Leftovers 10-15-14

As I said on Tuesday, there were a whole bunch of comics out this week so let's dive right into it with these much shorter, much quicker reviews. Let's also hope that they're much shorter and much quicker than I tend to be, even in these.


Avengers World 14

The Next Avengers help Sunspot, Cannonball, and Hyperion bring down Barbuda and free Smasher from their control as Shang-Chi gets his revenge on Gorgon, replacing Madripoor in the process, and Druid, who was killed while in the land of the dead, giving him the ability to stay with them and now giving him access to the language he needs, successfully brings the dead back and closes the portals while the Avengers and Euroforce beat up Le Fay. Success all around! These three sweeping stories come to a close in a pretty clean way, but one that follows well enough from the rest of the series. Strong writing and wonderful art anchor this one. Total Score: 5/5








Deadpool's Art of War 1
Deadpan gets hired in some strange chrono-bending way to kill Sun Tzu, author of Art of War and he gets real interested in the work, deciding to re-write it and publish it, claiming it as his own. His would-be publisher demands he find a new way to write the story as many have already done just that and he decides it should take the angle of a survivor's guide. He decides to start a massive war so that he can test his theories out surviving just such a war and pits Loki and Thor against each other, trolls and frost giants against Asgardians. However, his advice to Loki gives Loki the upper hand and Loki actually wins the inciting fight. There is maybe an interesting story in here but I've yet to really see it. It's also not nearly as fun as you'd want a Deadpool story to be with only really a handful of fun moments even attempted and almost all of them missing the mark. With Loki standing over a beaten Thor on the last page, Deadpool asks us "Isn't this fun?" Nope, but thanks for asking such a specific question. Total Score: 2/5


Edge of Spider-Verse 5
The final EDGE OF SPIDER-VERSE shows us little Peni Parker, someone who I will not be talking about in the possessive sense, set to replace her father as SP//dr, a premiere crimefighter of her world who relies on a genetically keyed spider-suit to fight crime, which she does well, even despite her youth. After a run-in with Mysterio and some gangs (and a team-up with that universe's Daredevil), she's accosted on the train by two other Spiders from different universes, who warn her of the coming Morlun and other Spider-Killers. She agrees to go with them to help strengthen the Spiders. It's a pretty strong book (though I tend to have a distaste for books wherein some song plays and the lyrics show up as text in the book, particularly when the book is written by the frontman of My Chemical Romance, a band whose music I do not care for, but this is getting real nitpicky now and very nearly petty so let's close up this parenthetical) and the art is particularly strong. Overall, with a couple of missteps, the EDGE OF SPIDER-VERSE precursor mini-series has created some interesting characters and should get readers pretty interested for the main course, starting in AMAZING SPIDER-MAN 9. Total Score: 4/5


Fantastic Four 11
She-Hulk meets with Wyatt Wingfoot and they discuss how Johnny's in trouble and how everything else seems to have broken the wrong way for Marvel's first family. The duo agree to team-up and try to figure out who is behind all of this before whoever it is can figure out they're on his or her trail. On his way home from the meet-up, though, Wyatt is attacked by a mysterious archer, saved only when Spider-Man pops in, also called by She-Hulk to give a hand. Oh, and Thing keeps getting beaten up in prison with a pseudo ally in Sandman and Reed is doing stuff and Sue is still crying. Really continue to not like this book but I do think this might have been a stronger issue than the last few, almost because the F4 weren't in it as much. That, uh, that still didn't make the book good, I should specify. Still way too narrative heavy and hand-holding and painted with such a broad stroke to be dark and menacing to actually feel that way. Total Score: 2/5


Hulk 7
Doc Green, fresh on his de-gamma-ing of Rick Jones, meets with Hulkling, who promises him that his powers are based on mixed alien heritage, not gamma in a fun little scene. Green's next real target is Skaar, son of Hulk (who Green claims not to be any more), so he travels to the Savage Land. After a vicious fight, Green manages to inject Skaar with the serum and watches him revert to something more resembling human (though with Skaar's strange background, no one really knows what he is now). His next targets seem to be the Red Hulks, both he and she, but first he has to deal with what's going on inside him, which seems to be a rebellion from Banner and even Hulk, still locked away in his mind. Some interesting things afoot here. I still don't like and/or care about Doc Green, which is the only thing the book is slipping on but I have a feeling now that it's intentionally slipping on that point. With the reveal that Banner and even Hulk may be still in Doc Green's mind, showing that the Hulk and Doc Green might really be separate entities, it's probable that Doc Green isn't the one we're really meant to be pulling for. Some interesting stuff and I'm surprised by how excited I've become to see the other Hulks in this series. Apparently I like those guys. Total Score: 4/5


Loki: Agent of Asgard 7
Doom has trapped current Loki in time stasis after the villainous Loki showed Doom that he would destroy the world in the future. With Doom distracted, though, by Red Onslaught's hate-wave affecting Latveria, Verity reveals herself to Valeria and explains that Loki should be freed, the logic of which hits Valeria pretty quickly. They go and break down the time cube then, with Loki and his truth-sword released, they construct a way to broadcast the sword's inherent truth to Latveria, freeing the civilians from the perceived hatred they'd been feeling. As Doom and Loki debate what to do next, Magneto shows up and tells them they're needed to fight the Red Onslaught or else watch the world burn. Though I still can't help but eye-roll at Verity Willis (that name! What a specifically correct name PRE-DISCOVERY of her powers! Which are still undefined!), this is a pretty strong issue. There are an appropriate amount of funny moments and clever twists and turns. Valeria in particular gets a solid performance, with Ewing nicely toeing the line between naive child and brilliant wunderkind well (a line that so few others manage to hit). Best part is when Verity asks what makes hate easy and Val mutters "Mommy and daddy." Aww, poor angry kid. Also, great art from Jorge Coelho. Total Score: 4/5


Magneto 11

Hey, we just talked about this guy! Anyway, we see a bit of the last issue of AXIS as Magneto flees the fight with Iron Man on the verge of being crushed. He returns to his base with Briar Raleigh, wondering if maybe he isn't the massive villain the world thinks him to be, after unleashing Onslaught a second time and causing so much destruction once more, all while never actually helping his chosen people. Briar plays him a video she made of all of his greatest hits, which are mostly violent and despicable from the outside, but ends with a clip of a civilian mutant saying that, though Magneto was angry in all of this, he saved her life and she's happy, if a bit scared, that someone like him is on her side. Rejuvenated, Magneto travels to the ends of the Earth to gather a number of villains including Mystique, Sabertooth, Carnage, Doom, Loki, Absorbing Man, Hobgoblin, and Deadpool (who actually comes to him), to take on the hero-killing Sentinels Red Onslaught has at his command. Though this certainly wouldn't be required reading to understand what's happening in AXIS (we know by the end of issue two that Magneto left and got some villains and came back, which is pretty much all we need to know to continue), this one actually really does add a lot of depth to the stories, both the story of AXIS and the story of Magneto. It's extremely well-done and fits nicely with what Bunn has been establishing all along for Magneto. Great work. Total Score: 5/5


Miles Morales: The Ultimate Spider-Man 6
While the Green Goblin recovers from his gunshot-to-the-head wounds and promptly kills J. Jonah Jameson for them, Miles and Maria Hill talk to Peter and MJ, trying to ensure that he's the real deal. As they keep questioning him and he keeps basically saying that he is Peter but he doesn't know how he's alive, probably something to do with science or whatever, Gwen and Aunt May also show up, suddenly aware that he's still alive. Unfortunately, the reunion is cut short when Goblin turns up on the front lawn. Miles demands Peter get his family and friends to safety while he takes on Goblin. With a series of attacks revolving around his venom blasts, Miles takes down Osborn with ease. Hill calls for backup to restrain Osborn while the powered-down Norman pleads with Miles to help him, promising that he'll tell him the truth about Miles' own powers and DUN DUN DUN his real father. EYE-ROLL. I actually enjoyed this issue (though it came with a lot of the sort of back-and-forth dialogue that seems to only serve to extend the pages...now we're getting into different styles of Bendis writing) right up until that last page, where Norman promises to tell him about his REAL FATHER. I suppose there has to be more drama to the return of the Green Goblin than just "oh, Miles' venom works absolutely GREAT on that guy" but I really don't need more daddy issues in comics or, you know, anywhere else, thanks. It's possible this will be some sort of fake-out or won't have the desired effect on Miles, but I'm reviewing this issue for this issue, not for the future, and GEEZ, trope alert. Total Score: 4/5


