Wednesday, September 10, 2014

Death of Wolverine 2, Edge of Spider-Verse 1

Death of Wolverine 2

Armed with the knowledge that Viper has put the contract out on him and with a fairly new Iron Man helmet with which to barter, Wolverine travels in a fairly lax disguise to Madripoor and meets with one of Viper's underlings to set up a meeting with her, showing off the Iron Man helmet and offering to make a deal. When the underling brings him, she immediately knows who it is (he's really not hiding it) and she sics her real henchmen on him. He easily beats them and moves on to questioning his ex-wife. She admits that she's just subcontracting another job she got for an extraordinarily wealthy client, one whose name she refuses to divulge. She promises more answers if he can defeat Sabretooth in battle, which he does but only by the skin of his teeth and the intervention of Lady Deathstrike, who reveals her name has also popped up on the hit-list Viper put out to the world's mercenaries. Viper herself has disappeared and Lady Deathstrike suggests the pair of healers team up before learning Wolverine's not healing any more and rescinds her offer, instead hoping she can defeat him and trade his freedom for hers. However, she's surprised to find Kitty Pryde reaching through her chest before she can act.

Charles Soule just signed an exclusive contract with Marvel (his DC titles will continue through next March though, giving him time to wrap things up if you're reading those) and it continues to seem like an ace move by Marvel, who has proven in the last couple years that it's dedicated to keeping good talent around as best it can with the use of exclusive contracts (Kieron Gillen jumps to mind) and new titles (I'd look to someone like Dennis Hopeless for that, or Sam Humphries, though I haven't liked as many of his titles). So far, DEATH OF WOLVERINE is proving another in a long line of really compelling and exciting stories from Soule, who I lauded for revitalizing THUNDERBOLTS and for kicking SHE-HULK off to a very fun start (jury's still out a little bit on INHUMANS but I'm mostly liking it so far, just confused by its timing). This is the Wolverine I've been missing from his solo title the last couple years, one who faces danger head-on but doesn't always go in half-cocked. He's quiet, he's threatening, he's quick-witted, he's tough, he's maybe a little bit menacing, and...he's going to die? Geez, now I'm sad again. Really solid second issue with a number of twists and turns that generally work for me and some great art from McNiven.

Total Score: 5/5


Edge of Spider-Verse 1

In 1939, the magician Mysterio wants to take real control in the city and he aims to do it by taking the blood of the vigilante Spider-Man (Noir). Though he's working under the control of the Kingpin right now, he hopes to infuse Spider-Man's blood, which he believes is truly from the spider god Anansi, with his own and gain his mystical powers. Teamed with his own magic and illusions, he believes he could run New York City. He lures Spider-Man out with a threat on Spider-Man's old lover Felicia Hardy. Though Mysterio manages to trap Spider-Man, the vigilante breaks out and defeats the magician, though it doesn't stop the pounding of his danger-predicting sixth sense. Suddenly, a masked figure approaches, threatening to eat the Spider-Man, when another Spider-Man (Superior) appears, distracts the figure, and transports Spider-Man (Noir) out to meet in 2099 with a handful of other Spider-Mans (assorted).

EDGE OF SPIDER-VERSE, the new Spider-Man event, has its official debut on the heels of a prologue in the suddenly continued SUPERIOR SPIDER-MAN and the Spider-Man offices at Marvel make a good call by kicking things off with Spider-Man Noir, one of the more interesting ideas and visually compelling (particularly with Isanove's skill and affection for noir) Spider-Men we've seen. It's a strong first entry as writer David Hine manages to give us some good backstory and character development despite having to start in the middle of a story that isn't actually the story he's tasked with telling, which he gets to. LOOK, it's late and I'm tired and I KNOW my sentences are breaking down by the second but these books are both event books and AVENGERS 34.1 didn't really justify being in the first day so here we are. Anyway, good book, still an interesting premise even if we didn't really learn anything we didn't already really know from SUPERIOR SPIDER-MAN 32.

Total Score: 4/5

No comments:

Post a Comment