Leftovers 10-29-14

Pretty short week for full reviews this week but, like I said yesterday, not too many giant books out there. Let's just blast through this.

All-New X-Men 33

The ANXM search through the Ultimate Universe trying to make sense of their new surroundings. Angel and X-23 find each other, Jean leans on the Ultimate Spider-Man, Iceman gets in some trouble, and Beast is rather trapped in Latveria. It's extremely similar to Bendis' GUARDIANS OF THE GALAXY 15, which featured the Guardians all split up in foreign places, some faced with the unknown and some faced with enemies, in little almost-vignettes to show that they're all confused and lost. Like I said with that one, worth a miss. Total Score: 2/5










Death of Wolverine: The Logan Legacy 3
Sabertooth has latched on with an army unit and is brutally killing just a bunch of people, even going so far as to kidnap a shorter one per night, dress him as Wolverine, and murder him. His dreams are filled with Wolverine mocking him, telling him that he'll never be complete without Wolverine and laughing at him for never getting to kill his true rival. It's weird and heavy-handed and the art is interesting but often lost me as to what was actually happening. Full-on crazy Sabertooth is not a Sabertooth I have any interest in, though I'm rather burned out on any Sabretooth after a few years straight of seeing him show up what feels like every week. Total Score: 2/5


Death of Wolverine: Deadpool and Captain America 1

Steve Rogers calls Deadpool in to help him thoroughly clean and destroy Wolverine's stuff, insistent that no one should find his genes and clone him (is this regular procedure when a hero dies?). The last piece is a knife used to stab Wolverine that was sold to AIM not long ago. With the clock ticking, Deadpool and Steve launch an attack on an AIM base and secure the knife again. When they return home, Cap leaves Deadpool to destroy the knife. Deadpool, though, returns to Butler's base and considers cloning Wolverine himself. It's a decent team-up, one we could have expected after their arc together in DEADPOOL. It's got a few laughs and some sweet moments between the unlikely allies, but it's nothing particularly groundbreaking, like I thought their first arc was. Total Score: 3/5






Deathlok 1
Henry Hayes is a Deathlok and has no idea. When he's sent on missions by his handlers, he returns mind-wiped, believing that he was assisting Medics Without Borders in war-torn areas. He also returns home to his life as a single father of a teenage girl named Aria. However, things might get complicated as his last mission had him attacking Black Tarantula, among others, who seemed to survive, unbeknownst to Deathlok, and he's drawn the eye of Maria Hill, who covertly promotes a promising researcher named Andrea Hope to active agent, tasked with finding as much as she can about this new Deathlok. It's an interesting starting point for this new series, though its best attribute this issue is actually how quickly it reads. With so much new information and characters and storylines coming at us all at once, this issue could drag, too exposition-heavy to keep us interested. Instead, it moves well and switches locales and perspective a lot, keeping the reader interested, if not yet invested. Total Score: 4/5


Elektra 7
Matchmaker has been killed by the experimentally juiced up Lady Bullseye who can become intangible as she pleases. Still not a problem for Elektra, who allows herself to take a few hits to force Lady Bullseye to become solid, allowing her to stab her then, as she goes intangible, Elektra breathes her enemy in. It's kinda disturbing. Anyway, she defeats Lady Bullseye and returns to Sidewinder, demanding he take her to the Assassin's Guild leader. He leads her to New Orleans where she's ambushed by other assassins she's defeated but are now similarly juiced up like Lady Bullseye with varying new powers. It's a tough fight but she bests them once more, finally making her way to someone at least pulling some of the strings. The guy says he doesn't lead the Guild but he can make this go away if Elektra lets the weird doctor experiment on her too. She, of course, refuses, kills the pair, and returns to Sidewinder to find out who leads the Guild. He doesn't know but believes Bullseye, currently catatonic and in SHIELD custody, does. Elektra sets off to bust Bullseye out. Elektra continues to be great, handling all of the amped up assassins who come her way and illustrating just how next-level she is in this community. The art isn't my favorite here, which is unfortunate because Del Mundo's really was up there. It's also a bit strange that she destroys so many people this issue that could have been issue-long fights. I'm not that upset about it, nice to see a book move quickly instead of trying to milk every fight out, but it's a tad weird in this community. Also, Matchmaker is dead and I hate this book for that. Total Score: 4/5


Fantastic Four 12
Wyatt and Spider-Man talk to Johnny, who IMMEDIATELY comes to his senses and visits Ben, explaining that someone is clearly pulling the strings here and that Ben needs to get out. In Latveria, Valeria tells Doom she has to go home to try to pull her family back together, leaving Doom, who has devious plans once more. Finally, Reed accuses Mr. Eden, with a great deal of exposition because who would ever want to see him work towards a discovery when we could just have him talk about things he discovered off-panel, of engineering the portal opening in the Baxter Building. Mr. Eden isn't really Mr. Eden though, Reed's lab partner Cully is Mr. Eden and he's doing all this because he hates Reed. WHAT A DUMB ENDING. I'm going to give this the very slightest benefit of the doubt here as we all know FANTASTIC FOUR is ending soon, so it's entirely possible these dumb twists and dumb turns were meant to unfold over multiple issues instead of twenty pages, but STILL. We don't care about the GASP, it's not MR. EDEN, IT'S CULLY thing because we don't care or know about either of those characters. Reed accuses him of engineering everything with a ton of evidence we're just learning about NOW, which is like a detective story where we see a moonlighting detective doing his day job then suddenly, apropos of nothing, solving the whole case on the last page of the book. It's all terrible and I do not like it one bit, my friends. Total Score: 1/5


Guardians of the Galaxy 20

FINALLY, the end of Star-Lord's story reveals that an already dying Nova sacrificed himself to transport Drax and Star-Lord back to their proper universe and that Thanos escaped too. There's also some crap about how Nova was in love with Gamora and he swore Star-Lord to secrecy about all of this, which is why he didn't tell Gamora or the crew earlier. If it is indeed the death of Richard Ryder (doubtful, as that old comic book axiom of "we didn't see the body" certainly comes in to play), it's a pretty stupid death; a standard sacrifice with questionable motivation marred by a prolonged and unnecessary admission of love. It's the worst kind of superhero death, cliche and boring at the same time. Then Gamora goes off and sheds a single tear. Total Score: 1/5






Inhuman 7
Black Bolt is still alive and Maximus is using his telepathic powers to control the missing king, focusing his limited powers entirely on Black Bolt. Medusa knows that her husband is alive and sends a pair of Inhuman investigators, one from the old kingdom named Auran and one NuHuman named (by Auran) Nur, to track him down. They eventually do find Maximus and Black Bolt and Auran, knowing that Maximus likely can't control their minds while he's focused so hard on Black Bolt, somehow doesn't realize that Maximus would be willing to use Black Bolt to attack the investigators, which he does, blowing out a huge part of the penthouse they're staying in overlooking New Attilan. Nur, though, may still be alive, ready for the next move. There are some interesting things in here, particularly between Maximus and Black Bolt, but the whole book is dragged down by a lot of exposition and re-explaining what's going on all over the universe wherever Inhumans are concerned. I also kind of like the idea that Soule is introducing new Inhumans all over the place, moving them into our consciousness slowly so he can eventually bring everyone out at once and we won't be overwhelmed. It's a smart play for a franchise looking to build. Still, the writing will have to get out of its own way and start trusting the reader a little more before the book can really take off. Total Score: 3/5


Marvel 75th Anniversary Celebration 1
It's an extra long (and double-priced) book to commemorate 75 years of Marvel, replete with a story about the start of the universe, an old Stan Lee script illustrated by Bruce Timm, a Bendis Jessica Jones story, a Tom DeFalco Spider-Man story, a Len Wein Wolverine story, and a slew of covers from a slew of illustrators for books that will never exist, all credited to Brian Michael Bendis. Is it worth your money? No, probably not, unless you really love Bendis because this book is just chock full of him. It's always nice to see some of the legends like Lee, DeFalco, and Wein, but their screen-time is limited and the stories are somewhat fun throwbacks, nothing you haven't read a thousand times before. Six bucks though? I'm not gonna tell you to spend that. Total Score: 2/5






Nova 22
Nova talks his way back out of expulsion with a reluctant Principal Philbin then goes trick-or-treating with the X-Kids at the Jean Gray School. It's a bit of a reset issue and it works well enough for that with a couple of nice moments and an easy, generic story. Nothing to write home about but not a complete failure of an issue, as I maintain it's important to rest every few issues and let our hero have a slower day now and again. Total Score: 3/5