Original Sin Annual 1

We get a look back at the days when Fury took the job to be the new Man on the Wall in the stead of Woodrow McCord. Fury, eager to know more about McCord, is shown around the moonbase by Howard Stark, who shows him McCord's diary. In it, McCord explains what happened between himself and the man he replaced, a man named Stafford, and what the job has done to him in turn. I went into this book with a lot of skepticism because I don't tend to love Annuals and I really don't tend to love Annuals for events or for one-year only comics and I already didn't love ORIGINAL SIN. To say, then, that this issue is absolutely the best thing to come out of ORIGINAL SIN feels a little like the truth and a bit misleading at the same time. It's the truth because this book really does feel, to me, like it outstrips anything in ORIGINAL SIN, thanks to the quality of ORIGINAL SIN, and it's a bit misleading because this book really is genuinely very good. It's an extremely well-written character piece about Woody McCord and, on the outsides of that story, about Nick Fury. There's a lot here and Latour does a great job to really make the Man on the Wall stuff compelling and interesting. I couldn't help remembering that Latour was the last person to write a WINTER SOLDIER series before this newest incarnation and that I'd absolutely have loved to see him as the writer on this current one, as a guy who clearly has a compelling take on the Man on the Wall thing and who knows Bucky well. Great stuff here. Really worth checking out for a single issue sort of thing. Total Score: 5/5


Spider-Man 2099 5
Miguel insists that Alchemax no longer do things like hire criminals straight out of prison and suggests that they instead work on building supervillain prisons, an idea that Liz Allan is onboard with. However, Miguel is bothered by searing pains in his head as Miguel O'Hara's from different worlds are killed by Morlun. He escapes to the roof and switches to his costume right as the Miguel O'Hara who linked all of his fellow Miguel's heads together in a misguided attempt to team them up opens a portal to 616. Before he manages to enter it, though, Morlun catches up with him and kills him, dropping the body to the 616 but shies away from entering himself, remembering that world as the one in which he died. Miguel takes the body and realizes he has to find Spider-Man. Interesting issue all around. There's maybe an attempt at a little too much backstory from the other universe's Miguels especially considering it's quite clear they're going to die before they have a huge impact on the story, but our Miguel does well here and it seems like he'll be our messenger for the SPIDER-VERSE entry point coming very soon. Total Score: 4/5


Storm 4

Storm, hurt by the loss of Wolverine, expresses her grief out a safe distance from Earth before settling down and moving forward. She finds Wolverine's phone on his desk, which instantly gets a text from Yukio, asking for him to come down to help. She instead travels to Las Vegas where she tells Yukio what happened to Wolverine and promises to accompany her to whatever she needs help with. Believing this could be a bad idea as Storm is bound to not like what's coming, Yukio leads her to an underground meeting with the heads of a few clans of the world. The four bosses talk and try to figure out land issues with two clans clashing over one AIM base drifting between their territories. To solve the dispute, the four bosses and Storm go into an arena where two champions for the sparring clans face off. Disgusted by the fight-to-the-death mentality, Storm intercedes, with Yukio pleading her not to, saying that these fights keep the civilian casualties down from these gangs. Storm can't abide it, though, and the head of the third clan challenges Yukio for supremacy after her champion broke the rules. The pain of the loss of Wolverine is handled nicely in this issue, with Pak and Ibañez dedicating about five pages to her overwhelming grief before having her refocus and continue forth. It's pretty much what you want from Storm. The fighting clans are a little confusing to write about in an attempted brief summary but work alright in the book (though the areas they're claiming are a little vague). It's also a nice example of the differences between Wolverine and Storm, with Wolverine abiding these fights because he understands that it could keep civilian casualties down and Storm unable to abide these fights for any reason. Total Score: 4/5


Superior Foes of Spider-Man 16
The penultimate issue of SUPERIOR FOES finds the Sinister Six ready to step up as the heads of the Maggia with the head of Silvermane in tow. Unfortunately for them, Overdrive, Beetle, and Speed Demon all made deals with various other mobs and now the pier is a war zone about to get even crazier as Punisher, Mach VII, and Shocker head that way for their own reasons. Boomerang, though, got everything he wanted as he had stolen Chameleon's shape-shifting serum from his vault and poses as a Mets rookie pitcher to get to pitch once more for his team. As ever, really fun, really engaging issue. Great stuff from Speed Demon and Boomerang and a couple of twists that work really well for the issue. It's been a really fun ride for this team and I'm sad to know it's coming to an end in the next issue, but glad that we managed to get 17 out of it. Guys, 17 issues for a funny book that stars a supervillain C-team is kind of a massive win. Total Score: 4/5

Avengers 35, Uncanny Avengers 24, Avengers World 13

Avengers 35

We're eight months into the future and the entire world is completely different. Cannonball lives off world with Izzy and their newborn baby, though Sunspot, the new leader of AIM after he managed to hostile-takeover their business (one of the drawbacks, he says, of running your evil scientist group like a corporation), needs them to come back to Earth for what's coming. Hyperion has been working with his children in the Savage Land to build a device for...reasons, which he and Thor, now Mjolnir-less, will use to cross over somewhere. Likely it has to do with incursions. SPEAKING OF INCURSIONS, the Illuminati, comprised of the original members plus a bunch of other super scientist types like Amadeus Cho, Brian Braddock, and Hank Pym, is on the run from SHIELD and the now-SHIELD sanctioned Avengers. These Avengers catch up with Cho as he breaks into the old Avengers Tower trying to salvage some of on-the-run Tony Stark's data but the Avengers, led by Sue Storm, capture him, though he has no information for them.

Okay, so there's rather a lot that's changed, hm? This isn't an alternate dimension, this isn't a WHAT IF... story, this is the main Marvel Universe just eight short months from now. It's a bit reminiscent of CIVIL WAR but with a very different schism at the center and with a very specific sort of hero going up against SHIELD and the Avengers. The story, of course, is very interesting and compelling to get into because, as you'd expect with a story like this and particularly with Hickman, we just into a fully formed world just the way it is, no real explanation given yet besides what you can surmise from the natural dialogue and your own assumptions about the situation based on what's been happening. It's a strong start to the ambitious TIME RUNS OUT storyline and it looks like Hickman, as ever, has this well in hand. Have I mentioned that I adore Hickman's EAST OF WEST? That it's one of the best comics I've ever read? Good.

Total Score: 5/5


Uncanny Avengers 24

As the Unity Squad gets back to Avengering, the greater mutant part of the team (Havok, Scarlet Witch, and Rogue) finds itself abducted by Red Skull's S-Men and brought to his new concentration camps on Genosha. While unconscious, Rogue sees Charles Xavier (seen here with Banshee) in her mind. Charles says that he's just the last psychic residue in his old brain, now in the Skull's head, and tells Rogue that she has to keep Scarlet Witch away from Skull, that he has some horrible plans for her. He also reveals that she's the secret weapon because Skull knows all their powers but doesn't know yet that she has Wonder Man in her head. She wakes up and tells the others, chained up next to her, and together they break out, running into and rescuing Magneto on their way. Magneto wants to save all of the mutants and is furious and derogatory when he learns that they want to go and get more help first. The fight is interrupted, though, when Skull and his S-Men confront them.

AXIS seems ready to burst forth (I know it's now called AXIS: AVENGERS AND X-MEN but that's a dumb name and AXIS is a solid name) as Skull's fight with the Unity Squad continues, now more hateful than ever. There's some good character work here as Remender catches new readers up on all that's happened by having Havok talk about his disfigured and burned face and having Wolverine meet with Scarlet Witch and Rogue to talk about his part and his guilt in the whole last arc and to say how proud he is that the two of them are working together and have put the past behind them. It's perhaps a little too eager to chew some scenery, but it gets the point across and doesn't feel nearly as expository as it could. Running into Magneto helps the issue too as more characters are developed and as the plot advances nicely. Strong stuff, looking forward to AXIS. It's nice to have events every so often that seem like they stem from current events in the books (not like certain other events, particularly ORIGINAL SIN, AGE OF ULTRON, FEAR ITSELF, and BATTLE OF THE ATOM, which all spawned from nothingness and meant fairly little).

Total Score: 4/5


Avengers World 13

As the Hand, Gorgon, and the ancient dragon on whose back Madripoor sits fight against the newly revealed SPEAR, we get an introduction to the Ascendant, the superteam SPEAR has put together or, more appropriately, the superteam Weather Witch (formerly of The Dynasty) put together and leads with the go-ahead and support of SPEAR and the Chinese government. Included on the team are Saber, another former Dynasty member, Devastator, a Skrull loyal to the Chinese government and wearing the former Russian Devastator armor, Vector, a rebellious protestor with Darkforce powers similar to Cloak's, and Sun Wukong, the Monkey King. They hold their own in battle but it won't be enough to fully stop the dragon and SPEAR's Director Zheng calls up Maria Hill in the hopes for some aid, specifically in the hopes of technological aid, SPECIFICALLY in the hopes of getting some Pym particles, which Hill gives but only under the condition it be given to one of her team. Enter Shang-Chi, giant master of Kung Fu.

