Disappointing news out of Marvel

Hey everyone. Some of the bits of news that have come out this week, on the heels of February solicits, include the ending of Waid and Samnee's run on DAREDEVIL, the cancellation of ELEKTRA (slated to end with issue 11 in February), and several more books that seem to be wrapping (though I don't have links for those), including X-FORCE (brutal) and STORM (though I'm not hearing that that one's actually being cancelled, just that the numbers are much lower than they'd like). DAREDEVIL, it sounds like, is ending based on Waid and Samnee wanting to move on, but the others all seem to be numbers-based. One of those sad days where really good books aren't getting enough eyes on them and are being dropped, undoubtedly, for more events.

Bit of internal news, I doubt there will be many more reviews this week. I've read just about every book this week and many are very good (DAREDEVIL, BLACK WIDOW, ELEKTRA, AVENGERS, NEW AVENGERS, MOON KNIGHT, SPIDER-WOMAN, and several more) but, as you all know, it's getting harder and harder to get these reviews out on time. We'll see what the start of this week brings.

Leftovers 10-29-14

Pretty short week for full reviews this week but, like I said yesterday, not too many giant books out there. Let's just blast through this.

All-New X-Men 33

The ANXM search through the Ultimate Universe trying to make sense of their new surroundings. Angel and X-23 find each other, Jean leans on the Ultimate Spider-Man, Iceman gets in some trouble, and Beast is rather trapped in Latveria. It's extremely similar to Bendis' GUARDIANS OF THE GALAXY 15, which featured the Guardians all split up in foreign places, some faced with the unknown and some faced with enemies, in little almost-vignettes to show that they're all confused and lost. Like I said with that one, worth a miss. Total Score: 2/5










Death of Wolverine: The Logan Legacy 3
Sabertooth has latched on with an army unit and is brutally killing just a bunch of people, even going so far as to kidnap a shorter one per night, dress him as Wolverine, and murder him. His dreams are filled with Wolverine mocking him, telling him that he'll never be complete without Wolverine and laughing at him for never getting to kill his true rival. It's weird and heavy-handed and the art is interesting but often lost me as to what was actually happening. Full-on crazy Sabertooth is not a Sabertooth I have any interest in, though I'm rather burned out on any Sabretooth after a few years straight of seeing him show up what feels like every week. Total Score: 2/5


Death of Wolverine: Deadpool and Captain America 1

Steve Rogers calls Deadpool in to help him thoroughly clean and destroy Wolverine's stuff, insistent that no one should find his genes and clone him (is this regular procedure when a hero dies?). The last piece is a knife used to stab Wolverine that was sold to AIM not long ago. With the clock ticking, Deadpool and Steve launch an attack on an AIM base and secure the knife again. When they return home, Cap leaves Deadpool to destroy the knife. Deadpool, though, returns to Butler's base and considers cloning Wolverine himself. It's a decent team-up, one we could have expected after their arc together in DEADPOOL. It's got a few laughs and some sweet moments between the unlikely allies, but it's nothing particularly groundbreaking, like I thought their first arc was. Total Score: 3/5






Deathlok 1
Henry Hayes is a Deathlok and has no idea. When he's sent on missions by his handlers, he returns mind-wiped, believing that he was assisting Medics Without Borders in war-torn areas. He also returns home to his life as a single father of a teenage girl named Aria. However, things might get complicated as his last mission had him attacking Black Tarantula, among others, who seemed to survive, unbeknownst to Deathlok, and he's drawn the eye of Maria Hill, who covertly promotes a promising researcher named Andrea Hope to active agent, tasked with finding as much as she can about this new Deathlok. It's an interesting starting point for this new series, though its best attribute this issue is actually how quickly it reads. With so much new information and characters and storylines coming at us all at once, this issue could drag, too exposition-heavy to keep us interested. Instead, it moves well and switches locales and perspective a lot, keeping the reader interested, if not yet invested. Total Score: 4/5


Elektra 7
Matchmaker has been killed by the experimentally juiced up Lady Bullseye who can become intangible as she pleases. Still not a problem for Elektra, who allows herself to take a few hits to force Lady Bullseye to become solid, allowing her to stab her then, as she goes intangible, Elektra breathes her enemy in. It's kinda disturbing. Anyway, she defeats Lady Bullseye and returns to Sidewinder, demanding he take her to the Assassin's Guild leader. He leads her to New Orleans where she's ambushed by other assassins she's defeated but are now similarly juiced up like Lady Bullseye with varying new powers. It's a tough fight but she bests them once more, finally making her way to someone at least pulling some of the strings. The guy says he doesn't lead the Guild but he can make this go away if Elektra lets the weird doctor experiment on her too. She, of course, refuses, kills the pair, and returns to Sidewinder to find out who leads the Guild. He doesn't know but believes Bullseye, currently catatonic and in SHIELD custody, does. Elektra sets off to bust Bullseye out. Elektra continues to be great, handling all of the amped up assassins who come her way and illustrating just how next-level she is in this community. The art isn't my favorite here, which is unfortunate because Del Mundo's really was up there. It's also a bit strange that she destroys so many people this issue that could have been issue-long fights. I'm not that upset about it, nice to see a book move quickly instead of trying to milk every fight out, but it's a tad weird in this community. Also, Matchmaker is dead and I hate this book for that. Total Score: 4/5


Fantastic Four 12
Wyatt and Spider-Man talk to Johnny, who IMMEDIATELY comes to his senses and visits Ben, explaining that someone is clearly pulling the strings here and that Ben needs to get out. In Latveria, Valeria tells Doom she has to go home to try to pull her family back together, leaving Doom, who has devious plans once more. Finally, Reed accuses Mr. Eden, with a great deal of exposition because who would ever want to see him work towards a discovery when we could just have him talk about things he discovered off-panel, of engineering the portal opening in the Baxter Building. Mr. Eden isn't really Mr. Eden though, Reed's lab partner Cully is Mr. Eden and he's doing all this because he hates Reed. WHAT A DUMB ENDING. I'm going to give this the very slightest benefit of the doubt here as we all know FANTASTIC FOUR is ending soon, so it's entirely possible these dumb twists and dumb turns were meant to unfold over multiple issues instead of twenty pages, but STILL. We don't care about the GASP, it's not MR. EDEN, IT'S CULLY thing because we don't care or know about either of those characters. Reed accuses him of engineering everything with a ton of evidence we're just learning about NOW, which is like a detective story where we see a moonlighting detective doing his day job then suddenly, apropos of nothing, solving the whole case on the last page of the book. It's all terrible and I do not like it one bit, my friends. Total Score: 1/5


Guardians of the Galaxy 20

FINALLY, the end of Star-Lord's story reveals that an already dying Nova sacrificed himself to transport Drax and Star-Lord back to their proper universe and that Thanos escaped too. There's also some crap about how Nova was in love with Gamora and he swore Star-Lord to secrecy about all of this, which is why he didn't tell Gamora or the crew earlier. If it is indeed the death of Richard Ryder (doubtful, as that old comic book axiom of "we didn't see the body" certainly comes in to play), it's a pretty stupid death; a standard sacrifice with questionable motivation marred by a prolonged and unnecessary admission of love. It's the worst kind of superhero death, cliche and boring at the same time. Then Gamora goes off and sheds a single tear. Total Score: 1/5






Inhuman 7
Black Bolt is still alive and Maximus is using his telepathic powers to control the missing king, focusing his limited powers entirely on Black Bolt. Medusa knows that her husband is alive and sends a pair of Inhuman investigators, one from the old kingdom named Auran and one NuHuman named (by Auran) Nur, to track him down. They eventually do find Maximus and Black Bolt and Auran, knowing that Maximus likely can't control their minds while he's focused so hard on Black Bolt, somehow doesn't realize that Maximus would be willing to use Black Bolt to attack the investigators, which he does, blowing out a huge part of the penthouse they're staying in overlooking New Attilan. Nur, though, may still be alive, ready for the next move. There are some interesting things in here, particularly between Maximus and Black Bolt, but the whole book is dragged down by a lot of exposition and re-explaining what's going on all over the universe wherever Inhumans are concerned. I also kind of like the idea that Soule is introducing new Inhumans all over the place, moving them into our consciousness slowly so he can eventually bring everyone out at once and we won't be overwhelmed. It's a smart play for a franchise looking to build. Still, the writing will have to get out of its own way and start trusting the reader a little more before the book can really take off. Total Score: 3/5