Thunderbolts 32

Six months after the fall of the Thunderbolts, Red Leader runs his new compound from Kata Jaya, the spot of the team's very first mission. He's plotted his whole life perfectly and now his only problem is that he has a crush on his biographer and can't seem to win her affection. However, all is not well for Red Leader as the Thunderbolts have been gathering intel about the new compound and have led the Avengers there to help take it apart. Red Leader has plenty of plans in place to pick apart his old team but they all crumble when his biographer turns out to be the SHIELD agent Hawkeye had been working with in disguise. She shoots him from behind and the T-Bolts and Avengers win the day, though it's made clear to Red Hulk that none of them want to join him again. It's a fun ending to a book that has certainly had its ups and downs (though mostly ups, particularly from halfway or so on). Deadpool has a particularly strong issue here, though the rest get a little bogged down by the sheer amount of characters and the focus being on Red Leader. Also, Mephisto sends the spirit of vengeance back to Johnny Blaze, to his dismay, which is a fun moment. Total Score: 4/5


Wolverine and the X-Men 11
Melita interviews Spider-Man, Storm, and Quentin Quire about the passing of Wolverine, though "interview" probably isn't the right word. She talks to each of them and gets more from some than others. The Spider-Man bits are mostly fun and work pretty well and the Storm stuff is more or less what you want out of Storm. To be fair, the Quentin stuff is what you can expect from Quentin too, but I still have to ask if we need this much Quentin Quire in our lives. Anyway, strong "in memoriam" kind of arc and, like last issue, it's nice to see so many artists paying their respects to Wolverine. Total Score: 3/5

Uncanny X-Men 27, Wolverine and the X-Men 10

Uncanny X-Men 27

Matthew Malloy is still out there, wreaking some serious havoc and baffling the X-Men and SHIELD, nearby in a helicarrier. In an attempt to quell him, Rachel Grey creates a big psychic image in front of him, showing the X-Men and Avengers ready to fight him with Xavier leading the pack, asking if Malloy will allow him to rebuild the barriers in his mind for the good of the world. Malloy waffles between trusting him and hating him but ultimately begins to wonder if maybe he shouldn't be using this power to do much more. He sees through Rachel's trick and lays waste to the helicarrier, transporting most of the X-Men back to their homes (though some remain unaccounted for). Everyone is caught off-guard by this strange tactic but Scott Summers recovers quickly enough for Magik to teleport him back to Malloy, where Cyclops convinces him that he believes what Charles did was wrong and that he wants to help mutant kind, maybe the way Malloy wants to express his new powers. Cyclops asks Malloy if maybe he wants to talk a bit and Malloy consents.

The big plot development here, obviously, is that this sudden omega-level or beyond mutant is potentially ending in Cyclops' smaller camp of militant mutants, tipping the scales of the battle. I have my usual issues with Bendis books (namely some mood-breaking back-and-forth dialogue and quips) but my hesitation about naming this a good arc stems from something bigger here, I think. I don't like SCHISM and I don't like what's spawned from it. Do I think the X-Men probably needed some sort of a shakeup? Yeah, I guess so. Was SCHISM intriguing? Sure. I liked the idea of an increasingly more militant Cyclops and an increasingly more caring and protective Wolverine. On the flipside, I don't think it's carried well and it's clearly weighing on the writers at this point too. Obviously the added wrinkle of "Scott Summers killed Professor X" has extended the life of the split but I even think that's weak. Doing no research on the subject, I'm not sure there's a single character involved in these fights that hasn't been brainwashed or possessed or controlled or what-not. So has Cyclops been skewing another way for a little bit now? Well sure, I suppose people are starting to get more cynical of him. But should they erase their long history with him and his new people because he, very clearly under control of the Phoenix Force he couldn't contain and that they all knew he couldn't contain, was partly responsible for the death of his mentor? Look, I think not. What I'm getting at is that I don't think this whole antipathy between the two sides is warranted and that's entirely what this story is going to boil down to. I also have some amount of problems with omega-level+ mutants just appearing. ANYWAY. Doesn't mean this won't be an interesting story, just means I'm having some trouble buying into it. I also have been wanting to write a tiny bit about the ramifications of SCHISM for a little while now and the WATXM review should be pretty short so WHY NOT PUT IT HERE? Like that cover though.

Total Score: 3/5


Wolverine and the X-Men 10

Wolverine's ex-girlfriend Melita Garner visits the Jean Grey School to collect interviews for her upcoming book on Wolverine, a book that wolverine didn't want her writing but that Beast believes she should write, if just to serve as required reading for the students of the school. She talks with a number of Wolverine's friends and colleagues who all very clearly miss hero. She saves a couple of the big ones for next time, though, between Storm and Quentin Quire.

It's essentially a book of remembrance, showing how everyone is taking the loss and how everyone loved Wolverine. Plenty of books, I'm sure, will be doing this sort of thing over the coming months so I'm sure we'll have plenty of opportunities to talk about these retrospectives, but you could certainly do worse than to read this one, which is sweet, moves pretty well, and highlights a number of different artists. Sometimes the switch between artists is understandably jarring but each section settles into its rhythm nicely.

Total Score: 4/5

All-New X-Men 32, Uncanny X-Men 26, Wolverine and the X-Men 9

All-New X-Men 32

The time-displaced X-Men have been sent to the Ultimate Universe by the uncanny powers of a new mutant they overwhelmed because they are just terrible at this and why does anyone leave these dumb kids alone for more than even a minute? Anyway, Beast ends up in Ultimate Latveria, Iceman ends up with Ultimate Mole Man, X-23 ends up in an Ultimate football game and on the run from Ultimate cops, Angel ends up in Ultimate Savage Land with Ultimate Wolverine, and Jean Grey ends up with Ultimate Spider-Man, whose mind she reads to learn where she is and who escorts her to Amadeus Cho, who has been working with the portal to the 616 universe. Of course, it's disappeared by now and the original X-Men, already stuck out of time, are stuck out of their dimension.

On the plus side, now that the X-Men have been stuck out of time and space, there are very few places they can get stuck that would be new to them. Also on the plus side, the issue moves relatively well as the X-Men are separated and largely not back-and-forthing with one another but having somewhat terse conversations with the people around them. The issue also bounces around between the X-Men, who are inexplicably separated after they run into plot-device girl, so the pacing mostly keeps up. On the downside, though, this book continues to feature very few likable characters and very few likable plots. Doesn't really leave them in a particularly good spot.

Total Score: 2/5


Uncanny X-Men 26

Xavier's will has further split his X-Men, with Scott angry that Xavier was a hypocrite for not giving the extraordinarily powerful Matthew Malloy a chance to control his powers and everyone else angry at Scott for being a hypocrite and also for being Scott. Even though Scott doesn't want to, they go to find Malloy, running into SHIELD on the way. SHIELD saw the disaster Malloy just caused (perfect timing, Xavier's will!) and is on their way to try and take him down. Meanwhile, Scott's new X-team runs simulations fighting the Avengers in their Danger Room until healer Christopher muses (that's a pretty dope joke, you guys) that perhaps they're not the good guys if they're training to fight against the good guys, which leads to an equally dumb fight about the mutant revolution.

There are ideas here but they tend to be brought up and argued so clumsily (mostly just that every point is argued so immediately and so clearly ignoring other facts or ignoring reason for their own purposes) that it's easy to roll your eyes at them. I know that from personal experience. Obviously Christopher has the right idea (and whichever Stepford Cuckoo that says he should have picked up on it soon is right too) but it's a complicated issue when thinking about Scott's resentment that the Avengers haven't helped them enough and that SHIELD isn't really on their side and SHIELD tends to work with the Avengers so they may be guilty by association. However, it's brought up by a bunch of teenagers (and the thirty-year-old David) so it has all the tact and grace of a bunch of dumb teenagers arguing then all feeling like they maybe won the argument. That would then almost be excusable if that's not how the grown X-Men fight too.