Spencer, interestingly, has gone back-to-back AVENGERS WORLD issues introducing a new team from another part of the world. It's a real WORLD style move, showing perhaps the inspiration of a team like the Avengers on the other parts of the world and allowing us to see how the world has reacted to the presence of superheroes all over. It's a pretty strong issue and gives us a sense of this Ascendant team and of SPEAR, which separates itself from SHIELD in a number of ways in this book. Also not going to act like I'm not excited about the idea of a giant Shang-Chi fighting a dragon. That feels like maybe it was the pitch of this entire book. "Giant Shang-Chi fights a dragon," said Spencer, and the rest was history.

Total Score: 5/5

Leftovers 9-3-14

There are still too many books left.

All-New Doop 5

Doop has learned that his mother is also his father and it's shaken him a bit. Still, with the help of Wolverine, he's able to settle himself down and restore the story to its rightful place, even wiping the memories of everyone involved so they can get back to the main narrative and he can return to his place in the margins. It's a nice conclusion for Doop and there's a nice moment between him and Kitty but still the limited series remains baffling to me, even insofar as why it exists. It's not helped by how much I disliked BATTLE OF THE ATOM. Total Score: 2/5









All-New X-Factor 13
Quicksilver's press conference has shaken things up a bit for X-Factor as Polaris stands up for her half-brother to Harrison Snow and then helps him stand up to Gorgon of the Inhumans, who attacks Quicksilver as he takes Luna and Georgia on a trip to Pennsylvania. Gorgon is furious that Quicksilver betrayed the Inhumans and "stole" Luna away, though Luna stands up for her father. Though Quicksilver is prepared to accept his punishment, ex-wife Crystal shows up to calm the situation a bit, taking Gorgon home to Attilan and allowing Luna to stay with Pietro a little longer. Still some good heart in this series as the team begins to stand up for one another and as Quicksilver gets some more development to bring him back to a more respectable place in the Marvel Universe. Total Score: 4/5


Avengers World 12

The Avengers and the new Euroforce work together to try to battle Morgan Le Fay in her new City of the Dead. After a quick bit of origin for each of the new Euroforce characters, Druid shows up to aid the team. Unfortunately, Le Fay quickly kills him. Bit of a surprise there. Anyway, another pretty strong showing here as Spencer does some quick work to create a bit of intrigue for Euroforce, begging us to ask where they've come from. I continue to quite like Checchetto's art. Total Score: 4/5










Deadpool vs. X-Force 4
Deadpool has inauspiciously teamed with Hitler to help Talbot control the world in the present. At Deadpool's disposal is a special gun that will erase its target from all of existence. After some attempts to set the past right, Cable shows up to have a final battle with Deadpool and Talbot. As Deadpool turns the gun on Cable, Cable uses his as-yet unrevealed telekinesis to redirect the blast to hit Talbot, erasing him from all of time and creating something of a paradox but fixing all of the past as Talbot never hired Deadpool in the first place. Not a bad ending but not necessarily a series that I believe needed to exist. Total Score: 3/5


Hawkeye vs. Deadpool 0

A hacker has been targeted after stealing the HR records of every active SHIELD agent. On Halloween, he attempts to get help from Hawkeye, who mistakes him for another ungrateful trick-or-treater and turns him away. He runs into Deadpool on his way out and slips his flash drive into the merc's candy basket. The hacker ends up murdered by a pair of goons dressed up like Punisher and Daredevil and quoting patriotic aphorisms. Deadpool and Hawkeye don't want to team up to solve this murder and protect SHIELD but it looks like they may be forced to, particularly as it seems like they may be going up against Black Cat sooner or later. Pretty fun first issue here as Duggan and Lolli play with Deadpool's typical writing and with homages to Hawkeye's current series that mostly hit the mark. Could be a fun team-up. Total Score: 4/5




Legendary Star-Lord 3
Star-Lord has been captured by the Badoon and wakes up in a Badoon jail along with a young Badoon child and a spy. With some help from Kitty Pryde in the form of a hologram, the trio break out of their cell and head for safety. Despite a hatred for the Badoon, Star-Lord is won over by the young Badoon child who leads Quill to a nice new ship, which he uses to bring the child to the orphanage he robbed in the first issue. Next stop: Earth for a confrontation with Thanos. I continue to believe that this series isn't living up to its potential, which I think could be a pretty high ceiling. Instead, it feels like, as I said last issue, the opposite of ROCKET RACCOON, seemingly trapped in the Marvel Universe and too attached to the new mythos of Guardians of the Galaxy (complete with a terrible "OOGA CHAKA" reference). Give me something fun and crazy, not something that feels tied down. Total Score: 2/5


Punisher 10

Punisher is in prison after his last run-in with Black Widow but prisons mean very little Frank Castle, who quickly enrages the right people and causes a prison riot, allowing him time to go talk to an older man in the prison named Hector Ruiz. Meanwhile, LA has exploded in crime rates and the police officers find themselves becoming more violent in response, with many getting suspended as a result of their actions even as the Dos Sols prepare for another strike. Edmondson keeps the tension up here though this one is still rather a break issue, giving us a chance to settle back into the LA storyline after a bit of time removed. Strong work and I really like that cover right over there. Total Score: 4/5







She-Hulk 8
An elderly Captain America has gone to She-Hulk for help after a deathbed confession from a ninety year-old man questions whether or not Cap killed a man decades and decades ago. As She-Hulk attempts to take the California-based case, she runs into a handful of problems and concerns, only to have them reach their breaking point when she learns she's going up against friend and fellow hero Matt Murdock in court. This book continues to be rather unlike any other book out there right now as it acts as half procedural and half superhero book. The case gets more and more complicated but it's happening on a backdrop of excellent character work and really strong Javier Pulido art. Total Score: 5/5


Spider-Man 2099 3
Miguel O'Hara worries what his reveal to Liz Allan will bring him at work and learns quickly that it will bring him something just short of blackmail, as she requires he accompany Tiberius Stone as Stone goes to a war-torn nation to sell Spider Slayers to the government, despite his objections. Sure enough, as soon as the two arrive, Stone is kidnapped by the rebelling forces. Unfortunately for those forces, Spider-Man 2099 isn't the only protection Stone has, as the corporation had already sent Scorpion to help against the uprising and that the Spider Slayers are already active in the country. There are some interesting ideas here but it's so far a little hard to stay invested in these characters, as David insists we care to some extent about what Liz Allan has to say about things and about Tiberius Stone, whose survival O'Hara counts on for his own life. Certainly not all bad but also not compelling enough to differentiate itself. Total Score: 3/5


Superior Foes of Spider-Man 15

Shocker yells at his old team for betraying him but ends up, of course, betrayed again as the new Sinister Six suddenly finds themselves winning all over the place after a successful raid of Owl's compound and now sitting on the head of Silvermane that could make them heads of the Maggia. After a successful fight against some of their hired help, angry to be cut out of the deal, things seem to be looking up for the villain team...until Owl teams up with Chameleon to find Boomerang, Overdrive makes a deal with Mr. Negative to give him the head of Silvermane, Beetle gives Tombstone the info about the head of Silvermane, and Speed Demon offers the head of Silvermane to Madam Masque because she's hot. Still plenty of fun with a lot of laughs and some great moments, particularly as the issue winds down and we start to see, juxtaposed with Boomerang's pride in the team, the many betrayals upcoming. Total Score: 4/5



Uncanny X-Men 25
The will of Charles Xavier includes, as we learned last time, the fact he married Mystique but it also includes the revelation that there is an extraordinarily powerful mutant out there named Matthew Malloy who Xavier met when Malloy was a child and who he realized was too powerful to allow to continue his regular life. Xavier installed a series of mental blocks to dampen the child's power and visited him yearly in the guise of another child until Malloy caught on to Xavier's trickery and asked him what was really happening. When he learned, he wanted all of his memories removed and the mental blocks reinforced. Now, with Xavier dead, the responsibility of checking in on Malloy falls to his X-Men, a task that may be trouble as Malloy's mental blocks have been removed and the young man finds himself burdened with immense power. There's an interesting story here but it's absolutely buried under narration, dialogue, petty fights, and banter. Also, the story isn't that interesting, let's calm down, okay? Total Score: 2/5


X-Men 19
Jubilee, with some consultation help from Beast, manages to reboot the Peak's systems and repair the shielding while the psychics on the team take out the attacking Sidrian Hunters. Monet, Psylocke, and Rachel Grey take a shuttle out to the last place Deathbird had shown them in her memory, meeting up with a few Shi'ar on the way. Meanwhile, Storm tries to repair the Peak but runs into complications as she's already exhausted from the last battle and is asked to generate electricity herself (not the way her powers work) and power up the ship. She may be in trouble as the suspicious Manifold Tyger attempts to "aid" her while the psychics discover that Deathbird had been brought by the Brood to a place where she and other creatures were experimented on. Some of the experiments, sadly, are still there and ready to attack. Like the last issue, some of the ideas are pretty strong and the dialogue and characters are particularly well done here. It's a good story that's utilizing every member of the team pretty well. Total Score: 4/5

Leftovers 8-13-14

Hey all my buddies, we've reached the end of another long week and I've reached the end of another string of longer reviews. You know what that means: focusing up to whip out this review dump in under an hour (tricky business, that, considering how many I left for myself. Did you guys realize I hadn't actually reviewed AMAZING SPIDER-MAN or SPIDER-MAN 2099 yet? Because I sure didn't). LET'S HIT IT.

