All-New X-Men 32, Uncanny X-Men 26, Wolverine and the X-Men 9

All-New X-Men 32

The time-displaced X-Men have been sent to the Ultimate Universe by the uncanny powers of a new mutant they overwhelmed because they are just terrible at this and why does anyone leave these dumb kids alone for more than even a minute? Anyway, Beast ends up in Ultimate Latveria, Iceman ends up with Ultimate Mole Man, X-23 ends up in an Ultimate football game and on the run from Ultimate cops, Angel ends up in Ultimate Savage Land with Ultimate Wolverine, and Jean Grey ends up with Ultimate Spider-Man, whose mind she reads to learn where she is and who escorts her to Amadeus Cho, who has been working with the portal to the 616 universe. Of course, it's disappeared by now and the original X-Men, already stuck out of time, are stuck out of their dimension.

On the plus side, now that the X-Men have been stuck out of time and space, there are very few places they can get stuck that would be new to them. Also on the plus side, the issue moves relatively well as the X-Men are separated and largely not back-and-forthing with one another but having somewhat terse conversations with the people around them. The issue also bounces around between the X-Men, who are inexplicably separated after they run into plot-device girl, so the pacing mostly keeps up. On the downside, though, this book continues to feature very few likable characters and very few likable plots. Doesn't really leave them in a particularly good spot.

Total Score: 2/5


Uncanny X-Men 26

Xavier's will has further split his X-Men, with Scott angry that Xavier was a hypocrite for not giving the extraordinarily powerful Matthew Malloy a chance to control his powers and everyone else angry at Scott for being a hypocrite and also for being Scott. Even though Scott doesn't want to, they go to find Malloy, running into SHIELD on the way. SHIELD saw the disaster Malloy just caused (perfect timing, Xavier's will!) and is on their way to try and take him down. Meanwhile, Scott's new X-team runs simulations fighting the Avengers in their Danger Room until healer Christopher muses (that's a pretty dope joke, you guys) that perhaps they're not the good guys if they're training to fight against the good guys, which leads to an equally dumb fight about the mutant revolution.

There are ideas here but they tend to be brought up and argued so clumsily (mostly just that every point is argued so immediately and so clearly ignoring other facts or ignoring reason for their own purposes) that it's easy to roll your eyes at them. I know that from personal experience. Obviously Christopher has the right idea (and whichever Stepford Cuckoo that says he should have picked up on it soon is right too) but it's a complicated issue when thinking about Scott's resentment that the Avengers haven't helped them enough and that SHIELD isn't really on their side and SHIELD tends to work with the Avengers so they may be guilty by association. However, it's brought up by a bunch of teenagers (and the thirty-year-old David) so it has all the tact and grace of a bunch of dumb teenagers arguing then all feeling like they maybe won the argument. That would then almost be excusable if that's not how the grown X-Men fight too.

Total Score: 3/5


Wolverine and the X-Men 9

Quentin Quire has seen his future and isn't thrilled by it so instead ends up sitting on a pile of money from the Phoenix Corporation and an insane amount of telepathic ability. Where go with all of that, plus a substantial resentment of Wolverine and the X-Men (the man and the team, not the series), but the Hellfire Club? He's now the White King of the Hellfire Club and throws himself a lavish birthday part that Wolverine tries to sneak into to have one last talk with Quire. He's found out and beaten pretty mercilessly until Quire hears him out. However, that doesn't go particularly well either as Quentin starts to command the partygoers, dressed as various X-Men, to attack Wolverine while Quentin responds to Wolverine's attempts, laying much of the blame for Quentin's future at his feet (and perhaps rightfully so, perhaps not, it's complicated). Finally Quire lets Wolverine go after forcing him to look inward for the source of the problem and revealing that Quire himself doesn't believe he won, just that Wolverine lost.

It's a tough blow to Wolverine, who has invested so much time on Quire and the other kids (which hasn't gone unnoticed and doesn't go unmentioned by Quire here) only to find that maybe they don't love him for it and maybe, if the future Quire saw is accurate, he didn't necessarily help things. It's a pretty good issue and like a lot of this series it's more complicated than it has to be, for better or worse. It's better because being a little more complicated allows Latour to go deeper and really get into some of the complexities of the characters, but it's also a little worse because it continues at times to be a little hard to keep straight (even writing the summary, which tends to settle out any issues I've had digesting the plot, didn't clear everything up nicely for me, but then maybe it's not meant to). Still, it's been as deep a character study on Quentin Quire as we've seen since his creation and it's not unimpressive for it. Also pretty strong art from Jorge Fornes throughout, and he's asked to draw quite a lot.