Total Score: 3/5


Wolverine and the X-Men 9

Quentin Quire has seen his future and isn't thrilled by it so instead ends up sitting on a pile of money from the Phoenix Corporation and an insane amount of telepathic ability. Where go with all of that, plus a substantial resentment of Wolverine and the X-Men (the man and the team, not the series), but the Hellfire Club? He's now the White King of the Hellfire Club and throws himself a lavish birthday part that Wolverine tries to sneak into to have one last talk with Quire. He's found out and beaten pretty mercilessly until Quire hears him out. However, that doesn't go particularly well either as Quentin starts to command the partygoers, dressed as various X-Men, to attack Wolverine while Quentin responds to Wolverine's attempts, laying much of the blame for Quentin's future at his feet (and perhaps rightfully so, perhaps not, it's complicated). Finally Quire lets Wolverine go after forcing him to look inward for the source of the problem and revealing that Quire himself doesn't believe he won, just that Wolverine lost.

It's a tough blow to Wolverine, who has invested so much time on Quire and the other kids (which hasn't gone unnoticed and doesn't go unmentioned by Quire here) only to find that maybe they don't love him for it and maybe, if the future Quire saw is accurate, he didn't necessarily help things. It's a pretty good issue and like a lot of this series it's more complicated than it has to be, for better or worse. It's better because being a little more complicated allows Latour to go deeper and really get into some of the complexities of the characters, but it's also a little worse because it continues at times to be a little hard to keep straight (even writing the summary, which tends to settle out any issues I've had digesting the plot, didn't clear everything up nicely for me, but then maybe it's not meant to). Still, it's been as deep a character study on Quentin Quire as we've seen since his creation and it's not unimpressive for it. Also pretty strong art from Jorge Fornes throughout, and he's asked to draw quite a lot.

Total Score: 4/5

Leftovers 8-13-14 PART TWO

Alright, let's try this again and hope this is the conclusion of this two part arc on the blog. I can DO IT.

Nightcrawler 5
Claremont (w) and Nauck (a) and Rosenberg (c) and Sabino (l)

Total Score: 2/5

Nightcrawler is sad about Amanda and sad that the X-Men appear to be in such disarray but sometimes you just gotta grit your teeth and move on, so Kurt accepts a job at the Jean Grey school teaching whatever he can. For his first teaching assignment, he leads a handful of students in Danger Room exercises. Later that night, he takes the Blackbird out for a spin along with bug-like student Rico, who bonds with Nightcrawler over scary physical mutations. While out, Storm sends them to find a new potential student, a genius girl named Ziggy Kurst (??) but, unbeknownst to the X-Men, Ziggy has already been targeted by a group of aliens looking to profit off the girl's potential. Claremont's strength was always in building characters even in the midst of big, sweeping stories. Let's hope that strength comes to bear here as he's re-energizing the reborn Nightcrawler but the plots and the ancillary characters have left me less than interested.

Brief detour here just to note that if all goes well, I'll be finishing up this post today but I'm hoping to go even faster as I'm only able to keep working on this today because I'm out sick from work but ALSO I'm sick so lucidity might be right out the window and staring at a small computer screen almost certainly is.

Nova Special 1
Ryan (w) and Timms (p) and Poggi (i) and Redmond (c) and Cowles (l)

So this story continues as the bounty hunter Monark Starstalker has kidnapped Cyclops, who turns out to be the wrong Summers brother, and asks Nova's help to smooth things over with the man for whom Scott was kidnapped. Meanwhile, Scott's students try to track their teacher and Iron Man tries to track the kids who tricked and evaded him. The story ends up being better and more fun than I had expected though I can't help but still feel like it's a bit of a strange choice as some weird characters get teamed up here. Still decent fun and solid writing and art propel this one high enough that it's worth a read if you're interested in any or all of these characters. Total Score: 4/5


Spider-Man 2099 2
David (w) and Sliney (a) and Fabela (c) and Caramagna (l)

Miguel has been trying his hand at the heroing business in the present and finds the same sort of ease with street criminals and the same sort of anger with cops as the modern Spider-Man. He also deduces that his building's super is sick and boss Liz Allan deduces that he's the Spider-Man who "broke into" Alchemax, though he convinces her he's just a man from the future hoping to investigate Alchemax at its roots. She kisses him and leaves. There are bits and pieces of this issue and, so far, of this series that are interesting but there are plenty that are predictable and uninspired. I like Peter David and I think his strengths tend to be in dialogue, though his habit of tongue-in-cheek winks to the audience about the comic format (referencing how often people die and come back, pop culture references, and mentions of superhero tropes in casual conversation) do tend to wear a little thin, particularly, for some reason, here. Total Score: 3/5



Thunderbolts 29
Acker and Blacker (w) and Jacinto (a) and Silva (c) and Sabino (l)

Punisher is still pretty mad about the assassination attempt on him (here we learn that everything in his safehouses is bomb- and bullet-proof so the mini-fridge in which the bomb was placed softened the blow) and takes it out on the team by tracking and destroying each member. First is Deadpool, who he cuts up and places in jars despite Deadpool's protests that he quit the team. He also has a long and impressive battle with Ghost Rider that ends a little differently than Frank would like as he frees Ketch of the Spirit of Vengeance, but it works well enough as the threat is removed. Finally, Elektra tries to talk to him but it seems Punisher isn't in the mood to talk. MEANWHILE, Hawkeye keeps his search up. This is really an extreme Punisher story as we learn that Frank has long been planning, as you would assume, the ways to kill his teammates and now starts to enact his plots. Some cool stuff and a fun twist on the Ghost Rider fight but the end of the series looms large over this one. Total Score: 4/5


Ultimate FF 6
Fialkov and S. Moore (s) and S. Moore (w) and Araujo (a) and Rosenberg (c) and Sabino (l)

Sue is having baby as a portal to a dangerous world opens outside her hospital room. The thought is that it's the baby of Sue and Reed, as recommended by Miles Morhames to save their universe, but Sue reveals once the little girl is born that it is, in fact, boyfriend Ben's child, which Reed helped to obtain and artificially Sue with. Not a way to make that sentence sound good. Anyway, they fight off the aliens and then the series ends. I feel bad for Fialkov, who I think has largely done well in his time with Marvel, that the series ended so abruptly here before he could really get into the crazy designs he seemed to have. Still, not a particularly strong series. Total Score: 2/5


Wolverine 11
Cornell (w) and Woods (a) and Curiel (c) and Petit (l)

Wolverine strikes Sabretooth's compound with SHIELD's help as Sabretooth prepares to start his new world with the help of the orb. Wolverine breaks out Lost Boy and Pinch and together they catch and interrogate Mystique before knocking her unconscious. In pursuit of Sabretooth, Lost Boy and Pinch get trapped behind a forcefield as Wolverine moves on to his final test, another friggin mall. I think there's stuff in this series and in the last that could work if it wasn't so incredibly full of itself. This one is complete with, as the mall is revealed, a sudden and inexplicable narrator announcing dramatically the "zen joke" of the mall. I also really hate this Sabretooth, which negates pretty much this entire series for me. Could he use an update after decades of pretty much being a one-note act? Sure. Is it weird businessman with a sense of irony/humor? Nope. Total Score: 2/5




Wolverine and the X-Men 7
Latour (w) and Veltri, Deering, and Messina (a) and Silva and B. Smith (c) and Cowles (l)

Wolverine's ex-girlfriend Melita Garner wants to write a book about her old boyfriend, hoping to show a human element to him as opposed to just some cartoon monster and is undeterred even when she's given a cease and desist by Wolverine's lawyer Daredevil. She explains what she wants to do and he goes to present the case to Wolverine, also telling him that he can't live in fear. The speech at least works to the extent that Logan calls Storm to ask her on a date. Meanwhile, Idie sulks about what she's seen and Fantomex wonders who the Jean Grey School's enemies will fear with a powerless Wolverine. Plenty going on here and lots of places for the book to go as it focuses on Wolverine and his story but certainly keeps a light on the rest of the school. The art changes with just about each scene change and sometimes it works well and sometimes it falls a little flat. Not a bad book but certainly not a great one either. Total Score: 3/5


X-Force 8
Spurrier (w) and Kim (a and c) and Sabino (l)