Marvel 75th Anniversary Celebration 1
It's an extra long (and double-priced) book to commemorate 75 years of Marvel, replete with a story about the start of the universe, an old Stan Lee script illustrated by Bruce Timm, a Bendis Jessica Jones story, a Tom DeFalco Spider-Man story, a Len Wein Wolverine story, and a slew of covers from a slew of illustrators for books that will never exist, all credited to Brian Michael Bendis. Is it worth your money? No, probably not, unless you really love Bendis because this book is just chock full of him. It's always nice to see some of the legends like Lee, DeFalco, and Wein, but their screen-time is limited and the stories are somewhat fun throwbacks, nothing you haven't read a thousand times before. Six bucks though? I'm not gonna tell you to spend that. Total Score: 2/5






Nova 22
Nova talks his way back out of expulsion with a reluctant Principal Philbin then goes trick-or-treating with the X-Kids at the Jean Gray School. It's a bit of a reset issue and it works well enough for that with a couple of nice moments and an easy, generic story. Nothing to write home about but not a complete failure of an issue, as I maintain it's important to rest every few issues and let our hero have a slower day now and again. Total Score: 3/5


Thunderbolts 32

Six months after the fall of the Thunderbolts, Red Leader runs his new compound from Kata Jaya, the spot of the team's very first mission. He's plotted his whole life perfectly and now his only problem is that he has a crush on his biographer and can't seem to win her affection. However, all is not well for Red Leader as the Thunderbolts have been gathering intel about the new compound and have led the Avengers there to help take it apart. Red Leader has plenty of plans in place to pick apart his old team but they all crumble when his biographer turns out to be the SHIELD agent Hawkeye had been working with in disguise. She shoots him from behind and the T-Bolts and Avengers win the day, though it's made clear to Red Hulk that none of them want to join him again. It's a fun ending to a book that has certainly had its ups and downs (though mostly ups, particularly from halfway or so on). Deadpool has a particularly strong issue here, though the rest get a little bogged down by the sheer amount of characters and the focus being on Red Leader. Also, Mephisto sends the spirit of vengeance back to Johnny Blaze, to his dismay, which is a fun moment. Total Score: 4/5


Wolverine and the X-Men 11
Melita interviews Spider-Man, Storm, and Quentin Quire about the passing of Wolverine, though "interview" probably isn't the right word. She talks to each of them and gets more from some than others. The Spider-Man bits are mostly fun and work pretty well and the Storm stuff is more or less what you want out of Storm. To be fair, the Quentin stuff is what you can expect from Quentin too, but I still have to ask if we need this much Quentin Quire in our lives. Anyway, strong "in memoriam" kind of arc and, like last issue, it's nice to see so many artists paying their respects to Wolverine. Total Score: 3/5

Comics this week

So I use the same comic list every week to pull what books are being released and it very rarely, if ever, steers me wrong, which is nice because I haven't always had that luxury in the past. Sometimes, though, it looks a lot more imposing than it is. There are a TON of reprints coming this week, perhaps more than actual new releases. That means a light week for me (yay!) but a harder week for this post (totally worth it!). Let's get into it.

Death of Wolverine: Deadpool and Captain America 1
I told you, it's a light week. I'm not actually super excited about this book because I legitimately don't know what to make of it. Obviously we know it's a tie-in book and it's one that ties-in to the recent DEATH OF WOLVERINE mini, but it also harkens back to DEADPOOL's "The Good, the Bad, and the Ugly" arc, which remains easily my favorite arc of that book. Will this tie-in live up to the quality of that arc? Let's find out TOGETHER.

Deathlok 1
Full disclosure: I'm not really that excited about a DEATHLOK series. The character holds little interest to me (though I loved Deathlok in Remender's UNCANNY X-FORCE, the one who admitted to loving X-Force and was later easily cast aside by Magneto). However, in light of a short week, Nathan Edmondson wins me over here. As a very vocal supporter of Edmondson's BLACK WIDOW and less vocal but still somewhat vocal supporter of his PUNISHER, I'm happy to give this one a look.

Elektra 7
This book's great, it's a short week, you know everything I'm about to say.

Marvel 75th Anniversary Celebration 1
A six-dollar celebration 75 years in the making, this book makes the list mostly because I want to talk about one of the segments, namely one that intends to explore what happened the day the Marvel Universe was born, written by FANTASTIC FOUR's James Robinson with art from DAREDEVIL's Chris Samnee, AKA a creative team I half-loathe and half-love. That's all I have to say about it.

Thunderbolts 32
THUNDERBOLTS comes to its conclusion after a run of a good couple years. A weaker-than-expected start from Daniel Way led to a fantastic Charles Soule middle and now we reach the final chapter of the first ongoing Marvel work for Ben Acker and Ben Blacker. I've enjoyed this book for quite some time now and I'm sad to see it go, though unsurprised. Looking forward to seeing where it leaves our team in the aftermath.

Daredevil 8, Elektra 6

Daredevil 8

Matt and Kirsten take in the town on a vigilante-free date when Kirsten reveals that she recently got a call from her somewhat estranged father, who lives in the Bay Area and invited Kirsten and Matt out on his boat. They accept and it goes rather well for a bit, up until Kirsten's father, a publisher, reveals that he wants Matt to write an autobiography, which annoys Kirsten. They head home with Matt sort of thinking about it (he calls it a flattering offer, which Kirsten points out is his kryptonite). Meanwhile, the Purple Man is back on the scene and collecting his illegitimate children, who have the same powers he has but who he hopes will be immune to his own powers and will therefore love him for who he is and not for an ulterior reason. Unfortunately for Purple Man, they don't love him for ripping them out of their homes and killing their mothers and they use their considerable combined powers to send Purple Man walking in front of an oncoming bus before preparing to tour the town.

The Purple Children are already proving themselves to be formidable and terrifying foes for Daredevil to go up against in short time and Mark Waid does a good job to illustrate these kids right off the bat while Chris Samnee and new colorist Matt Wilson do a phenomenal job showing just how creepy they are. Another thing I don't think I've talked about enough with this series is that Waid is doing a really nice job with Kirsten McDuffie. Obviously Daredevil is one of those characters who tends to make an impact with women and has both a slew of long-lasting relationships and one-night-stands on his resume. By and large though, I tend not to like the women writers bring in (obviously excluding ones who I do like from the larger Marvel Universe but still may not like in context of him dating, like Black Widow, Elektra kind of, and Black Cat) and Kirsten marks the first love interest since probably Echo that I've found myself liking and who doesn't seem to play the typical superhero love interest. Of course, that probably means Waid is ready to kill her off.

Total Score: 5/5


Elektra 6

Elektra has led Cape Crow, Kento, and Matchmaker from safe house to safe house, only to be attacked every step of the way by mercenaries and assassins looking to bring in the sizable fee on all of their heads. Elektra has met every challenge but finds herself worn out and running out of safe places. They reach Cape Crow's last safe house only to be attacked by the Serpent Squad. Elektra sends Cape Crow (no longer a killer) and Kento running for the house only to realize a moment too late that the Serpent Squad is a distraction and that sending Cape Crow into the house is exactly what whoever is behind this trap wants. She disposes of the Squad and rushes for the house with Matchmaker, who discovers Cape Crow's helmet torn apart by a sword before she herself is stabbed through the back by the culprit: a healed and monumentally more powerful Lady Bullseye out for revenge on Elektra.

About half of this book is a recap of their recent days interspersed with information about the assassin's guild and their extensive fees and health care plan, which Lady Bullseye utilizes. It's an effective storytelling technique as we stay with our main characters and learn a bit about them through dialogue and through their interactions with one another but also get key plot points, like the experimental and probably fatal procedure Lady Bullseye agreed to undertake to wipe out her debts to the guild and save her life temporarily, giving her a chance to go after Elektra. Though I think the art is pretty good here, it's hard to go from Del Mundo to anyone else and my love of this issue suffers a little as a result (not to mention that Matchmaker has ditched the amazing aviator cap and goggles for a more Alex-in-A-Clockwork-Orange outfit, which is a super bummer, you guys). Also, I'll be pretty upset if they kill off Matchmaker, I think she's phenomenal and I simultaneously want to learn everything about her and be given no explanation for her. It's complicated. Really like that cover, too.

Total Score: 4/5

Comics this week

Hey everybody, pretty busy week for comics with a few books that you'll definitely want to keep an eye on (and a few that I'm certainly not going to tell you to). Here are some examples!

