Demon all made deals with various other mobs and now the pier is a war zone about to get even crazier as Punisher, Mach VII, and Shocker head that way for their own reasons. Boomerang, though, got everything he wanted as he had stolen Chameleon's shape-shifting serum from his vault and poses as a Mets rookie pitcher to get to pitch once more for his team. As ever, really fun, really engaging issue. Great stuff from Speed Demon and Boomerang and a couple of twists that work really well for the issue. It's been a really fun ride for this team and I'm sad to know it's coming to an end in the next issue, but glad that we managed to get 17 out of it. Guys, 17 issues for a funny book that stars a supervillain C-team is kind of a massive win. Total Score: 4/5
Avengers World 14
Deadpool's Art of War 1
Deadpan gets hired in some strange chrono-bending way to kill Sun Tzu, author of Art of War and he gets real interested in the work, deciding to re-write it and publish it, claiming it as his own. His would-be publisher demands he find a new way to write the story as many have already done just that and he decides it should take the angle of a survivor's guide. He decides to start a massive war so that he can test his theories out surviving just such a war and pits Loki and Thor against each other, trolls and frost giants against Asgardians. However, his advice to Loki gives Loki the upper hand and Loki actually wins the inciting fight. There is maybe an interesting story in here but I've yet to really see it. It's also not nearly as fun as you'd want a Deadpool story to be with only really a handful of fun moments even attempted and almost all of them missing the mark. With Loki standing over a beaten Thor on the last page, Deadpool asks us "Isn't this fun?" Nope, but thanks for asking such a specific question. Total Score: 2/5
Edge of Spider-Verse 5
The final EDGE OF SPIDER-VERSE shows us little Peni Parker, someone who I will not be talking about in the possessive sense, set to replace her father as SP//dr, a premiere crimefighter of her world who relies on a genetically keyed spider-suit to fight crime, which she does well, even despite her youth. After a run-in with Mysterio and some gangs (and a team-up with that universe's Daredevil), she's accosted on the train by two other Spiders from different universes, who warn her of the coming Morlun and other Spider-Killers. She agrees to go with them to help strengthen the Spiders. It's a pretty strong book (though I tend to have a distaste for books wherein some song plays and the lyrics show up as text in the book, particularly when the book is written by the frontman of My Chemical Romance, a band whose music I do not care for, but this is getting real nitpicky now and very nearly petty so let's close up this parenthetical) and the art is particularly strong. Overall, with a couple of missteps, the EDGE OF SPIDER-VERSE precursor mini-series has created some interesting characters and should get readers pretty interested for the main course, starting in AMAZING SPIDER-MAN 9. Total Score: 4/5Fantastic Four 11
She-Hulk meets with Wyatt Wingfoot and they discuss how Johnny's in trouble and how everything else seems to have broken the wrong way for Marvel's first family. The duo agree to team-up and try to figure out who is behind all of this before whoever it is can figure out they're on his or her trail. On his way home from the meet-up, though, Wyatt is attacked by a mysterious archer, saved only when Spider-Man pops in, also called by She-Hulk to give a hand. Oh, and Thing keeps getting beaten up in prison with a pseudo ally in Sandman and Reed is doing stuff and Sue is still crying. Really continue to not like this book but I do think this might have been a stronger issue than the last few, almost because the F4 weren't in it as much. That, uh, that still didn't make the book good, I should specify. Still way too narrative heavy and hand-holding and painted with such a broad stroke to be dark and menacing to actually feel that way. Total Score: 2/5
Hulk 7
Doc Green, fresh on his de-gamma-ing of Rick Jones, meets with Hulkling, who promises him that his powers are based on mixed alien heritage, not gamma in a fun little scene. Green's next real target is Skaar, son of Hulk (who Green claims not to be any more), so he travels to the Savage Land. After a vicious fight, Green manages to inject Skaar with the serum and watches him revert to something more resembling human (though with Skaar's strange background, no one really knows what he is now). His next targets seem to be the Red Hulks, both he and she, but first he has to deal with what's going on inside him, which seems to be a rebellion from Banner and even Hulk, still locked away in his mind. Some interesting things afoot here. I still don't like and/or care about Doc Green, which is the only thing the book is slipping on but I have a feeling now that it's intentionally slipping on that point. With the reveal that Banner and even Hulk may be still in Doc Green's mind, showing that the Hulk and Doc Green might really be separate entities, it's probable that Doc Green isn't the one we're really meant to be pulling for. Some interesting stuff and I'm surprised by how excited I've become to see the other Hulks in this series. Apparently I like those guys. Total Score: 4/5Loki: Agent of Asgard 7
Doom has trapped current Loki in time stasis after the villainous Loki showed Doom that he would destroy the world in the future. With Doom distracted, though, by Red Onslaught's hate-wave affecting Latveria, Verity reveals herself to Valeria and explains that Loki should be freed, the logic of which hits Valeria pretty quickly. They go and break down the time cube then, with Loki and his truth-sword released, they construct a way to broadcast the sword's inherent truth to Latveria, freeing the civilians from the perceived hatred they'd been feeling. As Doom and Loki debate what to do next, Magneto shows up and tells them they're needed to fight the Red Onslaught or else watch the world burn. Though I still can't help but eye-roll at Verity Willis (that name! What a specifically correct name PRE-DISCOVERY of her powers! Which are still undefined!), this is a pretty strong issue. There are an appropriate amount of funny moments and clever twists and turns. Valeria in particular gets a solid performance, with Ewing nicely toeing the line between naive child and brilliant wunderkind well (a line that so few others manage to hit). Best part is when Verity asks what makes hate easy and Val mutters "Mommy and daddy." Aww, poor angry kid. Also, great art from Jorge Coelho. Total Score: 4/5
Magneto 11
Miles Morales: The Ultimate Spider-Man 6
While the Green Goblin recovers from his gunshot-to-the-head wounds and promptly kills J. Jonah Jameson for them, Miles and Maria Hill talk to Peter and MJ, trying to ensure that he's the real deal. As they keep questioning him and he keeps basically saying that he is Peter but he doesn't know how he's alive, probably something to do with science or whatever, Gwen and Aunt May also show up, suddenly aware that he's still alive. Unfortunately, the reunion is cut short when Goblin turns up on the front lawn. Miles demands Peter get his family and friends to safety while he takes on Goblin. With a series of attacks revolving around his venom blasts, Miles takes down Osborn with ease. Hill calls for backup to restrain Osborn while the powered-down Norman pleads with Miles to help him, promising that he'll tell him the truth about Miles' own powers and DUN DUN DUN his real father. EYE-ROLL. I actually enjoyed this issue (though it came with a lot of the sort of back-and-forth dialogue that seems to only serve to extend the pages...now we're getting into different styles of Bendis writing) right up until that last page, where Norman promises to tell him about his REAL FATHER. I suppose there has to be more drama to the return of the Green Goblin than just "oh, Miles' venom works absolutely GREAT on that guy" but I really don't need more daddy issues in comics or, you know, anywhere else, thanks. It's possible this will be some sort of fake-out or won't have the desired effect on Miles, but I'm reviewing this issue for this issue, not for the future, and GEEZ, trope alert. Total Score: 4/5
Original Sin Annual 1
Spider-Man 2099 5
Miguel insists that Alchemax no longer do things like hire criminals straight out of prison and suggests that they instead work on building supervillain prisons, an idea that Liz Allan is onboard with. However, Miguel is bothered by searing pains in his head as Miguel O'Hara's from different worlds are killed by Morlun. He escapes to the roof and switches to his costume right as the Miguel O'Hara who linked all of his fellow Miguel's heads together in a misguided attempt to team them up opens a portal to 616. Before he manages to enter it, though, Morlun catches up with him and kills him, dropping the body to the 616 but shies away from entering himself, remembering that world as the one in which he died. Miguel takes the body and realizes he has to find Spider-Man. Interesting issue all around. There's maybe an attempt at a little too much backstory from the other universe's Miguels especially considering it's quite clear they're going to die before they have a huge impact on the story, but our Miguel does well here and it seems like he'll be our messenger for the SPIDER-VERSE entry point coming very soon. Total Score: 4/5
Storm 4
Superior Foes of Spider-Man 16
The penultimate issue of SUPERIOR FOES finds the Sinister Six ready to step up as the heads of the Maggia with the head of Silvermane in tow. Unfortunately for them, Overdrive, Beetle, and Speed Demon all made deals with various other mobs and now the pier is a war zone about to get even crazier as Punisher, Mach VII, and Shocker head that way for their own reasons. Boomerang, though, got everything he wanted as he had stolen Chameleon's shape-shifting serum from his vault and poses as a Mets rookie pitcher to get to pitch once more for his team. As ever, really fun, really engaging issue. Great stuff from Speed Demon and Boomerang and a couple of twists that work really well for the issue. It's been a really fun ride for this team and I'm sad to know it's coming to an end in the next issue, but glad that we managed to get 17 out of it. Guys, 17 issues for a funny book that stars a supervillain C-team is kind of a massive win. Total Score: 4/5
Saturday, October 18, 2014
Uncanny X-Men 27, Wolverine and the X-Men 10
Uncanny X-Men 27
Matthew Malloy is still out there, wreaking some serious havoc and baffling the X-Men and SHIELD, nearby in a helicarrier. In an attempt to quell him, Rachel Grey creates a big psychic image in front of him, showing the X-Men and Avengers ready to fight him with Xavier leading the pack, asking if Malloy will allow him to rebuild the barriers in his mind for the good of the world. Malloy waffles between trusting him and hating him but ultimately begins to wonder if maybe he shouldn't be using this power to do much more. He sees through Rachel's trick and lays waste to the helicarrier, transporting most of the X-Men back to their homes (though some remain unaccounted for). Everyone is caught off-guard by this strange tactic but Scott Summers recovers quickly enough for Magik to teleport him back to Malloy, where Cyclops convinces him that he believes what Charles did was wrong and that he wants to help mutant kind, maybe the way Malloy wants to express his new powers. Cyclops asks Malloy if maybe he wants to talk a bit and Malloy consents.
The big plot development here, obviously, is that this sudden omega-level or beyond mutant is potentially ending in Cyclops' smaller camp of militant mutants, tipping the scales of the battle. I have my usual issues with Bendis books (namely some mood-breaking back-and-forth dialogue and quips) but my hesitation about naming this a good arc stems from something bigger here, I think. I don't like SCHISM and I don't like what's spawned from it. Do I think the X-Men probably needed some sort of a shakeup? Yeah, I guess so. Was SCHISM intriguing? Sure. I liked the idea of an increasingly more militant Cyclops and an increasingly more caring and protective Wolverine. On the flipside, I don't think it's carried well and it's clearly weighing on the writers at this point too. Obviously the added wrinkle of "Scott Summers killed Professor X" has extended the life of the split but I even think that's weak. Doing no research on the subject, I'm not sure there's a single character involved in these fights that hasn't been brainwashed or possessed or controlled or what-not. So has Cyclops been skewing another way for a little bit now? Well sure, I suppose people are starting to get more cynical of him. But should they erase their long history with him and his new people because he, very clearly under control of the Phoenix Force he couldn't contain and that they all knew he couldn't contain, was partly responsible for the death of his mentor? Look, I think not. What I'm getting at is that I don't think this whole antipathy between the two sides is warranted and that's entirely what this story is going to boil down to. I also have some amount of problems with omega-level+ mutants just appearing. ANYWAY. Doesn't mean this won't be an interesting story, just means I'm having some trouble buying into it. I also have been wanting to write a tiny bit about the ramifications of SCHISM for a little while now and the WATXM review should be pretty short so WHY NOT PUT IT HERE? Like that cover though.