With Volga thought defeated, we follow a British army troop as they, with mega top secret clearance, try to show themselves capable in the Middle East to win a contract to take over superhuman affairs back home. Embedded with them is an American journalist, from whom we get all the narration. The team itself seems to have powers, though they attempt to keep them hidden but they also keep getting guerrilla attacked by X-Force out in the desert, eventually provoking them to use their powers and signaling to current British superhuman affairs contract-holder Pete Wisdom and MI13 to come check the situation. They had been monitoring it for a bit and the only discrepancy they found was dodgy paperwork allowing the journalist, who Wisdom quickly attacks, revealing MeMe controlling a robotic body and forcing X-Force to reveal themselves. Certainly one of those issue where I can't really judge the content because it's clearly so tied to the coming issue(s) and this is just a set-up for that. It's a confusing issue for sure and one that merits reading over a couple times, though it drags a little more than this series usually does, undoubtedly a drawback of such a new story with so many new characters. Still some fun parts and more than enough happening (and enough leeway) to rep going with this series. Total Score: 4/5

Leftovers 7-23-14

100th Anniversary Special Avengers 1
Stokoe

In the future, America has been sent to the Negative Zone in the aftermath of a fight with the Badoon and it's left only Avengers Rogue, Doctor Strange, and Beta Ray Bill (as well as brain-in-a-jar Iron Man) behind. It had left Captain America too but he set off on his own to find his country again. As the remaining Avengers head to their Malaysian base, they're attacked by the Moloids and Mole Man the Third, who blames them for destroying Subterranea. A fight ensues but Doctor Strange focuses all of his energies on creating New Subterranea in the space that used to hold America. The Avengers set off on their new adventures with a new ally in Mole Man. As ever, this 100TH ANNIVERSARY SPECIAL comes with a lot of backstory and exposition, as well as some choppy dialogue ("ROGUE, you've gotten a special gift from LOGAN that puts you outside of time's regular path and I, DOCTOR STRANGE, have reincarnated so many times that I look the way I do now and am still around, not to mention BETA RAY BILL, who remains a horse!") that is only for the audience, not for the story. Still, writer/artist James Stokoe's style is certainly unique in Marvel (it reminds me of something but I frustratingly can't put a finger on it) so it's worth checking out to see if you like what he brings to the table. It's, uh, not really for me, so... Total Score: 2/5


All-New Doop 4
Milligan (w) and Santagati and Lafuente (a) and L. Allred (c) and Cowles (l)

There's a good deal of Doop backstory as he and his mother argue, with Doop recalling his single mother and her abuse of him in the wake of her husband's departure. He remembers his believed origin, created by filmmaker Ingmar Bergman, and his growth as a documentary filmmaker and eventual cameraman for X-Statix. Finally, though, his mother reveals their deep secret, the one Raze threatened to exploit: he wasn't actually created by Ingmar Bergman. Now, with Doop panicking and exploding through the margins with reverberations felt in the real world, Wolverine goes to talk to Doop's mother himself. I'm beginning to get the feeling that this book isn't for me, you guys. Total Score: 2/5


All-New Invaders 8
J. Robinson (w) and Pugh (a) and Guru eFX (c) and Petit (l)

Human Torch is mad with SHIELD for the perceived slight of having a robot psychiatrist evaluate him and then attack him only to have Coulson explain that it wasn't them, that Malloy was some sort of half-tech, half-alien combo not under their employ. Satisfied, Hammond moves on to his next mission, to rescue the kidnapped Toro, whose powers weren't mutant after all, but latent Inhuman powers so he actually cocooned and was kidnapped during INHUMANITY. The report comes in from an informant who turns out to be Winter Soldier and Torch and Namor meet up with him outside a German base. They create a distraction while Bucky goes in quiet to try to find Toro. However, the distraction starts to go poorly when it turns out the base is protected by an army of Deathloks. There's something like an interesting story here but it's still handcuffed by stilted writing that over explains EVERYTHING (except how you could have Inhuman powers, particularly to the extent Toro has had them, without ever being exposed to the Terrigen Mists, am I right, guys?) and switches tone so rapidly ("I'm annoyed about the robot thing and NOW I'M MAD ABOUT THE ROBOT THING and now I'm calm because it was just a giant security breach for the world's biggest defense agency and not an insult"). Still hate to say that I do not like this book. Total Score: 2/5


All-New Ultimates 5
Fiffe (w) and Pinna (a) and Woodard (c) and Cowles (l)

Bombshell, under the control of Diamondback, lures the Ultimates back to their base where they're attacked by Diamondback's gang again. Again the Ultimates seem to be well-matched enough against Diamondback's lieutenants but the tables turn when Crossbones enters the fray. Before anything too serious can become of our heroes, though, Bombshell snaps out of her mind-control and pretty much blows the place up, determined to finish the people who killed her boyfriend and controlled her. I typically end up giving the benefit of a doubt to a story, believing there are ways that a mediocre book could turn around and that the story itself could be interesting if the writing could get out of its way, but I honestly can't separate the writing from the story here. It's all acting so tough and it seems Fiffe wants to take the classic street-level heroes trope in Marvel and really embroil it in a sort of gritty super-powered gang war. It's not coming off as gritty though, it's coming off as a bunch of kids from the '80s trying to act tough and it's not working for me on any level. We'll continue this week's leftovers and tough scores with a Total Score: 1/5


Deadpool 32
Posehn and Duggan (w) and Lucas (a) and Staples (c) and Sabino (l)

Deadpool arrives in Chicago, quickly ascertains the whereabouts of Utler and Ellie, and heads for them. He's stopped by ULTIMATUM henchmen, who shoot him in the head to put him down, and move on their way to capture Ellie. When they corner Utler and Ellie in an alleyway, Ulter has a heart attack, which proves an ample distraction for Deadpool to re-emerge from ULTIMATUM's van and rescue Ellie. He takes her into a nearby building, hoping it's more easily defensible than outside, and waits. There's a lot going on in this issue (and some that still needs to be explained, like the re-emergence of ULTIMATUM and how they got their info) not to mention that Adsit is having some trouble dealing with what he saw in the truth bomb, which was Deadpool's gruesome murder of his own parents, and Posehn and Duggan just keep pushing along. There's a nice desperation and determination to Deadpool in this issue as he does whatever it takes to save his daughter and it's an interesting look at a character who doesn't usually get those adjectives added to him. Total Score: 4/5


Deadpool vs. X-Force 2
Swierczynski (w) and Larraz (a) and Woodard (c) and Sabino (l)

Deadpool's gathered some Confederate troops to fire on the oncoming X-Force and he hints that maybe Talbot, the man who hired him and subsequently hired Cable to track him, had some darker motives behind this whole quest. The whole fight is made tricker when the Union forces appear replete with battle suits and all manner of other tech to help their side win. Cable, recognizing how unbalanced history has become because of Deadpool's interference, pops back to their last stop where Cannonball and Boom Boom are waiting and tells them they must ensure that the Americans lose the battle starting outside to the British to maintain history. Neither want to but they seem to understand the implications. While Domino and Warpath try to stall history's changes in the Civil War by fighting against both sides, Cable and Deadpool jump through another portal to 1900 China and Deadpool slaps a mind control sort of choker on Cable. I like the way Cable's presented in this, constantly calculating what needs to happen to keep the future safe and multitasking to get word to his group all while still battling Deadpool. It's a strong look at the character and the story is interesting enough to keep things moving. The bounces through time and between people make for a pretty quick read too. Total Score: 4/5


Mighty Avengers 12
Ewing (w) and Land (p) and Leisten (i) and Milla (c) and Petit (l)

Luke's father finishes his story, talking about Deathwalkers and sacrifices to empower them and human/animal hybrids (which The Bear and the Bat-Man they faced last issue are) meant for more powerful sacrifice and how Cage's father was scared in the face of such supernatural and super-powered beings and pushed his son away when he began to embrace that lifestyle. The explanation works for Luke, who forgives his father pretty quickly and welcomes him back into his life. Meanwhile, Kaluu and Constance Molina hire the Mighty Avengers to find the Talisman of Kamar-Taj, which is being used by the Deathwalkers in their sacrifice of half-human/half-vampire Blade to end the world. Reading and writing that summary made me like this issue better than I had, which sometimes happens when I'm confused by a plot and work it out for the blog but also happens when an issue's story is more interesting than the issue. The latter is the case here, as the issue gets really dragged down in its own mythology and buries the more interesting story behind explanations and character diagrams. Total Score: 3/5


Original Sins 4
Doctor Doom: J. Robinson (w) and Maleev (a) and C. Peter (c) and Cowles (l)
Young Avengers: North (w) and Villalobos (a) and J. Gibson (c) and Cowles and Winecoor (l)
Captain America: Abadta and Durá (w) and E. Henderson (a) and Cowles (l)