Amazing Spider-Man 5
Slott (w) and Ramos (p) and Olazaba (i) and Delgado (c) and Eliopoulos (l)

Spider-Man and Silk make out for a while until she reveals that she knows he's Peter Parker, which jolts him back into his regular state of mind. Disturbed by both of their actions, he brings her home to try to figure out what should happen next, but they quickly end up making out again until Anna Maria comes home. She tells him that Sajani hasn't appeared to any press events as scheduled and he must do it himself, so he goes on J. Jonah Jameson's new talking heads show and begins to talk about his desire to capture and cure Electro and other villains only to be interrupted by Black Cat and Electro busting on to the set to hold Peter hostage. Silk emerges and fights the pair while Peter changes but Electro manages a hit on Peter that renders him immobile while Cat prepares to unmask him on live television. I still really don't like this Black Cat-Electro team-up and I really hate the crazed Black Cat that's emerged from it. Also, her luck powers seem to be working overtime, as do her luck-based mantras and BOY that never gets annoying. Total Score: 2/5


Avengers Undercover 8
Hopeless (w) and T. Walker (a) and Beaulieu (c) and Caramagna (l)

It's been three months since the kids joined up with the villains and some are ready to join up officially while the others are on the cusp of being in deep enough to turn the tables on their "allies." When the now-together Hazmat and Anachronism decide they've gained enough trust, they escape momentarily to contact Hank Pym and tell him what's been happening. He's not thrilled but he agrees to help them when the moment comes. Unfortunately, Zemo seems wise to their game and brings down each one of the kids not already under his sway (Death Locket seems pretty entrenched already and Cullen is being controlled by Daimon Hellstrom). It's a really nice bit of sleight of hand by Hopeless as he keeps the reader focused on the changes that have occurred over the last three months and on which of the kids will follow through on their original plan before revealing that Zemo already has the drop on them because, you know, in retrospect, of course he does, he's Zemo and this plan isn't foolproof, let alone Zemo-proof. Good issue. Total Score: 5/5


Avengers World 11
Spencer (w) and Ienco (a) and Mossa (c) and Caramagna (l)

The Avengers kids are on hand and they prove themselves by taking down a flock of SHIELD agents before Maria agrees to their help. They go to AIM Island and, with the help of Manifold, take down plenty of AIM agents and use a device to gather the intelligence AIM has gathered and block its transmission. They manage to stick it to one of the bio-networked AIM agents and then distract Forson long enough to escape while the present Avengers head to the White House to defend it from AIM, who have more or less declared war on America after Iron Man's "attack" on Forson on live TV. Mostly interesting stuff here though the re-emergence of the Next Avengers mostly just serves to confuse me as to why they're back and, you know, timeline stuff and the like. Whatever, still doing alright. Total Score: 4/5


Deadpool 33
Posehn and Duggan (w) and Lucas (a) and Staples (c) and Sabino (l)

Deadpool fights off wave after wave of Ultimatum soldiers before their boss Flag-Smasher appears and Deadpool gets incapacitated enough for Flag-Smasher to throw Ellie out the window. Deadpool struggles to his feet and begins his attacks anew, furious and sad, until Genesis shows up to help his ol' pal Deadpool with own pal Quentin Quire in tow. Evan caught Ellie going out the window and the girl is unharmed, which doesn't keep Deadpool from annihilating Flag-Smasher, ensuring he stays alive so no one else picks up the mantle and comes after him and threatening him with horrible consequences should he ever come near Deadpool or Ellie again. Deadpool convinces Preston to take Ellie in and he himself buys a house across the street from Preston to be in constant view of his daughter. Meanwhile, Adsit reveals to Preston that Deadpool killed his own family. Pretty good issue, plenty of fun and interesting stuff here. I don't love Lucas' art, which makes anyone unmasked look fairly grotesque and kind of distracts from the situation at hand. Not bad otherwise though. Total Score: 4/5


Fantastic Four 8
J. Robinson (w) and L. Kirk (p) and Hanna (i) and Aburtov (c) and Cowles (l)

Thing is accused of murder, Sue attacked the Avengers after losing her kids, and Johnny's been booted from his live tour in favor of Robinson's ALL-NEW INVADERS creation Radiance. Thing is moved to a high-power prison facility and Sue and Reed are brought to Eden, a community hovering above Lake Michigan led by a man named John Eden because creativity isn't worth anything, I suppose. This is a book I legitimately finished, planning to read a few more comics upon its completion, and I found I couldn't continue because sometimes books are just too bad. It seems telling that the blurb they took from a Newsarama article for the cover simply says "Marvel's premier dysfunctional family" and not anything lauding this actual series. It seems like something is pulling the strings here on the F4 and you can almost be assured that's true because Robinson basically has Reed say it a couple times without actually saying it because Reed apparently hasn't figured it out yet but is taking liberty to simply dance around it. Maybe they didn't have any space to say it outright because they had already used up all of their real estate on exposition. I really don't like this book. Total Score: 1/5


Hulk 5
Duggan (w) and Bagley (p) and Hennessy (i) and Keith (c) and Petit (l)

Hulk has been injected with Extremis and it's made him incredibly smart, though it made him also shave his hair into a mohawk and start calling himself "Doc Green" so maybe we're meant to question exactly how smart he really is. He's smart enough, though, to have formulated a way to cure gamma-enhanced beings, though the serum won't work on himself. He's realized that gamma-enhancements are too dangerous to have around and he's made enough of the serum and fashioned enough adamantium nanites for delivery to the other gamma-enhanced beings, starting with Rick Jones, who isn't so crazy about the idea. Very interesting new direction for the series as Gerry Duggan takes over the book (a little sad that it's not Mark Waid because I was going to talk about how I met Mark Waid last week and he was delightful and very kind but now I have no idea when I'll be able to mention it). I'm distracted, still, by the mohawk and the name Doc Green but I like a lot of the other stuff. Total Score: 4/5


Inhuman 3
Soule (w) and Madureira (a) and Gracia (c) and Cowles (l)

Lash has taken a few more Inhumans to Orollan, though no one really knows what to make of his cultish ways. Meanwhile, Lineage has sought council with Medusa to tell him what he knows about Black Bolt's plan, gleaned from the information he's received from the voices in his body. Allegedly, something worse is coming for the Inhumans and Black Bolt unleashed the Terrigen Mists because they'd need all the help they can get. Medusa brings a handful of combatants to Orollan to tell Lash about the threats and to warn him off killing any more Inhumans, which he very reluctantly agrees to. Lots of good stuff here and a lot of interesting new places to go but you do have to get through a lot of exposition in this issue to get to the meat of the series. Total Score: 4/5






GUYS, maybe there will be more later but I am burned out and APPARENTLY I really left a ton for myself for today/tomorrow so I'm takin' a break. Love you all, spoilers for the future post: THUNDERBOLTS and X-FORCE are both worth reading. Can't say much else.

Leftovers 7-30-14

Alright all my buddies, here's the deal. I am committed to telling you about every Marvel book EVEN WHEN I have no motivation to do so. So let's play a game wherein I blaze through the last ten books I have to review (TEN, WHAT'S THE DEAL WITH THAT?) in thirty minutes or less. CAN WE MAKE IT HAPPEN? Only time will tell. Worth noting that secretly I'm pushing to knock out ten in ten minutes but that seems improbable, particularly given my propensity for expounding.

100th Anniversary Special Guardians of the Galaxy 1
Lanning and Marz (w) and Duarte (a) and Delgado (c) and Sabino (l)

The ragtag group of Guardians decades from now battle a Silver-Surfer-extra cosmic-power-imbued Galactus dead-set on consuming Knowhere to gain the knowledge and power of the Celestial whose head Knowhere is. The Guardians fight back alongside Galactus' saboteur herald Vance Astro, who is actually Peter Quill in disguise. The universe is saved and check out Marvel's Guardians of the Galaxy, in theaters now. Total Score: 2/5











All-New Ghost Rider 5
F. Smith (w) and T. Moore (a) and Staples w/Sanz (c) and Caramagna (l)

Robbie Reyes has to decide if he wants to use the spirit of vengeance within him to, as his teacher wants, change his community through positive action or, as the spirit Eli wants, burn it all to the ground. As a gang fight between Zabo and his men and Grumpy and his men breaks out, Robbie is forced into action to save his brother and the other innocents around. Mr. Hyde rips Grumpy in half and begins to beat on Ghost Rider but overdoses on drugs in an attempt to keep Ghost Rider down. Robbie decides to try to be a hero for the community instead of a monster. More good stuff from this book. Total Score: 4/5

Avengers World 10
Spencer (w) and Checchetto (a) and Mossa (c) and Caramagna (l)