Total Score: 3/5
Wolverine and the X-Men 10
Wolverine's ex-girlfriend Melita Garner visits the Jean Grey School to collect interviews for her upcoming book on Wolverine, a book that wolverine didn't want her writing but that Beast believes she should write, if just to serve as required reading for the students of the school. She talks with a number of Wolverine's friends and colleagues who all very clearly miss hero. She saves a couple of the big ones for next time, though, between Storm and Quentin Quire.
It's essentially a book of remembrance, showing how everyone is taking the loss and how everyone loved Wolverine. Plenty of books, I'm sure, will be doing this sort of thing over the coming months so I'm sure we'll have plenty of opportunities to talk about these retrospectives, but you could certainly do worse than to read this one, which is sweet, moves pretty well, and highlights a number of different artists. Sometimes the switch between artists is understandably jarring but each section settles into its rhythm nicely.
Total Score: 4/5
The big plot development here, obviously, is that this sudden omega-level or beyond mutant is potentially ending in Cyclops' smaller camp of militant mutants, tipping the scales of the battle. I have my usual issues with Bendis books (namely some mood-breaking back-and-forth dialogue and quips) but my hesitation about naming this a good arc stems from something bigger here, I think. I don't like SCHISM and I don't like what's spawned from it. Do I think the X-Men probably needed some sort of a shakeup? Yeah, I guess so. Was SCHISM intriguing? Sure. I liked the idea of an increasingly more militant Cyclops and an increasingly more caring and protective Wolverine. On the flipside, I don't think it's carried well and it's clearly weighing on the writers at this point too. Obviously the added wrinkle of "Scott Summers killed Professor X" has extended the life of the split but I even think that's weak. Doing no research on the subject, I'm not sure there's a single character involved in these fights that hasn't been brainwashed or possessed or controlled or what-not. So has Cyclops been skewing another way for a little bit now? Well sure, I suppose people are starting to get more cynical of him. But should they erase their long history with him and his new people because he, very clearly under control of the Phoenix Force he couldn't contain and that they all knew he couldn't contain, was partly responsible for the death of his mentor? Look, I think not. What I'm getting at is that I don't think this whole antipathy between the two sides is warranted and that's entirely what this story is going to boil down to. I also have some amount of problems with omega-level+ mutants just appearing. ANYWAY. Doesn't mean this won't be an interesting story, just means I'm having some trouble buying into it. I also have been wanting to write a tiny bit about the ramifications of SCHISM for a little while now and the WATXM review should be pretty short so WHY NOT PUT IT HERE? Like that cover though.
Total Score: 3/5
Wolverine and the X-Men 10
It's essentially a book of remembrance, showing how everyone is taking the loss and how everyone loved Wolverine. Plenty of books, I'm sure, will be doing this sort of thing over the coming months so I'm sure we'll have plenty of opportunities to talk about these retrospectives, but you could certainly do worse than to read this one, which is sweet, moves pretty well, and highlights a number of different artists. Sometimes the switch between artists is understandably jarring but each section settles into its rhythm nicely.
Total Score: 4/5
Sunday, September 28, 2014
Leftovers 9-24-14
Okay. I apologize both for my busy week this week and for the upcoming post. Got a lot of apologies to make. ANYWAY, let's get right into and out of it.
All-New Ghost Rider 7
Robbie is still having trouble making his personal life and Eli come to some sort of understanding and he ends up killing a guy to take the money he was owed before another Ghost Rider shows up to complicate things further. Still strong stuff with Smith spending just the right amount of time characterizing Robbie and the neighborhood, though I'm still wary of Hyde's role in all of this. Total Score: 4/5
All-New Invaders 10
Mars attacks? I don't know, man, this book is pretty terrible. They're helped by the daughter of the original Iron Cross who is an Inhuman now and then Torch goes crazy and she promises to help while Mars attacks London and Roger Aubrey, the Mighty Destroyer, literally has a line of dialogue that goes "I'm an incredibly dashing, older gay gentleman, by virtue of which means I'm incredibly vain" directly after he says to Union Jack and Spitfire "A speedster, a young man with a pistol and a vintage motor bike, and a "flamboyant" octogenarian." DOES ANYONE THINK ANYTHING IN THIS BOOK THEY DON'T SAY? Perhaps James Robinson would like to sit beside us as we read his books and explain bit-by-bit what's happening in case we don't understand? Total Score: 1/5
Amazing Spider-Man 1.5
Spider-Man finally beats Clash and we're all relieved because Clash is not interesting nor likable and looking back to this point in Spidey history means Spidey also isn't terribly interesting and isn't really likable so now we can all move on with our lives. Total Score: 2/5
Amazing X-Men 11
Wendigos! They're everywhere! Wolverine is one! The X-Men travel to the realm of monsters where monster Tanaraq is getting supercharged by the Wendigo presence on Earth and where he plans his attack on Earth, even expanding the Wendigo curse to mean Wendigos can exist outside of Canada! Where goes the Wendigo? EVERYWHERE. Pretty good stuff, drags a little bit despite all of the action, but still a compelling story and Yost brings to this book his uncanny ability to nail the voice of everyone he touches. Total Score: 4/5
Cyclops 5
Cyclops and Corsair have fixed the tracking beacon bounty hunters placed on their ship and therefore successfully lure a group to them, managing to outwit them and steal their ships, though Cyclops overrides his dad's plans a few times to show compassion for the bounty hunters. Good characterization of a young and optimistic Scott and now we can continue our journeys with the interesting father-son duo. Total Score: 4/5
Deadpool 35
MAYBE, just MAYBE, there will some day be a week where nary a single DEADPOOL book will be released. But that's not this week so, onwards. Deadpool spends some quality time with Ellie and has to fight a Spider-Slayer Dracula has put his consciousness into, which he defeats handily. He also brings the refugees from Butler's camps to the Jean Grey School and has Beast run medical tests on them, which could complicate things as Hank quickly calls Deadpool back, needing his liver for a vital operation. Bit of a break from the action here as even the Dracula fight has very little stakes (HA) and mostly plays for laughs, which are certainly there if not enough to carry the issue. Total Score: 3/5
Edge of Spider-Verse 3
Dustin Weaver introduces us to Aaron Aikman, the only Spider-Man who has sought out the Spider, injecting himself with a serum that gave him his powers and using advanced machinery to vigilânt around the city. There's a full story here about his laboratory and the woman he loved risking everything to save her daughter but the real story is the twist ending when Morlun shows up and kills Aikman, meaning that just because we're seeing these dudes on the EDGE of SPIDER-VERSE, they won't necessarily make it to the main showing. Pretty good stuff, drags like any of these have when they've had to really give a lot of backstory for one issue, but it holds together somewhat nicely. Total Score: 3/5
Guardians of the Galaxy 19
Quill continues to tell his story to Gamora and explains that they couldn't die in the Cancerverse so their sacrifice had kind of been for nothing, now they had to play eternal keep-away from Thanos with the Cosmic Cube, made more troublesome by the appearance of the Cancerverse Avengers who are all evil and who want the Cube themselves and, sadly, eventually get it. The issue is all from the memory of Quill so it's basically a big ol' flashback where we don't know the full ending but we kind of know maybe half of it (Drax, Quill, and Thanos, in the very least, survive to return to the 616) so kind of low stakes here for a story that's going to last at LEAST three issues. Total Score: 2/5
Inhuman 6
Dante and his new friends Jason (rock-based powers) and Naja (weird-based powers) find their way back to Attilan, now run by The Unspoken, and manage to, with the help of Vinatos, the medical regent of New Attilan, infiltrate The Unspoken's throne room. He still has the Terrigen crystals he found so he's still insanely powerful but Dante attacks him all the same, getting horribly wounded in the fight for his troubles. While Naja continues the distraction, Jason uses his rock powers to destroy the crystals, effectively ending The Unspoken's new reign and restoring Medusa to the throne. Good issue for the NuHumans as everything is set right once again, though Lineage seems ready to strike a deal with the imprisoned Unspoken. Total Score: 4/5
Loki: Agent of Asgard 6
Thanks to some time-and-space trickery, Doctor Doom finds himself face to face at the end of the universe with the original Loki, who derides and denounces him, causing Doom to go back to his own time and search out the young Loki, pulling him into battle at his castle. He ends up trapping Loki, who doesn't want any part of this fight, and announcing that he's captured a god, effectively weakening him by destroying his story. Though things seem lost for young Loki, he secretly brought Verity Willis (eye roll!) with him and now she's prepared to help her friend. I literally have no idea what's going on and what the point of any of this is. Total Score: 2/5
Magneto 10
Magneto has been captured by the Red Skull and is being tortured by Xavier's brain in the hopes that Skull can break him. Magneto tries to hide in all his worst memories, giving us a full tour of many of them, but finds eventually that he cannot keep Skull at bay. Before he breaks, he's rescued by the similarly captured Havok, Rogue, and Scarlet Witch. Pretty sad issue for Magneto, you guys, as we see the worst of the worst, but it follows the theme Bunn has set up for this series, which often goes back to why Magneto fights. Total Score: 4/5
New Warriors 10
The Celestials are coming! The New Warriors strike again at the High Evolutionary and his Evolutionaries. Speedball makes a great Ghostbusters reference! The Eternals show up! Action, hijinks, comedy, drama, and more! Check out NEW WARRIORS 10! Total Score: 5/5
Savage Wolverine 23
A story from Wolverine's past where someone drugs him, slowing his healing factor and tries to hunt him through the woods of his animal-times. He's protected by the runt of a wolf pack but eventually the wolf sacrifices himself to save Wolverine, drawing Wolverine out to murder everyone in sight. Typical Wolverine-in-the-woods story done with maybe a little less flare and heart and with even more hand-holding than some of the others I've seen. Total Score: 2/5
Storm 3
Storm is called to Kenya by a mysterious benefactor saying that he needs her help to bring rain and water to the people there. Though she's wary it's a trap, it's a cause that matters enough to her to send her there anyway. It's not entirely a trap, but it was Forge, with whom she has a rocky relationship, who sent the letter. He swears he can do it and she chooses to trust him, though one of the Kenyans doesn't and his interference sort of sabotages everything, though Storm does her part to sabotage the machinery, demanding that Forge first spend a year in Kenya working on the tech and working with the people so that they can all have a mutual trust and to ensure that the tech will work and not just be an experiment. It's another good issue to characterize Storm, who wants to trust Forge but knows things aren't that black and white. Instead, she comes up with an interesting plan that roots itself in trust and hope. That's what we want to see out of Storm. Total Score: 4/5