Total Score: 4/5

All-New X-Men 30, Amazing X-Men 10, X-Men 18

All-New X-Men 30
Bendis (w) and Pichelli (a) and Gracia (c) and Petit (l)

X-23 and Angel escaped all the drama to go on a date and spend the night in one of Warren's rich person apartments and Laura admits to not remembering much of the last night and does NO ONE find this a really, really creepy story? It can't just be me, right? I don't pick up on things all that easily and so feeling really creeped out by this scene must make it pretty obvious, right? Okay, anyway, Emma wants to train Jean but there's prolonged bad blood between them because they both keep failing the Bechdel test and I think they're trying to figure out who fails it harder? That's the takeaway, I think. Anyway, they end up bonding? Is there a person who cares about this?

Okay, look, I'll be the first to admit I'm in a bad mood today but I read this comic last night, when I was in a mildly better mood (until after I read the comic). I tried working out all the "benefit of a doubt" ways to talk about this issue but the bad mood has ensured those have all gone out the window. I'll still start it the same way: I know that I tend to badmouth Brian Michael Bendis on this blog a lot because I don't really care for his style and I think his characters, save a couple, are fairly weak. I have no real desire to badmouth him. I do believe there are reviewers and critics out there who legitimately enjoy the mean part of the job or the controversy of attacking well-liked writers/directors/actors/whatever. I am most definitely not one of those people so I hate coming off attacky at anyone, but especially Bendis who is clearly well-liked and well-regarded (he's gone from a couple of prime AVENGERS titles to a couple of prime X-MEN titles, not to mention all his other past books). THAT SAID, I absolutely hate this series and I really, really hate this issue. I talked a lot above about the strange and terrible women in this issue but that didn't even talk about Kitty's weird relationship or scratch the surface of how poorly written and out of character I think Laura was or REALLY about how uncomfortable the idea that Laura couldn't really remember the night before and woke up in one of Warren's homes with him shirtless and had to have Warren describe the night for her. I'm REALLY uncomfortable about that. Let's not forget, too, that this is the second issue since Laura's joined up with the team (not that long ago) where a cover has featured her making out on a dude, which seems both wrong and odd. And I get that Emma and Jean have this built-in sexist rivalry between them in their history but wouldn't it be a thousand times more interesting if they had some other thing to talk about? Other than ol' just-right porridge Scott Summers? They're two of the most powerful telepaths ever (despite Emma's current situation) and they go to train and they're like "HEY, LET'S CONTINUE COMPETING OVER SCOTT" and then they spend some time locked in each other's minds and just stand up laughing together because, as one of the Stepfords puts it, they've bonded. I want to complain about how incredibly lazy it is to just have two psychics stare at each other for a panel and then come out going "we're pals now!" but I'd have actually accepted a completely silent issue with Pichelli art because I think it'd be far stronger than this.

Total Score: 1/5


Amazing X-Men 10
Kyle and Yost (w) and Barberi and Coello (p) and Wong and Coello (i) and Rosenberg (c) and Caramagna (l)

Wolverine (and much of Canada) has been transformed into a Wendigo and the X-Men are having some trouble dealing with these problems. They keep whacking Wolverendigo away while they plot and Alpha Flight shows up and everybody jokes around a bit while the Avengers watch the border (plus side, the curse doesn't extend beyond Canadian borders) and they need to bring the injured Talisman to a very specific place that leads to the spirit realm but when they take her there they find it's also full o' Wendigos. Maybe this isn't the time for jokes, Bobby?

There is something of a strange tonal shift in this issue as the plight of the Wendigo suddenly becomes a little less serious with all these pals coming together and having a good time. I'll be honest, I think if this is the tone you set up in the first issue or two of this arc then it totally works. But where the first issue or two of this arc had a really serious tone, this one doesn't quite stick the landing. Some of the dialogue and jokes aren't bad and, if it were maybe a little more sparse, I think there's a way this could hit a little better. Instead, it feels out of place and oddly unsympathetic. Seriously Rockslide, pull yourself together. This is why no one brings you to any of the fights or uses you in any of these books.

Total Score: 3/5


X-Men 18
Guggenheim (w) and Tolibao (p) and Tadeo and Yeung (i) and Mounts (c) and Caramagna (l)

The X-Men are fighting an airborne AIM virus by burning it out of the air when Abigail Brand calls them to request their presence. A not-dead/not-paralyzed but certainly comatose Deathbird has suddenly turned up in orbit and Brand isn't sure why and wants a team of 3/5 psychics, particularly ones with experience with Deathbird (who happens to be Rachel Grey's aunt by marriage) and the Kree, to check the situation out. She's also called in Cecilia Reyes to examine Deathbird. The whole thing, though, is interrupted when Sidrian Hunters attack the Peak, coming for Deathbird or, as Cecilia reveals, Deathbird's unborn child.