Avengers 35
This recommendation comes with a bit of a caution: this will start Hickman's grand conclusion to his AVENGERS time (if memory serves and I'm not just making that up) called TIME RUNS OUT, so it's bound to be a pretty big issue but it's also $4.99. Don't get me wrong, it's meant to be an extra-sized issue so it may be worth that extra dollar after all. I just tend to be wary (and everyone else should be too) of Marvel putting out so many extra-priced books. I'm all for people getting paid appropriately for their work but I worry what all of these releases could mean for my wallet going forward.


Daredevil 8
We're back in San Francisco after a brief New York/Wakanda detour for the ORIGINAL SIN tie-in and this issue will kick off a new arc about THE PURPLE CHILDREN, seemingly the many offspring of persuasive villain Purple Man (or perhaps just some dumb kids under his thrall, though illegitimate love children makes more sense to me for a guy who has persuasive powers and is a real creep). Purple Man, despite being a real creep, obviously has some scary potential and Daredevil fighting children should be fun. Wait, maybe I could word that better.


Edge of Spider-Verse 2
I think this event has the makings of some really interesting stories (I do tend to like well-done alternate dimension stuff, we'll see if this falls into that camp) and this, I believe, is the debut of the much advertised Spider-Gwen, the alternate universe Gwen Stacy Spider-Person. Could be fun!


Elektra 6
I really like this book, you guys. Give it a shot, willya?


Thor: God of Thunder 25
This one edges out UNCANNY AVENGERS, AVENGERS WORLD, and SUPERIOR SPIDER-MAN as it marks the start to a really monumental shift for Thor, who we last saw in ORIGINAL SIN being told some secret by Fury that caused his hammer to IMMEDIATELY deem him not worthy and drag him down to the moon's surface. What was that secret? Who will be deemed worthy? What's the secret origin of Malekith? Possibly all that and maybe some more, up this week!

Daredevil 7, Elektra 5

Daredevil 7
Waid (w) and J. Rodriguez (p and c) and A. Lopez (i) and Caramagna (l)

Daredevil hitches a ride with SHIELD to Wakanda, which SHIELD isn't willing to fly over because they're not entirely stupid. DD drops down into the most technologically advanced nation on Earth and is quickly captured, which, of course, turns out to be part of his plan. Instead of hoping to fight his way through Queen Shuri and the rest of Wakanda, he aims to lawyer the nuns out of jail, which he does by revealing that he's brought the corrupt army general to Wakanda and made his disappearance known, which will certainly get people looking and checking into his background and likely lead them to Wakanda. Shuri's only option is to release the nuns and separate herself from the general before things start to look ugly for them, which she does. On the way home, Maggie explains to her son that she had severe postpartum depression and it caused her to attack her husband and, nearly, her infant son, which led her to leaving the house and the family and taking up with God to protect her loved ones. With Jack proven innocent and a relationship with Maggie rekindled, Daredevil gets to return home happy.

I'm fairly pleased that this didn't end up being a "I have daddy issues" sort of revelation. Instead, it's far more nuanced and a bit more interesting as we learn a good deal about the rarely seen Maggie and get to see Daredevil spend some meaningful time with his family, who were misunderstood and not abusive after all. This one, as opposed to, say, ORIGINAL SIN: HULK VS IRON MAN, paints someone as a villain then reveals them to be a hero...but I found it interesting as opposed to somewhat predictable and boring. Javier Rodriguez does pretty phenomenal work here. I'll certainly miss his contributions on the book, though I look forward to colorist extraordinaire Matt Wilson's take on Samnee's art starting next issue.

Total Score: 4/5


Elektra 5
W.H. Blackman (w) and Del Mundo (a) and Del Mundo w/D'Alfonso (c) and Cowles (l)

Cape Crow fights with Elektra and reveals that he was able to beat all of his previous attackers because he has extremely limited pre-cognition. It's maybe only half a second, but it's enough for him to use his instincts and win each fight. Elektra, armed with this knowledge, manages to clear her head and fight on pure instinct, defeating him in a close fight. With Cape Crow down and his helmet removed, she learns that he is, in fact, her dead father. But not really, that's just some psychic image put there by Kento, who has some amount of psychic power. She's super mad but agrees to continue to help them assuming Kento never does that again and that they still pay her. Bad news, though, Bloody Lips has arrived, still desperate to eat Elektra. Having a pretty tough day already, Elektra cuts herself and drips blood onto Bloody Lips' lips, giving him a full range of her memories and experiences, which breaks him and he stumbles off a cliff. So long, Bloody Lips! Anyway, Lady Bullseye is back and vows revenge on Elektra.

Lots of really great stuff here, including Elektra's bio-signature-based sai (nice try using them against her, Cape Crow), a great taste of her fighting prowess and strategies, the demise of Bloody Lips after a really impressive and very cool if mildly horrific double page spread detailing Elektra's memories, the promise of more assassin fights, and the promise of more Matchmaker, who, if I haven't said it enough, is the best. I really like this book and I think Blackman has plenty of ideas for this book and Del Mundo is an unbelievable artist who really brings this book alive. Just really fun stuff with lots of upside.

Total Score: 5/5

Comics this week

Hey all my buddies! I'm writing this away from the list of comics out this week so let's take an adventure and guess at what books (and what specific number issues) are out this week!

Daredevil 7(? 6? I think 7)

I'll level with you, I didn't remember what had happened last issue until I started writing this sentence (which called for tense changes, though now I'm convinced it's issue 7). I just trusted that I wanted to read a new DAREDEVIL. And I do. The ORIGINAL SIN tie-in may not be my favorite thing in Marvel currently but this series has proven itself reliably good and the story is certainly strong enough to warrant checking this one out. Also, are these Javier Rodriguez pencils? With Matt Wilson taking over coloring duties, this may be the last time we see Rodriguez on this title, where he's been excellent. So check him out in his last hurrah, unless I'm wrong and he's not drawing this one. Then just check it out for another reason.

Elektra 5 (pretty sure that's what I wrote down yesterday, I suppose it could be 6. Feels too well-developed for just four issues right now)

It's hard to overstate how onboard with this book I am right now. Really interesting concept and story propped up by some great character work and phenomenal artwork. I'm very impressed with what this book has shown so far and I'm looking forward to it with every new release.

Ms. Marvel 7

I feel I haven't highlighted MS. MARVEL enough, giving more attention to other phenomenal books out at the same time. Well take note, friends, I'm highlighting it here. Really fun book, really great characters all around, and currently a delightful team-up with Wolverine to enjoy. Check it out.

New Avengers 23

Another incursion! A falling out between the Illuminati! Fights! Failures! Follow-ups! Figureheads! Fun!

Nova 20

Real talk: I have no idea what else is out this week worthy of consideration so NOVA gets a bit of a cheat-win. It's not that much of one, though, as I've really liked this series overall and do find myself looking forward to the newest issues when they drop, so it's not not-worthy, it just may be less worthy than something else out there this week. Maybe ORIGINAL SINS if just for the Chip Zdarsky short story in this week's issue? Look, NOVA's a good book, check it out.

Elektra 4, Ms. Marvel 6

Elektra 4
W.H. Blackman (w) and Del Mundo (a) and Del Mundo w/D'Alfonso (c) and Cowles (l)

Elektra sees a vision of her mother through the veil, lecturing her about how she became a killer and giving her a glimpse of what her life would have been with the support of her mother throughout, while Bloody Lips sees his wife again, insisting he kill himself for the pain that he's caused. Elektra's mother invokes the innocents she's murdered and Elektra says that she's never killed someone who could be called innocent, showing no remorse even in the face of a disappointed mother and eventually realizing that it's not truly her mother as she asks Elektra what her father would think about her choices. She fights her way out of the area though she catches a glimpse of Bloody Lips in her mind, forcing him to reveal his name. She grabs Kento and the two emerge out of the water for Matchmaker to retrieve them. Kento knows that they have to go north to find his father and they escape in Matchmaker's plane, but Bloody Lips is hot on their trail, using Scalphunter's ship to trail them. Elektra dives out of Matchmaker's ship and manages to take down Bloody Lips' but she's forced down too, wearing wings to glide safely but still lost in the Arctic, where she comes upon a gun-toting Cape Crow.