Thunderbolts 31
It's Punisher vs. Red Hulk in the final battle of the T-Bolts. It's a huge fight and the momentum swings back and forth until Hawkeye and the Avengers (though the lesser known ones, like Cannonball, Sunspot, and Shang-Chi) show up to break up the fighting. Red Hulk doesn't believe they're the Avengers but Punisher stands down, unwilling to harm the good guys. Elektra turns up to calm Red Hulk, dropping the Leader's body in between them and showing them that he was an LMD and that, in fact, it was the Leader behind all of this the whole time. Ross announces the Thunderbolts are done, leaving the Red Leader victorious for next time. Plenty of fun in this issue as the fight gets more and more elevated. Also fun to see Hawkeye lead his team of lesser known Avengers into battle and to see the Punisher and Red Hulk struggle to understand that they are, in fact, Avengers. Total Score: 4/5
All-New Ghost Rider 7
All-New Invaders 10
Mars attacks? I don't know, man, this book is pretty terrible. They're helped by the daughter of the original Iron Cross who is an Inhuman now and then Torch goes crazy and she promises to help while Mars attacks London and Roger Aubrey, the Mighty Destroyer, literally has a line of dialogue that goes "I'm an incredibly dashing, older gay gentleman, by virtue of which means I'm incredibly vain" directly after he says to Union Jack and Spitfire "A speedster, a young man with a pistol and a vintage motor bike, and a "flamboyant" octogenarian." DOES ANYONE THINK ANYTHING IN THIS BOOK THEY DON'T SAY? Perhaps James Robinson would like to sit beside us as we read his books and explain bit-by-bit what's happening in case we don't understand? Total Score: 1/5
Amazing Spider-Man 1.5
Amazing X-Men 11
Wendigos! They're everywhere! Wolverine is one! The X-Men travel to the realm of monsters where monster Tanaraq is getting supercharged by the Wendigo presence on Earth and where he plans his attack on Earth, even expanding the Wendigo curse to mean Wendigos can exist outside of Canada! Where goes the Wendigo? EVERYWHERE. Pretty good stuff, drags a little bit despite all of the action, but still a compelling story and Yost brings to this book his uncanny ability to nail the voice of everyone he touches. Total Score: 4/5
Cyclops 5
Cyclops and Corsair have fixed the tracking beacon bounty hunters placed on their ship and therefore successfully lure a group to them, managing to outwit them and steal their ships, though Cyclops overrides his dad's plans a few times to show compassion for the bounty hunters. Good characterization of a young and optimistic Scott and now we can continue our journeys with the interesting father-son duo. Total Score: 4/5Deadpool 35
MAYBE, just MAYBE, there will some day be a week where nary a single DEADPOOL book will be released. But that's not this week so, onwards. Deadpool spends some quality time with Ellie and has to fight a Spider-Slayer Dracula has put his consciousness into, which he defeats handily. He also brings the refugees from Butler's camps to the Jean Grey School and has Beast run medical tests on them, which could complicate things as Hank quickly calls Deadpool back, needing his liver for a vital operation. Bit of a break from the action here as even the Dracula fight has very little stakes (HA) and mostly plays for laughs, which are certainly there if not enough to carry the issue. Total Score: 3/5
Edge of Spider-Verse 3
Guardians of the Galaxy 19
Quill continues to tell his story to Gamora and explains that they couldn't die in the Cancerverse so their sacrifice had kind of been for nothing, now they had to play eternal keep-away from Thanos with the Cosmic Cube, made more troublesome by the appearance of the Cancerverse Avengers who are all evil and who want the Cube themselves and, sadly, eventually get it. The issue is all from the memory of Quill so it's basically a big ol' flashback where we don't know the full ending but we kind of know maybe half of it (Drax, Quill, and Thanos, in the very least, survive to return to the 616) so kind of low stakes here for a story that's going to last at LEAST three issues. Total Score: 2/5
Inhuman 6
Loki: Agent of Asgard 6
Thanks to some time-and-space trickery, Doctor Doom finds himself face to face at the end of the universe with the original Loki, who derides and denounces him, causing Doom to go back to his own time and search out the young Loki, pulling him into battle at his castle. He ends up trapping Loki, who doesn't want any part of this fight, and announcing that he's captured a god, effectively weakening him by destroying his story. Though things seem lost for young Loki, he secretly brought Verity Willis (eye roll!) with him and now she's prepared to help her friend. I literally have no idea what's going on and what the point of any of this is. Total Score: 2/5
Magneto 10
Magneto has been captured by the Red Skull and is being tortured by Xavier's brain in the hopes that Skull can break him. Magneto tries to hide in all his worst memories, giving us a full tour of many of them, but finds eventually that he cannot keep Skull at bay. Before he breaks, he's rescued by the similarly captured Havok, Rogue, and Scarlet Witch. Pretty sad issue for Magneto, you guys, as we see the worst of the worst, but it follows the theme Bunn has set up for this series, which often goes back to why Magneto fights. Total Score: 4/5
New Warriors 10
The Celestials are coming! The New Warriors strike again at the High Evolutionary and his Evolutionaries. Speedball makes a great Ghostbusters reference! The Eternals show up! Action, hijinks, comedy, drama, and more! Check out NEW WARRIORS 10! Total Score: 5/5Savage Wolverine 23
A story from Wolverine's past where someone drugs him, slowing his healing factor and tries to hunt him through the woods of his animal-times. He's protected by the runt of a wolf pack but eventually the wolf sacrifices himself to save Wolverine, drawing Wolverine out to murder everyone in sight. Typical Wolverine-in-the-woods story done with maybe a little less flare and heart and with even more hand-holding than some of the others I've seen. Total Score: 2/5
Storm 3
Storm is called to Kenya by a mysterious benefactor saying that he needs her help to bring rain and water to the people there. Though she's wary it's a trap, it's a cause that matters enough to her to send her there anyway. It's not entirely a trap, but it was Forge, with whom she has a rocky relationship, who sent the letter. He swears he can do it and she chooses to trust him, though one of the Kenyans doesn't and his interference sort of sabotages everything, though Storm does her part to sabotage the machinery, demanding that Forge first spend a year in Kenya working on the tech and working with the people so that they can all have a mutual trust and to ensure that the tech will work and not just be an experiment. It's another good issue to characterize Storm, who wants to trust Forge but knows things aren't that black and white. Instead, she comes up with an interesting plan that roots itself in trust and hope. That's what we want to see out of Storm. Total Score: 4/5
Thunderbolts 31
It's Punisher vs. Red Hulk in the final battle of the T-Bolts. It's a huge fight and the momentum swings back and forth until Hawkeye and the Avengers (though the lesser known ones, like Cannonball, Sunspot, and Shang-Chi) show up to break up the fighting. Red Hulk doesn't believe they're the Avengers but Punisher stands down, unwilling to harm the good guys. Elektra turns up to calm Red Hulk, dropping the Leader's body in between them and showing them that he was an LMD and that, in fact, it was the Leader behind all of this the whole time. Ross announces the Thunderbolts are done, leaving the Red Leader victorious for next time. Plenty of fun in this issue as the fight gets more and more elevated. Also fun to see Hawkeye lead his team of lesser known Avengers into battle and to see the Punisher and Red Hulk struggle to understand that they are, in fact, Avengers. Total Score: 4/5
Tuesday, September 23, 2014
Comics this week
Hey dudes, solid 18 books out this week and it shouldn't really be a struggle to pick out five I want to highlight but it sure was looking that way on the top half of the alphabetical list. Also, I'm watching that new Gotham TV show right now and it kicked off pretty dark, you guys! This married couple got murdered in the first like, two minutes! Weird way to start things, I bet nothing comes of it.
Edge of Spider-Verse 3
There's a lot of fun stuff happening in EDGE OF SPIDER-VERSE so far, though this certainly makes it to the list thanks to a slow release week. It's been strong, though I expect it's hit-or-miss with how interesting these new spiders are.
New Avengers 24
It's another 4.99 book in another extra-sized issue (like AVENGERS last week) as Hickman moves NEW AVENGERS into TIME RUNS OUT, starting our story eight months after the events of the last issue. Though I'm wary of $4.99 books, I can't say I'm not interested in seeing this one. AVENGERS was solid last week and this book should give us the other side of the story. Looking forward to it.
New Warriors 10
Have I told you guys I'm really enjoying this book (though it's just about over at this point)? Just kidding, you guys, I know I have. Check it out while you still can.
Storm 3
I liked the first issue a good deal and the second issue had some positives to it. I think that Greg Pak's a strong writer and he very clearly has some thoughts about Storm as a character. Still, this book certainly gets the benefit of a slow release week to make this list.
Thunderbolts 31
I really need to keep a running list of when books are set to end. I THINK this book runs through issue 32 (or is it 33?). Either way, we're closing in on the end of the series and I'm sad to see it go. I also just caught up on a string of really good "Thrilling Adventure Hours" so I'm even more sad that Acker and Blacker will be Marvel homeless at the conclusion of this book (hopefully they'll find something soon).
Edge of Spider-Verse 3
There's a lot of fun stuff happening in EDGE OF SPIDER-VERSE so far, though this certainly makes it to the list thanks to a slow release week. It's been strong, though I expect it's hit-or-miss with how interesting these new spiders are.
New Avengers 24
It's another 4.99 book in another extra-sized issue (like AVENGERS last week) as Hickman moves NEW AVENGERS into TIME RUNS OUT, starting our story eight months after the events of the last issue. Though I'm wary of $4.99 books, I can't say I'm not interested in seeing this one. AVENGERS was solid last week and this book should give us the other side of the story. Looking forward to it.
New Warriors 10
Have I told you guys I'm really enjoying this book (though it's just about over at this point)? Just kidding, you guys, I know I have. Check it out while you still can.
Storm 3
I liked the first issue a good deal and the second issue had some positives to it. I think that Greg Pak's a strong writer and he very clearly has some thoughts about Storm as a character. Still, this book certainly gets the benefit of a slow release week to make this list.
Thunderbolts 31
I really need to keep a running list of when books are set to end. I THINK this book runs through issue 32 (or is it 33?). Either way, we're closing in on the end of the series and I'm sad to see it go. I also just caught up on a string of really good "Thrilling Adventure Hours" so I'm even more sad that Acker and Blacker will be Marvel homeless at the conclusion of this book (hopefully they'll find something soon).
Sunday, August 24, 2014
Leftovers 8-20-14
Okay, let's try this again, hm? Fortunately it was a more laid-back week for comics than we've had in a while so I have fewer to deal with here! And they're mostly pretty alright! Let's get it started.
