Leftovers 10-15-14

As I said on Tuesday, there were a whole bunch of comics out this week so let's dive right into it with these much shorter, much quicker reviews. Let's also hope that they're much shorter and much quicker than I tend to be, even in these.


Avengers World 14

The Next Avengers help Sunspot, Cannonball, and Hyperion bring down Barbuda and free Smasher from their control as Shang-Chi gets his revenge on Gorgon, replacing Madripoor in the process, and Druid, who was killed while in the land of the dead, giving him the ability to stay with them and now giving him access to the language he needs, successfully brings the dead back and closes the portals while the Avengers and Euroforce beat up Le Fay. Success all around! These three sweeping stories come to a close in a pretty clean way, but one that follows well enough from the rest of the series. Strong writing and wonderful art anchor this one. Total Score: 5/5








Deadpool's Art of War 1
Deadpan gets hired in some strange chrono-bending way to kill Sun Tzu, author of Art of War and he gets real interested in the work, deciding to re-write it and publish it, claiming it as his own. His would-be publisher demands he find a new way to write the story as many have already done just that and he decides it should take the angle of a survivor's guide. He decides to start a massive war so that he can test his theories out surviving just such a war and pits Loki and Thor against each other, trolls and frost giants against Asgardians. However, his advice to Loki gives Loki the upper hand and Loki actually wins the inciting fight. There is maybe an interesting story in here but I've yet to really see it. It's also not nearly as fun as you'd want a Deadpool story to be with only really a handful of fun moments even attempted and almost all of them missing the mark. With Loki standing over a beaten Thor on the last page, Deadpool asks us "Isn't this fun?" Nope, but thanks for asking such a specific question. Total Score: 2/5


Edge of Spider-Verse 5
The final EDGE OF SPIDER-VERSE shows us little Peni Parker, someone who I will not be talking about in the possessive sense, set to replace her father as SP//dr, a premiere crimefighter of her world who relies on a genetically keyed spider-suit to fight crime, which she does well, even despite her youth. After a run-in with Mysterio and some gangs (and a team-up with that universe's Daredevil), she's accosted on the train by two other Spiders from different universes, who warn her of the coming Morlun and other Spider-Killers. She agrees to go with them to help strengthen the Spiders. It's a pretty strong book (though I tend to have a distaste for books wherein some song plays and the lyrics show up as text in the book, particularly when the book is written by the frontman of My Chemical Romance, a band whose music I do not care for, but this is getting real nitpicky now and very nearly petty so let's close up this parenthetical) and the art is particularly strong. Overall, with a couple of missteps, the EDGE OF SPIDER-VERSE precursor mini-series has created some interesting characters and should get readers pretty interested for the main course, starting in AMAZING SPIDER-MAN 9. Total Score: 4/5


Fantastic Four 11
She-Hulk meets with Wyatt Wingfoot and they discuss how Johnny's in trouble and how everything else seems to have broken the wrong way for Marvel's first family. The duo agree to team-up and try to figure out who is behind all of this before whoever it is can figure out they're on his or her trail. On his way home from the meet-up, though, Wyatt is attacked by a mysterious archer, saved only when Spider-Man pops in, also called by She-Hulk to give a hand. Oh, and Thing keeps getting beaten up in prison with a pseudo ally in Sandman and Reed is doing stuff and Sue is still crying. Really continue to not like this book but I do think this might have been a stronger issue than the last few, almost because the F4 weren't in it as much. That, uh, that still didn't make the book good, I should specify. Still way too narrative heavy and hand-holding and painted with such a broad stroke to be dark and menacing to actually feel that way. Total Score: 2/5


Hulk 7
Doc Green, fresh on his de-gamma-ing of Rick Jones, meets with Hulkling, who promises him that his powers are based on mixed alien heritage, not gamma in a fun little scene. Green's next real target is Skaar, son of Hulk (who Green claims not to be any more), so he travels to the Savage Land. After a vicious fight, Green manages to inject Skaar with the serum and watches him revert to something more resembling human (though with Skaar's strange background, no one really knows what he is now). His next targets seem to be the Red Hulks, both he and she, but first he has to deal with what's going on inside him, which seems to be a rebellion from Banner and even Hulk, still locked away in his mind. Some interesting things afoot here. I still don't like and/or care about Doc Green, which is the only thing the book is slipping on but I have a feeling now that it's intentionally slipping on that point. With the reveal that Banner and even Hulk may be still in Doc Green's mind, showing that the Hulk and Doc Green might really be separate entities, it's probable that Doc Green isn't the one we're really meant to be pulling for. Some interesting stuff and I'm surprised by how excited I've become to see the other Hulks in this series. Apparently I like those guys. Total Score: 4/5


