Comics this week

Boy, it doesn't get much easier than this one, huh? There are weeks where I really have to weigh things out, pick out the top five books I'm looking forward to/that I believe are most important in the coming week, whether because there are too many vying for this prestigious list or because I just can't get myself up to five I'm excited about. But boy if five didn't jump right off the page to me this week. Is it a perfect five? No, probably not. I didn't have room for DEATH OF WOLVERINE on the list so now no one will know it could have been here as well. But the five that are here? Oh, I think you'll be interested in them.

Black Widow 11
WELL LOOK, I'M INTERESTED IN THEM, OKAY? How many times do I have to tell you to be interested in this one? Look, I'll level with you, I don't know if you're reading this book or not, I shouldn't be so mad at you. I'm just saying you should be reading this book. It's interesting because, logically, based on the other books that are coming in this list, I should have cut this one to make way for the important DEATH OF WOLVERINE, but it literally did not cross my mind. I'm not cutting this book from this list.

Bucky Barnes: The Winter Soldier 1
One of three premiere books this week (along with GUARDIANS 3000 and THOR) and one I'm really interested in. Yes. Interested is the right word. I go very back and forth on writer Ales Kot, who I wanted to like in his first SECRET AVENGERS take, don't like in the current SECRET AVENGERS series, and do like in his current IRON PATRIOT series. The series will be illustrated by Marco Rudy who I am rather obsessed with right now (loved his MARVEL KNIGHTS: SPIDER-MAN and his NEW AVENGERS ANNUAL). Also worth noting: its protagonist is a character I love in Bucky Barnes. Color me warily optimistic.

Captain America 25
WHO IS THE NEW CAPTAIN AMERICA? We all likely know by now but that last page of the last issue of CAPTAIN AMERICA saw our best guess fly a bomb straight into the air, so maybe we're not a hundred percent sure? Look, it's a momentous issue for the series and I'd advise you check in on it (and it's been a really good series ANYWAY).

Thor 1
The second premiere issue to make the list this week (sorry GUARDIANS 3000, but I also kinda don't know why you exist) and, as with CAPTAIN AMERICA, big changes are here as we get our first real look at the new Thor. If that doesn't entice you at least a LITTLE, maybe you're on the wrong blog.

Uncanny Avengers 25
I know I may say this frequently, but we're right on the verge of AXIS and this book has been excellent to this point. Want to get the scoop on the upcoming Marvel event (or maybe even the one that's starting here, in UNCANNY AVENGERS 25? I don't know, I can't be bothered to do the slightest amount of research)? Check out this issue.

Leftovers 9-24-14

Okay. I apologize both for my busy week this week and for the upcoming post. Got a lot of apologies to make. ANYWAY, let's get right into and out of it.

All-New Ghost Rider 7

Robbie is still having trouble making his personal life and Eli come to some sort of understanding and he ends up killing a guy to take the money he was owed before another Ghost Rider shows up to complicate things further. Still strong stuff with Smith spending just the right amount of time characterizing Robbie and the neighborhood, though I'm still wary of Hyde's role in all of this. Total Score: 4/5












All-New Invaders 10
Mars attacks? I don't know, man, this book is pretty terrible. They're helped by the daughter of the original Iron Cross who is an Inhuman now and then Torch goes crazy and she promises to help while Mars attacks London and Roger Aubrey, the Mighty Destroyer, literally has a line of dialogue that goes "I'm an incredibly dashing, older gay gentleman, by virtue of which means I'm incredibly vain" directly after he says to Union Jack and Spitfire "A speedster, a young man with a pistol and a vintage motor bike, and a "flamboyant" octogenarian." DOES ANYONE THINK ANYTHING IN THIS BOOK THEY DON'T SAY? Perhaps James Robinson would like to sit beside us as we read his books and explain bit-by-bit what's happening in case we don't understand? Total Score: 1/5

Amazing Spider-Man 1.5

Spider-Man finally beats Clash and we're all relieved because Clash is not interesting nor likable and looking back to this point in Spidey history means Spidey also isn't terribly interesting and isn't really likable so now we can all move on with our lives. Total Score: 2/5














Amazing X-Men 11
Wendigos! They're everywhere! Wolverine is one! The X-Men travel to the realm of monsters where monster Tanaraq is getting supercharged by the Wendigo presence on Earth and where he plans his attack on Earth, even expanding the Wendigo curse to mean Wendigos can exist outside of Canada! Where goes the Wendigo? EVERYWHERE. Pretty good stuff, drags a little bit despite all of the action, but still a compelling story and Yost brings to this book his uncanny ability to nail the voice of everyone he touches. Total Score: 4/5

Cyclops 5
Cyclops and Corsair have fixed the tracking beacon bounty hunters placed on their ship and therefore successfully lure a group to them, managing to outwit them and steal their ships, though Cyclops overrides his dad's plans a few times to show compassion for the bounty hunters. Good characterization of a young and optimistic Scott and now we can continue our journeys with the interesting father-son duo. Total Score: 4/5











Deadpool 35
MAYBE, just MAYBE, there will some day be a week where nary a single DEADPOOL book will be released. But that's not this week so, onwards. Deadpool spends some quality time with Ellie and has to fight a Spider-Slayer Dracula has put his consciousness into, which he defeats handily. He also brings the refugees from Butler's camps to the Jean Grey School and has Beast run medical tests on them, which could complicate things as Hank quickly calls Deadpool back, needing his liver for a vital operation. Bit of a break from the action here as even the Dracula fight has very little stakes (HA) and mostly plays for laughs, which are certainly there if not enough to carry the issue. Total Score: 3/5

Edge of Spider-Verse 3

Dustin Weaver introduces us to Aaron Aikman, the only Spider-Man who has sought out the Spider, injecting himself with a serum that gave him his powers and using advanced machinery to vigilânt around the city. There's a full story here about his laboratory and the woman he loved risking everything to save her daughter but the real story is the twist ending when Morlun shows up and kills Aikman, meaning that just because we're seeing these dudes on the EDGE of SPIDER-VERSE, they won't necessarily make it to the main showing. Pretty good stuff, drags like any of these have when they've had to really give a lot of backstory for one issue, but it holds together somewhat nicely. Total Score: 3/5






Guardians of the Galaxy 19
Quill continues to tell his story to Gamora and explains that they couldn't die in the Cancerverse so their sacrifice had kind of been for nothing, now they had to play eternal keep-away from Thanos with the Cosmic Cube, made more troublesome by the appearance of the Cancerverse Avengers who are all evil and who want the Cube themselves and, sadly, eventually get it. The issue is all from the memory of Quill so it's basically a big ol' flashback where we don't know the full ending but we kind of know maybe half of it (Drax, Quill, and Thanos, in the very least, survive to return to the 616) so kind of low stakes here for a story that's going to last at LEAST three issues. Total Score: 2/5

Inhuman 6

Dante and his new friends Jason (rock-based powers) and Naja (weird-based powers) find their way back to Attilan, now run by The Unspoken, and manage to, with the help of Vinatos, the medical regent of New Attilan, infiltrate The Unspoken's throne room. He still has the Terrigen crystals he found so he's still insanely powerful but Dante attacks him all the same, getting horribly wounded in the fight for his troubles. While Naja continues the distraction, Jason uses his rock powers to destroy the crystals, effectively ending The Unspoken's new reign and restoring Medusa to the throne. Good issue for the NuHumans as everything is set right once again, though Lineage seems ready to strike a deal with the imprisoned Unspoken. Total Score: 4/5






Loki: Agent of Asgard 6
Thanks to some time-and-space trickery, Doctor Doom finds himself face to face at the end of the universe with the original Loki, who derides and denounces him, causing Doom to go back to his own time and search out the young Loki, pulling him into battle at his castle. He ends up trapping Loki, who doesn't want any part of this fight, and announcing that he's captured a god, effectively weakening him by destroying his story. Though things seem lost for young Loki, he secretly brought Verity Willis (eye roll!) with him and now she's prepared to help her friend. I literally have no idea what's going on and what the point of any of this is. Total Score: 2/5