With my new habitat of doing a leftovers post wherein I quickly summarize and give impressions of the books I didn't do bigger reviews for, I end up in a place where I can sort of cherry-pick the books for which I want to write a longer review (aside from the ones I deem "important" or "have AVENGERS in the title"). ELEKTRA and MS. MARVEL jumped out at me this week (though props to NOVA, MAGNETO, and THUNDERBOLTS for putting in the effort) as ones I really wanted to shine a light on. I've really enjoyed this book so far and this issue is no exception. The beginning gives a great look at Elektra's mentality (as well as Bloody Lips', which is, you know, pretty much the darkest thing you could imagine), which buckles for a moment in the face of her mother but never really falters, never backs down or asks forgiveness. Instead, she seems, if anything, more resolute about what she does. Really great stuff. And Matchmaker, you guys, she's the best. Real Amelia Earhart, fearless flier up there. Still excellent art from Del Mundo and still a great little series.

Total Score: 5/5


Ms. Marvel 6
G.W. Wilson (w) and Wyatt (a) and Herring (c) and Caramagna (l)

The Inventor has been sending bots out into the city to both annoy and try to find Ms. Marvel, who has done a good job so far of staying undetected or breaking said bots. Her father sets up a meeting with Sheikh Abdullah for her, which she doesn't wish to attend but ends up going, particularly as she's not in the best of books with her parents at current. She ends up getting really good advice from him and they both leave the meeting happy. Reinvigorated and looking for, under the advice of the Sheikh, someone from whom she might learn more about helping people, she dives into a giant suspicious pothole-turned-path-to-the-sewer, where she discovers Thomas Edison, the Inventor's clone of the real Edison combined with his own pet parakeet. Edison is conducting experiments to learn whether he can change an animal's nature, in this case teaching an alligator not to kill. Ms. Marvel prepares to fight him but is startled to find Wolverine entering the fight before she can get a punch off. Thrilled, Kamala relates to him how excited she is and how she couldn't have found a better team-up, to his dismay. Still, the two get along pretty well, helping each other out and trying to track the escaped Inventor or Edison in the tunnels. Unfortunately, they fall right into a trap and Kamala, with Wolverine rather injured, will have to fight her way out of it.

Another really strong issue as Ms. Marvel finally gets her first taste of the greater Marvel Universe through every teenage girl's dad Wolverine. He came to the sewers looking for a runaway from the Jean Grey School and now the two of them are pals. The writing between the pair is very fun and extraordinarily strong, particularly the way Wilson characterizes the well-known Wolverine on top of her own created Kamala. The book reads pretty quickly, though it does get a little confusing as Edison enters the scene, and the conversation between Kamala and Sheikh Abdullah is very strong but the draw here really is the chemistry between Kamala and Wolverine, which is equal parts adorable and fun on both ends.

Total Score: 5/5

Comics this week!

Hi everyone, ain't got no time for small talk but I'm sure I'll make some along the way. LET'S PRE-GAME.

Avengers World 9
I've really enjoyed this book though I was skeptical going in. Instead, there are, what, three concurrent storylines happening? I'm entertained by all of them! I don't even know what's on the docket this week (at a guess, I'd say Falcon and the Chinese SHIELD whose name I currently forget but I HAVE NO TIME, GUYS) but I'm still looking forward to it!

Elektra 4
This one narrowly edges out MS. MARVEL, which I'm really enjoying and would advise all of you to pick up, because I adore the art on this and I'm really intrigued by the story and the narrative. SHE-HULK also narrowly edged out MS. MARVEL because I've been thinking about it all week so SORRY MS. MARVEL, WOOOOO, I AM FOR REAL.

Original Sin 6
Man, even this edges out MS. MARVEL? Someone screwed up. Anyway, Nick Fury is a one-man space army but he still didn't answer the question about whether or not he killed the Watcher, which means either he totally did it or he's kind of crappy at the job we're told he's pretty good at?

She-Hulk 6
The blue file! People are going crazy at the very mention of it and Wyatt Wingfoot is in a particularly bad spot to go crazy! WHAT WILL HAPPEN TO OUR HEROES AS THIS STORY PROGRESSES?

Thunderbolts 28
Bens Acker and Blacker have started the series off with a literal bang (or at least a literal boom) as Punisher quit the team and was promptly blown up in a safehouse of his. Who will he blame? Who is to blame? Are the answers the same? Boom, rap it.

An apology - and some reviews and picks

My friends, my followers, people who clicked on this link completely by accident (who even ARE you?): You are owed an apology. I missed a couple posts this week (as I've not so subtly been hinting, that may be happening more often lately as I'm away from my computer more and more often). I had been traveling to a wedding a ways away and spending some time with family which is NEVER AN EXCUSE FOR NOT REVIEWING COMICS. I'm kind of kidding. Those who understand blogs likely have guessed that I don't make money on this blog (not for lack of asking for money) and so it often has to take a backseat to actual life events. Still, this is something that I like to do and I've been astounded to find that some people even seem to like to read. As such, I'm going to continue to make a concerted effort to update as regularly as possible. There may be changes coming soon but for now, I'm going to try to keep running things as smoothly as I can. AS FOR THE MISSING REVIEWS...


Iron Patriot 4
Still moves pretty well, this issue finds Rhodey unable to fight back against his captor, determined to kill the ex-president, but Lila and Rhodey's father are still capable of retaliation and manage it somewhat nicely. 4/5

Nova 18
An ORIGINAL SIN tie-in finds Nova discovering his friend the Watcher has died and trying to seek his killer for revenge. His search brings him to New York and he (sort of) assists in the fight against Exterminatrix and The Orb, getting caught up in the truth bomb and learning that his dad maybe wasn't so righteous as he'd hoped. Lots of drama with Sam and some really fun writing as we see a few team-ups happening in the background. 5/5

Wolverine and the X-Men 5
I'll be honest (because I'm tired): I still rather don't know what's happening in this book. Quire doesn't believe he and Evan will be forced to kill each other some day, Fantomex protects the World from Honest John, and Storm returns to the school to stop John's attack dead. Moves rather well, seems pretty spirited even if it's a little hard to follow. 3/5

Ultimate FF 3
This book has been cancelled due to POOR SALES AND NOT AT ALL DUE TO SOME TERRIBLY STUPID RUMOR SPREAD AROUND BY BLEEDING COOL. It will end with issue six (sadly, due to a sickness, issue six wasn't even written by Fialkov). Anyway, this issue was okay, I think the book overall is trying really hard to be something but it's getting a little stalled and now, obviously, it won't have that chance to save itself. 3/5



THIS WEEK'S PICKS

Daredevil 5
This book is great, you guys. Get on board with it if you somehow haven't already. Nice look from Waid this time at some of the anger stored away in Matt and at how he's living his life these days. Plus, it's just a nice book to look at.

Elektra 3
Look, this book's real pretty. I think it's a really interesting story and there are nice looks here and there behind the curtain at Elektra (I was legitimately taken aback when she referred to Daredevil as "Matthew" in this issue) so the character and the story certainly isn't hurting this series but I really like this art, you guys.

Thunderbolts 27
I recognize that maybe I'm coming in with a bit of an Acker/Blacker bias here but this issue was really fun and refreshing, nice to see that the spirit of the book will carry even as the creative team changes. Edges out NOVA, which was also a heap of fun, and AVENGERS WORLD, which continues to be interesting.

Thunderbolts 27, Punisher 7

Thunderbolts 27
Acker and Blacker (w) and Barberi (p) and Cuevas (i) and Silva (c) and Sabino (l)

The Thunderbolts quietly take down a team of hitmen aiming to take down the Avengers while they battle downtown. The stealth team discovers that these hitmen were being led by someone operating out of a high school which, they soon discover, is full of dead children. The dead start to rise and begin attacking the Thunderbolts, overwhelming them before it's revealed that it was Captain America villain Dr. Faustus using a psychogenic gas to plant images in the heads of the T-Bolts. Deadpool, though, quickly detected the gas and kept himself from inhaling it, playing dead when Faustus arrived and taking the villain down himself. As the others come to, Punisher demands they kill Faustus but Red Hulk vetoes him, preferring to force Faustus to work for good. Punisher, unable to allow that, quits the team. As the team moves on, Punisher returns to a New Jersey safehouse and finds a bomb in his apartment (as it explodes) with a note apparently indicting the T-Bolts.

Acker and Blacker don't disappoint in their first time out with the THUNDERBOLTS main series (they wrote THUNDERBOLTS ANNUAL within the last year), bringing an interesting new vibe to the series. The team still sticks with the covert "doing the missions the Avengers can't" kind of idea but Red Hulk seems determined to live up to his realization from last issue and do more than just help out, indicating that he'd like the Thunderbolts to expand with more divisions, possibly comprised of captured villains (like Faustus) working against their will to make up for their sins. The voices are distinct and a lot of fun, just what we'd want to see from this team (it's what Soule did right during his time on the book that I felt Way missed in the first arc). Of course, the intrigue of a quitting and punished Punisher doesn't hurt either.