Loki: Agent of Asgard 7
Doom has trapped current Loki in time stasis after the villainous Loki showed Doom that he would destroy the world in the future. With Doom distracted, though, by Red Onslaught's hate-wave affecting Latveria, Verity reveals herself to Valeria and explains that Loki should be freed, the logic of which hits Valeria pretty quickly. They go and break down the time cube then, with Loki and his truth-sword released, they construct a way to broadcast the sword's inherent truth to Latveria, freeing the civilians from the perceived hatred they'd been feeling. As Doom and Loki debate what to do next, Magneto shows up and tells them they're needed to fight the Red Onslaught or else watch the world burn. Though I still can't help but eye-roll at Verity Willis (that name! What a specifically correct name PRE-DISCOVERY of her powers! Which are still undefined!), this is a pretty strong issue. There are an appropriate amount of funny moments and clever twists and turns. Valeria in particular gets a solid performance, with Ewing nicely toeing the line between naive child and brilliant wunderkind well (a line that so few others manage to hit). Best part is when Verity asks what makes hate easy and Val mutters "Mommy and daddy." Aww, poor angry kid. Also, great art from Jorge Coelho. Total Score: 4/5


Magneto 11

Hey, we just talked about this guy! Anyway, we see a bit of the last issue of AXIS as Magneto flees the fight with Iron Man on the verge of being crushed. He returns to his base with Briar Raleigh, wondering if maybe he isn't the massive villain the world thinks him to be, after unleashing Onslaught a second time and causing so much destruction once more, all while never actually helping his chosen people. Briar plays him a video she made of all of his greatest hits, which are mostly violent and despicable from the outside, but ends with a clip of a civilian mutant saying that, though Magneto was angry in all of this, he saved her life and she's happy, if a bit scared, that someone like him is on her side. Rejuvenated, Magneto travels to the ends of the Earth to gather a number of villains including Mystique, Sabertooth, Carnage, Doom, Loki, Absorbing Man, Hobgoblin, and Deadpool (who actually comes to him), to take on the hero-killing Sentinels Red Onslaught has at his command. Though this certainly wouldn't be required reading to understand what's happening in AXIS (we know by the end of issue two that Magneto left and got some villains and came back, which is pretty much all we need to know to continue), this one actually really does add a lot of depth to the stories, both the story of AXIS and the story of Magneto. It's extremely well-done and fits nicely with what Bunn has been establishing all along for Magneto. Great work. Total Score: 5/5


Miles Morales: The Ultimate Spider-Man 6
While the Green Goblin recovers from his gunshot-to-the-head wounds and promptly kills J. Jonah Jameson for them, Miles and Maria Hill talk to Peter and MJ, trying to ensure that he's the real deal. As they keep questioning him and he keeps basically saying that he is Peter but he doesn't know how he's alive, probably something to do with science or whatever, Gwen and Aunt May also show up, suddenly aware that he's still alive. Unfortunately, the reunion is cut short when Goblin turns up on the front lawn. Miles demands Peter get his family and friends to safety while he takes on Goblin. With a series of attacks revolving around his venom blasts, Miles takes down Osborn with ease. Hill calls for backup to restrain Osborn while the powered-down Norman pleads with Miles to help him, promising that he'll tell him the truth about Miles' own powers and DUN DUN DUN his real father. EYE-ROLL. I actually enjoyed this issue (though it came with a lot of the sort of back-and-forth dialogue that seems to only serve to extend the pages...now we're getting into different styles of Bendis writing) right up until that last page, where Norman promises to tell him about his REAL FATHER. I suppose there has to be more drama to the return of the Green Goblin than just "oh, Miles' venom works absolutely GREAT on that guy" but I really don't need more daddy issues in comics or, you know, anywhere else, thanks. It's possible this will be some sort of fake-out or won't have the desired effect on Miles, but I'm reviewing this issue for this issue, not for the future, and GEEZ, trope alert. Total Score: 4/5