Magneto 10
Magneto has been captured by the Red Skull and is being tortured by Xavier's brain in the hopes that Skull can break him. Magneto tries to hide in all his worst memories, giving us a full tour of many of them, but finds eventually that he cannot keep Skull at bay. Before he breaks, he's rescued by the similarly captured Havok, Rogue, and Scarlet Witch. Pretty sad issue for Magneto, you guys, as we see the worst of the worst, but it follows the theme Bunn has set up for this series, which often goes back to why Magneto fights. Total Score: 4/5

New Warriors 10
The Celestials are coming! The New Warriors strike again at the High Evolutionary and his Evolutionaries. Speedball makes a great Ghostbusters reference! The Eternals show up! Action, hijinks, comedy, drama, and more! Check out NEW WARRIORS 10! Total Score: 5/5














Savage Wolverine 23
A story from Wolverine's past where someone drugs him, slowing his healing factor and tries to hunt him through the woods of his animal-times. He's protected by the runt of a wolf pack but eventually the wolf sacrifices himself to save Wolverine, drawing Wolverine out to murder everyone in sight. Typical Wolverine-in-the-woods story done with maybe a little less flare and heart and with even more hand-holding than some of the others I've seen. Total Score: 2/5

Storm 3
Storm is called to Kenya by a mysterious benefactor saying that he needs her help to bring rain and water to the people there. Though she's wary it's a trap, it's a cause that matters enough to her to send her there anyway. It's not entirely a trap, but it was Forge, with whom she has a rocky relationship, who sent the letter. He swears he can do it and she chooses to trust him, though one of the Kenyans doesn't and his interference sort of sabotages everything, though Storm does her part to sabotage the machinery, demanding that Forge first spend a year in Kenya working on the tech and working with the people so that they can all have a mutual trust and to ensure that the tech will work and not just be an experiment. It's another good issue to characterize Storm, who wants to trust Forge but knows things aren't that black and white. Instead, she comes up with an interesting plan that roots itself in trust and hope. That's what we want to see out of Storm. Total Score: 4/5

Thunderbolts 31
It's Punisher vs. Red Hulk in the final battle of the T-Bolts. It's a huge fight and the momentum swings back and forth until Hawkeye and the Avengers (though the lesser known ones, like Cannonball, Sunspot, and Shang-Chi) show up to break up the fighting. Red Hulk doesn't believe they're the Avengers but Punisher stands down, unwilling to harm the good guys. Elektra turns up to calm Red Hulk, dropping the Leader's body in between them and showing them that he was an LMD and that, in fact, it was the Leader behind all of this the whole time. Ross announces the Thunderbolts are done, leaving the Red Leader victorious for next time. Plenty of fun in this issue as the fight gets more and more elevated. Also fun to see Hawkeye lead his team of lesser known Avengers into battle and to see the Punisher and Red Hulk struggle to understand that they are, in fact, Avengers. Total Score: 4/5

New Avengers 24, Mighty Avengers 14, Secret Avengers 8

New Avengers 24

We're eight months in the future and Namor comes to Doom for help getting rid of his cabal, who he has realized are maybe a little too violent and bloodthirsty for his liking, and for help with the incursions. Doom provides neither, resentful that he is Namor's second choice. Meanwhile, Black Panther and Shuri use the distraction of another incursion to attempt to steal back all the anti-matter bombs housed in Wakanda, currently occupied by the Cabal, but find themselves facing Maximus and Proxima Midnight, left behind to guard. They barely escape and Black Panther teleports back to the Illuminati but Shuri chooses to stay behind and fight for Wakanda. Back in Latveria, Doom explains to Kristoff that he didn't accept Namor's offer because it's clear he understands more of what's going on than Namor does, so he wouldn't benefit from an alliance. Instead, the Mad Thinker has been working for Doom to study the piece of a world the Mapmakers left behind and finally Thinker has used it to map out all of the marked worlds and to trace it back to its originator, the person behind all this. Doom intends to turn the tables on this person, hoping to use the Molecule Man to strike back at the incursions.

As with AVENGERS, this book has leapt eight months into the future and now has 30+ pages to get us somewhat caught up on the state of the world. Also like AVENGERS, it does a pretty good job of it. Hickman delicately balances things we need to know now with things that can wait, meaning that we largely get good explanation without over-exposition. We also get a glimpse at what the Cabal is doing to other worlds, annihilating their people and relishing the opportunity to destroy their incurring worlds. Where everything seemed slightly askew and mildly threatening in AVENGERS, everything in this book seems horrible, like every plan ever devised has gone wrong,w which seems to be Hickman's intent. Valerio Schiti does an excellent job on the art front and overall it's an engaging and exciting finished project. NEW AVENGERS brings the last two years of stories to a head masterfully, never hand-holding and never over-explaining, illustrating a world that came about naturally well down the line.

Total Score: 5/5


Mighty Avengers 14

The Deathwalker Prime begins to transmit nightmares to every living being on the planet, causing everyone to kneel to it, but Luke Cage stands against the nightmares, fighting back and ultimately securing the ceremonial goblet in which the blood was combined and passing it on to a similarly breaking-free Kaluu, who manages to use the goblet himself to create the Avenger Prime, a mighty being with the combined strengths of the entire Mighty Avengers (except for Cage, who remains out of it) and which manages to defeat the Deathwalker Prime, freeing everyone on Earth. Cage destroys the goblet and the team decides to take a little vacation, primed to return in CAPTAIN AMERICA AND THE MIGHTY AVENGERS.

It's a pretty strong ending to a book I mostly found middling. Most of my problems with the book have been tonal dissonance or inside jokes or whatever you'd call the captions strewn about the book and that sort of thing kind of continues here but mostly reins it in to let the story and the characters do the talking. When the book got out of its own way, I liked it more. As with my feelings toward SECRET AVENGERS (we'll get to that), it's entirely possible those captions and other little bits strewn here and there appealed to a great number of people. They weren't my thing and they got int he way of the book for me, taking what could have been a personal and strong tone and muddying it with a need for forced laughs. Still, that's more a critique of the series and less a critique of this issue, which remains rather strong, though I have little connection to the main villain so it's a little difficult to feel the weight of the story. Ewing does what he can by showing that the entire planet is affected by the attack but it's a global threat that feels like it came out of nowhere, so its actual threat-level is hard to take seriously (okay, it's comics, seriously is CLEARLY "comics seriously" here). Kind of nitpicky but you have to believe the villains just as much as you believe the heroes. Still a good book.

Total Score: 4/5


Secret Avengers 8

Maria Hill believes that MODOK is behind everything and explains, bit by bit, why to Spider-Woman, who has more questions than answers. We also flash back to various points in the last eight months or so to see MODOK working with head scientist Snapper to plan their allegiance switch to SHIELD and to quickly rise through the ranks and take it over from Hill, a plan that is slightly stalled as he reveals by issue's end that he's, in fact, in love with Maria Hill.

Nope, still don't get and/or like this one. It's not helped that one of the key contributors to the series is Maria Hill, who I cannot come around to. Right now, we're talking about a personal, intimate battle of wits between Maria Hill and MODOK and I don't understand who that sentence appeals to.

Total Score: 1/5

Heads up

Hey all, just a quick heads up that this week will be slowwww with reviews. Kind of a long, stressful week and I anticipate it being less a week full of reviews and more a weekend (read: Sunday) full of very short reviews. MY APOLOGIES IN ADVANCE. Love you all, as ever.

Comics this week

Hey dudes, solid 18 books out this week and it shouldn't really be a struggle to pick out five I want to highlight but it sure was looking that way on the top half of the alphabetical list. Also, I'm watching that new Gotham TV show right now and it kicked off pretty dark, you guys! This married couple got murdered in the first like, two minutes! Weird way to start things, I bet nothing comes of it.

Edge of Spider-Verse 3
There's a lot of fun stuff happening in EDGE OF SPIDER-VERSE so far, though this certainly makes it to the list thanks to a slow release week. It's been strong, though I expect it's hit-or-miss with how interesting these new spiders are.

New Avengers 24
It's another 4.99 book in another extra-sized issue (like AVENGERS last week) as Hickman moves NEW AVENGERS into TIME RUNS OUT, starting our story eight months after the events of the last issue. Though I'm wary of $4.99 books, I can't say I'm not interested in seeing this one. AVENGERS was solid last week and this book should give us the other side of the story. Looking forward to it.