All of the storylines we've seen in this book so far converge to begin to feel like some greater force is driving them. China's newly revealed SPEAR helps SHIELD and the Avengers in the fight against the dragon carrying Madripoor while Iron Man tries to "debate" Andrew Forson on live TV to poor results while Morgana Le Fey's army of the dead begins to march on Earth and while Cannonball and Sunspot bring the children of the Avengers back to the present. So much happening, so much still to come. Lots of fun writing and fun moments here and I AM TAKING TOO LONG. Total Score: 4/5

Cyclops 3
Rucka (w) and Dauterman (a) and Sotomayor (c) and Caramagna (l)

Cyclops and his dad end up stranded on a desolate planet as a result of a ship failure and Cyclops accuses his dad of being a drug addict. Corsair reveals that he's not addicted to drugs, per se, he's kept alive by the drugs he's been taking and the amount he has will only last him through 27 or so days so it's either they get off the planet, which seems unlikely, or they spend a nice final month together. Not a bad story and this certainly gets to the heart of the series quickly. Total Score: 4/5










Guardians of the Galaxy 17
Bendis (w) and Bradshaw and Oeming (a) w/Wong (i) and Ponsor (c) and Petit (l)

Captain Marvel has saved Peter Quill and he calls his ship back to him, sending it crashing out of its lock-up, before he takes it to fly straight at his dad in the city, pulling off at the last second. He and Carol need to find the other Guardians. Gamora and Angela call in quickly enough to just be picked up and they fly to a point in space where Drax is getting beaten by Gladiator, rescuing him easily enough. With J-Son's crimes revealed, the Supreme Intelligence wants nothing to do with him and returns Rocket peaceably, also giving their best known location for Groot. With the team re-assembled (except for newbie Venom, who intentionally avoids them on Knowhere), they're ready to enter ORIGINAL SIN. This arc screams of an ad for the movie: some stakes but ultimately a way to introduce each character without too much actual characterization. Total Score: 2/5

Iron Man Special 1
S. Ryan (w) and Handoko (p) and Poggi, Yeung, Livesay, and N. Lee (i) and Redmond (c) and Cowles (l)

So this story is still going then, hm? Total Score: 2/5

Iron Patriot 5
Kot (w) and G. Brown (a) and Charalampidis (c) and Cowles (l)

With Terrence Rhodes in the Iron Patriot suit punching at the villain, Rhodey has to stand around and hope that his dad hits the manual release on the other guy's suit. He finally does, launching Rhodey out of his inert suit and into the fight himself. He punches and punches at the villain, breaking plenty of his own body parts in the fight against metal, but eventually subdues him, though it comes too late to save his father, who took quite a beating in his own fight. Someone was pulling the strings on the villain but Rhodey never did figure out who and the villain himself gets smothered in his hospital bed by another mysterious character. Is this a win for America's new defender? Who knows? Still, pretty fast read and this continues to be easily my favorite book from Kot, who doesn't have the time to get into his writing patterns that tend to annoy me elsewhere. Total Score: 4/5



Original Sin 3.3 - Hulk vs. Iron Man
Gillen and Waid (s) and Waid (w) and Bagley (p) and Hennessy (i) and Keith (c) and Petit (l)

As Extremis-powered Hulk destroys Iron Man's labs in the hopes that the hero will come rushing home, Iron Man continues to investigate his own memories, praying that something is wrong. Iron Man hopes to lay low while he tries to figure things out, heading for Troy in the thought that Hulk won't realize to go there, even if Banner would have. However, he's not accounting for smart-Hulk and he's met by massive resistance when he touches down. The city, though, is built to be defensible and takes the fight to Hulk long enough that Iron Man can sneak away to his armory. On his way he realizes even more about that night that will make him look EVEN MORE VILLAINOUS. Still some interesting stuff, though I'm not a huge fan of Bagley's art here and I'm already a little tired of the "OH NO, I ALSO DID WHAT" endings of these issues. Total Score: 3/5

Secret Avengers 6
Kot (w) and Walsh (a) and Wilson (c) and Cowles (l)

Lady Bullseye is still alive and wants a meeting with Black Widow, enough that she's taken over a bullet train with a dirty bomb on it. Hill sends Widow and Spider-Woman to deal with it but they quickly learn that it's a trap (well, more than the trap they expected) as someone set another sentient bomb like their own new teammate Vladimir on the tracks and it opens a portal out of the world, sending Black Widow and Lady Bullseye through it. Meanwhile, MODOK announces that something had sex with the Fury to cause its pregnancy and Hawkeye tries to find Coulson only to be led to Deadpool hanging out with AIM. Some weird stuff here. I think the tone is starting to settle in on this book, which is an upside, but it still feels weird to have a book that's trying to go almost full-bore humor play with such big pieces of the Marvel Universe, pieces that have distinct personalities already and don't necessarily fit this way (I always dislike the Black Widow-as-bloodthirsty-killer design you occasionally see in books). Still, climbing out from under me really hating this book. Total Score: 3/5


Personal Total Score: 35 minutes or so. SO VERY CLOSE. I had to ramble on and on, didn't I? I just had to give extra summary when no one asked for it.

Comics this week

Hey guys, let's get right into it because we have an old favorite finally making a return this week.

Avengers World 10
Still into this book. Everything I said last pre-game holds up. Interested to see where the book goes after last week's cliffhanger. Does it continue to jump from story to story or does it stick with Cannonball and Sunspot in the future? Also, if it's going back to the Falcon story (still not sure), we've heard some big news about Falcon since the release of the last issue, interested to see how his story plays now.

Hawkeye 19
HERE IT IS, you guys, HAWKEYE makes its triumphant return in an issue that promises to be the next dog-issue (referring, of course, to Eisner winning HAWKEYE 11) but this time with sign language. How are the Barton boys doing since we saw them last, several months ago? They've had pretty extreme violence done unto them and now we see where it leads.

New Avengers 21
Still really happy with this book every time it comes out. I'll admit it's faded a bit for me since the first arc or two but it's overall still a really great book. BY THE SAME TOKEN, if someone asked me "hey, what new Jonathan Hickman book should I pick up this week?" I'd say "well that's a specific question but, surprise, it's not one of the two Marvel books he has out this week, NEW AVENGERS or AVENGERS, it's one of the two Image books he has out this week, but it's not MANHATTAN PROJECTS, though that's a pretty good series too. No, I'd recommend EAST OF WEST 14, what a great series that is. Hope this answer wasn't just really confusing!"

Uncanny Avengers 22
Boy, but I like the the AVENGERS titles far more than the X-titles right now. This is a shift from the last full batch of X-MEN titles vs. AVENGERS titles (not to be confused with the event AVX) and I think we all know the culprit on that one. Anyway, UNCANNY AVENGERS has remained very engaging and very interesting and I expect it to stay that way as we start to wind towards a conclusion of this massive arc.

X-Men 17
I bet I threw you off with the last entry, hyping the AVENGERS books over the X-MEN books. Still, Brian Wood's X-MEN and Si Spurrier's X-FORCE are certainly books worth a look (particularly X-FORCE, which is worth more than just a look). I find X-MEN to be a pretty interesting read every time it comes out, though it benefits this week from an iffy release schedule and my laziness to go back and write in AVENGERS, CYCLOPS, or IRON PATRIOT blurbs.

Secret Avengers 5, Avengers World 9

Secret Avengers 5
Kot (w) and Walsh (a) and Wilson (c) and Cowles (l)

It's sort of a day off for the Secret Avengers with all of their recent missions end it and the team spends it in their own ways. Spider-Woman talks to the living bomb and learns from it that she is an empath, Coulson demands a vacation and takes it even after it's denied, Fury is sent into Coulson's locker only to have acid sprayed in his good eye for his troubles, Black Widow helps Maria Hill interrogate the terrible poet and reveals that she knows about MODOK, Hawkeye eats lunch and shoots some arrows, and Maria Hill and MODOK discuss whether MODOK can be trusted. Though MODOK swears he can and swears that he wants to make the world better, Hill secretly believes that everything that's happened recently, from the hitman to the recently discovered pregnancy of the Fury to the poet and the living bomb, has MODOK's fingerprints all over it.

There are directions in which this book can go that I think would make it an interesting book and I think that Kot has wisely kept many of those directions open. One of the benefits of an occasional rest issue is that it allows a reader to reset and the writer to nod at different potential plot lines. You need to fill space in a rest issue and you don't want it to be wasted space so the best thing you can do is keep some balls in the air. Kot is doing that nicely here, but there is a little bit of a flaw here in that Kot's biggest ball still in the air is that MODOK maybe can't be trusted. I wasn't particularly onboard at any point with MODOK joining up with SHIELD because I don't think it tracks at any point in MODOK's existence (it tracks in SHIELD's existence because SHIELD is the worst) but neither sincerely wanting to help SHIELD nor subterfuge and subtlety in trying to take SHIELD apart from the outside has ever been a strong suit for MODOK, so to find that this book's drama is currently hinging on whether or not we trust MODOK left me feeling a little letdown. Still, I enjoyed this issue more than the previous ones because it felt a little more down-to-Earth (I don't think the book should be forced to keep to sort of generic comic book standards, but I do think it needs to choose a real tone and stick with it) and didn't get too caught up in its own perception.