Original Sin Annual 1

We get a look back at the days when Fury took the job to be the new Man on the Wall in the stead of Woodrow McCord. Fury, eager to know more about McCord, is shown around the moonbase by Howard Stark, who shows him McCord's diary. In it, McCord explains what happened between himself and the man he replaced, a man named Stafford, and what the job has done to him in turn. I went into this book with a lot of skepticism because I don't tend to love Annuals and I really don't tend to love Annuals for events or for one-year only comics and I already didn't love ORIGINAL SIN. To say, then, that this issue is absolutely the best thing to come out of ORIGINAL SIN feels a little like the truth and a bit misleading at the same time. It's the truth because this book really does feel, to me, like it outstrips anything in ORIGINAL SIN, thanks to the quality of ORIGINAL SIN, and it's a bit misleading because this book really is genuinely very good. It's an extremely well-written character piece about Woody McCord and, on the outsides of that story, about Nick Fury. There's a lot here and Latour does a great job to really make the Man on the Wall stuff compelling and interesting. I couldn't help remembering that Latour was the last person to write a WINTER SOLDIER series before this newest incarnation and that I'd absolutely have loved to see him as the writer on this current one, as a guy who clearly has a compelling take on the Man on the Wall thing and who knows Bucky well. Great stuff here. Really worth checking out for a single issue sort of thing. Total Score: 5/5


Spider-Man 2099 5
Miguel insists that Alchemax no longer do things like hire criminals straight out of prison and suggests that they instead work on building supervillain prisons, an idea that Liz Allan is onboard with. However, Miguel is bothered by searing pains in his head as Miguel O'Hara's from different worlds are killed by Morlun. He escapes to the roof and switches to his costume right as the Miguel O'Hara who linked all of his fellow Miguel's heads together in a misguided attempt to team them up opens a portal to 616. Before he manages to enter it, though, Morlun catches up with him and kills him, dropping the body to the 616 but shies away from entering himself, remembering that world as the one in which he died. Miguel takes the body and realizes he has to find Spider-Man. Interesting issue all around. There's maybe an attempt at a little too much backstory from the other universe's Miguels especially considering it's quite clear they're going to die before they have a huge impact on the story, but our Miguel does well here and it seems like he'll be our messenger for the SPIDER-VERSE entry point coming very soon. Total Score: 4/5


Storm 4

Storm, hurt by the loss of Wolverine, expresses her grief out a safe distance from Earth before settling down and moving forward. She finds Wolverine's phone on his desk, which instantly gets a text from Yukio, asking for him to come down to help. She instead travels to Las Vegas where she tells Yukio what happened to Wolverine and promises to accompany her to whatever she needs help with. Believing this could be a bad idea as Storm is bound to not like what's coming, Yukio leads her to an underground meeting with the heads of a few clans of the world. The four bosses talk and try to figure out land issues with two clans clashing over one AIM base drifting between their territories. To solve the dispute, the four bosses and Storm go into an arena where two champions for the sparring clans face off. Disgusted by the fight-to-the-death mentality, Storm intercedes, with Yukio pleading her not to, saying that these fights keep the civilian casualties down from these gangs. Storm can't abide it, though, and the head of the third clan challenges Yukio for supremacy after her champion broke the rules. The pain of the loss of Wolverine is handled nicely in this issue, with Pak and Ibañez dedicating about five pages to her overwhelming grief before having her refocus and continue forth. It's pretty much what you want from Storm. The fighting clans are a little confusing to write about in an attempted brief summary but work alright in the book (though the areas they're claiming are a little vague). It's also a nice example of the differences between Wolverine and Storm, with Wolverine abiding these fights because he understands that it could keep civilian casualties down and Storm unable to abide these fights for any reason. Total Score: 4/5


Superior Foes of Spider-Man 16
The penultimate issue of SUPERIOR FOES finds the Sinister Six ready to step up as the heads of the Maggia with the head of Silvermane in tow. Unfortunately for them, Overdrive, Beetle, and Speed Demon all made deals with various other mobs and now the pier is a war zone about to get even crazier as Punisher, Mach VII, and Shocker head that way for their own reasons. Boomerang, though, got everything he wanted as he had stolen Chameleon's shape-shifting serum from his vault and poses as a Mets rookie pitcher to get to pitch once more for his team. As ever, really fun, really engaging issue. Great stuff from Speed Demon and Boomerang and a couple of twists that work really well for the issue. It's been a really fun ride for this team and I'm sad to know it's coming to an end in the next issue, but glad that we managed to get 17 out of it. Guys, 17 issues for a funny book that stars a supervillain C-team is kind of a massive win. Total Score: 4/5