New Warriors 10
Have I told you guys I'm really enjoying this book (though it's just about over at this point)? Just kidding, you guys, I know I have. Check it out while you still can.

Storm 3
I liked the first issue a good deal and the second issue had some positives to it. I think that Greg Pak's a strong writer and he very clearly has some thoughts about Storm as a character. Still, this book certainly gets the benefit of a slow release week to make this list.

Thunderbolts 31
I really need to keep a running list of when books are set to end. I THINK this book runs through issue 32 (or is it 33?). Either way, we're closing in on the end of the series and I'm sad to see it go. I also just caught up on a string of really good "Thrilling Adventure Hours" so I'm even more sad that Acker and Blacker will be Marvel homeless at the conclusion of this book (hopefully they'll find something soon).

Leftovers 9-17-14

Alright, as you may have surmised from the two other full posts on a Sunday, pretty busy day over here at Marvels HQ. I prepare, then, to ASTOUND critics (read: me) with the speed of these reviews. TO WORK.


All-New X-Factor 14

Scarlet Witch pays a visit to Polaris hoping to spend a day out with her half-sister, which Lorna does not want to do and invites Danger in the hopes that it won't be entirely uncomfortable. They go to a Renaissance Faire and drink and be merry before saving a girl from her creepy and possessive online stalker before heading out to a bar and drinking some more, where Wanda reveals that Havok had Quicksilver monitoring Lorna and reporting back to him. Peter David clearly had fun writing this book but it varies for the reader between fun and heavy-handed/somewhat inexplicable. Also, Lorna brings up her (and apparently every other mutant's) resentment of Wanda for M-Day yet encourages one of the world's most powerful and unpredictable mutants to drink despite her original wishes. Wanda also acts kind of like a child with some of this stuff, which could be an interesting character decision but doesn't really pay off or get explanation as such. Look, I meant to be going faster with these reviews then I kicked off with a book I had some real problems with. Seriously, I was aiming for like, three sentences. Total Score: 2/5


Deadpool Bi-Annual 1
Deadpool is hired by Sea World (it's a fake Sea World but it's pretty much Sea World, whatever, you get it, you're smart, I'm continuing) to stop Brute Force, a team of powerful, super-intelligent animals who have the ability to turn into vehicles, from continuing to attack their attractions. Deadpool agrees and at first has a relatively easy time against Brute Force (except for heavy Bear, who scares him off). His next attack on the team is postponed, though, when he realizes Sea World is evil and he teams with Brute Force to take down his own employers. It's a special bi-annual issue (as the title would tell you) that gives an extra ten pages to the story and is at least ten pages too long. There are bits and pieces of the issue that are genuinely funny but it reverts to fourth-wall breaking too often (I have my issues with that and I think they're probably documented but, in short, it's hard to make breaking the fourth-wall sound like it's not just a self-congratulatory writer winking too hard at the audience for approval) and it occasionally goes for lowest-common-denominator humor and now THIS self-congratulatory writer should probably get off his high horse and just rate the issue. Total Score: 2/5


Hulk 6

Doc Green (really don't like that name or the weird mohawk, you guys) attacks A-Bomb, eventually injecting him with his created serum and learning, indeed, that it's worked as A-Bomb shrinks down to Rick Jones and finds himself unable to transform again. Jones is real mad at Green but agrees to go with him to take out the next target. Green also attacks SHIELD and threatens MODOK to make sure he never toys with gamma radiation again. Meanwhile, Red Hulk gets a whiff of Doc Green's plans early and vows that he won't stand for it. I'm kind of interested in the story developing here but I'm finding Doc Green's appearance and attitude off-putting, which I believe is supposed to be the case, so I suppose points for that, but you also don't really want to read a book where you have nothing to like about the protagonist. Shaving the mohawk thing would be a good way to start. Total Score: 3/5




Hulk Annual 1
Patty Wolman, Banner's former scientist who wanted to commit suicide by Hulk, has been working with a mix of old and new research to create a sustainable forest but, as her health worsened, saw some setbacks. Now, with her mind going, she experiments on herself for the new VISTA project which would control whole sustainable systems with biochips and sentient plants and so on. It works a bit too well and she's enveloped into the Vancouver greenery, which begins to grow rapidly and envelop the whole city and its people. Doc Green fights back against it and eventually shuts it down with a chemical of his own design, though a Patty-like being, now Vista, survives and flees. Like the DEADPOOL BI-ANNUAL, this special length issue goes on about ten pages too long and drags like crazy, a result of Nero's attempts to characterize Wolman more and to show what she's been studying. It's possible everything he said was necessary to do as much as he wanted, but that doesn't make it an enjoyable or interesting read. Total Score: 2/5


Miles Morales: The Ultimate Spider-Man 5

Miles and Peter Parker have been surrounded by the cops in front of Peter's old house in the wake of the Green Goblin's reappearance. They manage to escape, though Miles is wounded leaving and picked up by detective Maria Hill, who vows to help him. Miles tracks Peter to MJ's house and Peter agrees to talk to the new Spider-Man there. Meanwhile, the spider-twins that have wreaked havoc on the city use the Green Goblin/Spider-Man distraction to heist some more specific materials and Green Goblin shows up to J. Jonah Jameson's apartment and gives him a full interview as a "reborn" Norman Osborn and Jameson shoots him. Plenty happening and aside from a couple of back-and-forth moments, it's setting up what could prove to be an interesting story for Miles. Total Score: 4/5






Nova 21
Nova finishes moving his family to their new apartment and sets off into space to follow up a lead on his father. He attacks the Chitauri planet where his father was last known to be a gladiator and finds that his father led a rebellion out of the prisons, stealing a ship with his fellow gladiators and setting off into the universe. Happy that his father escaped but now lacking any fresh leads, Sam returns home just in time to be expelled by Principal Philbin for his absences and tardiness. It's a tradition for teen superheroes to have trouble balancing their superhero life and their personal life, which always comes back to balancing school with their superhero schedule, but it's almost harder to get invested in this school problem with Nova being as powerful as he is. This isn't a cry about "school isn't important, why is Sam still there," it's more a note that most teen superheroes who struggle with this are heroes like Spider-Man or Ms. Marvel, who certainly have impressive powers and a lot with which to contend, but can't readily travel into space or leave their city on a whim (this isn't always the case, of course, but it seems more true). The reason I bring it up is that it seems to take some of the weight out of the expulsion, which isn't necessarily a slam on Duggan or his predecessors, since they all took time to focus on his troubles at school, but rather the logic of the whole thing. I read the last bit and kind of ended up going "so?" That's not a great cliffhanger. Total Score: 3/5


Savage Hulk 4
The story with the X-Men is still going and some of the X-Men work out of their binds while Hulk develops crazy strong telekinetic powers and ruins Leader (Leader only sent a drone to deal with this, so he's still out there and fine, though unsuccessful here). When the telekinetic energy in his head drains, Hulk leaps at the X-Men but Xavier manages to telepathic him down enough to leave without incident, leaving Xavier saddened that he wasn't able to help Banner but essentially restoring the status quo. The conclusion of this all-too-long arc drags just as much and pays off just as little as the rest of the arc. First arc of this new team-up book ends up not exactly delivering optimism for the rest of the series. Total Score: 1/5

Daredevil 8, Elektra 6

Daredevil 8

Matt and Kirsten take in the town on a vigilante-free date when Kirsten reveals that she recently got a call from her somewhat estranged father, who lives in the Bay Area and invited Kirsten and Matt out on his boat. They accept and it goes rather well for a bit, up until Kirsten's father, a publisher, reveals that he wants Matt to write an autobiography, which annoys Kirsten. They head home with Matt sort of thinking about it (he calls it a flattering offer, which Kirsten points out is his kryptonite). Meanwhile, the Purple Man is back on the scene and collecting his illegitimate children, who have the same powers he has but who he hopes will be immune to his own powers and will therefore love him for who he is and not for an ulterior reason. Unfortunately for Purple Man, they don't love him for ripping them out of their homes and killing their mothers and they use their considerable combined powers to send Purple Man walking in front of an oncoming bus before preparing to tour the town.