All-New Ghost Rider 6
F. Smith (w) and D. Scott (p) and Campanella (i) and Staples and Sobreiro (c) and Caramagna (l)
Zabo's defeat has improved the community already and the locals are talking about the community's protector, though they know very little about the new Ghost Rider. Meanwhile, Robbie has stopped listening to Eli for the time being about vengeance and punishment and so on, to the chagrin of the spirit, and has instead focused on improving life for him and brother Gabe. It's working wonderfully as Robbie has been making good money winning street races and has been able to spend more time with Gabe, which has led to great strides in his education, but may be short-lived as Zabo prepares Guero for the next step. Bit of a rest issue here, which makes the change in art less jarring than it might be otherwise (strange that I'm calling something "less jarring" than Tradd Moore's kinetic and exciting style. It's another good issue and sets us up for a few big upcoming arcs, including things to do with Eli, a mysterious visitor, and Guero/Zabo. Plenty going on as this series continues. Total Score: 4/5
All-New Ultimates 6
Fiffe (w) and Pinna (a) and Woodard (c) and Cowles (l)
The war between the new Ultimates and the Skulls continue and they fight and fight and fight and fight and fight and fight and then the police show up but it's too late for the church and everyone gets away. It's probably a sign that your book isn't so entertaining that you have to CONSTANTLY spend the first ten pages just identifying all the players. Maybe clear some things up? Or put in a recap page with the character names and pictures? So pretty much just a fight with stakes I'm not sure about and characters I certainly don't have any connection to. Total Score: 1/5
All-New X-Factor 12
David (w) and Di Giandomenico (a) and Loughridge (c) and Petit (l)
Quicksilver reports in to Havok, who decides that Lorna is doing just fine and Quicksilver can return to the Avengers again, an invitation which Quicksilver declines. Later, X-Factor is part of a press conference as Serval reveals the team and announces their intentions. Quicksilver again causes a bit of a stir when he's accused from the crowd of being a criminal. He admits to the charges and asks forgiveness for his many problems, saying that he'll await the decision of the rest of the world as to his fate. The only visitor he receives, though, is his estranged daughter Luna, who forgives him for his past and embraces him again, proud of his admission. It's a nice issue and it gives us a chance to see what the whole of the team is up to as we get a little bit of intrigue from each member. It's an issue that reminds us how good David can be at constructing a team and showing us how that team ticks. Total Score: 4/5
Deadly Hands of Kung Fu 4
M. Benson (w) and Huat (p) and Yeung (i) and Aburtov (c) and Sabino (l)
Midnight Sun's ritual ends up resurrecting Leiko as he screws things up pretty bad, overconfident about his power. Leiko, now emboldened with mystical powers, manages to beat up Midnight Sun, Razor Fist, and Black Ghost. And by beat up, I mostly mean "tries to kill all of them, though only succeeds at killing Black Ghost because Shang Chi stops her from killing the others." With Midnight Sun defeated, Shang Chi pays his final respects to Leiko and prepares to go home, though it seems possible he's not done with Leiko just yet. This is another one of those "tough to review" sorts of issues because it's certainly not unreadable but it's also not necessarily a story I'm super into. I like Huat's art, just as I came to love it in X-MEN LEGACY, so that helps this one. I can't really get too into this one though as it becomes difficult to understand the stakes of this whole arc. Total Score: 3/5
Deadpool vs. X-Force 3
Swierczyinski (w) and Larraz (a) and Woodard (c) and Sabino (l)
The inhibitor Deadpool placed on Cable controls his physical actions but Cable's telekinesis is still going strong, allowing him to at least stay a step ahead of Deadpool. He pretends to be under Deadpool's control a little longer as he learns what's really happening. Talbot didn't hire Deadpool to save his grandson, he hired him to change history so he can make America the greatest nation on Earth by annihilating at the start of each war and conquering nation after nation. Cable blasts Deadpool to pieces and sets about trying to restore the timeline, though Deadpool isn't done yet. Not a bad issue and there are some interesting ideas here, but ultimately the tone feels a little off balance, particularly as Deadpool's fourth-wall breaking clashes with Cable's seriousness. Total Score: 3/5
Magneto 8
Bunn (w) and J. Fernandez (a) and D. Brown (c) and Petit (l)
Magneto finds the lab producing the MGH he discovered last issue. The SHIELD team on his trail manages to find him there, gunning down the MGH-enhanced guards, though Magneto gets away with the MGH cook, to whom he offers a job. The issue works pretty well to keep the story moving forward and to give us more of a sense of where Magneto's at these days. It moves well and it reinforces Magneto's purpose. It gets a little preachy but preachiness is rather at the core of Magneto so, I suppose, great character work? In other news, Apu might get deported! How many more books are there to review? Total Score: 4/5
Original Sins 5
Dum Dum Dugan: Ewing (w) and Guice (p) and Hanna (i) and M. Wilson (c) and Cowles (l)
Young Avengers: North (w) and Villalobos (a) and Gibson (c) and Cowles (l)
The Rest: Zdarsky
Story one finds Dum Dum Dugan learning that he's been dead since the war and that Fury created the most lifelike LMD to replace him, even getting him to believe he's a real boy. Dum Dum shoots himself in the head and asks Fury not to rebuild him, which seems unlikely. The Young Avengers finish out their story as they turn the tables on Hood, though he does manage to escape so, kind of a loss. On the plus side, Prodigy reveals that the code he set up is a one-time pad code on the information, which makes it nearly impossible to access again. Except, as it happens, for Prodigy, a fact which he conceals from his team. Finally, Chip Zdarsky brings us a great two-page interrogation of the Marvel Universe wherein tons of characters reveal their darkest secrets to Nick Fury, who is actually an impostor, as discovered by the real Nick Fury by the end. Pretty good stuff all around, particularly in the ending to the Young Avengers story and the Zdarsky story. Total Score: 4/5
Savage Wolverine 22
Arcudi (w) and Quinones (a and c) and Petit (l)
Wolverine stops the German from radioing for artillery, though his shock at the appearance of the man from his dreams makes him paranoid and he lashes out at Link before channelling that rage into attacking the remaining Germans, who eventually surrender, managing to shake Wolverine out of his animal rage. He realizes that maybe the German he already attacked isn't quite dead and he rushes off to make sure no artillery is called in. He succeeds in stopping the German, but they manage to see each other as humans and not animals or enemies, sharing one peaceful moment before the German dies. It's a pretty strong conclusion to the little arc as it hits on one of the biggest Wolverine themes, the idea of his separate animal and human natures. It's strong work and the very talented Joe Quinones does some really impressive things in this issue (he's also a very nice guy that I met at Boston Comic-Con and from whom my girlfriend and I bought really great prints). Total Score: 4/5
Storm 2
Pak (w) and Ibanez (a) and Redmond (c) and Petit (l)
Storm, dedicated to helping make the world a better place whatever way she can, sees a lost-child poster and decides to find her. With Beast's help, she manages to find the girl through a burner cellphone she'd picked up along the way and it leads her to the subway, where she runs afoul of Callisto, formerly of the Morlocks. Storm attacks her old nemesis, though she eventually busts into Callisto's hideout, a simple but pleasant room in the tunnels where a number of runaways have gathered and seem to be having a good time, each and every one from homes worse than this one. Callisto swears she's not raising an army, that those days are behind her, and that she's just helping these kids have a place to go. Storm apologizes and sets Callisto up with a little more tech, swearing to stay out of her way but has Beast continue to keep an eye on her. So, okay, admittedly, Storm didn't really do much except attack someone apparently doing the right thing and eventually provide a water filtration system to same. Still, the writing is pretty strong (though I still don't really like Wolverine and Storm as a relationship) and the book moves well as Storm learns a valuable lesson. I hope. Total Score: 3/5
Wolverine Annual 1
Kalan (w) and Marks (a) and Villarrubia (c) and Petit (l)
Wolverine, Jubilee, and Shogo go camping, both to spend some time together and so Wolverine will feel better about Jubilee being without him if something should happen to him. It's constantly proved to him throughout the day as she gets along with the wolves that visit family member Wolverine and as she takes charge to recover Shogo from a camping army couple who misinterpret the situation badly and try to do the right thing. Wolverine is even more impressed when Jubilee manages to rein herself in enough not to kill the couple as things start to head that way. It's a pretty strong issue by Elliot Kalan with solid art and some well-developed characters, though, as with many annual issues, it ends up being thirty pages and feels like it's stretching a bit to reach the count. Still not bad. Except Kalan to do more with Marvel as things move forward. Total Score: 4/5
All-New Ghost Rider 6
F. Smith (w) and D. Scott (p) and Campanella (i) and Staples and Sobreiro (c) and Caramagna (l)
All-New Ultimates 6
Fiffe (w) and Pinna (a) and Woodard (c) and Cowles (l)
The war between the new Ultimates and the Skulls continue and they fight and fight and fight and fight and fight and fight and then the police show up but it's too late for the church and everyone gets away. It's probably a sign that your book isn't so entertaining that you have to CONSTANTLY spend the first ten pages just identifying all the players. Maybe clear some things up? Or put in a recap page with the character names and pictures? So pretty much just a fight with stakes I'm not sure about and characters I certainly don't have any connection to. Total Score: 1/5
All-New X-Factor 12
David (w) and Di Giandomenico (a) and Loughridge (c) and Petit (l)
Deadly Hands of Kung Fu 4
M. Benson (w) and Huat (p) and Yeung (i) and Aburtov (c) and Sabino (l)
Midnight Sun's ritual ends up resurrecting Leiko as he screws things up pretty bad, overconfident about his power. Leiko, now emboldened with mystical powers, manages to beat up Midnight Sun, Razor Fist, and Black Ghost. And by beat up, I mostly mean "tries to kill all of them, though only succeeds at killing Black Ghost because Shang Chi stops her from killing the others." With Midnight Sun defeated, Shang Chi pays his final respects to Leiko and prepares to go home, though it seems possible he's not done with Leiko just yet. This is another one of those "tough to review" sorts of issues because it's certainly not unreadable but it's also not necessarily a story I'm super into. I like Huat's art, just as I came to love it in X-MEN LEGACY, so that helps this one. I can't really get too into this one though as it becomes difficult to understand the stakes of this whole arc. Total Score: 3/5
Deadpool vs. X-Force 3
Swierczyinski (w) and Larraz (a) and Woodard (c) and Sabino (l)
The inhibitor Deadpool placed on Cable controls his physical actions but Cable's telekinesis is still going strong, allowing him to at least stay a step ahead of Deadpool. He pretends to be under Deadpool's control a little longer as he learns what's really happening. Talbot didn't hire Deadpool to save his grandson, he hired him to change history so he can make America the greatest nation on Earth by annihilating at the start of each war and conquering nation after nation. Cable blasts Deadpool to pieces and sets about trying to restore the timeline, though Deadpool isn't done yet. Not a bad issue and there are some interesting ideas here, but ultimately the tone feels a little off balance, particularly as Deadpool's fourth-wall breaking clashes with Cable's seriousness. Total Score: 3/5
Magneto 8
Bunn (w) and J. Fernandez (a) and D. Brown (c) and Petit (l)
Original Sins 5
Dum Dum Dugan: Ewing (w) and Guice (p) and Hanna (i) and M. Wilson (c) and Cowles (l)
Young Avengers: North (w) and Villalobos (a) and Gibson (c) and Cowles (l)
The Rest: Zdarsky
Story one finds Dum Dum Dugan learning that he's been dead since the war and that Fury created the most lifelike LMD to replace him, even getting him to believe he's a real boy. Dum Dum shoots himself in the head and asks Fury not to rebuild him, which seems unlikely. The Young Avengers finish out their story as they turn the tables on Hood, though he does manage to escape so, kind of a loss. On the plus side, Prodigy reveals that the code he set up is a one-time pad code on the information, which makes it nearly impossible to access again. Except, as it happens, for Prodigy, a fact which he conceals from his team. Finally, Chip Zdarsky brings us a great two-page interrogation of the Marvel Universe wherein tons of characters reveal their darkest secrets to Nick Fury, who is actually an impostor, as discovered by the real Nick Fury by the end. Pretty good stuff all around, particularly in the ending to the Young Avengers story and the Zdarsky story. Total Score: 4/5
Savage Wolverine 22
Arcudi (w) and Quinones (a and c) and Petit (l)
Storm 2
Pak (w) and Ibanez (a) and Redmond (c) and Petit (l)
Storm, dedicated to helping make the world a better place whatever way she can, sees a lost-child poster and decides to find her. With Beast's help, she manages to find the girl through a burner cellphone she'd picked up along the way and it leads her to the subway, where she runs afoul of Callisto, formerly of the Morlocks. Storm attacks her old nemesis, though she eventually busts into Callisto's hideout, a simple but pleasant room in the tunnels where a number of runaways have gathered and seem to be having a good time, each and every one from homes worse than this one. Callisto swears she's not raising an army, that those days are behind her, and that she's just helping these kids have a place to go. Storm apologizes and sets Callisto up with a little more tech, swearing to stay out of her way but has Beast continue to keep an eye on her. So, okay, admittedly, Storm didn't really do much except attack someone apparently doing the right thing and eventually provide a water filtration system to same. Still, the writing is pretty strong (though I still don't really like Wolverine and Storm as a relationship) and the book moves well as Storm learns a valuable lesson. I hope. Total Score: 3/5
Wolverine Annual 1
Kalan (w) and Marks (a) and Villarrubia (c) and Petit (l)
Thursday, August 14, 2014
All-New X-Men 30, Amazing X-Men 10, X-Men 18
All-New X-Men 30
Bendis (w) and Pichelli (a) and Gracia (c) and Petit (l)
X-23 and Angel escaped all the drama to go on a date and spend the night in one of Warren's rich person apartments and Laura admits to not remembering much of the last night and does NO ONE find this a really, really creepy story? It can't just be me, right? I don't pick up on things all that easily and so feeling really creeped out by this scene must make it pretty obvious, right? Okay, anyway, Emma wants to train Jean but there's prolonged bad blood between them because they both keep failing the Bechdel test and I think they're trying to figure out who fails it harder? That's the takeaway, I think. Anyway, they end up bonding? Is there a person who cares about this?