Total Score: 5/5


Punisher 7
Edmondson and Maurer (w) and Carnero (p) and Pallot (i) and Fabela (c) and Petit (l)

Wounded Punisher finds his way down to Mexico to recover and plot out his next move while he tries to figure out who attacked him. A back alley surgeon fixes him up, removing the bullet and closing the wound, though he also drugs him and sells him off to the highest bidder so it seems like they're even by the end. The highest bidder in this case is a Mexican gangster named Ortiz, AKA El Diablito. Ortiz and his men beat up Punisher a bit then sell him again to an unknown group (though probably Dos Soles, right?), who send Crossbones to pick Frank up. Not to be caught unaware again, Frank breaks out of his cell along with another captured vet, and the pair of them, with help from the vet's squad monitoring Ortiz, escape into the woods, where Punisher advises the other vet to move forward while he takes on the cartel.

PUNISHER 7 provides a nice respite from the story we've been dealing with since issue one, which is a good story but perhaps worth taking an interlude from here. Given Marvel's recent push for faster turnaround time on books, these sorts of issues seem to happen a little more frequently (particularly at this sort of issue number, where the main creative team gets a jumpstart on the book and getting about six issues in the can before issue one even goes to press) where a guest writer comes in (sometimes) along with a different artist (more frequently, as illustrating a book takes more time than writing it, typically). Still, the story is strong and fits in the same vein as the rest of the series, though it's hard not to miss Gerads' art on the book and I'm going to have to deduct a point here for how frequently a footnote tells us what an army code translates to. I'd rather have them say the actual words before going to acronyms, though I understand that's less realistic, or to simply say the code and allow readers who want to explore deeper to look it up themselves; the all-too present footnotes end up being distracting and breaking the flow. Also, I don't like that cover. Looks like Punisher's been stung by bees. Still, strong issue and certainly worth looking at if you've been enjoying this book.

Total Score: 4/5

Daredevil 4, Elektra 3

Daredevil 4

Waid (w) and Samnee (a) and Rodriguez (c) and Caramagna (l)

Despite his seeming betrayal, Shroud tosses Matt his telescoping cane, allowing him to save himself, and covers the area in shadow, giving Murdock the upper hand in the battle against Owl's henchmen, who he easily bests. Owl and Shroud have disappeared by the time the shadows lift and Matt reconvenes with Kirsten to discuss the next move. She informs him that Owl has become a big name in Silicon Valley and that only one substantial company hasn't fallen prey to him and that they have a big technological reveal to be announced soon. Daredevil stakes the place out and sure enough finds Shroud giving Owl access. As Matt enters to stop the pair, he realizes that Shroud wants to die and he's trying to die by Owl's hand, maybe taking the villain down with him. Suicide by supervillain. Daredevil refuses to let it happen, saving Shroud though leaving Owl behind to overload on the new technology (seems to still be alive and more powerful than ever but WHATEVER DEEDS, gotta check on that new guy I guess). DD lectures Shroud on how much tragedy he's been through and promises to help him find Julia, leaving Shroud to disappear on his own, though not to kill himself at least.

Some of the tech stuff involved here is a little confusing at its inception (though we're undoubtedly going to see more of it so it's not necessarily a big problem here. Meanwhile, the depression and desperation of Shroud is certainly compelling, even if it's not necessarily new ground for Waid, who explored something similar (though based more around a terminal diagnosis and an insurance scam than depression) in his INDESTRUCTIBLE HULK run. That doesn't make it any less jarring here nor any less meaningful. Plus, the way Bruce Banner deals with the problem of one of his employees going through this is going to be significantly different from the way Daredevil deals with a fellow superhero going through it. Samnee's art and Rodriguez's colors continue to be outstanding and lift this book above so many others.

Total Score: 5/5

Elektra 3

W.H. Blackman (w) and Del Mundo (a) and Del Mundo w/D'Alfonso (c) and Cowles (l)

Bloody Lips is stronger than ever and, thanks to the memories of the other assassins of whom he's tasted and of Kento, son of Cape Crow, whose blood he tasted on Lady Bullseye's sword, he has some idea where to go. Elektra and Kento go there first, though, the underwater city of Shicheng, to try to find Cape Crow. He's been there recently but isn't there now, to the chagrin of everyone, but before they can set off to a new location, Bloody Lips attacks. Elektra subdues him enough to try to give Kento a chance to escape but it leaves her open to Bloody Lips' attack. As he strangles her underwater, she stabs him in the chin with her sai. The two of them are guided through the Tiger's Gate together, a passageway in the now-flooded city that leads to the land of the dead for anyone who has been murdered. Both assassins are forced to cope with some hard truths as Bloody Lips sees his family, who he thought had died before he ate them only to find out that they were dying but it was his action that actually killed them and as Elektra sees her own mother, who she thought assassins killed but claims she died in childbirth.

This series has really gone for it in terms of its boldness and its darkness and its characterization. Elektra has been a character living rather on the outskirts of the Marvel Universe for some time now, getting characterization only insofar as it relates to those around her. More often it's characterization for Daredevil or Wolverine or someone but here Blackman is making a concerted effort to show us more inside her head, showing us what makes her her. There is, of course, still a hardness there and still an almost unwillingness to let the audience in but we're starting to see, bit by bit, a little more each issue. The same is true for Bloody Lips, who is a little more of an open book at this pint and who just keeps getting creepier (he's apparently Australian! Had we covered that yet? He is, it seems). Very strong series, really cool ideas and a very compelling read. Del Mundo continues to bring the seemingly perfect style to the book.

Total Score: 5/5

Comics this week

Hey all my buddies, it's me, the typical Tuesday post. Ready for some new upcoming comics that I'd advise you look into?


Avengers 31
Oh no, the Avengers are hopping through time! In a book that ties to ORIGINAL SIN and no doubt connects to the recently announced TIME RUNS OUT storyline coming in September that will send the AVENGERS and NEW AVENGERS books about eight months into the future in a move many comic fans call "confusing."

Daredevil 4
This book is so fun, right guys? A much lighter tone to this series and its predecessor than everything that had come before for Daredevil since, I suppose, his Marvel Knights series (or maybe even since Frank Miller). There's just so much fun and such a light and breezy tone to be had here. Anyway, Daredevil's falling into a fire pit because his new ally betrayed him to one of his arch nemeses. So much fun!

Elektra 3
I'm really enjoying this series so far and I'm excited to see where this creative team goes. Also excited to see how this story shapes up. I'm just pretty into this book right now, you guys.

Original Sin 4
I continue not to be sure of this event but it'll keep breaching my list if only because I'm sure there are developments coming. After last issue's shocking end, hopefully this week we find out a little more about why a hero seems to have gone rogue.

Thunderbolts 27
Charles Soule is gone from the book that he nurtured into something really terrific and exciting. Taking his place are the ever delightful Ben Acker and Ben Blacker, creators and writers of the Thrilling Adventure Hour podcast and subsequent graphic novel from Archaia. I really like this book as is and I love these two writers so I'm hoping that the combination of the two will create something wonderful.


B-B-B-BONUS PICK OF THE WEEK
Wicked and the Divine 1
GUYS, I know, this isn't a Marvel pick so I had to send it down to the bonus picks section but I'm really excited about this book. Readers of this blog should be well aware by now of how much I love Kieron Gillen and Jamie McKelvie, both as separate entities and as a duo. They're going right back to their wheelhouse with WIC/DIV and Image comics as they show us a world of gods and pop stars (the two aren't mutually exclusive). The art of the book, as ever with McK, looks gorgeous and I'm sure the book will be phenomenal. Check it out, you guys.

Guardians of the Galaxy 15, Thunderbolts 26

Guardians of the Galaxy 15
Bendis (w) and Bradshaw and C. Stewart (p) and Bradshaw, Stewart, and Wong (i) and Ponsor (c) and Petit (l)

The Guardians have been separated and captured with Rocket landing with the Kree (to be experimented on), Gamora left with the Badoon brotherhood (to be questioned about Thanos), Drax left to the Shi'ar (to be punished), newly acquired Venom attacked on Knowhere by the Skrulls, Groot left with the Brood, and Star-Lord being held on Spartax. They all seem to be failing at escaping except, as the issue ends, potentially Star-Lord. Despite the cover, no sign of Captain Marvel.