The Purple Children are already proving themselves to be formidable and terrifying foes for Daredevil to go up against in short time and Mark Waid does a good job to illustrate these kids right off the bat while Chris Samnee and new colorist Matt Wilson do a phenomenal job showing just how creepy they are. Another thing I don't think I've talked about enough with this series is that Waid is doing a really nice job with Kirsten McDuffie. Obviously Daredevil is one of those characters who tends to make an impact with women and has both a slew of long-lasting relationships and one-night-stands on his resume. By and large though, I tend not to like the women writers bring in (obviously excluding ones who I do like from the larger Marvel Universe but still may not like in context of him dating, like Black Widow, Elektra kind of, and Black Cat) and Kirsten marks the first love interest since probably Echo that I've found myself liking and who doesn't seem to play the typical superhero love interest. Of course, that probably means Waid is ready to kill her off.

Total Score: 5/5


Elektra 6

Elektra has led Cape Crow, Kento, and Matchmaker from safe house to safe house, only to be attacked every step of the way by mercenaries and assassins looking to bring in the sizable fee on all of their heads. Elektra has met every challenge but finds herself worn out and running out of safe places. They reach Cape Crow's last safe house only to be attacked by the Serpent Squad. Elektra sends Cape Crow (no longer a killer) and Kento running for the house only to realize a moment too late that the Serpent Squad is a distraction and that sending Cape Crow into the house is exactly what whoever is behind this trap wants. She disposes of the Squad and rushes for the house with Matchmaker, who discovers Cape Crow's helmet torn apart by a sword before she herself is stabbed through the back by the culprit: a healed and monumentally more powerful Lady Bullseye out for revenge on Elektra.

About half of this book is a recap of their recent days interspersed with information about the assassin's guild and their extensive fees and health care plan, which Lady Bullseye utilizes. It's an effective storytelling technique as we stay with our main characters and learn a bit about them through dialogue and through their interactions with one another but also get key plot points, like the experimental and probably fatal procedure Lady Bullseye agreed to undertake to wipe out her debts to the guild and save her life temporarily, giving her a chance to go after Elektra. Though I think the art is pretty good here, it's hard to go from Del Mundo to anyone else and my love of this issue suffers a little as a result (not to mention that Matchmaker has ditched the amazing aviator cap and goggles for a more Alex-in-A-Clockwork-Orange outfit, which is a super bummer, you guys). Also, I'll be pretty upset if they kill off Matchmaker, I think she's phenomenal and I simultaneously want to learn everything about her and be given no explanation for her. It's complicated. Really like that cover, too.

Total Score: 4/5

Thor: God of Thunder 25, Original Sin 5.5 - Thor and Loki

Thor: God of Thunder 25

Thor's granddaughters, by order of King Thor, must spend time daily in the library honing their minds just as they hone their bodies. One day in their required library time, they read the origin story of Malekith, watching him grow from a shy and scared young elf to the hateful and powerful magician he is today. They next read a story about young Thor, along with an army of humans, stopping Frost Giants from resurrecting Laufey, though they came awfully close and the king's head is still out there ready to be pushed the extra step. Finally, a hidden and chained book falls on to their table, which they eagerly dive into, learning of a dark time in Thor's history when he was deemed unworthy and an all-new Thor took up Mjolnir. King Thor bursts in and closes the book, sending his granddaughters out and closing the book again.

Jason Aaron ends this volume of THOR: GOD OF THUNDER in the sort of classic series ending way, where he tells a few single-shot stories with the ability to be extended later, and teases the next volume, but he does it well enough to keep the reader interested and invested and artists like Esad Ribic, Simon Bisley, and RM Guera provide an extraordinarily good looking book to go along with the stories. It's a nice ending for the series that brought us the epic Gorr storyline and created a couple of new and powerful supervillains like Gorr and Roxxon CEO Dario Agger AKA The Minotaur and it certainly builds a bit of hype (if there wasn't enough out there for you already) for the new THOR and the new Thor. Pretty good series, this one.

Total Score: 4/5


Original Sin 5.5 - Thor and Loki

Thor is free and wreaking havoc on Heven as Loki, having betrayed his new sisterhood in record time, leads Odin back into the tenth realm to end this fight once and for all. As Thor and Angela prepare to kill one another, Odin arrives and demands his son stop, revealing that Angela is very clearly his daughter Aldrif, alive after so much time thought dead. The news is pretty quickly met as true but isn't received well otherwise, as Angela is banished from Heven and swears she'll kill Odin the next time she sees him, leaving her out in the galaxy somewhere, trying to find a place she's welcome and wants to be.

As I said from the get-go, maybe some of the drama was ripped from this one given that the very first images of this book, that asked who Thor's sister was as it's main question, were images of Angela standing between Thor and Loki, as if shocked by some recent revelation. Kind of a give away and it takes a bit of the tension out for the reader, though it was likely a measured choice, with Marvel likely deciding that fans would figure it out early into the series even without the reveal and hoping that fans would still be interested in learning about how this could be possible and in learning more about Angela, Asgard, and Heven. It pays off well enough; though it's not something that particularly blows the reader away, it serves its purpose and establishes something of a new status quo in the Thor universe (which, coincidentally, is going to have all manner of status quo changes to contend with in no time at all). Solid Simone Bianchi art, teamed with Lee Garbett, Szymon Kudranski, and Marco Checchetto, carries this issue.

Total Score: 4/5

Edge of Spider-Verse 2, Superior Spider-Man 33

Edge of Spider-Verse 2

The newest Spider-Man we get a chance to look in on isn't, in fact, a Spider-MAN at all (see what I did there? Capitalizing the "man" part implies that is where the difference lies. Italicizing it would have had much the same effect). Instead, it's Gwen Stacy, Spider-Woman! Gwen of this universe was bitten by a radioactive spider, granting her spider-based powers which she now uses in her life as a vigilante crime-fighter. Her story of power=responsibility hinges on the fact that fellow classmate Peter Parker, in an attempt to be more like the new Spider-Woman, injected himself with a dangerous toxin of his own design that turned him into the Lizard, who would ruin the school and die in Spider-Woman's arms. The police, led by Captain George Stacy, are on the hunt for Spider-Woman. Meanwhile, Gwen just wants to play the drums for the Mary Janes, the rock outfit led by Mary Jane Watson. However, everything comes to her doorstep when Kingpin hires Rhino to take out George Stacy in a show of faith to the new Spider-Woman. Rhino attacks at the Mary Janes' show and Spider-Woman fights him off, eventually revealing her true identity to Captain Stacy, all under the watchful eye of another Spider-Man.

We're still on the EDGE OF SPIDER-VERSE, so we're not really getting into the main thrust of the story just yet, we're more getting a sense of the players. This Spider-Woman already seems like a hit and Jason Latour and Robbi Rodriguez make the most of their one-shot with her, with Latour writing a very solid character and developing, in twenty short pages, an entire universe that makes sense and intrigues (Matt Murdock is a villain lawyer! But how??) and Rodriguez drawing an absolutely fantastic book and designing a really cool costume for Gwen. In addition, Rico Renzi adds some outstanding colors to the book. It's a pretty quick read (as quick as you can manage for a one-shot that has to develop a new character and new universe and new problems) and it looks really good. It moves quickly but it also gives more than enough time for quiet moments and introspection. Great stuff.

Total Score: 5/5


Superior Spider-Man 33

Superior Spider-Man has teamed with a number of other Spider-Men/Women/Girls/Monkeys and has gone after the spider-killer named Karn. Doc Ock has developed a device he thinks will work well on the killer but is overwhelmed by the being's power, particularly when members of Karn's family show up, a pair of twins named Brix and Bora. The spiders manage to get away, escaping to 2099 to regroup while the siblings bicker. Doc Ock removes himself for a bit, talking to his Anna Maria computer, and comes back with a new plan. The spiders set to work while he pulls aside Spider-Girl (Ashley Barton) and Assassin Spider-Man to let them know he agrees with them, that killing these villains is a necessity and that they may face resistance from the other spiders but that nothing can be allowed to stand in their way.