Okay, look, I'll be the first to admit I'm in a bad mood today but I read this comic last night, when I was in a mildly better mood (until after I read the comic). I tried working out all the "benefit of a doubt" ways to talk about this issue but the bad mood has ensured those have all gone out the window. I'll still start it the same way: I know that I tend to badmouth Brian Michael Bendis on this blog a lot because I don't really care for his style and I think his characters, save a couple, are fairly weak. I have no real desire to badmouth him. I do believe there are reviewers and critics out there who legitimately enjoy the mean part of the job or the controversy of attacking well-liked writers/directors/actors/whatever. I am most definitely not one of those people so I hate coming off attacky at anyone, but especially Bendis who is clearly well-liked and well-regarded (he's gone from a couple of prime AVENGERS titles to a couple of prime X-MEN titles, not to mention all his other past books). THAT SAID, I absolutely hate this series and I really, really hate this issue. I talked a lot above about the strange and terrible women in this issue but that didn't even talk about Kitty's weird relationship or scratch the surface of how poorly written and out of character I think Laura was or REALLY about how uncomfortable the idea that Laura couldn't really remember the night before and woke up in one of Warren's homes with him shirtless and had to have Warren describe the night for her. I'm REALLY uncomfortable about that. Let's not forget, too, that this is the second issue since Laura's joined up with the team (not that long ago) where a cover has featured her making out on a dude, which seems both wrong and odd. And I get that Emma and Jean have this built-in sexist rivalry between them in their history but wouldn't it be a thousand times more interesting if they had some other thing to talk about? Other than ol' just-right porridge Scott Summers? They're two of the most powerful telepaths ever (despite Emma's current situation) and they go to train and they're like "HEY, LET'S CONTINUE COMPETING OVER SCOTT" and then they spend some time locked in each other's minds and just stand up laughing together because, as one of the Stepfords puts it, they've bonded. I want to complain about how incredibly lazy it is to just have two psychics stare at each other for a panel and then come out going "we're pals now!" but I'd have actually accepted a completely silent issue with Pichelli art because I think it'd be far stronger than this.
Total Score: 1/5
Amazing X-Men 10
Kyle and Yost (w) and Barberi and Coello (p) and Wong and Coello (i) and Rosenberg (c) and Caramagna (l)
Wolverine (and much of Canada) has been transformed into a Wendigo and the X-Men are having some trouble dealing with these problems. They keep whacking Wolverendigo away while they plot and Alpha Flight shows up and everybody jokes around a bit while the Avengers watch the border (plus side, the curse doesn't extend beyond Canadian borders) and they need to bring the injured Talisman to a very specific place that leads to the spirit realm but when they take her there they find it's also full o' Wendigos. Maybe this isn't the time for jokes, Bobby?
There is something of a strange tonal shift in this issue as the plight of the Wendigo suddenly becomes a little less serious with all these pals coming together and having a good time. I'll be honest, I think if this is the tone you set up in the first issue or two of this arc then it totally works. But where the first issue or two of this arc had a really serious tone, this one doesn't quite stick the landing. Some of the dialogue and jokes aren't bad and, if it were maybe a little more sparse, I think there's a way this could hit a little better. Instead, it feels out of place and oddly unsympathetic. Seriously Rockslide, pull yourself together. This is why no one brings you to any of the fights or uses you in any of these books.
Total Score: 3/5
X-Men 18
Guggenheim (w) and Tolibao (p) and Tadeo and Yeung (i) and Mounts (c) and Caramagna (l)
The X-Men are fighting an airborne AIM virus by burning it out of the air when Abigail Brand calls them to request their presence. A not-dead/not-paralyzed but certainly comatose Deathbird has suddenly turned up in orbit and Brand isn't sure why and wants a team of 3/5 psychics, particularly ones with experience with Deathbird (who happens to be Rachel Grey's aunt by marriage) and the Kree, to check the situation out. She's also called in Cecilia Reyes to examine Deathbird. The whole thing, though, is interrupted when Sidrian Hunters attack the Peak, coming for Deathbird or, as Cecilia reveals, Deathbird's unborn child.
There are some interesting moments here and Guggenheim has a pretty good feel for the humor he wants to bring to the team. Sometimes, though, it overloads a little and the dialogue ends up slowing a bit more than you'd like, taking something away from the action and the story itself. Good dialogue, particularly good funny dialogue, should never really feel like a slog and while Guggenheim certainly isn't writing poorly, parts of the issue start to drag. Still not a bad issue and it left me interested where the story would go.
Bendis (w) and Pichelli (a) and Gracia (c) and Petit (l)
Okay, look, I'll be the first to admit I'm in a bad mood today but I read this comic last night, when I was in a mildly better mood (until after I read the comic). I tried working out all the "benefit of a doubt" ways to talk about this issue but the bad mood has ensured those have all gone out the window. I'll still start it the same way: I know that I tend to badmouth Brian Michael Bendis on this blog a lot because I don't really care for his style and I think his characters, save a couple, are fairly weak. I have no real desire to badmouth him. I do believe there are reviewers and critics out there who legitimately enjoy the mean part of the job or the controversy of attacking well-liked writers/directors/actors/whatever. I am most definitely not one of those people so I hate coming off attacky at anyone, but especially Bendis who is clearly well-liked and well-regarded (he's gone from a couple of prime AVENGERS titles to a couple of prime X-MEN titles, not to mention all his other past books). THAT SAID, I absolutely hate this series and I really, really hate this issue. I talked a lot above about the strange and terrible women in this issue but that didn't even talk about Kitty's weird relationship or scratch the surface of how poorly written and out of character I think Laura was or REALLY about how uncomfortable the idea that Laura couldn't really remember the night before and woke up in one of Warren's homes with him shirtless and had to have Warren describe the night for her. I'm REALLY uncomfortable about that. Let's not forget, too, that this is the second issue since Laura's joined up with the team (not that long ago) where a cover has featured her making out on a dude, which seems both wrong and odd. And I get that Emma and Jean have this built-in sexist rivalry between them in their history but wouldn't it be a thousand times more interesting if they had some other thing to talk about? Other than ol' just-right porridge Scott Summers? They're two of the most powerful telepaths ever (despite Emma's current situation) and they go to train and they're like "HEY, LET'S CONTINUE COMPETING OVER SCOTT" and then they spend some time locked in each other's minds and just stand up laughing together because, as one of the Stepfords puts it, they've bonded. I want to complain about how incredibly lazy it is to just have two psychics stare at each other for a panel and then come out going "we're pals now!" but I'd have actually accepted a completely silent issue with Pichelli art because I think it'd be far stronger than this.
Total Score: 1/5
Amazing X-Men 10
Kyle and Yost (w) and Barberi and Coello (p) and Wong and Coello (i) and Rosenberg (c) and Caramagna (l)
There is something of a strange tonal shift in this issue as the plight of the Wendigo suddenly becomes a little less serious with all these pals coming together and having a good time. I'll be honest, I think if this is the tone you set up in the first issue or two of this arc then it totally works. But where the first issue or two of this arc had a really serious tone, this one doesn't quite stick the landing. Some of the dialogue and jokes aren't bad and, if it were maybe a little more sparse, I think there's a way this could hit a little better. Instead, it feels out of place and oddly unsympathetic. Seriously Rockslide, pull yourself together. This is why no one brings you to any of the fights or uses you in any of these books.
Total Score: 3/5
X-Men 18
Guggenheim (w) and Tolibao (p) and Tadeo and Yeung (i) and Mounts (c) and Caramagna (l)
There are some interesting moments here and Guggenheim has a pretty good feel for the humor he wants to bring to the team. Sometimes, though, it overloads a little and the dialogue ends up slowing a bit more than you'd like, taking something away from the action and the story itself. Good dialogue, particularly good funny dialogue, should never really feel like a slog and while Guggenheim certainly isn't writing poorly, parts of the issue start to drag. Still not a bad issue and it left me interested where the story would go.
Saturday, August 2, 2014
Uncanny X-Men 24, X-Men 17
Uncanny X-Men 24
Bendis (w) and Anka (a and c) and Caramagna (l)
Beast, using Cerebro, knows where Cyclops and his group are. He's been unwilling to disclose such up to now because he doesn't want to deal with Cyclops any more but now the team gets on a jet and flies to the old Weapon X facility to gather their old teammate. They tell him what's happening and head back home with Cyclops, Emma, Magik, and Kitty following via teleport. Amidst fears that Xavier may have left the school to Cyclops, She-Hulk begins to read the will, which reveals a marriage to Mystique and a chip with a video recorded message from Xavier that promises a big secret reveal.
You know those complaints I occasionally lodge about a story REALLY dragging forward? Well here ya go. It also plays to my more specific criticisms of this rift in the X-Men Universe being a rift in name only since they're ALWAYS hanging out together. ALSO, while we're on the subject of issues I'm having, I roll my eyes every time I see that cover and remember the punk (is that what we'd even call it? Just terrible, is what I'd call it) makeover of Dazzler. Look, what I'm saying is that there are real issues with this issue. There are some upsides, particularly in that it looks like Bendis might actually be ready to go a little deeper with some of the characters he's had in his control for the last two years or so, including Ice Man and, maybe, Beast. Still, more bad than good for my own tastes.