Unless you're a completionist and you're looking to obtain this whole series, it's worth missing this one. There are tiny little glimpses of character in the way each Guardian reacts to his or her capture (Rocket shows fear for the slightest moment, Gamora refuses to stop fighting, Drax threatens calmly but sighs to his deceased wife, etc.) and obviously we see where everyone is but that's pretty much all that happens in twenty pages of book. There are as many double page spreads in this issue as I've ever seen and it ends up just meaning that we get less story in fewer meaningful pages. There's no doubt in my mind that this could have been done just as effectively in ten pages and we could have had another half issue to move to the next step, maybe featuring, oh, I don't know, star of the cover Captain Marvel. Seriously. Look at that cover. Is that the cover of a book that doesn't see nor hear about Captain Marvel in the slightest? It's a low score for this one, then, not because it's a particularly bad book but just because it slows things down at a time when things don't really need to be slowed down and it means you're paying full price for half a book's worth of content (not to belittle Nick Bradshaw and Cameron Stewart's work, which is fine but didn't blow me away to the point where I'll ignore a stagnant story).

Total Score: 2/5


Thunderbolts 26
Soule (w) and Diaz (a) and Silva (c) and Sabino (l)

Ghost Rider's been eaten by a swamp monster thanks to Leader's treachery and Elektra and Punisher have been crushed by a cliche. Deadpool saves Leader from Cordoba and his men, enraged by what they've been through, but it doesn't stop Leader from trying to kill Deadpool as they go into the temple. Deadpool sees through the ruse and stabs Leader but leaves him alive enough to still enact his plan and send Deadpool into a pool of lava. Leader moves forward to find the artifact their after, the head of a long dead Celestial left here by the ancient Deviants, a race the Celestials created then deemed imperfect and unfit to inherit the world. The Deviants killed the young Celestial and left the head here, hoping it could transform their people into something more capable but then lost it to time and struggle. Now Red Hulk's former men have found it and Mancuso, the one who reached out to Red Hulk, explains (after Red Hulk kills his one-time lover scientist lady who turns out to be a Deviant looking for this exact thing) what's happened since he found it. Leader arrives, drinks some Celestial blood, and has his head explode from the power. With his whole team dead, Mancuso tells Red Hulk that he has two options: for Mancuso to kill him and give him the death he seeks or to work for the light. After a moment's hesitation, Red Hulk chooses the light and we're transported back to the very start of this mission, where Red Hulk tells the team that they're actually going to do something else now.

It's Charles Soule's last issue on THUNDERBOLTS, which is rather a shame because he took this book that I found somewhat middling, even if it featured a team that really intrigued me, and he immediately made it something fun and fresh, completely worthy of my one-time excitement. Still, he leaves the book on an up-swing, with the team all alive and perhaps destined for bigger and better things. It's definitely entertaining to see how the final deaths play out (Deadpool has a particularly nice moment as he sees through Leader's attempt to kill him, though it still leads to Leader killing him) and it leaves the book in an interesting place where we know what these characters would have gone through and how they would have acted in this adventure but now this adventure never happened so they don't necessarily know how it would have played out. Ben Acker and Ben Blacker have a really interesting job to take on and I'm excited to see what they produce. But let's not forget to laud Charles Soule for his fantastic take on this book and for, as I see it, righting the ship as soon as he jumped on to it.

Total Score: 5/5

This week's picks

Plenty of books out there this week but the top three rather stand out to me. Guess I can't ask for easier than that? AND, spoilers, THEY'RE ALL FROM ONE REVIEW THIS WEEK.

Amazing Spider-Man 2

I'm particularly impressed in this issue how much Slott is setting up without it ever feeling like "geez, we get it." I got that feeling a few times nearing the end of SUPERIOR SPIDER-MAN (or perhaps it was the middle, when Spidey 2099 started popping up and Sup Spidey was kicked out of Horizon and so on) and I've seen Slott fall into that trap before. Instead, here, he's rearing to go with a lot of stories (you just know that Dan Slott has been the one most eagerly anticipating Peter's return) but he's, as of now, planning to roll them out only when it's really time to roll them out. With so much happening already in the plot, it's nice to see the book waiting until the time is right to add more stories in. On top of that, this issue was strong in its own right, fast and fun and this volume still has the new car smell so we should all be excited to show it off to all our friends before it starts to get worn in.

Daredevil 3

There are weeks when I try a little harder (or the books try a little harder, I suppose) to make my picks a little less standard, trying to shine a light on other books that have the ability to unseat one of my typical choices. NOT THIS WEEK, friends. I praised DAREDEVIL on its consistency this week and I don't just mean that it's consistently putting out a readable book, which would be a feat in its own right. No, this book is consistently one of the best books on the shelves and 2013 saw it winning its fair share of "best of" lists (or at least placing near the top). Mark Waid has been writing a really engaging Daredevil while telling a really interesting story and Chris Samnee has been doing stellar work all the way through. Even steps that should have felt a little predictable in this issue feel fresh and exciting and the writing and tone alone would make for a completely worthwhile top pick, but Chris Samnee and Javier Rodriguez's art just always shoot this book up to another level. Great work.

Elektra 2

Though we're only two issues in, I'm really enjoying this series. It's a little hard not to draw critical comparisons to BLACK WIDOW as we see two typically colder characters, both professionals and neither afraid to get their hands dirty, start to get their own unique narratives and enter into their own unique stories, but I'm not about to start complaining (about either book). Mike Del Mundo's art is gorgeous, the story is compelling, and the characters, from what we've seen about them so far, seem more than capable of carrying this series. Both Edmondson of BLACK WIDOW and Blackman of ELEKTRA are also doing the smart thing with the dialogue: neither of these protagonists are chatterboxes and neither writer is finding it necessary to turn them into such to advance the plot. They're both excellent at showing, not telling, and at building character through action and, of course, narrative (never hurts to have a direct line into the thoughts of a character, even though these books are still keeping those somewhat close to the vest). Really neat book so far.

Amazing Spider-Man 2, Daredevil 3, Elektra 2

Amazing Spider-Man 2
Slott (w) and Ramos (p) and Olazaba (i) and Delgado (c) and Eliopoulos (l)

Peter Parker's got a lot on his plate as he reveals his secret to Anna Maria and reveals that she's been dating Doc Ock all this time (she takes it remarkably in stride). He clears some things up with the Avengers when he goes in for some tests and he confirms that Flash is Venom (he never knew before and he's not so thrilled to learn now). He squares off with Electro in New York City and immediately begins to feel some of the burden left on him by Doc Ock. Electro is forced to flee (spared with a little luck from his indebted onlooker Black Cat) but it turns Peter to thinking about how Parker Industries can best serve the public: from now on, they'll shelve their cybernetic work (which he doesn't understand ANYWAY) and focus on depowering and imprisoning super villains in the wake of Electro's destruction of New York's last prison.

Story
It's hard not to be impressed with how much Dan Slott is getting through in these first couple issues. He's got a lot of ground to cover to explain to Peter what's happened and to show us how much those changes will play a role in this new series but he stays ambitious and shows us some of the new and coming storylines that we should be looking at (including Black Cat's, the coming storyline that's been hinted at in interviews and previews featuring new character the Silk with a similar origin to Peter and who, according to this issue, knows Peter's identity, etc.). Still, the story of this one, focusing on Peter's mess of a life and Electro's broken powers particularly, is certainly compelling enough and more than enough to kick this volume off. 5/5

Character
Despite all of the story that Slott has to keep moving, we get nice little character bits from everyone. Peter's back into his old ways, quipping and having fun and enjoying his new lease on life even as he tries to deal with the numerous things in his way. Anna Maria comes off pretty well here as she keeps it pretty well together upon all of these big revelations and even stands by to support Peter and to keep his life intact (she helps explain some cybernetics stuff to him and helps him with Ock's new webbing formula). There are lots of small appearances from other characters that seem to fit their personas pretty well but our big focuses are Spidey, Anna Maria, and Electro, who also has a lot on his plate right now and who is fracturing pretty badly. 5/5

Writing
Pretty strong writing here as Slott gets his story and character bits across while also making sure to keep the tone upbeat, making it feel like a real Amazing Spider-Man story instead of a Superior Spider-Man story. He's helped by the fact that the tones of the two books couldn't be more different but he still does his part to facilitate the switch by never erring towards dark in this early issue. That's not to say that Spider-Man books can't get dark or that this one won't, but it's smart to steer clear of it as we emerge from SUPERIOR SPIDER-MAN to allow readers to get their bearings and see what a difference it's been. 5/5

Art
Humberto Ramos is great and continues to be great. His action is some of the most fun action out there, very fluid and kinetic, just as his character moments are driven strongly by their emotion, sometimes a little overblown but never so much that it's distracting. 5/5

Miscellaneous
Another solid issue. This is one of those books that feels like it's never done crafting, that there are stories lined up for years at any one time. I think it's probably the burden of being one of the most popular comic characters in the world and one who has a world so tightly wound that threats and enemies and friends are popping up all over at all times.