Total Score: 4/5


Avengers World 9
Spencer (w) and Caselli (a) and Mossa (c) and Caramagna (l)

Cannonball and Sunspot are being treated pretty well by AIM and it's throwing them off a bit. They're not able to leave but they're treated to fine dining and first-run movies (with as blatant a nod to Marvel's upcoming Guardians of the Galaxy as you're about to see in comics, even including the movie tie-in books). Still, their rescue team didn't pan out but Maria Hill was able to establish contact. With the help of a future Jocasta unit recovered back in Spencer's SECRET AVENGERS, Hill has learned that AIM Island has blossomed because the AIM of the future is sending back tech and info to the past. She knows how they're doing it and sends Cannonball and Sunspot to go shut it down at the source, traveling to the future to stop the flow of information to the past. A future Jocasta meets them there and brings them to see the kidnapped children of the Avengers.

I talked in my pre-game about how much I'm enjoying this series as a whole, with smaller teams and somewhat more personal quarters and missions. It's been a really strong book altogether and I think this issue is no different. This one is a little more light-hearted as Cannonball and Sunspot, particularly together, are more light-hearted characters, but it works here as the situation still feels big but they, with all of their powers and bravado, don't quite fit into it, leading to the humor and the slightly-off tone. It works. Also, there's a major Back to the Future reference which is then called back very nicely and a good Back to the Future reference will typically get me on your side (I'm calling it Back to the Future because the line in question, "it's your kids, Marty, something has got to be done about your kids!," is at the end of the first movie and is repeated at the start of the second movie but we're NOT GOING TO TALK ABOUT THE SECOND MOVIE. Whole stupid thing hinges on Marty not being able to walk away from someone calling him chicken. So dumb, you guys! But that first one is gold).

Total Score: 5/5
Back to the Future Total Score: 1.21 GW

Comics this week!

Hi everyone, ain't got no time for small talk but I'm sure I'll make some along the way. LET'S PRE-GAME.

Avengers World 9
I've really enjoyed this book though I was skeptical going in. Instead, there are, what, three concurrent storylines happening? I'm entertained by all of them! I don't even know what's on the docket this week (at a guess, I'd say Falcon and the Chinese SHIELD whose name I currently forget but I HAVE NO TIME, GUYS) but I'm still looking forward to it!

Elektra 4
This one narrowly edges out MS. MARVEL, which I'm really enjoying and would advise all of you to pick up, because I adore the art on this and I'm really intrigued by the story and the narrative. SHE-HULK also narrowly edged out MS. MARVEL because I've been thinking about it all week so SORRY MS. MARVEL, WOOOOO, I AM FOR REAL.

Original Sin 6
Man, even this edges out MS. MARVEL? Someone screwed up. Anyway, Nick Fury is a one-man space army but he still didn't answer the question about whether or not he killed the Watcher, which means either he totally did it or he's kind of crappy at the job we're told he's pretty good at?

She-Hulk 6
The blue file! People are going crazy at the very mention of it and Wyatt Wingfoot is in a particularly bad spot to go crazy! WHAT WILL HAPPEN TO OUR HEROES AS THIS STORY PROGRESSES?

Thunderbolts 28
Bens Acker and Blacker have started the series off with a literal bang (or at least a literal boom) as Punisher quit the team and was promptly blown up in a safehouse of his. Who will he blame? Who is to blame? Are the answers the same? Boom, rap it.

Avengers World 8, Iron Man 28

Avengers World 8
Spencer (w) and Checchetto (a) and Mossa (c) and Caramagna (l)

In Velletri, Italy, Starbrand has wandered off to find the voices he's been hearing only to find Morgan Le Fay, the sorceress behind the dead rising again. While she captivates him, Spider-Woman, Hawkeye, and Nightmask continue to fight hordes of demons and the undead, eventually sealing off their entrance before they stumble on the Euroforce team that had gone missing, prompting the Avengers' appearance. The Euroforce team is led by none other than the Black Knight, who reveals Le Fay's involvement, to Spider-Woman's chagrin (they have a whole thing). Anyway, Le Fay is leading her armies of the dead to the world of the living. Problems!

I've really grown to like the conceit of this book. Where Hickman's AVENGERS, while very good, has focused on the huge team dealing with big, sweeping problems that never seem really solved, Spencer is taking smaller, dedicated teams to more classic style stories. I've liked Hickman's work a lot but it's nice to see stories that are a little more self-contained and feel big, but not so broad. Each of the three stories Spencer is juggling has proven itself interesting and compelling. This issue, particularly with its narration captions that speak often of death and how its what the people deserve, has a sort of EAST OF WEST feel, another Hickman book that is absolutely incredibly so forcing me to draw comparisons certainly isn't a drawback. I mean, this book isn't blowing me away like EAST OF WEST but that's a pretty tall order. Still, lot of fun here.

Total Score: 5/5


Iron Man 28
Gillen (w) and J. Bennett, C. Richards, and D. Santacruz (p) and Hanna and Magyar (i) and Guru eFX (c) and Caramagna (l)

With most of the rings neutralized, Red Peril takes down Alec Eiffel, Iron Patriot takes down the Influence ring, Arno takes down the Exile, and Iron Man realizes that Marc, who is doing this because he loves Pepper and hates that Tony has treated her so poorly over the years, wouldn't actually threaten Pepper and blasts through the Liar ring's projection to hit him. Mole Man, the last hold out, tosses his ring away to avoid persecution, and the Starks recover them all. With everything turning up Stark, they call the Rigellians to come pick up 451. The Rigellians, super nice dudes, explain to Tony that it was actually something in 451's programming that upgraded the Mandarin rings to act the way they did and a mixture of Tony's position in the world and the original Mandarin's hatred of him caused them to attack him specifically. Everything's wrapped up as Arno secretly sends Abigail Burns the Incandescence ring, allowing her to continue being Red Peril and as Pepper breaks up with Marc, repeating that she doesn't need saving.

Kieron Gillen isn't necessarily known for his happy endings (though it's been seen at times before) but this is about as big a win as Tony could have hoped for (particularly as it seems the rest of the Marvel Universe is crashing down around him). Pepper dumped her apparently crazy/overprotective fiancee, the Stark brothers are as good as ever, 451 is off-planet and the Rigellians were like, super nice, and they've captured all of the Mandarin's rings. Pretty solid day for Tony as Gillen ends his IRON MAN run (though he will team with HULK's Mark Waid for ORIGINAL SIN 3.1-3.4, which will pit Hulk against Iron Man). As I thought with the last couple issues, this series felt like it was starting to wind down really quickly by the end, often going the route of telling instead of showing (which is pretty rare for Gillen, who tends to be acutely aware of that). Still a very good series overall though it's hard not to feel like it peaked with 451.

Total Score: 4/5

Original Sin 3, Avengers World 7

Original Sin 3
Aaron (w) and Deodato (a) and F. Martin (c) and Eliopoulos (l)

While the Avengers in the immediate vicinity of the Orb (who, it turns out, was working alongside Oubliette's father Dr. Midas, all of which makes me quite glad I read Morrison's MARVEL BOY not too long ago) are sent reeling from the weight of their secrets (soon to be seen in all the tie-in books), the mysterious murder investigation boss's teams are spread out finding other such murders. Black Panther, Emma Frost, and Ant-Man examine bullets they've found while Punisher and Doctor Strange discuss the people who could shoot a target from such a huge distance. Meanwhile, Moon Knight, Winter Soldier, and Gamora explore space and find a trail of meteor-sized bullet casing that lead to a murdered sentient planet (not Ego the Living Planet, but similar enough that Gamora namedrops him). While Moon Knight and Gamora discuss how much this must narrow down the possible suspects, Bucky destroys their ship and teleports to Fury's base, where he's trying to glean more from the eye they've recovered. Winter Soldier proclaims that everyone has to pay for their sins and that there will be no more secrets before he shoots and stabs Fury and takes the eye.

In FEAR ITSELF, the last event he appeared in, Winter Soldier (at the time, Captain America) seemingly died in issue three. Now he returns to events as he seemingly murders someone in issue three of ORIGINAL SIN. There's a lot going on and plenty that's hinted at for us to read elsewhere (some pretty intense selling of the tie-ins as everyone starts to see their applicable secrets, with the most egregious being Thor yelling "BY THE SPIRES OF ASGARD, I HAVE A SISTER?") but the murder investigation and Bucky's apparent betrayal take center stage here. Like in any crime drama, it feels rather too early a reveal for Bucky to be the actual killer (not to mention that like, does he even know who the Watcher is?) but there's still clearly something pretty deep happening here. Also interesting is Fury's concern that everyone in the vicinity saw their secrets but he didn't see anything. Plenty happening, including a bit of less appealing salesmanship, but it's hard to read where this one will go next.