Total Score: 3/5
X-Men 17
Wood (w) and Diaz and Briones (a) and Mounts (c) and Caramagna (l)
The X-Men have brought the fight to The Future only to be stopped in their tracks by The Future's defense mechanism Bloodline, which allows only people with The Future's DNA to enter. At Kymera's request, Beast has brought Shogo to the fight scene. Using her future knowledge and begging the trust of her mother and the other X-Men, she brings Shogo to the edge of Bloodline and cuts his finger, wiping the baby's blood on one of the plants in the forest. Bloodline, needing to adjust, shuts down for enough time to allow Jubilee out of her prison and the X-Men into the forest. However, even Jubilee is too slow as the forest rips through the ground and kills The Future itself. Not all is well, though, as Shogo is poisoned by the foliage. Beast is forced to admit that he used Arkea to save Primal and Sprite and asks Storm to trust him as well as he injects the strain into Shogo, which he does and it saves his life. The X-Men all head home relatively happy, though Kymera sets off to live in the world, understanding that her mother didn't ask to suddenly have a teenage daughter and that the two would likely butt heads to no end. She'll still be around, ready to help and to protect the baby Shogo (her best friend in the future), but she won't be at the school.
The Future's storyline is interesting and ends up being almost more of a story for Kymera, who saves the day with some risky maneuvers and the sort of decisiveness we've come to expect from a Munroe. It's not a bad issue (a particular highlight is an unleashed Storm, prepared and able to raze the forest to stop The Future) and the art is pretty solid throughout. It does feel a little anticlimactic for a villain who, just a couple issues ago, seemed so untouchable, to die horribly tucked away from all of our heroes. Still not a bad issue, just a strange ending and one that doesn't sit particularly well, as if Wood had to rush out to finish up the other storylines and check in with all of our key characters before the issue officially ended.
Total Score: 4/5
Bendis (w) and Anka (a and c) and Caramagna (l)
You know those complaints I occasionally lodge about a story REALLY dragging forward? Well here ya go. It also plays to my more specific criticisms of this rift in the X-Men Universe being a rift in name only since they're ALWAYS hanging out together. ALSO, while we're on the subject of issues I'm having, I roll my eyes every time I see that cover and remember the punk (is that what we'd even call it? Just terrible, is what I'd call it) makeover of Dazzler. Look, what I'm saying is that there are real issues with this issue. There are some upsides, particularly in that it looks like Bendis might actually be ready to go a little deeper with some of the characters he's had in his control for the last two years or so, including Ice Man and, maybe, Beast. Still, more bad than good for my own tastes.
Total Score: 3/5
X-Men 17
Wood (w) and Diaz and Briones (a) and Mounts (c) and Caramagna (l)
The Future's storyline is interesting and ends up being almost more of a story for Kymera, who saves the day with some risky maneuvers and the sort of decisiveness we've come to expect from a Munroe. It's not a bad issue (a particular highlight is an unleashed Storm, prepared and able to raze the forest to stop The Future) and the art is pretty solid throughout. It does feel a little anticlimactic for a villain who, just a couple issues ago, seemed so untouchable, to die horribly tucked away from all of our heroes. Still not a bad issue, just a strange ending and one that doesn't sit particularly well, as if Wood had to rush out to finish up the other storylines and check in with all of our key characters before the issue officially ended.
Total Score: 4/5
Thursday, July 24, 2014
Storm 1
Storm 1
Pak (w) and V. Ibañez (a) and Redmond (c) and Petit (l)
Storm kicks off her solo series by aiding the small African village of Santo Marco right on the brink of a tsunami (I sat here for a WHILE trying to get a better sentence than that but it's just not happening, sorry guys). It's hard, but she holds the tsunami off to protect the villagers, though she draws the ire of the anti-mutant government forces in the village and is forced, with Beast in her ear, to leave before she upends the mutant community's work to get the anti-mutant government ousted. She returns home to find new mutant student Flourish deciding on the new name Creep, bequeathed to her by the other kids, and accusing the Jean Grey School of indoctrinating kids and brainwashing them before calling Storm a sellout. The insult and the tone of the teenager cuts at Storm, who leaves and, against Henry's wishes and perhaps her better instincts, returns to Santo Marco to aid in the cleanup. She's well-liked by the community but the government jerks come back and threaten her, goading her into conflict, which she, you know, annihilates. It's caught on camera but it seems like it may lead to better conditions in the village as it empowers the villagers and shines a light on local politician greed and corruption. She returns home, apologizes to Creep, and returns her to her home in Mexico, where she happily reunites with her family.
It's a very solid first issue for Greg Pak and Victor Ibañez on the new STORM ongoing. I was nervous at first as Pak started to give more background history on Storm than I think we needed but he quickly righted the ship and made the narration work to the story's benefit and to Storm's benefit. I was surprised, in fact, when I realized how quickly the story was reading despite what I saw as a rather slow start. It became a compelling story, one that really got right to the core of Storm and managed to show her in a few different lights, particularly important as Storm is the sort of character who's lived a very complex and very accomplished life. Looking forward to see where the series goes next.
Total Score: 5/5
Pak (w) and V. Ibañez (a) and Redmond (c) and Petit (l)
It's a very solid first issue for Greg Pak and Victor Ibañez on the new STORM ongoing. I was nervous at first as Pak started to give more background history on Storm than I think we needed but he quickly righted the ship and made the narration work to the story's benefit and to Storm's benefit. I was surprised, in fact, when I realized how quickly the story was reading despite what I saw as a rather slow start. It became a compelling story, one that really got right to the core of Storm and managed to show her in a few different lights, particularly important as Storm is the sort of character who's lived a very complex and very accomplished life. Looking forward to see where the series goes next.
Total Score: 5/5
Tuesday, July 22, 2014
Comics this week
We get a bit of a break this week as the new release total drops down to under 15 for the first time in what seems like the entire history of mankind, back to the very first cavemen who were forced to spend more than they wanted on comics every week because, you know, percentage-wise it's not that bad, considering how many books are out total. ON THE FLIPSIDE, this pre-game post traditionally chooses the top five books to look out for in the coming week and I literally only have three that I'm particularly concerned about (and one is kind of a push anyway, honestly). So let's take a look at two and a half books I want you to read this week and two others that are on this list because I hate breaking tradition.
Amazing Spider-Man 4
Is it me or has their been a drop off in production of this book? Actual physical production, not like, Peter Parker is less efficient than he has been. An easy way to check would be to look across my old blog posts but, well, we all know how likely I am to do that. Instead, I'll ask the question here, probably receive no answer, and go on with my life. Anyway, I like the directions this book can go in though I'm a little at a loss about the Electro story and the Black Cat story, which are, in fact, coming together now, so let's see if Slott manages to turn me around on those.
Daredevil 6
This is a really fun book, you guys. The last issue just came out, like, two weeks ago and explored the "death" of Foggy Nelson, a topic I hadn't anticipated, so just read my last pre-game for this book and transfer that praise on to this one.
Mighty Avengers 12
I don't want to write this series off entirely because it's shown glimpses of really innovative and exciting things. Of course, the fact that it's in the midst of an ORIGINAL SIN tie-in doesn't exactly warm my heart or, indeed, push me to recommend it more, but here we are. It won the lottery of "I don't care a lot about most of these books," beating out DEADPOOL which, somehow, almost never gets even a little bit of consideration. I've mostly enjoyed the book beyond the much hated (by me) first arc and yet it remains just kind of a comic that exists, not one that I'm particularly pumped about (though I loved the Declan Shalvey arc and I'm looking forward to a team-up between old man Steve Rogers and Deadpool). Anyway, MIGHTY AVENGERS: it's out this week (Marvel, you can use that catchphrase if you want it).
Original Sin 5.2 - Thor and Loki
Gah, another tie-in book to an event I'm not sold on? Geez, slow week. Anyway, big shifts coming for Asgard lore (and for Thor, as news broke last week) and the start to those shifts seem to be coming in this tie-in and did I mention it's a slow week?
Storm 1
My thought, you guys, is that this is a slow week, one where I, the guy who willingly writes reviews of every major Marvel release, am tepid on the majority of the books that are releasing, so you have no excuse not to buy STORM by Greg Pak and Victor Ibanez. Go check it out, support the rad X-Men leader in her first solo ongoing, and guarantee that Marvel keeps making it and keeps trying new things.
Amazing Spider-Man 4
Is it me or has their been a drop off in production of this book? Actual physical production, not like, Peter Parker is less efficient than he has been. An easy way to check would be to look across my old blog posts but, well, we all know how likely I am to do that. Instead, I'll ask the question here, probably receive no answer, and go on with my life. Anyway, I like the directions this book can go in though I'm a little at a loss about the Electro story and the Black Cat story, which are, in fact, coming together now, so let's see if Slott manages to turn me around on those.
Daredevil 6
This is a really fun book, you guys. The last issue just came out, like, two weeks ago and explored the "death" of Foggy Nelson, a topic I hadn't anticipated, so just read my last pre-game for this book and transfer that praise on to this one.
Mighty Avengers 12
I don't want to write this series off entirely because it's shown glimpses of really innovative and exciting things. Of course, the fact that it's in the midst of an ORIGINAL SIN tie-in doesn't exactly warm my heart or, indeed, push me to recommend it more, but here we are. It won the lottery of "I don't care a lot about most of these books," beating out DEADPOOL which, somehow, almost never gets even a little bit of consideration. I've mostly enjoyed the book beyond the much hated (by me) first arc and yet it remains just kind of a comic that exists, not one that I'm particularly pumped about (though I loved the Declan Shalvey arc and I'm looking forward to a team-up between old man Steve Rogers and Deadpool). Anyway, MIGHTY AVENGERS: it's out this week (Marvel, you can use that catchphrase if you want it).
Original Sin 5.2 - Thor and Loki
Gah, another tie-in book to an event I'm not sold on? Geez, slow week. Anyway, big shifts coming for Asgard lore (and for Thor, as news broke last week) and the start to those shifts seem to be coming in this tie-in and did I mention it's a slow week?
Storm 1
My thought, you guys, is that this is a slow week, one where I, the guy who willingly writes reviews of every major Marvel release, am tepid on the majority of the books that are releasing, so you have no excuse not to buy STORM by Greg Pak and Victor Ibanez. Go check it out, support the rad X-Men leader in her first solo ongoing, and guarantee that Marvel keeps making it and keeps trying new things.
Saturday, July 19, 2014
Uncanny X-Men 23, X-Men 16
Uncanny X-Men 23
Bendis (w) and Anka (a and c) and Caramagna (l)
As the team recovers from the most recent attack of the future evil brotherhood, She-Hulk receives a startling package. While Cyclops tries to talk to Eva about whatever it is she's hiding and her suddenly faster aging and as Emma, Magik, and Magneto try to help Dazzler track down Mystique, She-Hulk heads to the Jean Grey School and calls together Storm, Beast, and Iceman, waiting only for Cyclops to turn up so that she can read the last will and testament of Charles Xavier.