Total Score: 5/5

Daredevil 3
Waid (w) and Samnee (a) and J. Rodriguez (c) and Caramagna (l)

The Owl is getting reports that the Shroud is making a play for his empire just as the Shroud has lured Daredevil to his own hideout where he's keeping top Owl lieutenants tied up. Daredevil fights the Shroud briefly only to discover that Shroud's plan is to capture Daredevil to build his own reputation so that he can get enough credibility to meet with Owl where he can take down the villain himself. Daredevil admits it's a decent skeleton of a plan but he doesn't like the details of it. Instead, they formulate their own plan to distract Owl with Matt Murdock appearing by himself at Owl's hideout, drawing all eyes to him, while Shroud gets the drop on the boss. The plan works to perfection until, with Shroud's knife pressed to Owl's throat, Owl reveals that he can find Shroud's one-time love Julia Carpenter and Shroud sells Murdock out to Owl for the information.

Story
It wasn't too hard to see the "Shroud's not really evil" twist coming but it still plays well here as that wasn't the real betrayal planned here. In fact, it kind of draws the reader's attention of the idea of the Shroud turning on Daredevil just in time for the Shroud to turn on Daredevil. Between Matt's proactive attack on the Owl and the full re-emergence of Foggy Nelson (who gets cabin fever in the safehouse he's supposed to keep to), the story certainly works. 5/5

Character
Strong Daredevil showing here, plenty of fun and exciting movements for Matt and a pretty spiffy blind-man team-up to boot. Matt's personality is kind of always out in force in this (and the preceding) series as he doesn't suffer fools and he maybe has a little too much confidence in his own plans. Good character pieces from Kirsten and Foggy too as they argue over Foggy's appearance out in the world and Foggy has to swallow the bitterness of being made to appear dead while he recovers thanks to Matt's proclamation to the world. 5/5

Writing
This series seems like it will always have strong writing. The pacing and the tone are always on and never seem to miss a beat. That consistency and that smoothness are rare even in the best of books and it's cemented DAREDEVIL's place on many pull lists. Also a nice little SAGA reference for indie comic fans out there. 5/5

Miscellaneous
Did I tell you guys that I went on a huge reading binge of indie books? I'm totally caught up on a ton of books (EAST OF WEST, SAGA, NOWHERE MEN, AMERICAN VAMPIRES, THE WAKE, pretty much anything that's come up in Eisner nominees) and mostly caught up on FABLES. Look, this probably isn't the time.

Total Score: 5/5


Elektra 2
W.H. Blackman (w) and Del Mundo (a) and Del Mundo w/ D'Alfonso (c) and Cowles (l)

Elektra has made it to Monster Island and realizes quickly she's not alone there. Also on the trail of Cape Crow are fellow assassins Scalphunter and Lady Bullseye. While Scalphunter is brought down by one of the monsters on said island, Elektra bullseyes Lady Bullseye (is it cool if I make that a verb?) and leaves her for dead while she pursues their target. She discovers that the person luring them away from Cape Crow's hideout and wearing Cape Crow's armor is Cape Crow's son Kento Roe. He admits that he hired Matchmaker and, specifically, Elektra to find Cape Crow and bring him in alive because CC is his father and Kento believes that he's not the assassin he's charged with being (any more). While Elektra considers still taking the case, even though Kento doesn't have nearly the money he promised, Bloody Lips finds the wounded Lady Bullseye and tastes the blood on her blade, making him determined to find her and taste some more (he's a pretty weird dude, you guys).

Story
The assassin chase is typically a pretty compelling story by itself and while the reveal that Kento's son is involved may be a little cliche, the story does seem to be working pretty well here. It's also affected by the interesting Bloody Lips, who eats the flesh and blood of his victims and takes on some extent of their powers (he now seems to have increased strength and the ability to see in the dark, on top of his natural abilities, and he can use anything as a weapon in the way Bullseye could after attacking Bullseye). He's definitely worth watching at this point. 5/5

Character
There's more narrative and dialogue running through the issue this time and we get a little more of a window into the cold and reserved Elektra. We also get some of the other characters, like Lady Bullseye and Matchmaker, on top of seeing a good deal more of Bloody Lips, who is sufficiently creepy as well as powerful to keep things interesting. 5/5

Writing
The tone of the book, which is matched perfectly by the art, is driving this series so far. It's sufficiently creepy (which is, I'm sure, why we kicked this whole thing off on a place called Monster Island) and detached to make the story interesting and to give the characters a chance to shine. As such, the tone of the book feels like it's guiding the series to a perfect place. 5/5

Art
Del Mundo's art continues to be astounding and, though there are a couple of double page spreads that I'm not sure are totally necessary here, the layout of the pages are pretty strong. When Elektra does bullseye Lady Bullseye (she gets to sai her right through the gut), it's kind of a gorgeous panel as is the follow-up, which shows Elektra watching as Lady Bullseye falls. I love Del Mundo's style and it's on full display here. 5/5

Miscellaneous
I'm really enjoying this series as a whole and I'm interested in some of the decisions that have been made, such as the vibrantly pink lettering for anything Matchmaker says. Also it kind of feels like they're aiming this book directly at me, with Del Mundo's art and the compellingly dark but also kind of ludicrous story and the fact that Matchmaker wears one of those pilot caps that are 100% the best. So much of this is great and I think so much of this is maybe only great for me?

Total Score: 5/5

Comics this week

A slew of books out this week, friends, but it comes with a bit of a warning on this end. I've been feeling terrible of late (springtime allergies are absolutely wrecking me) so there's a chance books this week have the SUPER QUICK REVIEWS on them like many did last week. JUST A HEADS-UP.

Amazing Spider-Man 2
Peter Parker has a lot of figuring out to do as he returns to his life and tries to discover exactly the shape in which Doc Ock has left it. As if it weren't a hard enough job, Doc Ock's girlfriend Anna Maria Marconi has discovered that Peter is Spider-Man. Will Spider-Man have to erase the entire world's memories to stop his secret getting out? I mean, hopefully not.

Daredevil 3
Daredevil continues his new life in San Francisco and it's quickly put him up against San Fran vigilante the Shroud. Is this going to be a real fight or just one of your standard superhero misunderstandings? Find out THIS VERY WEEK in DAREDEVIL 3.

Elektra 2
I was definitely a fan of the first issue of ELEKTRA, which came complete with plenty of really gorgeous double-page spreads. I thought they really helped to establish both Elektra's story and character while also showing off Mike Del Mundo's art. Of course, too many issues like that can verge into style>substance territory, so it might be for the best if this week eases off the gas on that and delves further into story/character. Of course, could be wrong and it could still be great.

Original Sin 2
I wasn't big into ORIGINAL SIN 1, which had a lot to do with the fact that we already rather knew the conceit of the book going in so the fact we had to read a first issue entirely about that conceit slowed things down a little too much. That's not necessarily a fault of the book (though I had other complaints on top of that one) but hopefully now that the story's more or less established we can get into more interesting territory.

Ultimate FF 2
I don't think I realized that I was looking forward to this book until last week when I kept mistaking ALL-NEW ULTIMATES on my list for ULTIMATE FF and then was disappointed when I realized which of the two was really out. This one makes the pre-game cut because apparently I thought the first issue was pretty good?

This week's picks

Slower week of releases this week and some pretty clear picks jump to mind. Then why are we wasting time when we could just be getting to it?

Daredevil 2

Things stay interesting in issue two of Matt Murdock's new stay in San Francisco. Waid, Samnee, and Rodriguez introduce him to some new friends and new foes and to people maybe somewhere in between. It's a lot of fun without ever forgetting its plot or its goals. On top of it, as has been true with this book from day one, even back in the Paolo Rivera days because of course even in the Paolo Rivera days, the book is gorgeous and conveys everything it needs to artistically while remaining one of the top books out there for interior art (and cover art, hence why Samnee was nominated this year for best cover artist at this year's Eisner's after a win for best penciller/inker last year). The spirit of this book persists and the tone that Waid and his various art teams worked so hard to establish still permeates through the series even after all of the tense events at the end of the last volume and the move to San Francisco to kick this one off. Really great overall comic book and I can't recommend it enough, you guys.