Total Score: 4/5


Avengers World 7
Spencer (w) and Caselli (a) and Mossa (c) and Caramagna (l)

Madripoor has lifted off the Earth on the back of an ancient dragon at the behest of Gorgon, who has defeated Shang-Chi while his teammates Falcon, Black Widow, and Wolverine try to calm riots on the street. Black Widow calls for extraction, saying it's futile to keep fighting there, while Falcon goes to find Shang. With no birds in the sky around them (what do you think Redwing does on his days off? Bird social worker?), it's up to Sam entirely to find the missing Avenger and he follows a drone leading away from the flying nation. The drone drops him at a giant airship hovering near by called the Circle (because it's circular). He enters and meets Xian Zheng, who informs him that the Circle is his ship and it's one of many new Chinese airships. He explains that China realized it had relied too much upon SHIELD and the Avengers when the war of the Builders struck and now they've put together their own force, called SPEAR, with their own team of heroes called the Ascendants including Weather Witch, Saber, Vector, Devastator, and the Monkey King (last seen in IRON MAN 2.0, I think). Zheng tells Falcon it's nothing that he need worry about, that they're all fighting for the same cause, just that the world looks to China for defense and protection and China hasn't provided it yet. He also asks Falcon to help deliver the message to the world, which he does by appearing on footage broadcast around the world with the new team.

Occasionally a series will delve into the politics of the world, moving away from the individual superheroes and the individual villains and giving us a look at the world that these heroes and villains have created and how it differs from ours. AVENGERS WORLD 7 is one of the times where such a look is smart and compelling. We've seen other country-sanctioned teams and loyal national heroes (Britain has the most obvious example but there are heroes in the Middle East and in Russia and in Japan and, well, pretty much everywhere our heroes occasionally visit) but there's nothing out there with the sort of power and reach that SHIELD has. Now we've taken a story that was interesting, featuring Gorgon raising Madripoor on the back of a dragon, and turned it into something else entirely, introducing SPEAR (the acronym is never explained by Zheng points out that there has always been the shield in the west and the spear in the east so, I mean, pretty much just a word, huh?). I like having Falcon run point on this because he's someone who can understand the need for something like this without feeling entirely threatened. He's worked with SHIELD, he's worked against SHIELD, and he understand the way the world is changing so he's skeptical and hesitant but ultimately willing to give this a shot. Cool idea overall, we'll have to see how this plays across the rest of this arc and the rest of the universe.

Total Score: 5/5

Original Sin 2, Avengers World 6

Original Sin 2
Aaron (w) and Deodato (a) and F. Martin (c) and Eliopoulos (l)

The Avengers and other assorted New York heroes continue to come across Mindless Ones terrified by what they've seen. They capture one to try to trace their unique energy signatures to find if there are more in the city, eventually leading them to one building. Meanwhile, the shadowy B-team has split up and started to find other corpses, still hoping to trail the murderer through various dimensions. Back in New York, the heroes have surrounded the building housing a dozen more Mindless Ones and find that they're being run by Exterminatrix and the Orb, just about the weirdest villain pairing Aaron could have come up with. The Avengers and company quickly take down Exterminatrix and the Mindless Ones but the Orb finally manages to get the eye of the Watcher that he's been so closely monitoring to open, hoping to reveal the world's secrets.

Story
The murder investigation is open on two different fronts, with the Avengers tracking down the Mindless Ones because they had the Ultimate Nullifier, recently in the Watcher's possession, and the shadowy B-team searching a little more broadly for cosmic-scale murderers on another level. Jason Aaron promised that this series would be more a murder mystery book than anything else and that certainly seems to be the case here. It does feel as if the Orb and Exterminatrix are simply benefitting from the death of Watcher but didn't have anything to do with it (seems particularly true since, you know, it's the Orb) so the Avengers have to deal with that now as well as the explosion of the eyeball truth-bomb. Certainly on the right track here. 5/5

Character
Events are tricky because characters don't tend to get much of a spotlight. You'll see a handful of them playing a big role and then most character defining comes out of their dialogue or out of the tie-in books. There's a big cast of characters in this one so far and Aaron is doing some good work to keep everyone's voice relatively intact. Sometimes it's a little more of a generalized view on a voice, intent on keeping someone's voice separate from someone else's on the same page, but it gets the point across. There are particularly nice moments with the shadowy B-team as very random pairings (Emma Frost and Black Panther, Dr. Strange and Punisher) work together and their dialogue sort of clashes intentionally. 4/5

Writing
The tone is pretty good for a murder mystery sort of story though there's a little too much exposition necessary for the pacing to be what you'd like it to be. There's a lot of jumping back and forth as various crime scenes are checked which I think works really well for a mystery, the sort of chaotic bouncing that doesn't let anyone get particularly comfortable, but big blocks of expository text sort of slow things down. Not sure if the book would be helped by trimming that down or if it would just make things confusing, but it's worth mentioning here. 4/5

Art
Deodato was chosen for this book because he's very talented, can draw just about anyone in the Marvel Universe (and he's asked to here), and he works quickly. In that respect, it's very much a standard Deodato book. 5/5

Miscellaneous
It's hard sometimes to get a lot of personality into an event series because there's just too much happening. In that regard, there are a lot of sort-of action movie-esque jokes threaded through here, very simple one-liners or asides or what-have-you. I'd be fine if we didn't have those. Have to imagine that this is the only occasion I'll have to tag "the Orb" in one of my blog post labels.

Total score: 4/5


Avengers World 6
Spencer (w) and Checchetto (a) and Mossa (c) and Caramagna (l)

Captain Marvel, Thor, and Hyperion have been teleported into Barbuda by Manifold in the hopes of finding and rescuing Sunspot, Cannonball, and Smasher (now, unbeknownst to the team, Messenger for AIM). While Thor and Captain Marvel fight outside, Hyperion finds his way into the city and into one of Forson's main science buildings, the one that houses the Auger, the gateway between dimensions and the door from which Hyperion entered this universe after seeing his own destroyed. Forson does the typical sort of evil villain monologue, telling Hyperion that he realizes that he doesn't belong here, that he's fitting in for now but he knows how different he is and how he'll stand against them at some point, hoping that he'll join AIM's cause willingly. Hyperion, reflecting back to the time he's spent watching the children he's sworn to protect in the Savage Land and the time hanging out with Thor, refuses, destroying the Auger and preparing to attack Forson when Smasher appears and hurls him incredibly far out before grabbing both Captain Marvel and Thor and doing the same with them.

Story
The heavies of the Avengers all seem to be involved in this fight and it's pretty stunning to watch as Smasher handily defeats them all. It's tricky to gauge since her fellow Avengers clearly don't want to harm her but still, she really does a number on them. ANYWAY, it's your standard invade-AIM-Island story but, unlike most AIM invasions, the Avengers don't win this one. Moreover, it's a story of Hyperion, which will be detailed more in "character." 4/5

Character
It's a nice look at Hyperion, one of the newer members of the Avengers that we don't know so much about. It echoes a lot of what we've seen already from him, the strong warrior who lost his entire universe and who is doing what he can, fighting against time, to stop this universe from dying too. I don't know how much new information is in here for Hyperion that we haven't already seen glimpses of but it's useful to get another look on it and a bit of a refined angle on it (the last time we really checked in on Hyperion was just after taking the little children under his protection, now he's had a little more time to think on them). There's a real and palpable sadness to him that comes out pretty nicely in the narration and the art. 5/5

Writing
As I mentioned above, the narration comes from Hyperion and it does its work to characterize him, taking care to show his strength but also to show his sadness. The relationship between Thor and Hyperion continues to quietly be one of the best relationships the Avengers books have shown in some time and one of the most intricate looks at Thor I think we've seen in a while, maybe since his relationship with Loki in Gillen's JOURNEY INTO MYSTERY. You're in pretty good shape with me if I'm comparing any aspect of your book to that series. 5/5

Art
I really like Marco Checchetto's art and it holds up its high standard here. The key here is, even with all the fighting, showing Hyperion and his emotion, even as he tries to remain a little distant with this world that he fears will fall just like his did. It's strong work and it conveys everything it needs to and more. 5/5

Miscellaneous
This book is doing exactly what it promised, giving us a nice window into the personality and the character of some of our lesser-known Avengers. I'm not sure we should be excusing AVENGERS for needing that sort of window, but that's not really this book's fault.

Total score: 5/5

Avengers AI 12, Avengers World 5, Uncanny Avengers Annual 1

Avengers AI 12
Humphries (w) and Araújo (a) and D'Armata (c) and Cowles (l)

The future is in peril as Dimitrios prepares to defeat the last uprising and the last bits of the universe 10,000 years later with only the remaining AI Avengers to stop him (Victor, Doombot, Vision, and Alexis). Doombot opens up his black hole chest and attempts to send Dimitrios, feeding off of Galactus, into it, but Dimitrios nearly escapes even that. In the present, though, Monica Chang makes the correct decision to sever Clatterbuck's link to the SHIELD network for deactivation, thereby stopping Dimitrios' virus from getting ahold of SHIELD's systems and giving the team the chance to officially defeat Dimitrios within. Though the AI Avengers are through, per Maria Hill's orders, they have succeeded (though all may not be well as hint that Ultron may yet have survived has emerged).

