Leftovers 9-10-14

Wowwwwww, managed to knock out enough books that I only have SIX ISSUES to quick-review today. Not saying I'm super-duper proud of myself but it'd be okay if you were all super-duper proud of me.

All-New Ultimates 8

The Ultimates meet to figure out their next plan, particularly where they're going to live and how they're going to operate now when Spider-Man tells them that J. Jonah Jameson offered them "whatever they need" to help and maybe he could help with this. Meanwhile, the Femme Fatales, a new villain group with some sort of puppeteer over them, attack Manhattan. The Ultimates dispatch them well enough but constant bickering between Cloak and Dagger comes to a head and the two remove themselves to break up. Oh, and the Future Foundation shows up for some plot device and someone is watching them/researching them on some monitors. You know how it goes. The series continues to drag with exposition and would-be playful dialogue hampering the pacing. The banter during the fight is as constant and as head-shakingly frustrating as it's ever been. Total Score: 2/5




Deadpool 34
In another throwback story, this one tied to ORIGINAL SIN, we learn that Deadpool used to work willingly (sort of) for Butler, giving him his blood and doing jobs for him. His personality is still there but there is an element of coercion to it. Things come to a head when Butler, testing the limits of Deadpool's subservience, sends Deadpool to kill his own parents. After a brief encounter with Alpha Flight, Deadpool burns his childhood home down with his parents sleeping inside. He returns home to find Carmelita on Butler's doorstep with little Ellie. Butler takes a blood sample from Ellie before Deadpool sends them away, shouting about how dangerous he is. He also leaves Butler's employ, leading to Butler to capture him covertly whenever he needs a new sample. Back in the present, Adsit has seen all of this courtesy of the truth bomb but Preston refuses to let Deadpool know about it. It's a pretty strong issue with the expected amounts of '90s comic-book references and homages which tend to be a lot of fun but can also carry on a little long. Instead, here, Duggan and Posehn front-load the issue with such references (making it a little bit of a drag but not giving it enough time to really slow things) and then really put some weight in the back half. Pretty strong stuff. Total Score: 4/5


Fantastic Four 10

Thing learns that She-Thing runs his Ryker's prison wing as dictated by someone higher up on the food chain, Sue steals one of the Fantastic Four transports from under SHIELD's nose, Johnny continues to party, and Reed finds himself alone in a fight in Chicago against the Wizard and the women of the Salem Seven, only surviving the fight with the appearance of Scarlet Witch. It's funny that this book should come after the '90s throwback DEADPOOL issue because that issue made fun of the '90s tradition of long-winded mid-fight exposition, among other things, then here all of that is in a real, non-tongue-in-cheek FANTASTIC FOUR book. Just further highlights why books aren't written that way any more. As ever, this book drags, the dialogue is terrible, and nobody has a thought they don't shout to the world. Total Score: 1/5





Magneto 9
Magneto sets off for Genosha, where he's learned more atrocities are being committed. He recalls times in the concentration camp as he finds mutants and Inhumans imprisoned at Genosha, held by the Red Skull, who Magneto soon learns has old friend Charles Xavier's brain. In his anger and his desire for justice, he goes alone to attack Skull and his S-Men only to be humiliated by the S-Men and captured. It's as dark an issue as that summary would make you expect, but it's a pretty good issue as Magneto fails for pretty much the first time in this series and as we get a little bit of a teaser of what we can expect out of the upcoming AXIS. More strong work out of Bunn, Walta, and Bellaire on this series. Total Score: 4/5


New Warriors 9

Scarlet Spider wants to quit the team and the mountain has brought him "home," which, to his chagrin, means Houston. He and Justice fight about the team and about Scarlet Spider's heroism but the two are interrupted by Choke the Bear, a giant former NBA mascot granted insane powers and size by a meteorite that once crashed through his court and landed on him. As Scarlet Spider tries to leave, hoping that Choke, who is set on fighting a villain in Houston, will follow him, he runs into old friend and police lieutenant Wally Layton who tells him that he was wrong when he blamed Kaine for Houston's problems, that Kaine really was a hero and saved the city and his own life multiple times. Kaine reluctantly goes back and, with the help of Justice, takes Choke down, even more reluctantly agreeing to stick with the team. Meanwhile, Aracely reveals to Speedball that Mictlan is coming and she will die soon. This issue is a lot of fun and Yost again shows off his prowess for taking any character, giving them a unique voice, and making you care about them. Everyone on the team gets at least one line this time out and there's not really a wasted line. Everything is meant to color a character or to advance the plot and it all works really well. Excellent work as ever and the book continues to be a really entertaining read. Really sad this one's ending. Total Score: 5/5


Nightcrawler 6
Nightcrawler and Scorpion-Boy team to fight their way through the Crimson Pirates in their attempt to save mutant genius Ziggy Karst. Together they plow through the pirates with seeming ease and Nightcrawler begins to believe there's more to it than the pirates just killing a bunch of people to get to Karst. Indeed, when they finally rescue Karst (who is immediately taken with Rico), they find that the pirates have been shooting everyone but the guns have been teleporting them to interdimensional slaver Tullamore Voge. Nightcrawler uses the gun on himself and rescues the civilians and Ziggy, returning home triumphant again. The book continues to be really start-and-stop with the dialogue and exposition stepping on the toes of the plot and the character-building. The plot twists, too, seem to come out of nowhere, which is kind of what you want a plot twist to do but a twist doesn't mean anything if there's absolutely no precedence for it, as in this case. This is a new mutant we know nothing about being attacked by pirates we haven't seen in decades for a slaver we haven't seen in decades and it's all over and done with in one issue. What a weird book. Total Score: 2/5