Elektra 1

Really great first issue for this new series, one that writer W. Haden Blackman will have to work hard to make relevant in a day and age where so many books are coming out and a seemingly B-list character will have to really stun to stand out. So far, so good. As I talked about in my review this week, Elektra is a tricky character to write over a long term but Blackman very clearly has plans for her and very clearly know what he wants to do with the character. On top of it, Mike Del Mundo, phenomenal, Eisner nominated cover artist for my beloved X-MEN LEGACY, is already crushing it on the art for this series. There's a lot happening in this first issue and a story that looks interesting, though it looks like it may have the ability to trump any sort of character developments. We'll have to hold out on any of those judgments and just really focus on how neat this first issue was.

Iron Patriot 2
This one gets the nod over AVENGERS UNDERCOVER, THUNDERBOLTS, and UNCANNY AVENGERS because it was a very good book but also because it surprised me with how good it was. There are certainly still nits to be picked here but it's a series I didn't expect much out of; I've had some troubles with writer Ales Kot in the recent past and I don't know how much I trust an Iron Patriot series to really shine but if Kot and artist Garry Brown can keep the book going like this then I think there's a real opportunity for an impressive series. It's another in a long list (one that also includes ELEKTRA) of recent risky series for Marvel to take a chance on and hopefully another one that will pay off. I love how many risks Marvel is taking but I do worry a little bit about flooding the market with books and how expensive those books have become (Robert Kirkman was in the news recently talking about Marvel's business plan of exclusively 3.99 titles) and what that will mean for books with smaller general followings. Still, hopefully the cream rises to the top and the books that deserve to be kept are kept when the numbers start getting crunched.

Guardians of the Galaxy 14, Thunderbolts 25

Guardians of the Galaxy 14
Bendis (w) and Bradshaw w/Masters, Nauck, and Wong (a) and Ponsor w/Keith (c) and Petit (l)

The Guardians are being picked off one-by-one and separated. Rocket, Groot, and Starlord are attacked in the ship by Spartax warships while Gamora is chased down elsewhere by the assassin who had previously tried to capture her and while Drax and Venom (??) shop for new weapons on Knowhere. All Guardians are captured, leaving Venom behind on Knowhere and leaving Starlord to have an uncomfortable talk with his dad, who promises that they'll all be dealt with and that no one is coming to save them just as Captain Marvel takes to space. Also featured in this double-sized anniversary issue are stories from legendary GUARDIANS scribes Andy Lanning (who "writes" a story about Groot's origin. Hint: he is Groot) and Dan Abnett, who tells a tale set a thousand years in the future about the future Guardians of the Galaxy needing to go back in time to stop some stuff happening that would ruin their future.

Story
The best way to describe this story is abrupt. For thirteen issues, the Guardians have been wreaking havoc and staying a step ahead of the Spartax Empire and fighting the good fight through the galaxy. Until they weren't. Just today. No hand wrapping around them, no strategy employed to cut their engines and leave them defenseless. Just...caught. I legitimately had to wonder if I had missed an issue where something happened that allowed them to be caught or that explained why Venom was there. Turns out: NOPE, the last issue was still in the midst of that crappy TRIAL OF JEAN GREY crossover and so everything happening here IS still as abrupt as it seems. It feels like we're missing an issue and it's KIND OF an important issue we've missed? Like, we can still catch up, I suppose, but there's a lot of "I guess this is happening now?" feeling to the book. 3/5

Character
Peter Quill has some insomnia and thinks about why and thinks about what women he has crushes on and what ones he doesn't and ugggggh. Then Drax and Venom go and banter at a weapons seller showing that Drax doesn't know the word "cool" and uggggggh. Look, I have some problems here as ever. Also, Venom acts very nearly goofy out in space which, you know, granted it's a pretty big deal to him but Flash is a decorated vet and one who has to maintain control over his symbiote all the time. Maybe he wouldn't be so goofy all the time? 2/5

Writing
A bit of back-and-forth here but everyone's separated and there's too much abrupt story happening for it to really hurt anything. The opening ongoing narration from Quill is as close to that as it gets and it it GRATING though the case can be made that it's just a mind drifting while it does anything but sleep. Putting aside the strange character problems and the abrupt story, there's nothing particularly wrong with the writing, though it's kind of like grading a student's paper with a bad or non-existent thesis: it doesn't matter if the support is great or in-depth or whatever, there's no way it can be proving what it sets out to prove because a bad thesis means there's nothing there to prove (yeah, I've graded some PAPERS, yo). 3/5

Art
I was a little nervous about Bradshaw on this issue. He's clearly a pretty good artist but I've seen him most recently on one of the INHUMAN titles that Fraction wrote prior to Soule's entrance on INHUMANS and it upset me in the way that Medusa looked so feminized in that kind of "big eyes, soft features, bursting breasts (horrifying, that wording) etc." way. No such issues here though the armored Gamora is the only female until the last page reveal of Captain Marvel. Still, good work across the board this time out. 5/5

Miscellaneous
Seriously, were we missing an issue?

Total score: 3/5


Thunderbolts 25
Soule (w) and Diaz (a) and Silva (c) and Sabino (l)

The woman who arrived on the boat at the end of the last issue, Helen, was part of the team Ross sent out but only insofar as she was the researcher who told them about the artifact and was then left behind. They have a thing. Anyway, the sea monsters aren't quite done attacking and they start to pull apart the ship. Ghost Rider manages to get them to shore by using his chain to pull the ship away. However, Leader whispers an incantation that makes his demonic fire go out before he himself can get off the ship and he's ripped apart by the monsters while everyone else looks on. The other T-Bolts push on but their guide Cordoba reveals to Leader that he knows he's responsible for Ghost Rider's death. Leader admits it but also reveals that he knows Cordoba's men are in the woods following them. They form an alliance for all of two minutes before Leader outs him to his team, causing them all to flee. The rest continue to the temple, where Red Hulk demands Leader wait outside (with guard Deadpool) and guide them over the walkie. He quickly betrays them and Elektra and Punisher end up in a death trap themselves.

Story
Tons going on here, enough that I kept wanting to shorten the summary and couldn't figure out where to do it. In fact, I should have PROBABLY gone deeper than I did but GUYS, read the book instead. There's so much happening and it's largely really interesting. The Ghost Rider twist was something unexpected and sharp, brutal and efficient enough to be jarring without feeling like a hook. The Leader has some great moments as his long con continues to play out at the expense of the team. Plenty happening but without ever getting too absurd or too abrupt. 5/5

Character
Everyone has a couple of good looks here but the main focus is on Leader and his sudden but inevitable betrayals. It's crafty and it's clever and it's hard, thanks to his movements with Cordoba, to figure out what his angles are, which is exactly how we should be seeing Leader since he's smarter than all people ever, more or less, so we should never know his true motives. It's the kind of sharp characterization that drove Hickman's SECRET WARRIORS series and others like it. 5/5

Writing
Thanks in large part to the characterization of Leader and the way that he drives the plot here, the tone is always a little bit uncomfortable, which is perfect. You're never supposed to know exactly how to feel about what's happening. The abruptness of Ghost Rider's death, the turn on Leader by Cordoba and the turn on Cordoba by Leader, all of it keeps the reader off-guard and it keeps the tone from settling in to something either too fun or too serious and it instead sticks into this strange "how should I feel?" place that fits everything Soule wants to do. 5/5

Art
The art looks maybe a little more cartoony than it has been but it steps it up to make sure things are tense as the big moments occur, like Ghost Rider being ripped apart or the fall of Punisher and Elektra and their caress as the walls close in on them (slower than haunted house spiked walls but not as slow as evil scientist spiked walls). Overall it fits the tone and feel of the book pretty nicely. 5/5

Miscellaneous
I like the cover on this one but it's the first time in quite some time that I haven't absolutely loved the cover on a THUNDERBOLTS issue. Sigh. All good things, I suppose. Strange that the 25th issue of THUNDERBOLTS, a far riskier book than something with X-MEN in the name written by one of the biggest names in comics over the past decade doesn't get a celebration.

Total score: 5/5