A villainous businessman learns some secrets that could compromise Doctor Doom and attempts to blackmail him, sending the data out to some loved ones first but, as he waits for a meeting with Doom, everyone who could possibly have the data dies and he's ushered into his meeting. Hood finally shows his betrayal of the Young Avengers as Marvel Boy realizes he's uploaded all the information to the internet with an encryption only Hood can use, putting immense amounts of possible world-changing data at his and only his fingertips. A grown man at a superhero parade remembers that, as a boy in the Arctic, he unwittingly peed on the ice Captain America was frozen into. Pretty decent issue all around. The villainous businessman is so over-the-top villainous that it almost undermines the deviousness of Doctor Doom but the story isn't bad and Alex Maleev's art stands out as it typically does. The Young Avengers story is starting to clear up bit-by-bit and North shows us texts sent out by Noh-Varr and Hulkling to the other Young Avengers that explains their absence and are good for a laugh. The final story, as ever, is a bit of a throwaway but Erica Henderson's art is decidedly different from most Marvel art and works for the story. Probably the best one of these we've seen so far. Total Score: 4/5


Wolverine and the X-Men 6
Latour (w) and Asrar, Larraz, Messina, and Veltri w/Deering (a) and Silva (c) and Cowles (l)

So the future Phoenix (the future Quentin Quire) sent Edan Younge and Faithful John back in time to convince present Quire and to kill present Evan, respectively, to ensure a future where the Phoenix reigns and future Quire ends up with Idie. From what I can gather. Meanwhile, future Logan and present Idie and Quire slay future Quire, who admits that everything is more or less to protect his own ego, which cuts to the core of present Quire. With the threat receded and the cleanup underway, Faithful John is held in a prison in The World and present Quire inherits the Phoenix Corporation, quickly making him a billionaire. I'm not sure there's been a book where I've appreciated the recap page more. This arc has been rather confusing with hints of an interesting story from time to time but altogether buried under the weight of its own plot. It's certainly readable and there are some interesting ideas in its conclusion but it's lacking overall. Total Score: 3/5

An apology - and some reviews and picks

My friends, my followers, people who clicked on this link completely by accident (who even ARE you?): You are owed an apology. I missed a couple posts this week (as I've not so subtly been hinting, that may be happening more often lately as I'm away from my computer more and more often). I had been traveling to a wedding a ways away and spending some time with family which is NEVER AN EXCUSE FOR NOT REVIEWING COMICS. I'm kind of kidding. Those who understand blogs likely have guessed that I don't make money on this blog (not for lack of asking for money) and so it often has to take a backseat to actual life events. Still, this is something that I like to do and I've been astounded to find that some people even seem to like to read. As such, I'm going to continue to make a concerted effort to update as regularly as possible. There may be changes coming soon but for now, I'm going to try to keep running things as smoothly as I can. AS FOR THE MISSING REVIEWS...


Iron Patriot 4
Still moves pretty well, this issue finds Rhodey unable to fight back against his captor, determined to kill the ex-president, but Lila and Rhodey's father are still capable of retaliation and manage it somewhat nicely. 4/5

Nova 18
An ORIGINAL SIN tie-in finds Nova discovering his friend the Watcher has died and trying to seek his killer for revenge. His search brings him to New York and he (sort of) assists in the fight against Exterminatrix and The Orb, getting caught up in the truth bomb and learning that his dad maybe wasn't so righteous as he'd hoped. Lots of drama with Sam and some really fun writing as we see a few team-ups happening in the background. 5/5

Wolverine and the X-Men 5
I'll be honest (because I'm tired): I still rather don't know what's happening in this book. Quire doesn't believe he and Evan will be forced to kill each other some day, Fantomex protects the World from Honest John, and Storm returns to the school to stop John's attack dead. Moves rather well, seems pretty spirited even if it's a little hard to follow. 3/5

Ultimate FF 3
This book has been cancelled due to POOR SALES AND NOT AT ALL DUE TO SOME TERRIBLY STUPID RUMOR SPREAD AROUND BY BLEEDING COOL. It will end with issue six (sadly, due to a sickness, issue six wasn't even written by Fialkov). Anyway, this issue was okay, I think the book overall is trying really hard to be something but it's getting a little stalled and now, obviously, it won't have that chance to save itself. 3/5



THIS WEEK'S PICKS

Daredevil 5
This book is great, you guys. Get on board with it if you somehow haven't already. Nice look from Waid this time at some of the anger stored away in Matt and at how he's living his life these days. Plus, it's just a nice book to look at.

Elektra 3
Look, this book's real pretty. I think it's a really interesting story and there are nice looks here and there behind the curtain at Elektra (I was legitimately taken aback when she referred to Daredevil as "Matthew" in this issue) so the character and the story certainly isn't hurting this series but I really like this art, you guys.

Thunderbolts 27
I recognize that maybe I'm coming in with a bit of an Acker/Blacker bias here but this issue was really fun and refreshing, nice to see that the spirit of the book will carry even as the creative team changes. Edges out NOVA, which was also a heap of fun, and AVENGERS WORLD, which continues to be interesting.

SUPER QUICK REVIEWS: Amazing X-Men 7, Wolverine and the X-Men 4, All-New X-Factor 8

I was trying not to get into SQRs until later (Wednesday and Thursday I tend to review the most Avengers/X-Men related books or the biggest releases or what-have-you) but then I felt KINDA like there was no other way to do this one? Look, let's just get into it.

Amazing X-Men 7
K. Immonen (w) and Medina (p) and Vlasco (i) and Rosenberg (c) and Caramagna (l)

Firestar and Iceman are sent to the local mini-mart to pick up snacks for "the big game" only to find themselves hurled into an interstellar negotiation as Spider-Man shows up tracking a baby that's just appeared in their cart. After some fighting (plenty of which has to do with resentment about Doc Ock), it's explained that the baby is actually an alien that serves as the only trade-bait that Spider-Man has to re-acquire the mascot for one of the teams in "the big game" that was taken by the aliens for reasons. After much fighting and chasing and squabbling and other actions, the aliens come back down and Spider-Man successfully works out the deal and returns the mascot, a goat, to the game while Firestar and Iceman return to the X-Mansion.

I really love a lot of the stuff I've seen from Kathryn Immonen (I will defend her JOURNEY INTO MYSTERY run with my very LIFE) but this book borders on absolutely inexplicable. There are fun moments throughout, certainly enough to make for an enjoyable enough read but it sometimes does seem to get a little bogged down under the weight of so much joke-making (also, Spider-Man kind of comes off like a jerk, which I suppose is not sacrilege in an X-MEN title). The plot is admittedly thin with plenty of references to "the big game" that don't particularly add weight. Still, it's hard to mistake the tone of this issue as more a fun issue and a throwback to the old Spider-Man and his Amazing Friends cartoon so it's also hard to judge this one harshly because I do think it hits its mark, it's just not a mark I'd be looking to buy.

Total Score: 3/5


Wolverine and the X-Men 4
Latour (w) and Asrar (a) and Silva (c) and Cowles (l)

While reaching out psychically for help, Quentin was discovered by the Cuckoos and co and Cyclops gave the order to pull him to their base. He throws a little simulated psychic fight at him to see how trustworthy he is and he fails pretty miserably but Cyclops decides to listen anyway, hearing about what Quentin saw but unable to offer much advice about the right way to handle news of the Phoenix or Apocalypse. Meanwhile, Wolverine and Storm continue to push forth in their fight to Edan Younge before Wolverine sends Storm back to the school, knowing they'll need her help to stop Faithful John, who is currently pushing through the X-Mansion and convincing some of the students that Evan will be Apocalypse. Preparing to enter the fight to protect Evan, though, is Fantomex, who has secreted Evan to the World and emerges out of it to defend the mansion.

There's a lot happening here and a lot of it is interesting but some of the Younge stuff starts to get a little convoluted in the midst of everything else that's happening. It feels rather like there's just one too many stories happening here (which could, of course, all be skillfully linked together when the arc is said and done) and that one seems compelling but doesn't feel like it fits yet. Obviously Younge was the catalyst for all this but it's still such a weird and disjointed story that it's almost distracting from the other stories which are just as if not more compelling. Still, it's a pretty solid issue and Mahmud Asrar has some pretty strong art to go with it. I also rather like Latour's Quentin Quire, a character I tend not to like.