It's a tough loss for Doc Ock as his team is forced to flee and he's forced to wonder how it's even possible to stop Karn, let alone Karn's apparently pretty big family (there's an extra story at the end of this issue that revolves around Karn and his family, showing just how big it is and, of course, showing that Morlun is a member of it). There's a brief moment of hubris for Doc, as ever, as he believes he defeats Karn only to have it shot back in his face. Still, it's good character building and Gage does a pretty good job building the supporting cast of spiders, who each register a specific voice and tone, even though none of them is given a particular focus in this episode. SUPERIOR SPIDER-MAN 33 adds to the already interesting event, establishing a bit more about our villains and a tiny bit more about our heroes. Strong work.

Total Score: 4/5

All-New X-Men 32, Uncanny X-Men 26, Wolverine and the X-Men 9

All-New X-Men 32

The time-displaced X-Men have been sent to the Ultimate Universe by the uncanny powers of a new mutant they overwhelmed because they are just terrible at this and why does anyone leave these dumb kids alone for more than even a minute? Anyway, Beast ends up in Ultimate Latveria, Iceman ends up with Ultimate Mole Man, X-23 ends up in an Ultimate football game and on the run from Ultimate cops, Angel ends up in Ultimate Savage Land with Ultimate Wolverine, and Jean Grey ends up with Ultimate Spider-Man, whose mind she reads to learn where she is and who escorts her to Amadeus Cho, who has been working with the portal to the 616 universe. Of course, it's disappeared by now and the original X-Men, already stuck out of time, are stuck out of their dimension.

On the plus side, now that the X-Men have been stuck out of time and space, there are very few places they can get stuck that would be new to them. Also on the plus side, the issue moves relatively well as the X-Men are separated and largely not back-and-forthing with one another but having somewhat terse conversations with the people around them. The issue also bounces around between the X-Men, who are inexplicably separated after they run into plot-device girl, so the pacing mostly keeps up. On the downside, though, this book continues to feature very few likable characters and very few likable plots. Doesn't really leave them in a particularly good spot.

Total Score: 2/5


Uncanny X-Men 26

Xavier's will has further split his X-Men, with Scott angry that Xavier was a hypocrite for not giving the extraordinarily powerful Matthew Malloy a chance to control his powers and everyone else angry at Scott for being a hypocrite and also for being Scott. Even though Scott doesn't want to, they go to find Malloy, running into SHIELD on the way. SHIELD saw the disaster Malloy just caused (perfect timing, Xavier's will!) and is on their way to try and take him down. Meanwhile, Scott's new X-team runs simulations fighting the Avengers in their Danger Room until healer Christopher muses (that's a pretty dope joke, you guys) that perhaps they're not the good guys if they're training to fight against the good guys, which leads to an equally dumb fight about the mutant revolution.

There are ideas here but they tend to be brought up and argued so clumsily (mostly just that every point is argued so immediately and so clearly ignoring other facts or ignoring reason for their own purposes) that it's easy to roll your eyes at them. I know that from personal experience. Obviously Christopher has the right idea (and whichever Stepford Cuckoo that says he should have picked up on it soon is right too) but it's a complicated issue when thinking about Scott's resentment that the Avengers haven't helped them enough and that SHIELD isn't really on their side and SHIELD tends to work with the Avengers so they may be guilty by association. However, it's brought up by a bunch of teenagers (and the thirty-year-old David) so it has all the tact and grace of a bunch of dumb teenagers arguing then all feeling like they maybe won the argument. That would then almost be excusable if that's not how the grown X-Men fight too.

Total Score: 3/5


Wolverine and the X-Men 9

Quentin Quire has seen his future and isn't thrilled by it so instead ends up sitting on a pile of money from the Phoenix Corporation and an insane amount of telepathic ability. Where go with all of that, plus a substantial resentment of Wolverine and the X-Men (the man and the team, not the series), but the Hellfire Club? He's now the White King of the Hellfire Club and throws himself a lavish birthday part that Wolverine tries to sneak into to have one last talk with Quire. He's found out and beaten pretty mercilessly until Quire hears him out. However, that doesn't go particularly well either as Quentin starts to command the partygoers, dressed as various X-Men, to attack Wolverine while Quentin responds to Wolverine's attempts, laying much of the blame for Quentin's future at his feet (and perhaps rightfully so, perhaps not, it's complicated). Finally Quire lets Wolverine go after forcing him to look inward for the source of the problem and revealing that Quire himself doesn't believe he won, just that Wolverine lost.

It's a tough blow to Wolverine, who has invested so much time on Quire and the other kids (which hasn't gone unnoticed and doesn't go unmentioned by Quire here) only to find that maybe they don't love him for it and maybe, if the future Quire saw is accurate, he didn't necessarily help things. It's a pretty good issue and like a lot of this series it's more complicated than it has to be, for better or worse. It's better because being a little more complicated allows Latour to go deeper and really get into some of the complexities of the characters, but it's also a little worse because it continues at times to be a little hard to keep straight (even writing the summary, which tends to settle out any issues I've had digesting the plot, didn't clear everything up nicely for me, but then maybe it's not meant to). Still, it's been as deep a character study on Quentin Quire as we've seen since his creation and it's not unimpressive for it. Also pretty strong art from Jorge Fornes throughout, and he's asked to draw quite a lot.

Total Score: 4/5

Avengers 35, Uncanny Avengers 24, Avengers World 13

Avengers 35

We're eight months into the future and the entire world is completely different. Cannonball lives off world with Izzy and their newborn baby, though Sunspot, the new leader of AIM after he managed to hostile-takeover their business (one of the drawbacks, he says, of running your evil scientist group like a corporation), needs them to come back to Earth for what's coming. Hyperion has been working with his children in the Savage Land to build a device for...reasons, which he and Thor, now Mjolnir-less, will use to cross over somewhere. Likely it has to do with incursions. SPEAKING OF INCURSIONS, the Illuminati, comprised of the original members plus a bunch of other super scientist types like Amadeus Cho, Brian Braddock, and Hank Pym, is on the run from SHIELD and the now-SHIELD sanctioned Avengers. These Avengers catch up with Cho as he breaks into the old Avengers Tower trying to salvage some of on-the-run Tony Stark's data but the Avengers, led by Sue Storm, capture him, though he has no information for them.

Okay, so there's rather a lot that's changed, hm? This isn't an alternate dimension, this isn't a WHAT IF... story, this is the main Marvel Universe just eight short months from now. It's a bit reminiscent of CIVIL WAR but with a very different schism at the center and with a very specific sort of hero going up against SHIELD and the Avengers. The story, of course, is very interesting and compelling to get into because, as you'd expect with a story like this and particularly with Hickman, we just into a fully formed world just the way it is, no real explanation given yet besides what you can surmise from the natural dialogue and your own assumptions about the situation based on what's been happening. It's a strong start to the ambitious TIME RUNS OUT storyline and it looks like Hickman, as ever, has this well in hand. Have I mentioned that I adore Hickman's EAST OF WEST? That it's one of the best comics I've ever read? Good.

Total Score: 5/5


Uncanny Avengers 24

As the Unity Squad gets back to Avengering, the greater mutant part of the team (Havok, Scarlet Witch, and Rogue) finds itself abducted by Red Skull's S-Men and brought to his new concentration camps on Genosha. While unconscious, Rogue sees Charles Xavier (seen here with Banshee) in her mind. Charles says that he's just the last psychic residue in his old brain, now in the Skull's head, and tells Rogue that she has to keep Scarlet Witch away from Skull, that he has some horrible plans for her. He also reveals that she's the secret weapon because Skull knows all their powers but doesn't know yet that she has Wonder Man in her head. She wakes up and tells the others, chained up next to her, and together they break out, running into and rescuing Magneto on their way. Magneto wants to save all of the mutants and is furious and derogatory when he learns that they want to go and get more help first. The fight is interrupted, though, when Skull and his S-Men confront them.