Story
Like in THOR: GOD OF THUNDER right now, I have a little bit of trouble feeling compassion or excitement for these sorts of "we need to do the right thing now or else the world will be gone in 10,000 years!" stories. I feel rather like the universe surviving for 10,000 years more is kind of a stretch goal anyway; I mean, we're bound to destroy the planet by then, what are the chances we don't take the universe down with us? So like with THOR, it's hard to see the real stakes here and I think the idea is clouded by the presentation, in a way. The idea to AVENGERS AI's final threat is that Dimitrios' virus will instantly turn SHIELD against humanity and SHIELD's weaponry will quickly decimate the Earth is more compelling, even if it's maybe a bit more cliche, than saying "in 10,000 years, everyone will be dead!" because that's kind of already what we're believing. So the story that's buried here is okay but the way it's presented is less compelling. 3/5

Character
There's a little too much going on with the plot right now to settle out characters and final issues always get a little bit of a pass for this from me. This book was cancelled so clearly Humphries had to squeeze down a bit to fit everything and maybe some development had to be canned because there was no time and it's not like he was developing characters for later issues. Monica has some characterization as Humphries goes a little deeper into her religion and her ethics and the ethics of killing AI, but that's really all we have time for aside from a couple of quick lines to cement the characterization of other characters (an excitable Hank Pym, a happy Victor Mancha, an irritated Doombot, etc.). 3/5

Writing
This, too, falls a little under the "rushed" category. There's not much time for Humphries to create a really pervasive tone or to keep the dialogue particularly sharp. With the final issue, Humphries has time to get some exposition out and to explain what happens to our characters and not much else. There's little the writing can do to add to anything else at this point and I'm not sure that should really be counted against Humphries. 3/5

Art
Araújo kind of has me split down the middle. I like a lot of his scenes and I think that overall he carries the book pretty well but there are very strange and distorted faces here and there. He still nails down a lot of the virtual world stuff, bridging an interesting gap between realism and surrealism. Still, you probably know what direction this category is headed...3/5

Miscellaneous
Goodbye to AVENGERS AI, a bold premise that, for me, never really found its footing and never really broke out of what we've seen other AI-based books do already. Also kinda weird that the cover to this final issue doesn't have Vision on it, right?

Total score: 3/5


Avengers World 5
Hickman and Spencer (w) and Caselli (a) and Mossa (c) and Caramagna (l)

AIM still has Cannonball and Sunspot and they've transformed Smasher into their own messenger. To top it off, the capital city of AIM Island has been completely locked off from the outside world with incredibly impressive and unknown force fields. Captain America sends Tony Stark to convince Manifold to teleport in. The field stops most teleporters but Manifold's style of teleportation, bending space, is different and they suspect he'll be able to breach. Unfortunately, his powers have been out of whack since the war with the Builders. He reaches out to Captain Universe to try to understand the problem and she transports him to a place outside the world, which helps reorient his place in the universe, necessary for a manifold. With that settled, he returns to the helicarrier and brings in the big gun team, Thor, Hyperion, and Captain Marvel, to Barbuda.

Story
The bigger story, the isolation of AIM Island and the capture of Cannonball, Sunspot, and Smasher, takes a backseat to Manifold's story. Of course, being on the backseat doesn't mean it doesn't still drive the story. We know that's the end goal and it's brought to the forefront occasionally here as Bruce Banner tries to get a team of SHIELD scientists to find a way to enter the forcefield and as Tony's objective is, of course, to breach the forcefield with Eden, but the story is really Eden's and why his powers aren't working. It's a compelling story because Eden is a compelling character and the idea that his powers aren't working properly is a pretty big blow for the Avengers, who have utilized those powers a lot recently. It's maybe not as compelling as a siege on AIM Island but it's certainly not worthless. 4/5

Character
There are character moments for everyone from Banner to Tony to Cap but the real driving force behind the issue is Manifold, who knows enough to meditate and try to reach out to Captain Universe (or the Universe as a whole) to find a solution for his problem. Eden is characterized by the way he reacts to dangers and the way he throws himself into heroing even as he's taken to another universe and his powers stop working (Manifolds cannot work outside of their own universe because their powers are dependent on their universe). We learn a good deal about him both as a person and as a super powered being and it's stuff that's pretty readable for how expository it could be. 4/5

Writing
The tone here is noticeably different than the tone in, say, AVENGERS or NEW AVENGERS and it's hard not to put that down to Nick Spencer's involvement. Spencer's books tend to have a little more quippy humor in them than Hickman's (of course, I have no idea how this issue was scripted, but that's my call on it) and it works well enough here, seeing as this is rather a separate book with separate aims (AIMs) than those books. I think it needs a little more humor than AVENGERS or NEW AVENGERS. It wears a little but it does still get some genuine laughs here and there. It will just be a tricky line to walk as the series continues and as they have to decide how far into humor they want these characters to go. 4/5

Art
Stefano Caselli's art is very strong, drawing both masked and unmasked people with a full range of emotions and with the impressiveness comic books require. Andres Mossa contributes nicely as he has some really impressive colors on scenes with Eden in the Australian outback and as Manifold and Captain Universe look at their own universe from afar. Beautiful and majestic and great for the tone of the book as well as for the story. 5/5

Miscellaneous
AVENGERS WORLD still has me a little off-center. I think it's a solid book, particularly as far as showcasing some other Avengers goes and as getting into other stories goes. The tone is a bit different than the other books but still not so far different (as its predecessor AVENGERS ASSEMBLE was) that it's hard to say if it's brilliant because it keeps a somewhat consistent tone or almost unnecessary because it feels too similar. Give it a few more issues and maybe I'll come up with something.

Total score: 4/5


Uncanny Avengers Annual 1
Remender (w) and Renaud (a and c) and Cowles (l)

Back in the slightly less world-exploded days of the Avengers Unity squad, Mojo had them all captured for a one-off adventure in the Mojoverse, using a team of already captured heroes and villains called the Avengers of the Supernatural (Doc Strange, Satana, Blade, Ghost Rider, Man-Thing, and Manphibian) and put them in his new television show. The capture of the heroes was act one, act two finds them all playing stereotypical roles in a high school, and act three has them snap out of it when Ghost Rider goes off-script and crazy, beginning to seek vengeance on everyone in the Mojoverse before the other heroes, now freed from their own captures, manage to stop him. The executives behind Mojo's new show are left to debate whether there was anything of substance in his new offering or if it was meaningless distraction in a world so full of them as the Uncanny Avengers return home.

Story
The story here is a clever little satire (that maybe drags a little long) of plenty of different things. On top of the outwardly satirical representation of the high school drama and even of the comic book form, we get little digs at pop culture and audiences and a dearth of intelligent programming (it's both a golden age for television and a horrible and inescapable dark age for television right now - THANKS CBS) and the state of executives and producers and everything else you could think of. It's often clever, though sometimes it borders on heavy-handed here (it would have been hard not to), and it may ultimately carry on a bit too long. 4/5

Character
There's not a ton to look for character-wise here because, for as long as the characters are in the Mojoverse, all typical bets are off. Remender isn't looking to make profound character statements. This is more in line with the recent DEADPOOL ANNUAL or THUNDERBOLTS ANNUAL (both written by Ben Acker and Ben Blacker) wherein a standalone story was told and it was more for the development of a fun story than for an ongoing development of characters. Remender still plays with the characters in a reasonable sandbox here and follows what needs to be followed but he's not going for any sort of deeper meaning here. 4/5

Writing
Satire can be a hard thing to pull off but Remender does fine work with it throughout the book as he lashes out at just about everything. It's easy to read plenty of digs into plenty of people in plenty of spots and it's done well enough that it feels bold for a Marvel comic. It's rare to see a Marvel book go so hard after the satire, often preferring to go very hamfisted or more parody-based when it does something like this instead of doing something that really cuts. Remender unleashes here and it's very strong, though, as I said above, it may carry on too long and occasionally, as is the wont of satire, sometimes gets a little heavy-handed. 4/5

Art
Paul Renaud's art is solid throughout, particularly tricky as he's drawing a huge cast of characters for an extra long issue and with all sorts of action, both physical and magical. It's a pretty great showcase for the talented Renaud and gives him a chance to flex a little bit. He steps up to the challenge and does a very strong job with it. 5/5

Miscellaneous
Fun issue and there's not anyone reading it who shouldn't feel a little shamed by it (Remender and company included, as he isn't willing to leave creators out of his jabs), which is typically the mark of a good satire.

Total score: 4/5