Total Score: 4/5


All-New X-Factor 8
David (w) and Di Giandomenico (a) and Loughridge (c) and Petit (l)

Cypher has had all the water drained from his body and the team is a bit startled by it. As things very slowly piece themselves together and the situation starts to go crazy as Dakei calls all the cops on the mutant intruders, the team convinces Georgia to do what she can to restore the incredibly weak Cypher. She's never done it before but she vows to try. They bring her past all of the guards and to the kitchen where she can get some water to transfer into Cypher. She eventually succeeds as the team yells at Dakei for berating and hating mutants while his daughter was one and then, as things reach a boiling point, Harrison Snow shows up and has a private meeting with Dakei (who he apparently knows) and the two emerge having come to the decision that Snow will take Georgia.

The tone of this book jumps around so quickly that it's hard to really latch on to it. Sometimes it's tense while they hope for the best for Cypher but then it turns into strange humor but then it jumps into mutant-rights outrage but then it shifts to almost casual conversation. Not helping anything is the inability to lock down an age for Georgia, who occasionally acts like a five-year-old and occasionally acts like a ten-year-old and occasionally acts like a fifteen-year-old. I think we're supposed to get that she's incredibly sheltered (various characters tell us that repeatedly) but I've met some incredibly sheltered people in my life and they still manage to act a consistent age. The humor in the book occasionally works but it also occasionally feels really out of place, which is sometimes pointed out but sometimes ignored. A book that cannot settle on a tone is a book that has some fundamental problems. Hopefully this one straightens it out next time.

Total Score: 3/5

Amazing X-Men 6, Wolverine and the X-Men 3

Amazing X-Men 6
Aaron (w) and C. Stewart (a) and Rosenberg (c) and Caramagna (l)

Nightcrawler has returned and he's got to make the best of things knowing that he can never return to the afterworld. He watches as a SHIELD transport takes Azazel to Ryker's while he's supposed to be at a party with all of his old pals. Feeling okay that Azazel is in custody, he returns and mingles, even welcoming Cyclops, Emma Frost, and Kitty into the bar to celebrate the night. However, he realizes that Mystique is among the gathering and she figures out where Azazel is. He tries to stop her from attacking him and/or setting him free but cannot stop the red bamfs from freeing Azazel. He returns to the bar with Wolverine as Mystique and Azazel join forces.

Story
With Nightcrawler's return now cemented, we see where things are going to go next. This feels like a necessary issue, one where Nightcrawler meets again with all his old pals and even with Mystique. The team-up of Nightcrawler's parents isn't necessarily the most thrilling team-up in the world but I guess we'll see where it leads. 3/5

Character
As of right now, at least, AMAZING X-MEN is really Nightcrawler's book. That could very well change as Nightcrawler's return is less of a surprise to everyone around and as his own book continues, but for now Aaron is one of the key people writing Nightcrawler and I appreciate his take on him. It's very clear that something is changed about Nightcrawler and there's certainly a sadness to him that hadn't been there before. I'm interested to see how he takes this. 5/5

Writing
The writing feels at times a little incongruous as Nightcrawler's depression drives the better part of this book only to be replaced by his parents bickering and CONTINUALLY referencing the fact that they're his parents. Also, I'd be fine if they just flat-out dropped the "Scott Summers leads the outcast X-Men" storyline and mixed all of them back in with the rest of the mutants without any sort of explanation. They so constantly meet up with the other mutants in the world that I feel like everyone is just dying for this all to be over and if it's my go-ahead they're waiting for, they have it. 3/5

Art
I like Cameron Stewart's art here and it's a rather nice change from series regular Ed McGuinness, with whom I sometimes have issues (particularly in the way he draws women's faces). It's strong art here and it works equally well in the calm and happiness of the bar and in the darkness and action of the fights. 5/5

Miscellaneous
It's always nice to see that a resurrection in comics does have some effect on both the recently deceased and on the ones who it affected. I'm interested to see how Nightcrawler handles himself in the coming months of Marvel comics and how his resurrection impacts the rest of the universe but so far I'm liking Aaron's take more than Claremont's (still very early).

Total score: 3/5


Wolverine and the X-Men 3
Latour (w) and Asrar (a) and Silva (c) and Cowles (l)

Askani John injures Wolverine and their Bamf enough that he and Storm can't rush back to the school quickly enough to stop John's attack on Evan. Meanwhile, Edan Younge of the new Phoenix Corporation enters Quentin Quire's mind to tell him that he's bound someday to wield the Phoenix Force and that he should be prepared better than what the X-Men can offer and to tell him that he's lost his edge. Quire doesn't take kindly to this and he uses Wolverine and Storm's appearance to force Younge out of his mind and to leave with a Bamf. Back at the school, the students step forward to try to defend Evan from John but John forces an image on all of them of the future Evan would give them as the new Apocalypse.

Story
There is a somewhat interesting story here and it's the story that things have been heading towards since Wolverine delivered Evan to the Jean Grey School however long ago he did it. It's a little bit muddy right now because there's just so much going on and the Phoenix Corporation confuses things a bit so it's a little hard to see how things are really shaking out. Still, things are getting interesting as Quentin thinks about his potential and, perhaps, his responsibility and as everyone else is forced to see what Evan could become. 4/5

Character
There's a nice moment for Storm in here as everyone is forced to respect how incredible she is. It's probably the best character moment in the book as Quentin gets the focus but continues to be rather obnoxious. Even when he gets a nice moment as he refuses to be defined by all the people trying to do so, he's still just a little too quippy and too...I don't know, know-it-all teen for me? I think that's in his design so it's not anything Latour or Asrar is responsible for but it's hard to put him in the center of the book and ask us to care unduly. 3/5

Writing
As I said, I think the story in here is going where it needs to go and in an interesting direction but it is a little hard to follow at times. It may just be a result of too many plot points converging at the start of a new book and things will fall into place more readily when we've got a little ground under our feet. Still, the rapidly switching narrative and the jumping timeline make it a little harder than it feels like maybe it needs to be. It doesn't read particularly quickly either so expect to need to double back on dialogue a few times in the course of the book. 3/5

Art
It feels like Mahmud Asrar is getting better and better every time out. His art is impressive and the people that he draws are all fairly expressive and he illustrates the calm as well as he does the action. There are a couple times here where it can get a little hard to follow what's happening, particularly as it pertains to the Bamfs, but overall some good art here. 4/5

Miscellaneous
I'll never penalize a book for referencing Remender's unbelievably great UNCANNY X-FORCE so this book may be losing points here and there for a convoluted plot and under-explained new characters but it won't lose points for shooting for the stars here.

Total score: 3/5

X-Men 12, Uncanny X-Men 19, Wolverine and the X-Men 2

X-Men 12
Wood (w) and Anka (a) and Keith (c)
Wood (w) and C. Mann and S. Mann (a) and Mounts (c)

The X-Men were tipped off about Arkea's location by Ana Cortes, who recognized that she was getting in a bit over her head by the end. Fortunately for the X-Men, their approach hadn't been expected and so Arkea's sisterhood hadn't moved from their off-the-grid location, far away from any sort of electrical signals in or out, meaning that Arkea cannot simply escape. Monet busts into the hideout first, plunging through the ground with Amora and leaving her brutally wounded. While Psylocke takes down Typhoid Mary, Rachel and Storm meet Arkea, in Reiko's body which also now holds Lady Deathstrike. Madelyne Pryor and Seline Gallo are with her and ready for a fight. Though they don't particularly relish taking orders from Arkea, they recognize that they're only alive because of her plans. Storm, though, offers them a chance to escape, claiming that they'll settle up later if they'll just leave Arkea by herself. They take the chance with almost no hesitation and depart, leaving Monet, finished with Amora, to hold down Arkea while Karima shoots her in the head with a specially made (by John Sublime) gun that will target and kill Arkea and leave the host body unaffected. With the day won, Karima announces she'll be leaving this X-team and joining Sabra and Gabriel. Story two finds Jubilee emerging from her mist form to distract the Sentinels attacking the beach, giving Quentin a chance to take control of the Sentinels and use them to destroy each other. Successful ending on all sides.

This issue leaves me a teeny bit conflicted. On the one hand, I do feel like the Arkea storyline was starting to drag a bit; though there have been brief interludes (including stupid BATTLE OF THE ATOM) this has been the ongoing story since issue one and I think it's seen better days. That said, it's hard not to see this ending as something of a rush job. Don't get me wrong, I still like the ending well enough; I like the combat and the planning the X-Men have and the fights themselves are certainly fun to watch. However, it feels like it came together really suddenly, with the X-Men able to defeat this foe that just an issue ago seemed completely in control. Maybe there's a greater lesson in that and maybe the change in expectations of a normal comic was the key. Still, it's a little jarring. ON THE OTHER HAND AGAIN, I'm excited to see how this team moves on to the next mission. Certainly, aside from, say, X-Force, my favorite X-team right now. For all that that says.