AXIS seems ready to burst forth (I know it's now called AXIS: AVENGERS AND X-MEN but that's a dumb name and AXIS is a solid name) as Skull's fight with the Unity Squad continues, now more hateful than ever. There's some good character work here as Remender catches new readers up on all that's happened by having Havok talk about his disfigured and burned face and having Wolverine meet with Scarlet Witch and Rogue to talk about his part and his guilt in the whole last arc and to say how proud he is that the two of them are working together and have put the past behind them. It's perhaps a little too eager to chew some scenery, but it gets the point across and doesn't feel nearly as expository as it could. Running into Magneto helps the issue too as more characters are developed and as the plot advances nicely. Strong stuff, looking forward to AXIS. It's nice to have events every so often that seem like they stem from current events in the books (not like certain other events, particularly ORIGINAL SIN, AGE OF ULTRON, FEAR ITSELF, and BATTLE OF THE ATOM, which all spawned from nothingness and meant fairly little).

Total Score: 4/5


Avengers World 13

As the Hand, Gorgon, and the ancient dragon on whose back Madripoor sits fight against the newly revealed SPEAR, we get an introduction to the Ascendant, the superteam SPEAR has put together or, more appropriately, the superteam Weather Witch (formerly of The Dynasty) put together and leads with the go-ahead and support of SPEAR and the Chinese government. Included on the team are Saber, another former Dynasty member, Devastator, a Skrull loyal to the Chinese government and wearing the former Russian Devastator armor, Vector, a rebellious protestor with Darkforce powers similar to Cloak's, and Sun Wukong, the Monkey King. They hold their own in battle but it won't be enough to fully stop the dragon and SPEAR's Director Zheng calls up Maria Hill in the hopes for some aid, specifically in the hopes of technological aid, SPECIFICALLY in the hopes of getting some Pym particles, which Hill gives but only under the condition it be given to one of her team. Enter Shang-Chi, giant master of Kung Fu.

Spencer, interestingly, has gone back-to-back AVENGERS WORLD issues introducing a new team from another part of the world. It's a real WORLD style move, showing perhaps the inspiration of a team like the Avengers on the other parts of the world and allowing us to see how the world has reacted to the presence of superheroes all over. It's a pretty strong issue and gives us a sense of this Ascendant team and of SPEAR, which separates itself from SHIELD in a number of ways in this book. Also not going to act like I'm not excited about the idea of a giant Shang-Chi fighting a dragon. That feels like maybe it was the pitch of this entire book. "Giant Shang-Chi fights a dragon," said Spencer, and the rest was history.

Total Score: 5/5

Comics this week

Hey everybody, pretty busy week for comics with a few books that you'll definitely want to keep an eye on (and a few that I'm certainly not going to tell you to). Here are some examples!

Avengers 35
This recommendation comes with a bit of a caution: this will start Hickman's grand conclusion to his AVENGERS time (if memory serves and I'm not just making that up) called TIME RUNS OUT, so it's bound to be a pretty big issue but it's also $4.99. Don't get me wrong, it's meant to be an extra-sized issue so it may be worth that extra dollar after all. I just tend to be wary (and everyone else should be too) of Marvel putting out so many extra-priced books. I'm all for people getting paid appropriately for their work but I worry what all of these releases could mean for my wallet going forward.


Daredevil 8
We're back in San Francisco after a brief New York/Wakanda detour for the ORIGINAL SIN tie-in and this issue will kick off a new arc about THE PURPLE CHILDREN, seemingly the many offspring of persuasive villain Purple Man (or perhaps just some dumb kids under his thrall, though illegitimate love children makes more sense to me for a guy who has persuasive powers and is a real creep). Purple Man, despite being a real creep, obviously has some scary potential and Daredevil fighting children should be fun. Wait, maybe I could word that better.


Edge of Spider-Verse 2
I think this event has the makings of some really interesting stories (I do tend to like well-done alternate dimension stuff, we'll see if this falls into that camp) and this, I believe, is the debut of the much advertised Spider-Gwen, the alternate universe Gwen Stacy Spider-Person. Could be fun!


Elektra 6
I really like this book, you guys. Give it a shot, willya?


Thor: God of Thunder 25
This one edges out UNCANNY AVENGERS, AVENGERS WORLD, and SUPERIOR SPIDER-MAN as it marks the start to a really monumental shift for Thor, who we last saw in ORIGINAL SIN being told some secret by Fury that caused his hammer to IMMEDIATELY deem him not worthy and drag him down to the moon's surface. What was that secret? Who will be deemed worthy? What's the secret origin of Malekith? Possibly all that and maybe some more, up this week!

Leftovers 9-10-14

Wowwwwww, managed to knock out enough books that I only have SIX ISSUES to quick-review today. Not saying I'm super-duper proud of myself but it'd be okay if you were all super-duper proud of me.

All-New Ultimates 8

The Ultimates meet to figure out their next plan, particularly where they're going to live and how they're going to operate now when Spider-Man tells them that J. Jonah Jameson offered them "whatever they need" to help and maybe he could help with this. Meanwhile, the Femme Fatales, a new villain group with some sort of puppeteer over them, attack Manhattan. The Ultimates dispatch them well enough but constant bickering between Cloak and Dagger comes to a head and the two remove themselves to break up. Oh, and the Future Foundation shows up for some plot device and someone is watching them/researching them on some monitors. You know how it goes. The series continues to drag with exposition and would-be playful dialogue hampering the pacing. The banter during the fight is as constant and as head-shakingly frustrating as it's ever been. Total Score: 2/5




Deadpool 34
In another throwback story, this one tied to ORIGINAL SIN, we learn that Deadpool used to work willingly (sort of) for Butler, giving him his blood and doing jobs for him. His personality is still there but there is an element of coercion to it. Things come to a head when Butler, testing the limits of Deadpool's subservience, sends Deadpool to kill his own parents. After a brief encounter with Alpha Flight, Deadpool burns his childhood home down with his parents sleeping inside. He returns home to find Carmelita on Butler's doorstep with little Ellie. Butler takes a blood sample from Ellie before Deadpool sends them away, shouting about how dangerous he is. He also leaves Butler's employ, leading to Butler to capture him covertly whenever he needs a new sample. Back in the present, Adsit has seen all of this courtesy of the truth bomb but Preston refuses to let Deadpool know about it. It's a pretty strong issue with the expected amounts of '90s comic-book references and homages which tend to be a lot of fun but can also carry on a little long. Instead, here, Duggan and Posehn front-load the issue with such references (making it a little bit of a drag but not giving it enough time to really slow things) and then really put some weight in the back half. Pretty strong stuff. Total Score: 4/5


Fantastic Four 10

Thing learns that She-Thing runs his Ryker's prison wing as dictated by someone higher up on the food chain, Sue steals one of the Fantastic Four transports from under SHIELD's nose, Johnny continues to party, and Reed finds himself alone in a fight in Chicago against the Wizard and the women of the Salem Seven, only surviving the fight with the appearance of Scarlet Witch. It's funny that this book should come after the '90s throwback DEADPOOL issue because that issue made fun of the '90s tradition of long-winded mid-fight exposition, among other things, then here all of that is in a real, non-tongue-in-cheek FANTASTIC FOUR book. Just further highlights why books aren't written that way any more. As ever, this book drags, the dialogue is terrible, and nobody has a thought they don't shout to the world. Total Score: 1/5





Magneto 9
Magneto sets off for Genosha, where he's learned more atrocities are being committed. He recalls times in the concentration camp as he finds mutants and Inhumans imprisoned at Genosha, held by the Red Skull, who Magneto soon learns has old friend Charles Xavier's brain. In his anger and his desire for justice, he goes alone to attack Skull and his S-Men only to be humiliated by the S-Men and captured. It's as dark an issue as that summary would make you expect, but it's a pretty good issue as Magneto fails for pretty much the first time in this series and as we get a little bit of a teaser of what we can expect out of the upcoming AXIS. More strong work out of Bunn, Walta, and Bellaire on this series. Total Score: 4/5