The issue serves as both the start to a new arc and a bit of a rest issue after the last arc. It drags a little bit in its own way, combatted well by Bendis by jumping around the X-Universe a bit. As the team settles back in, welcoming recent overpowered hero Hijack back into their midst, Bendis sets up the new story which will, he promises, rattle the X-World to its core. That said, it comes as a big sort of GASP moment at the end when She-Hulk informs the three X-Men around her that they'll need to get Cyclops to hear the reading of the will, which would probably be more effective if the two rival teams didn't see each other every third book or so. For someone who has sort of been excommunicated by the X-Men, Cyclops has still made a number of appearances, met with varying degrees of anger and I think it's weakened the series and the death of Charles Xavier a bit. I'd have liked it more if they could have kept this Uncanny X-Men team from the X-Men team or the Wolverine and the X-Men team or whatever entirely, really giving a sense of isolation. Instead, Cyclops has appeared in every major X-Men story, it feels like, and Bendis has even gone so far as to send the O5 X-Men with Kitty Pryde to Cyclops' side. Hardly feels as dramatic. Anyway, the total score/review for this issue is only for this issue, not for the faults I'm expressing about the series as a whole. So...
Total Score: 4/5
X-Men 16
Wood (w) and Buffagni and Sandoval (a) and Mounts (c) and Eliopoulos and Caramagna (l)
The Future, thrown a bit by Kymera's appearance and actions, has altered his plan and captured Jubilee instead of killing her and trying to take Shogo himself. He retreats to a safehouse in the Adirondacks and waits for the X-Men's response. They prepare an assault, readying even the students for the fight, despite the notion that students should stay away from the fighting and acknowledging that the kidnapping of an X-Man and the brutal attacks on their home are more serious than most things they face. As they begin their attack, they learn that The Future has all manner of futuristic defenses, including a sort of bio-coded forest which would only allow entrance to people with the same DNA as The Future, stopping even the powerful Monet in her tracks. When The Future makes an offer of a trade, Jubilee for Shogo, to Storm, sure that she will give up the baby that he believes means nothing to her, she declares war.
Things are getting heated against The Future and I think that the only problem with the story as a whole is that The Future is still such a foreign entity. That isn't altogether bad; the idea that the X-Men don't really know who they're facing and that they've never faced him before opens the door for plenty of fear and poor decisions. However, it does make it kind of hard to see how much of a threat he is. Obviously Wood has done his part, showing The Future effortlessly attacking the Jean Grey School and incapacitating Psylocke (actually hard) and kidnapping Jubilee (ehhhhhh, not so hard once you're IN the school). Even with that, though, it's hard to get a read on this guy. This is where the continuity of comics hurts the current comics because the X-Men, appropriately, are treating this as one of the biggest threats they've faced but long-time X-Readers are undoubtedly thinking of all the other villains in the team's rogues gallery and wondering why The Future stacks up so high suddenly. Again, not necessarily Wood's fault or the fault of this book but it is a problem when reading this story. Still, strong issue overall, harkens back to Wood's ULTIMATE X-MEN with the sentient seed and the forest that fought on behalf of the mutants of Utopia, even if now a pseudo-sentient seed is fighting against the X-Men.
Total Score: 4/5
Bendis (w) and Anka (a and c) and Caramagna (l)
The issue serves as both the start to a new arc and a bit of a rest issue after the last arc. It drags a little bit in its own way, combatted well by Bendis by jumping around the X-Universe a bit. As the team settles back in, welcoming recent overpowered hero Hijack back into their midst, Bendis sets up the new story which will, he promises, rattle the X-World to its core. That said, it comes as a big sort of GASP moment at the end when She-Hulk informs the three X-Men around her that they'll need to get Cyclops to hear the reading of the will, which would probably be more effective if the two rival teams didn't see each other every third book or so. For someone who has sort of been excommunicated by the X-Men, Cyclops has still made a number of appearances, met with varying degrees of anger and I think it's weakened the series and the death of Charles Xavier a bit. I'd have liked it more if they could have kept this Uncanny X-Men team from the X-Men team or the Wolverine and the X-Men team or whatever entirely, really giving a sense of isolation. Instead, Cyclops has appeared in every major X-Men story, it feels like, and Bendis has even gone so far as to send the O5 X-Men with Kitty Pryde to Cyclops' side. Hardly feels as dramatic. Anyway, the total score/review for this issue is only for this issue, not for the faults I'm expressing about the series as a whole. So...
Total Score: 4/5
X-Men 16
Wood (w) and Buffagni and Sandoval (a) and Mounts (c) and Eliopoulos and Caramagna (l)
Things are getting heated against The Future and I think that the only problem with the story as a whole is that The Future is still such a foreign entity. That isn't altogether bad; the idea that the X-Men don't really know who they're facing and that they've never faced him before opens the door for plenty of fear and poor decisions. However, it does make it kind of hard to see how much of a threat he is. Obviously Wood has done his part, showing The Future effortlessly attacking the Jean Grey School and incapacitating Psylocke (actually hard) and kidnapping Jubilee (ehhhhhh, not so hard once you're IN the school). Even with that, though, it's hard to get a read on this guy. This is where the continuity of comics hurts the current comics because the X-Men, appropriately, are treating this as one of the biggest threats they've faced but long-time X-Readers are undoubtedly thinking of all the other villains in the team's rogues gallery and wondering why The Future stacks up so high suddenly. Again, not necessarily Wood's fault or the fault of this book but it is a problem when reading this story. Still, strong issue overall, harkens back to Wood's ULTIMATE X-MEN with the sentient seed and the forest that fought on behalf of the mutants of Utopia, even if now a pseudo-sentient seed is fighting against the X-Men.
Total Score: 4/5
Thursday, June 5, 2014
All-New X-Factor 9, Amazing X-Men 8, Amazing X-Men Annual 1
All-New X-Factor 9
David (w) and Di Giandomenico (a) and Loughridge (c) and Petit (l)
It's rather a rest day to start for X-Factor as the team returns home from their perhaps ill-thought-out mission to rescue Georgia Dakei with young Georgia in tow. She blames Cypher for the problems but seems onboard with Gambit, to Cypher's chagrin. Gambit is having his usual troubles with the team and its mission, troubles that will no doubt be exacerbated by the fact that he just unknowingly slept with Harrison Snow's wife Angela, as discovered by Harrison's assistant and secret lover Linda. Meanwhile, resident mad scientist Doctor Wexler DNA tests Georgia (pretty much just for fun) and reveals that Scott Dakei isn't her father and her deceased mother isn't actually her mother. Instead, her birth mother, Dakota Bennett, lives in Minneapolis and her birth father is unknown. Quicksilver argues on Georgia's behalf that she ought to be able to meet her birth mother and X-Factor brings her to Minneapolis, where she's greeted happily by her mother. Unfortunately, her birth father is apparently a supervillain named Memento Mori and he's been watching the house for a long time waiting for Georgia to return.
For a rest issue, there's plenty happening here. One of the good things about an issue like this, one that removes them from immediate action, is that we can get a sense of where the team is and how everyone stands with everyone else and what's happening in everyone's life. In many ways, the rest issues are some of Peter David's strongest because he understands the way a team works and knows that the important part of a team book is making sure they feel like a team. That was one of the strengths of his previous long-running X-FACTOR title and it's clearly at play here. There are certainly parts of this issue that drag a little and I'm still finding it a little hard to get behind the Georgia stuff (I'm not really compelled by her character as yet, but it's still obviously an early issue for her). Worth looking at in this book is a nice two page sequence where Georgia talks to Cypher and, when he leaves, she talks to Danger. The two pages are near-mirror images of each other with a few of the panels set exactly the same way and with Gerogia in the same position. Big shout-out to colorist Lee Loughridge on that one because he does pretty spectacular things with the very slightly different light on each page as time has passed a bit. I read it on my computer and could easily flip back and forth between the pages and it was pretty neat, you guys.
Total Score: 4/5
Amazing X-Men 8
Kyle and Yost (w) and McGuinness (p) and Farmer (i) and Rosenberg (c) and Caramagna (l)
It's important to note before I start this review and summary that Wendigos, the incredibly powerful, nigh-unstoppable Canadian murder machines that every so often run into Hulk or Wolverine, are created, thanks to a curse on the land, whenever anyone eats human meat. Anyway, two guys in Canada at a meat processing plant get into a scuffle and one accidentally shoves the other into a table at just the wrong angle, snapping his neck. To protect himself, the murderer shoves the victim into the meat grinder. Do you see where I'm going with this? Wolverine, kind of sick of being cooped up in the school and seemingly invited away, pays a visit to old friend Heather MacNeil Hudson (though she's labeled as Heather McDonald here so maybe I missed something?), AKA Vindicator of Alpha Flight. Heather tells him that her husband James Hudson, AKA Guardian, has been missing for some time and she's worried about him (they've also been fighting a lot lately, as they did the last time we saw either of them in FEAR ITSELF). She and Wolverine go to try to find him as back home Ororo worries about where the healing factorless Wolverine has gotten off to now. Wolverine and Heather quickly learn that Guardian was attacked by a Wendigo and immediately try to call in backup but they may be too late, as they're set upon by a whole slew of the creatures just as Ororo, with the help of Rachel Grey and Cerebro, calls an X-team to Canada.
AMAZING X-MEN so far has been an okay book, one that seemed to take the place of Jason Aaron's WOLVERINE AND THE X-MEN in its lightheartedness and its near whimsicality. Now Craig Kyle and Chris Yost take over and immediately throw it into a much darker place, though the art of Ed McGuinness and colors of Rachelle Rosenberg still rather keep it a little lighter than most books. It's an immediately interesting story which will pit the X-Men, including, presumably, reintroduced Colossus, Nightcrawler, and Northstar, as well as a non-healing Wolverine, up against a ton of extremely powerful Wendigos. It immediately gets dark to the point where there was a legitimate chance that Heather was about to be torn in half by Wendigos. So bit of a different tone here but I certainly don't think it's the wrong way to go on this book right now. I also like the addition of Mark Farmer's inks on Ed McGuinness' pencils since McGuinness tends to draw action and certain people very well but sometimes makes people look a little too young for my liking and Farmer's inks seem to balance that a little. Overall, very good start to a new look AMAZING X-MEN.
Total Score: 5/5
Amazing X-Men Annual 1
Nero (w) and Larroca (a) and Oback (c) and Caramagna (l)
A new villain, who seems to be Inhuman though his origins are rather unknown and, presumably, will stay that way, named Meruda has been attacking and brutally killing members of Ororo's old tribe in Africa and has now targeted her cousin Abuya. Ororo rallies the X-Men and they set off to Africa, where they find Meruda is using Abuya's soul to power a dark and evil force. While the rest of the X-Men fight the beast, Ororo fights fellow elemental Meruda, who explains that Ororo killed his family and his tribe when she was a child with a sandstorm she could not control. Though all of this hurts Ororo and brings up some past doubts about what happened that day, she manages to fight Meruda down, destroying him in the process. Meanwhile, the X-Men manage to take down the beast and save Abuya. Ororo discovers, thanks to a spirit on the plains, that she was not responsible for the death of Meruda's tribe, that it was an unrelated sandstorm that killed them. There's a backup story in here by Marguerite Bennett that focuses on Firestar, too.