Uncanny X-Men 19
Bendis (w) and Bachalo, Townsend, Vey, Mendoza, Irwin, Olazaba (a) and Bachalo and Villarrubia (c)

While Hijack, recently released from Cyclops' team, is interrogated by Maria Hill and Mystique shows Sabretooth that she's manufacturing MGH from the captive body of Dazzler, the Uncanny X-Men travel to Chicago to track down a new and powerful mutant that popped up on Cerebro. When they get there, of course, it's a trap and they're faced with a giant Sentinel spewing new, smaller Sentinels that seem to interfere with powers they know about. As a result, many of this team's powers are shut down but the ones who aren't known about are unaffected. As such, Eva is still able to use a time bubble to protect them from an attack and Magik is able to use her new and improved sorcery to protect them from the rest. They manage to force the Sentinels to flee but Scott considers it the last straw, vowing to go to war with whoever is behind these attacks.

Okay, so readers of this blog probably know that I have serious issues with Bendis' preferred writing style for comics. I know it's something of an unpopular opinion and I almost hate it myself because it makes my life harder than it has to be, particularly when I go to review his books and the first thing I want to write every single time is "I don't understand why there's so much back-and-forth dialogue and what anyone is getting out of that." I swear that's not how I want to come at these reviews, just like I swear I'm not out to hate any of his books from the get-go (though I can't always put aside my biases and I'm not sure I should; I would hold a writer I like better to a higher standard because I know their work, why not the other way around?) because, though it's often easier to write reviews about books I don't like (got plenty to say, typically), I don't at all like not liking comics. So I guess what I'm getting at here is that I don't want to level my typical complaint of "I can't stand this writing" at this book even though I just have. On top of that, though, it's hard for me to see Scott as the kind of strategic genius he's meant to be when his plan of attack when the chips were down was "everyone separate and run away" and then he declared war on a foe he can't see. I have other issues, sure, but let's just say what I've said and be done with it, okay?

Wolverine and the X-Men 2
Latour (w) and Asrar (a) and Silva (c)

The Phoenix Corporation that has seemingly appeared out of nowhere has lit a fire under what seems like the entire Jean Grey School. Quentin has taken off, looking to find the Phoenix Corporation for whatever answers it may yield, Wolverine and Storm are forced to follow him, Evan is jealous of him, and Idie is worried about what the Phoenix logo being used by humans means for all of them. Solid questions all around but seemingly no answers anywhere. Quentin arrives at the Phoenix Corporation and immediately runs into a giant maybe-mutant, someone from the future and trained, he reveals, by the Askani priests (like Cable). He seems to know everything about everyone and has the ability to show them bits of their future and to attack their weakest mental points. He reveals to Quentin the path of destruction that lays before him if he continues on his path and, when Wolverine and Storm arrive and promptly attack him, he brings Storm's insecurities down around her and destroys Wolverine in the fight, ending it with what seems to be a threat aimed at Evan, Kid Apocalypse. Meanwhile, unrest surges at the school as Idie fights with Armor, left in charge in Wolverine and Storm's absence (where DOES Beast go all the time?).

There are a number of interesting irons in the fire (just how I like my irons: interesting) here as Evan's (certainly not wrongful) jealousy of Quentin and some of the images John, the Askani-trained maybe-mutant, reveals set the stage for a potential Apocalypse-Phoenix battle between one-time friends Evan and Quentin (of course, the Phoenix and Apocalypse have fought before, at least in other dimensions, but I don't know that it's ever been quite so personal). The Phoenix Corporation stuff is still somewhat shrouded in mystery but there are interesting aspects to the debate over it, including the use of the Phoenix imagery and name all by itself. In addition to that, Storm lays out a compelling argument (after laying out a resistant Wolverine) for why Wolverine needs to cool it, upset with him over his attack-first mentality and for refusing to seek counsel on matters involving Jean or the Phoenix or whatever else. There are some really good nuggets in here and I think it could translate to a really interesting story but I think we still have to learn a little more about what's happening before we can judge that aspect just yet.

Uncanny X-Men 18, Wolverine and the X-Men 1

Uncanny X-Men 18
Bendis (w) and Rudy (a) and Staples (c)

Scott's X-Men have figured out that the O5 X-Men and Kitty are missing and, when they find a piece of Shi'ar weaponry, they piece things together awfully quickly. Then we look back a couple weeks ago to when Illyana brought Kitty to the Xavier School so she could talk to Scott before bringing the rest of the kids there. And, of course, she tries to kill Scott before Scott explains to her how much he hates himself and so she shouldn't kill him because then she'll hate herself. A week later, she brings her team. Scott has an awkward exchange with Jean and then an awkward exchange with Scott and then it's the present and they're gone and they have to decide if they want to find a spaceship and go after them or if they hope for the best.

I want to preface what I'm about to say by noting that I totally understand why the X-Men who didn't side with Scott feel the way they feel about the death of Charles Xavier. I get their anger, I get their sense of betrayal, I get their confusion, I get their sadness, I get their loss, I get it. That said, I am sick to death of former friends prepared to kill Scott. On top of that, I don't believe Kitty Pryde, heart and soul of so many X-Men teams, would legitimately consider cold-blooded revenge assassination. Overall though, I'm just sick of seeing it. I know it hasn't been that long since Xavier died but I don't need to see everyone try to assassinate Scott for it, particularly in a world where people get taken over by cosmic entities or bad guys or whatever else ALL THE TIME (I think Wolverine has a more real gripe which is that he was fighting very firmly on the side of "don't let the Phoenix come to Earth," which is different than just "Xavier is dead because of you." He also had his own problems with Cyclops before that so...). And it's been apparently like, I don't know, a month since Xavier died in this Universe. Bendis claims, through Scott, that Kitty was trapped in space only a year ago, meaning that just about every significant thing with the X-Men over the last five to ten years has happened in the span of one year. Marvel time is totally messed up; it's the result of wanting to keep characters from aging out of usefulness while still trying to maintain a timeline over decades and decades of backlog. That's why most people don't try to draw attention to it. Here, though, Bendis wants to create his own continuity, trying firmly to set Kitty's time trapped in a space bullet into a real timeline and, personal gripe, getting in a useless reference to the fact that Kitty's favorite band is the Beatles (BOLD STATEMENT). Look, what I'm trying to say is I'm mad I have to complain about all this stuff again when I could be talking about what I did and didn't like about Marco Rudy's really interesting art in this issue. There's a lot of stuff I liked about it and a lot I didn't like and now, look at that, we're out of time. SORRY EVERYONE.

Wolverine and the X-Men 1
Latour (w) and Asrar (a) and Silva (c)

The latest class has graduated from the Jean Grey School but don't think that means the X-Men are about to let Quentin Quire out of their sight. Instead, they've made him a teaching assistant, a disastrous idea motivated by the fact that the older version of him appeared last year as a new Phoenix. The first day of summer session starts with a disaster as Rockslide, who didn't graduate with the rest of his classmates, causes a ruckus and Storm has to get involved, blaming Quentin for things getting out of control. They fight, with students like Rockslide and Hellion also getting a piece, and Quentin storms off. Meanwhile, Beast is up in space with a couple of other students and Wolverine is fighting his way through the Block, an inter dimensional prison Fantomex has set up, to get to its owner. When he eventually finds Fantomex, he tries to convince him to become a teacher at the school, even going so far as to bringing Evan, Kid Apocalypse and adopted nephew/pet project of Fantomex, with him. Fantomex refuses but who knows if other events will force him into action, particularly as, back at the Jean Grey School, an image of the Phoenix has appeared on every screen available.

Like with Aaron's run (which ended, you may forget, just one week ago), this one already has a strong focus on the students of the Jean Grey School or, perhaps more accurately, on Quentin Quire. Aside from the teen drama and the problems at the school and everything else, though, there is a real threat lurking somewhere on the corners of things. There are questions here and there (like why Wolverine has decided to let most of the staff go on vacation at such a seemingly crucial time or what the plan with Quentin, who doesn't respond well to adult pressures or manipulation, will be going forward) and obviously Latour is swinging for the fences right out of the gate (I think I'm mixing my metaphors here) as he introduces the Phoenix as a possible villain again immediately. We'll have to see where this one goes and how it gets there before I can really judge it. Too early, my friends, still just too early.