New Warriors 9

Scarlet Spider wants to quit the team and the mountain has brought him "home," which, to his chagrin, means Houston. He and Justice fight about the team and about Scarlet Spider's heroism but the two are interrupted by Choke the Bear, a giant former NBA mascot granted insane powers and size by a meteorite that once crashed through his court and landed on him. As Scarlet Spider tries to leave, hoping that Choke, who is set on fighting a villain in Houston, will follow him, he runs into old friend and police lieutenant Wally Layton who tells him that he was wrong when he blamed Kaine for Houston's problems, that Kaine really was a hero and saved the city and his own life multiple times. Kaine reluctantly goes back and, with the help of Justice, takes Choke down, even more reluctantly agreeing to stick with the team. Meanwhile, Aracely reveals to Speedball that Mictlan is coming and she will die soon. This issue is a lot of fun and Yost again shows off his prowess for taking any character, giving them a unique voice, and making you care about them. Everyone on the team gets at least one line this time out and there's not really a wasted line. Everything is meant to color a character or to advance the plot and it all works really well. Excellent work as ever and the book continues to be a really entertaining read. Really sad this one's ending. Total Score: 5/5


Nightcrawler 6
Nightcrawler and Scorpion-Boy team to fight their way through the Crimson Pirates in their attempt to save mutant genius Ziggy Karst. Together they plow through the pirates with seeming ease and Nightcrawler begins to believe there's more to it than the pirates just killing a bunch of people to get to Karst. Indeed, when they finally rescue Karst (who is immediately taken with Rico), they find that the pirates have been shooting everyone but the guns have been teleporting them to interdimensional slaver Tullamore Voge. Nightcrawler uses the gun on himself and rescues the civilians and Ziggy, returning home triumphant again. The book continues to be really start-and-stop with the dialogue and exposition stepping on the toes of the plot and the character-building. The plot twists, too, seem to come out of nowhere, which is kind of what you want a plot twist to do but a twist doesn't mean anything if there's absolutely no precedence for it, as in this case. This is a new mutant we know nothing about being attacked by pirates we haven't seen in decades for a slaver we haven't seen in decades and it's all over and done with in one issue. What a weird book. Total Score: 2/5

Amazing Spider-Man 6, X-Force 9

Amazing Spider-Man 6

Black Cat unmasks Spider-Man on live TV but Jameson inadvertently blocks the shot the entire time in a swing and a miss at humor. Silk manages to bust Peter out of the fight before any lasting harm can come of it but they know now to be prepared for Electro and Black Cat at every turn, which is good because the villains, on the sort-of coerced advice of Sajani, plan an attack on Parker Industries' big reveal of their new Electro-depowering tech. Everything at the press conference goes crazy but the ultimate result is a massive explosion that falls on Parker Industries and Spider-Man's rep, though it does indeed manage to depower Electro. Black Cat escapes and finds herself back in the good graces of a slew of underling supervillains, pledging to become the queen of the thieves, while Silk gets an internship with a news station in hopes of finding more about her family, and Peter feels rejuvenated by the success of the Electro device and believes he's in a good place with his work and his friends Sajani and Anna Maria, who are whispering even now about undermining some of his work.

I've already voiced some disapproval and concern about this book as it has focused on a pair of villains who just come off as crazy and well out of their own character, particularly Black Cat (I think Electro has been slightly better and a little more interesting). Cat has oscillated between petty criminal and vigilante for some time now so this full U-turn to hardcore crime boss because she's been wronged continues to seem really far-fetched. It may seem overkill to keep harping on that but right now that's what the entire story hinges itself on so it's impossible to overlook or to overstate its significance. What's more, the writing has been exposition heavy and the repeated attempts at jokes and humor have come off forced and mostly weak. I think there are interesting nuggets here and there (Sajani's sort-of betrayal, Anna Maria as sort-of sidekick to Spider-Man, Peter's determination to "heal" supervillains, etc.) but they're hard to find right now beneath the problems of the book.

Total Score: 2/5


X-Force 9

X-Force has been revealed in the desert and, despite Dr. Nemesis' hopes for a dialogue, a fight breaks out between X-Force and Pete Wisdom's team. Meanwhile, Agent Mel, the leader of the soldiers, is taken right from under their noses by the guerrilla Quaddees they were chasing in the first place, which, along with the insane power the seemingly least powerful soldier has, serves to end the fight and open a dialogue, to Nemesis' satisfaction. The soldiers in this unit have volunteered for superpowers, essentially, that will kill them all within a year but that will aid Volga until then. Now aware of their situation and the stakes, they agree to accompany X-Force to find their missing commander. When the team finds her, they're overwhelmed by powered-up Quaddees. Psylocke and Meme manage to bust through and read the captured Mel's mind, learning about the experiments and the power of the soldiers. Unfortunately, there seems to be no reasonable way out of this scenario so X-Force is x-forced to stick to Mel's plan, which involves her own team self-destructing, more or less, to take out the Quaddees and to stop their own powers from getting out into the work. Wisdom leads his team back home, though he warns Cable first about the bugs around them as Volga's spies (which we saw just two issues or so ago).

Things remain a little confusing this issue, as they were last issue, but Spurrier's managed to clear up enough and to keep a lot of the banter entertaining enough to allow us to proceed with the story. It's a true in media res story overall as we only get bits and pieces of the soldiers' mission, only the parts we need to know as they pertain to X-Force, which makes for a bit of a confusing issue but still allows us to come out the other side with a slightly better sense of our team and of Volga's capabilities, not hurt by Wisdom's reveal. It's a particularly strong Dr. Nemesis issue (a character Spurrier unabashedly loves, and rightfully so) as his unending disdain for superheroes finds a real home with this team. Some strong writing and fun character moments (one of the constant joys of this series is watching Fantomex repeatedly assert he is the best as whatever he's doing only to be proven wrong immediately, a joke that never seems to get old) carry this one.

Total Score: 4/5

Inhuman 5, Ms. Marvel 8

Inhuman 5

The former king of Attilan, whose name has been stricken from the records and is referred to now as the Unspoken for the crimes he committed, has proposed to Medusa in the hopes of helping her lead New Attilan, though really to find more Terrigen. She, of course, rejects him, but does not imprison him, hoping to live up to her new welcoming stance and to find out the location of Black Bolt, which the Unspoken claims to know. As soon as he's left alone, the Unspoken enters a secret passageway which leads to a secret wealth of Terrigen, a depleted but extremely important resource for the Inhuman community and the source of the Unspoken's powers. Medusa, of course, never trusted the Unspoken and followed him down there in the hopes he would lead her to more Terrigen, assuming if anyone knew of any, it would be him. Unfortunately, he's able to take some of the Terrigen, allowing him to access his tremendous powers (he can pretty much do anything when he has the Terrigen) and he quickly takes over the city.

I've talked a lot about how the biggest flaw of this book is simply the timing. After numerous delays on the front end, this book is coming out about a year after the Terrigen Bomb went off in INFINITY, leaving Soule tasked with defining the past of the Inhumans, establishing the present of the Inhumans, and seeding for the future of the Inhumans, all while trying to do it quickly to keep up an overall series pace. The story itself is pretty interesting and the characters, when given a chance to breathe, can mostly hold their own, but the pacing tends to break down a bit as exposition wins out occasionally, like in this issue when Medusa gives a paragraph explanation of the Unspoken that is clearly only for the benefit of the reader and ends up being clunky and forced in the moment. I want to note here, because I don't think I ever really stress this, that isn't necessarily a dig at the writer; it's his job to tell a story and get people to understand that story and take interest in that story. It may even be an editor saying "hey, we need to explain who this guy is and we don't really have time to ease it out." Regardless of whose fault it is, though, it ends up hurting the book as a whole and it happens a couple of times. Hopefully the series will reach its potential as Soule gets the book to a place where he can feel confident just pressing forward.

Total Score: 3/5


Ms. Marvel 8

Ms. Marvel is having no luck finding leads back to the Inventor but is having luck finding giant Inhuman dogs as Lockjaw finds his way to Jersey and Kamala promptly adopts him. She and Bruno use the Facebook of the mutant teenager Wolverine had been looking for to try to learn more about her abduction. They use the location tracking on her last weird post to find where she was abducted and Kamala learns that Lockjaw is more than just a giant dog who likes hugs as he teleports her instantly to the spot. Together, Kamala and Lockjaw investigate the area and end up in a fight against one of the Inventor's big machines, this time powered by one of the kids she found at the house in Greenville. They take down the machine by removing the power source and she brings the protesting guy to the hospital, making her late for school and drawing more suspicion from her friends and classmates. That suspicion, sadly, isn't allayed as the Inventor sends another bot after Kamala at school after dropping a homing beacon in her bag. Will Kamala and the extremely helpful and great Lockjaw be able to save the school and keep her identity secret? Going to be particularly hard as Kamala can't seem to change her appearance!