It's not an awful one-shot sort of story, focusing on Ororo and her past in Africa and that questions what could have happened thanks to a young girl who could control the weather but couldn't, you know, really control the weather. The story is a bit bogged down, though, by lengthy exposition and overlong dialogue. The art is alright but loses some points as well for one of the weirdest shots to end the story as we see Ororo from the back, butt clearly defined past her cape(?) looking out onto her team. Geez, egregious butt-use there, Larroca.
Total Score: 3/5
David (w) and Di Giandomenico (a) and Loughridge (c) and Petit (l)
For a rest issue, there's plenty happening here. One of the good things about an issue like this, one that removes them from immediate action, is that we can get a sense of where the team is and how everyone stands with everyone else and what's happening in everyone's life. In many ways, the rest issues are some of Peter David's strongest because he understands the way a team works and knows that the important part of a team book is making sure they feel like a team. That was one of the strengths of his previous long-running X-FACTOR title and it's clearly at play here. There are certainly parts of this issue that drag a little and I'm still finding it a little hard to get behind the Georgia stuff (I'm not really compelled by her character as yet, but it's still obviously an early issue for her). Worth looking at in this book is a nice two page sequence where Georgia talks to Cypher and, when he leaves, she talks to Danger. The two pages are near-mirror images of each other with a few of the panels set exactly the same way and with Gerogia in the same position. Big shout-out to colorist Lee Loughridge on that one because he does pretty spectacular things with the very slightly different light on each page as time has passed a bit. I read it on my computer and could easily flip back and forth between the pages and it was pretty neat, you guys.
Total Score: 4/5
Amazing X-Men 8
Kyle and Yost (w) and McGuinness (p) and Farmer (i) and Rosenberg (c) and Caramagna (l)
AMAZING X-MEN so far has been an okay book, one that seemed to take the place of Jason Aaron's WOLVERINE AND THE X-MEN in its lightheartedness and its near whimsicality. Now Craig Kyle and Chris Yost take over and immediately throw it into a much darker place, though the art of Ed McGuinness and colors of Rachelle Rosenberg still rather keep it a little lighter than most books. It's an immediately interesting story which will pit the X-Men, including, presumably, reintroduced Colossus, Nightcrawler, and Northstar, as well as a non-healing Wolverine, up against a ton of extremely powerful Wendigos. It immediately gets dark to the point where there was a legitimate chance that Heather was about to be torn in half by Wendigos. So bit of a different tone here but I certainly don't think it's the wrong way to go on this book right now. I also like the addition of Mark Farmer's inks on Ed McGuinness' pencils since McGuinness tends to draw action and certain people very well but sometimes makes people look a little too young for my liking and Farmer's inks seem to balance that a little. Overall, very good start to a new look AMAZING X-MEN.
Total Score: 5/5
Amazing X-Men Annual 1
Nero (w) and Larroca (a) and Oback (c) and Caramagna (l)
It's not an awful one-shot sort of story, focusing on Ororo and her past in Africa and that questions what could have happened thanks to a young girl who could control the weather but couldn't, you know, really control the weather. The story is a bit bogged down, though, by lengthy exposition and overlong dialogue. The art is alright but loses some points as well for one of the weirdest shots to end the story as we see Ororo from the back, butt clearly defined past her cape(?) looking out onto her team. Geez, egregious butt-use there, Larroca.
Total Score: 3/5
Thursday, May 22, 2014
SUPER QUICK REVIEWS: Amazing X-Men 7, Wolverine and the X-Men 4, All-New X-Factor 8
I was trying not to get into SQRs until later (Wednesday and Thursday I tend to review the most Avengers/X-Men related books or the biggest releases or what-have-you) but then I felt KINDA like there was no other way to do this one? Look, let's just get into it.
Amazing X-Men 7
K. Immonen (w) and Medina (p) and Vlasco (i) and Rosenberg (c) and Caramagna (l)
Firestar and Iceman are sent to the local mini-mart to pick up snacks for "the big game" only to find themselves hurled into an interstellar negotiation as Spider-Man shows up tracking a baby that's just appeared in their cart. After some fighting (plenty of which has to do with resentment about Doc Ock), it's explained that the baby is actually an alien that serves as the only trade-bait that Spider-Man has to re-acquire the mascot for one of the teams in "the big game" that was taken by the aliens for reasons. After much fighting and chasing and squabbling and other actions, the aliens come back down and Spider-Man successfully works out the deal and returns the mascot, a goat, to the game while Firestar and Iceman return to the X-Mansion.
I really love a lot of the stuff I've seen from Kathryn Immonen (I will defend her JOURNEY INTO MYSTERY run with my very LIFE) but this book borders on absolutely inexplicable. There are fun moments throughout, certainly enough to make for an enjoyable enough read but it sometimes does seem to get a little bogged down under the weight of so much joke-making (also, Spider-Man kind of comes off like a jerk, which I suppose is not sacrilege in an X-MEN title). The plot is admittedly thin with plenty of references to "the big game" that don't particularly add weight. Still, it's hard to mistake the tone of this issue as more a fun issue and a throwback to the old Spider-Man and his Amazing Friends cartoon so it's also hard to judge this one harshly because I do think it hits its mark, it's just not a mark I'd be looking to buy.
Total Score: 3/5
Wolverine and the X-Men 4
Latour (w) and Asrar (a) and Silva (c) and Cowles (l)
While reaching out psychically for help, Quentin was discovered by the Cuckoos and co and Cyclops gave the order to pull him to their base. He throws a little simulated psychic fight at him to see how trustworthy he is and he fails pretty miserably but Cyclops decides to listen anyway, hearing about what Quentin saw but unable to offer much advice about the right way to handle news of the Phoenix or Apocalypse. Meanwhile, Wolverine and Storm continue to push forth in their fight to Edan Younge before Wolverine sends Storm back to the school, knowing they'll need her help to stop Faithful John, who is currently pushing through the X-Mansion and convincing some of the students that Evan will be Apocalypse. Preparing to enter the fight to protect Evan, though, is Fantomex, who has secreted Evan to the World and emerges out of it to defend the mansion.
There's a lot happening here and a lot of it is interesting but some of the Younge stuff starts to get a little convoluted in the midst of everything else that's happening. It feels rather like there's just one too many stories happening here (which could, of course, all be skillfully linked together when the arc is said and done) and that one seems compelling but doesn't feel like it fits yet. Obviously Younge was the catalyst for all this but it's still such a weird and disjointed story that it's almost distracting from the other stories which are just as if not more compelling. Still, it's a pretty solid issue and Mahmud Asrar has some pretty strong art to go with it. I also rather like Latour's Quentin Quire, a character I tend not to like.
Total Score: 4/5
All-New X-Factor 8
David (w) and Di Giandomenico (a) and Loughridge (c) and Petit (l)
Cypher has had all the water drained from his body and the team is a bit startled by it. As things very slowly piece themselves together and the situation starts to go crazy as Dakei calls all the cops on the mutant intruders, the team convinces Georgia to do what she can to restore the incredibly weak Cypher. She's never done it before but she vows to try. They bring her past all of the guards and to the kitchen where she can get some water to transfer into Cypher. She eventually succeeds as the team yells at Dakei for berating and hating mutants while his daughter was one and then, as things reach a boiling point, Harrison Snow shows up and has a private meeting with Dakei (who he apparently knows) and the two emerge having come to the decision that Snow will take Georgia.
The tone of this book jumps around so quickly that it's hard to really latch on to it. Sometimes it's tense while they hope for the best for Cypher but then it turns into strange humor but then it jumps into mutant-rights outrage but then it shifts to almost casual conversation. Not helping anything is the inability to lock down an age for Georgia, who occasionally acts like a five-year-old and occasionally acts like a ten-year-old and occasionally acts like a fifteen-year-old. I think we're supposed to get that she's incredibly sheltered (various characters tell us that repeatedly) but I've met some incredibly sheltered people in my life and they still manage to act a consistent age. The humor in the book occasionally works but it also occasionally feels really out of place, which is sometimes pointed out but sometimes ignored. A book that cannot settle on a tone is a book that has some fundamental problems. Hopefully this one straightens it out next time.
Total Score: 3/5
Amazing X-Men 7
K. Immonen (w) and Medina (p) and Vlasco (i) and Rosenberg (c) and Caramagna (l)
Firestar and Iceman are sent to the local mini-mart to pick up snacks for "the big game" only to find themselves hurled into an interstellar negotiation as Spider-Man shows up tracking a baby that's just appeared in their cart. After some fighting (plenty of which has to do with resentment about Doc Ock), it's explained that the baby is actually an alien that serves as the only trade-bait that Spider-Man has to re-acquire the mascot for one of the teams in "the big game" that was taken by the aliens for reasons. After much fighting and chasing and squabbling and other actions, the aliens come back down and Spider-Man successfully works out the deal and returns the mascot, a goat, to the game while Firestar and Iceman return to the X-Mansion.I really love a lot of the stuff I've seen from Kathryn Immonen (I will defend her JOURNEY INTO MYSTERY run with my very LIFE) but this book borders on absolutely inexplicable. There are fun moments throughout, certainly enough to make for an enjoyable enough read but it sometimes does seem to get a little bogged down under the weight of so much joke-making (also, Spider-Man kind of comes off like a jerk, which I suppose is not sacrilege in an X-MEN title). The plot is admittedly thin with plenty of references to "the big game" that don't particularly add weight. Still, it's hard to mistake the tone of this issue as more a fun issue and a throwback to the old Spider-Man and his Amazing Friends cartoon so it's also hard to judge this one harshly because I do think it hits its mark, it's just not a mark I'd be looking to buy.
Total Score: 3/5
Wolverine and the X-Men 4
Latour (w) and Asrar (a) and Silva (c) and Cowles (l)
There's a lot happening here and a lot of it is interesting but some of the Younge stuff starts to get a little convoluted in the midst of everything else that's happening. It feels rather like there's just one too many stories happening here (which could, of course, all be skillfully linked together when the arc is said and done) and that one seems compelling but doesn't feel like it fits yet. Obviously Younge was the catalyst for all this but it's still such a weird and disjointed story that it's almost distracting from the other stories which are just as if not more compelling. Still, it's a pretty solid issue and Mahmud Asrar has some pretty strong art to go with it. I also rather like Latour's Quentin Quire, a character I tend not to like.
Total Score: 4/5
All-New X-Factor 8
David (w) and Di Giandomenico (a) and Loughridge (c) and Petit (l)
The tone of this book jumps around so quickly that it's hard to really latch on to it. Sometimes it's tense while they hope for the best for Cypher but then it turns into strange humor but then it jumps into mutant-rights outrage but then it shifts to almost casual conversation. Not helping anything is the inability to lock down an age for Georgia, who occasionally acts like a five-year-old and occasionally acts like a ten-year-old and occasionally acts like a fifteen-year-old. I think we're supposed to get that she's incredibly sheltered (various characters tell us that repeatedly) but I've met some incredibly sheltered people in my life and they still manage to act a consistent age. The humor in the book occasionally works but it also occasionally feels really out of place, which is sometimes pointed out but sometimes ignored. A book that cannot settle on a tone is a book that has some fundamental problems. Hopefully this one straightens it out next time.
Total Score: 3/5
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