Wolverine 2, Wolverine and the X-Men 42, Origin II 3

Wolverine 2
Cornell (w) and Stegman and Morales (a) and Curiel (c)

As you may have guessed from the intentionally deceptive and big ending of last issue, Wolverine, it seems, has not actually gone full evil. Yes he killed that guy but he killed him only because he was protecting his new teammates and doesn't like that, because of his lost healing factor and reluctance to straight murder people, he's dragging the team down somewhat. His teammates and their boss Offer continue to offer few hints about whether they're good, bad, or in-between but given the fact Wolverine's apparently not gone crazy it's probably a safe bet that they're closer to good than bad. Still, the question remains, how did he get here? Well it started with a meeting with Spider-Man. In the midst of Goblin Nation, Wolverine decided that Goblin must have some sort of deal with Sabretooth to divvy up the city and so he tracks down Spidey hoping that he's heard something. Spider-Man berates him but eventually the two have a chance to talk (after each has saved the other) and Spider-Man asks what he plans to do to Sabretooth while Wolverine asks if the new tone of Spider-Man seems to be working for him. Spidey tells Wolverine that he shouldn't go for Sabretooth and says that his new way may be more brutal but it's also more effective and the issue ends with Spider-Man telling Wolverine that it's easy to change and still be the same person without falling into self-hate and self-doubt before throwing him off the building and saying "don't fall."

There's a kind of unwritten rule at Marvel that says when a book is flailing or just on the bubble of doing well, throw Spider-Man or Wolverine on the cover and into the issue, even if it's just for the smallest of guest spots. It's simple logic to follow: Spider-Man and Wolverine sell books and they're characters people know and can make them feel comfortable jumping into a book they don't know as well. So what, then, does it mean when Spider-Man makes an appearance on the cover of a Wolverine book? Unwarranted and unwanted speculation aside, it makes some sense to put these two together. Wolverine and Spidey have a long history together as poster-boys for the Marvel Universe and typically they're at odds with one another for the other's methods. Here the roles are reversed somewhat, a chance Cornell wasn't going to pass up and, once that speculation is put aside, one that would have been silly to pass up. Now Wolverine doesn't want to kill, afraid he'll fall into bad patterns, and Spider-Man isn't afraid to kill, preferring to end threats longterm. As a result, though it's still hard not to feel as if the superstar cameo isn't a little bit forced even with all of the logic at my disposal, the Spider-Man/Wolverine parts are the strongest in the issue and it's clear Cornell enjoyed writing Spider-Man as much as Stegman enjoyed drawing him again (hard not to put Spider-Man in an issue when you have Stegman as the new artist too). The parts with Wolverine's new team still remain a mystery, but not like, in the way a mystery is a good thing, in the way that I still have yet to care that they're not explaining anything. Ah well, third time's the charm.

Wolverine and the X-Men 42
Aaron (w) and N. Bradshaw, Larraz, R. Perez, Crystal, S. Sanders, Alves, Townsend, and Bachalo (a) and Milla and Loughridge (c)

It's graduation day at the Jean Grey School and everyone's excited for the future except Quentin Quire, who is forced to look inward and ask what's happened to him. He came to the X-Men as a troublemaker and a nuisance (truthfully, those words are too small for how he came to the X-Men with Grant Morrison and Frank Quitely) and now he's set to graduate from the school after becoming class president and one of the most popular students and not even burning down the school once. On top of that, family and friends come from all over to support the new graduates and he doesn't have anyone. Until Captain America shows up. That's right, Cap cares about Quentin to some extent, just like Wolverine cares about Quentin to some extent. SPEAKING OF WOLVERINE, all of the graduation festivities are intercut with a scene from the future, when all of these graduates have gone on to their new lives well down the road, with many joining the X-Men, some elsewhere among the heroverse. Wolverine is now shutting down the Jean Grey School as apparently there is no more interest in it. X-Man Idie has come to keep Wolverine company but has to leave partway through to help the X-Men leaving Wolverine alone until who else but Quentin Quire, the new Phoenix (as we saw in BATTLE OF THE ATOM), arrives. The two talk with Wolverine revealing that he's going to have to go elsewhere before Quentin dumps off a bunch of new students from the Negative Zone School, to Wolverine's annoyance and delight. Back in the present, it's a new day at the Jean Grey School and Wolverine went a whole day without having to pop his claws.

It's not an awful ending to the book here, as this is another one of those series that's going to end and restart quickly with Jason Latour and Mahmud Asrar at the helm. It is, perhaps, a fitting ending as it focuses so heavily on Wolverine and Quentin Quire and their relationship, as the book did throughout its run. There were always other students at the school (I've seen lots of people complaining about the lack of YOUNG X-MEN, like Blindfold, Dust, Rockslide, and Anole, throughout this series and I can't say I blame them, if only because they're clearly a big part of the school but they're almost never referenced; even here, as they graduate, Anole's name gets called along with Pixie's and I don't think we've ever heard them speak in this series set at the Jean Grey School) but the focus was always on this newer batch of students, with Quentin tossed in from the old days, and particularly on Quentin. That makes some sense as Wolverine as a headmaster is something everyone wanted to see and who needs headmastering more than Quentin Quire. So the ending is a fitting one here but still one that focuses itself very narrowly on Quentin and Wolverine. Of course, some of the other storylines wrapped even before this, like Broo regaining his mind and Idie regaining her soul for Broo, and so forth, but it does feel weird, after a 30-page conclusion issue, to really only come away with things to say about two characters.

Origin II 3
Gillen (w) and Adam Kubert (a) and F. Martin (c)

Logan is locked away in a cage, shackled to a machine that will shock him until he does what his new owners want him to do, at a circus, exploited for his beastly look and the claws that pop out of his hands. Of course, Clara has a soft spot for him and wants him to talk to her and the others, sure that they'll let him go if he'll only prove himself to be a man and not an animal. Clara has some experience with this as the current girlfriend of Sabretooth and gets a little too close to Logan for Sabretooth's liking. Sabretooth takes an immediate dislike to Logan but still vows to help Clara after Sinister, having already failed to legally purchase Logan from Hugo the circus owner, takes him for testing and experimentation right out from under the circus. Sabretooth tracks Logan to Sinister's lab and they watch from outside while Sinister experiments and shows Logan that he's created his legion of men by taking people who want to die anyway and granting them that death with a concoction that essentially kills them but moreover makes them not feel pain of being human, making them, as he puts it, übermensch. When he leaves, Sabretooth and Clara break into the lab and go to Logan. He first tells them to run but, with Clara's allowance, instead asks for help and the three of them escape together.

I talked last time about how ORIGIN II comes at, perhaps, a bad time simply by its own concept. To reiterate (or you could just click that link, whatever, I'm not the boss of you), ORIGIN II is coming at a time where we know so much about Wolverine's past and he knows a lot more about his past and so a new story about his origin maybe doesn't hold as much weight with us. I still think that is a flaw in the design but it's a flaw that's made very manageable by Kieron Gillen and Adam Kubert, who are both doing great work on the series, making it a series worth reading despite the thought that maybe it's not really breaking ground we needed broken. Of course, it is the first time that Wolverine meets Sabretooth and deals with Sinister so there's still plenty here to deal with and to learn. Kubert's art is really matching the tone of Gillen's writing and, for as much as I like the way he's drawing Wolverine and the landscapes and what not, I think his Sabretooth is really shining. Instead of the giant, lumbering figure that we see so often as Wolverine's rival, Sabretooth is lean and tall, still the antithesis to Wolverine but a polar opposite to Wolverine's short and bulky. The most recent we've seen Sabretooth in comics (though there's been an influx of him lately) was in Cornell's WOLVERINE and he appeared there as almost a Kingpin like figure, larger than life and, weirdly, wearing a suit. I kinda hated that design as it seemed to really take away from the Sabretooth mythos. Sure it's showing him in a different light, maybe even in the light in which Wolverine is trying to be seen, but it's still a huge change to the character after all that. This one looks different than most of the Sabretooths we've seen but still retains a more animal and feral look, something that can turn from human to animal in a flash. Some really good stuff out of this book that, by all rights, shouldn't be that good.