Another great team-up as Lockjaw finds his way to Kamala on the orders of Medusa. Though he inspires fear and alarm in everyone else who sees the massive dog walking down the street, Kamala instantly takes to him, giving us another great look at the spirit and character of Kamala. One of the most impressive things about this series is that it feels like Kamala has been around forever, even if the story feels new. It's a testament to G. Willow Wilson's writing that Kamala feels so real and deep after just eight issues. Perhaps more interestingly, I'm not a hundred percent sold on the story or the series villain and I'm still totally onboard with this book as a whole. I think there's certainly still intrigue there for the story and villain but that's been a little less defined than Kamala so far, intentionally so but still potentially problematically. However, Kamala carries the book so adeptly that you're absolutely willing to give the plot a pass for a while, happily entertained by the characters in the book.

Total Score: 5/5

Avengers Undercover 10, Avengers 34.1

Avengers Undercover 10

Plenty of the world's superheroes are trapped underground in Bagalia while the various crime organizations wreak havoc on the surface world, exactly as masterminded by Baron Zemo and his new Masters of Evil. Unfortunately for him, Cammi managed to stowaway with her unlikely partner Arcade and hack into Zemo's network, which Arcade's former partner Miss Corriander had designed to hack SHIELD. Unfortunately for Zemo, Corriander's system worked off of her initial Murder World designs, allowing Cammi to reinstitute Arcade's "god-mode," but for herself. She easily defeats the Masters of Evil and uses Zemo's SHIELD broadcast (typical super villain) to explain the actions of her and her friends to the world, chiding people for their excitement in the Murder World footage and reminding everyone that she and her friends are still teenagers doing their best to navigate an impossible world. She drops the mic and flies away as the kids and heroes start to repair things. So ends the current saga of these kids and their good vs. evil struggle.

I'm on record as having really liked AVENGERS ARENA despite initial low expectations. I came into this book still on an ARENA high and found myself immediately enjoying this new entry, though aware that it could have just been residual good feelings from ARENA. With the series now ended, I think there is no fear of that. This certainly served a different purpose than ARENA and was maybe a little less engaging because of that and because it moved on a much different timeline, but it definitely still holds up. Strong dialogue and tone and a nice speech by Cammi seals the deal on this one, though I can't help feeling that the issue was rushed a little bit. I kind of like that Cammi solves it all so quickly entirely by herself but it means that the giant plot that led to this moment took only one issue to resolve, which screams of a rushed deadline to me. Still strong work and this final issue ends with a total score that matches what I'd rate the series.

Total Score: 4/5


Avengers 34.1

A child has been kidnapped by the supervillain Mauler, who claims the boy is his real son. Hyperion startles the adopted parents of the missing boy when he appears in their home (he heard them sounding sad from god knows how far away). He examines the area and begins his investigation, eventually leading him straight to Mauler, who has already killed a cop in his attempt to escape with the boy. Hyperion, remembering back to his own father and planet and the lessons instilled in him about being a superhero, allows Mauler to attack him repeatedly (and unsuccessfully because Hyperion has unbelievable strength) while he attempts to talk things out with the villain. Eventually Mauler reveals that his actual biological son died in an accident recently, a fate Mauler had tried to avoid by putting the boy up for adoption in the first place. He took this kid because he looked like the villain's own son and now he's killed a cop and has to answer for his crimes with the police, but not with Hyperion's crazy power. Hyperion returns the boy to his parents and vows to protect Earth the same way.

As with most point ones, this issue has very little to do with the current storylines and more to do with giving readers an in to a book and to a character. Hyperion remains something of a mystery (though he essentially boils down to "Superman") but Ewing does what he can to showcase both Hyperion's attitude and his near limitless power. It ends up feeling a bit out of place in AVENGERS, which has been heady, somewhat dark, and often confusing in Hickman's run to this point. By contrast, this book couldn't be more direct in getting its point across, and purposefully so. It has strong moments but can't help feeling cheesy in the same way that earnest Superman stories tend to exclusively come off cheesy. So I guess mission accomplished?

Total Score: 3/5

Hawkeye 20, Captain Marvel 7

Hopefully there aren't many but please forgive any spelling or grammatical errors, particularly today. I wrote a slew of reviews (today's and tomorrow's) on my phone away from the comics and autocorrect REALLY hates comics, I tell you what. Nearly as much as I hate proofreading. So we're all to blame.

Hawkeye 20

Harold H. Harold has been killed and one of Kate's arrows is responsible. She's brought in for questioning but talks her way out of it with Caudle, who still doesn't like her but realizes she couldn't have done it. With the help of her LA friends, the flower shop owner who she helped in her first solo adventure, and the suddenly not-dead Harold, she sneaks into Masque's complex, finding herself suddenly on the losing end of a battle with her henchmen, though not before she manages to steal some really important client files of Masque's, including her father's. She escapes but returns to torch Masque's home as payback for her own torched trailer, which puts her back in the grasp of some more LMD henchmen (for, of course, that is what Masque's business dealing in bodies is and explains the lives of the rich that Harold stumbled on so long ago and Harold's own death and reappearance) and of Masque herself. She manages to walk away from the fight thanks to a timely rescue by SHIELD, who interrogates her but has no ground on which to stand in their interrogation, particularly when Kate questions their involvement, given the LMDs. She settles things up, borrows money from Marcus and Finch (who she refers to as "the best family a girl could have," d'awwwww), and heads home, calling her father and vowing to stop him.

The series is ready to merge into one story once more with Kate headed back east and it leaves me torn. I really love this book and obviously the first 15 or so issues with both Hawkeyes together were excellent but it's a testament to the strength of this series and the strength of Annie Wu that I don't want this to end just as much as I want Kate and Clint reunited. Fraction's Kate, in her first solo arc, has definitely proven she has the ability to stand on her own, showcasing skills and charisma at every turn. It's been tons of fun; credit to Marvel for trusting Fraction with this and for bringing in relative unknown Annie Wu to absolutely kill with a big spotlight on her. This book doesn't land nearly as well, even despite Fraction's writing, with any other artist. As far as this issue goes, fantastic work all around, Kate continues to be one of the most fun characters to read out there and her energy and excitement bursts off the page. There are great long-jokes, great quick-jokes, great references snuck in (the old cranky Hallmark card lady gets referenced! There's a "It's Chinatown" reference too but the cranky old Hallmark card lady is that funny that I'm not even going to mention the Chinatown one), and overall an excellent book.

Total Score: 5/5


Captain Marvel 20

Captain Marvel has returned from her first arc successful, but it hasn't stopped the nightmares she's plagued by, namely a nightmare wherein she cannot protect the people she loves and fails them when they need her most. In perhaps happier news, she's found herself traveling with Tic, who stowed away after their first adventure, and the pair of them return to Carol's ship, currently being grudgingly watched by Rocket Raccoon, who immediately begins fighting with Carol again about the possible alien nature of her cat. Their fight is interrupted by a spaceship latching on to and breaching Carol's. Matters are made worse when Tic finds Chewie the cat sitting on a host of apparent offspring, perhaps confirming Rocket's assessment that a very dangerous Flerkin has made its way onboard.

Despite the nightmare to kick this one off and the tension by the end of the issue, this one is certainly more light-hearted than any of the first arc of this CAPTAIN MARVEL volume. Just about everything both Tic and Rocket say is played for laughs, some hitting well and some missing the mark a bit. It also feels a bit like we're missing a scene here as Carol sees Rocket and IMMEDIATELY tears into him for...watching over her ship and cat for her. Granted, Rocket changes some things on her ship and hates the cat, but there's nothing wrong with Chewie as Carol returns and the changes to the ship aren't cited as problems, which makes Carol just come off as aggressive and ungrateful. As I said, I think there are grounds for a fight present but those grounds never feel like the reason she attacks. It's not an awful issue and certainly guest artist Takara does a very good job filling in, but it never feels fully together the way DeConnick has made us accustomed. Such is the price of repeated success.

Total Score: 3/5