There are some interesting moments here and Guggenheim has a pretty good feel for the humor he wants to bring to the team. Sometimes, though, it overloads a little and the dialogue ends up slowing a bit more than you'd like, taking something away from the action and the story itself. Good dialogue, particularly good funny dialogue, should never really feel like a slog and while Guggenheim certainly  isn't writing poorly, parts of the issue start to drag. Still not a bad issue and it left me interested where the story would go.

All-New X-Men 26, X-Force 4

All-New X-Men 26
Bendis (w) and S. Immonen (p) and Von Grawbadger (i) and Gracia (c) and Petit (l)

Regular age Scott goes to console Jean after she has a nightmare wherein she destroys her team with the Phoenix Force. After a talk that gets a little weird but that Scott pretty firmly shuts down before telling Jean that Emma will be working with her to control her powers, Scott is rebuked by Kitty for being alone in a room with Jean. Later, X-23 decides to leave, setting out before anyone can stop her. She comes across Angel, out for a morning fly, and reveals that she's leaving because young Scott didn't say goodbye before he left. She storms off but runs across someone posing to be young Scott who attacks her. She crawls back to the Xavier School claiming that someone here must be a shapeshifter as the bad future X-Men from BATTLE OF THE ATOM walk away.

Story
Young Scott is gone, Jean is interested in old Scott, and Kitty is mad. The issue ends with the cliffhanger ending promising some story coming but for now, most of this issue is dedicated to minor story advancements and characterization. There's also growing concern for both Hank McCoys out there as young Hank tries to piece everything together and as Scott worries for older Hank given the state of his recent failures (bringing the young X-Men here and not being able to send them back). On the heels of a few little crossover events, this issue serves to slow things down a bit, which is occasionally necessary. 3/5

Character
I'm pretty thoroughly on record talking about my feelings about this book and about the young X-Men's return. I think the stories haven't been compelling enough to justify the massive shift in...well, everything and I don't think the writing has been strong enough to really drive this book to any new territory. However, it's the characters that I'm hating the most. On top of the back-and-forth dialogue, many of these characters have come off as simply obnoxious, starting with the always-talking Bobby, moving to the ever-bland Scott, and dragging down the suddenly intolerable Jean Grey and the all-over-the-place Kitty Pryde. It's made it hard for me to like any of these characters and I can't care about their problems if I don't like them. In fact, I rather hate the people who have been the big focuses so far (particularly Kitty and Jean, which is especially hard because I really like Kitty normally and I am, at worst, ambivalent about Jean). This issue does no better, concerning itself some more with romances and sniping. 1/5

Writing
Plenty of back-and-forth here which starts to grate but it makes more sense here, in something of a resting story issue than in the midst of combat or tense situations. I have less trouble buying this type of dialogue when it's in this sort of situation because there's a little more time to let these conversations happen. I still find it grating after some time (it happens pretty quickly in the Scott-Jean talk but it's okay later except that Bobby is a moron and that gets a little hard to keep following) but it's at least more applicable here. 3/5

Art
I like Stuart Immonen's art plenty. I like the way he draws these characters and I like the ways they express themselves. There are a couple of double-page spreads in here that I don't quite understand because nothing particularly drastic happens in the page. It just feels a little like they have to fill a DPS quota on this book and so they can come in anywhere. Still, not bad art overall. 4/5

Miscellaneous
Judging the character of this book in this new scale is very difficult for me because I actually have to think about why I'm feeling what I'm feeling (which isn't new to a lot of my reviews) but more than that, I have to consider whether to grade the characters based on I find them, based on their long history, or based on whether they fit into what Bendis has already written in this series. For all intents and purposes, these are his characters right now and so he's writing them mostly consistently to his vision for them. Can I grade harshly if he's being consistent? I, as you saw, decided that yes, I can. I'm all for writers changing things about characters. I get it. It's been a while since these characters were created. Times change, stories change, characters need to change too. What I'm less okay with is little personality changes here and there that don't fit with their pasts and also seem to have been borne of nothing. In this case, the fact that Kitty has become intolerable as the leader of this young team could be because she's taken on a new responsibility and she needs to put on her teacher voice, as it were. But it doesn't really come off that way; instead, it comes off feeling like she's just crappy to everyone. I'm happy to judge things like this harshly.

Total score: 2/5


X-Force 4
Spurrier (w) and Molina (a and c) and Sabino (l)

X-Force is after a French superpowered guy named Le Necrogateur, a character who has the ability to read the minds of dead people. It's a useful little trait and it's one that's particularly necessary for the team now as they try to figure out what information the now-dead Antonio Aggasiz had on Volga. Fantomex leads the charge to try to lure Le Necrogateur out using another superpowered person (don't know if these guys are heroes, villains, mutants, etc. so it's hard to label more specifically) named Anaïs who has the ability to talk to cats and more catlike abilities. The chase goes rather badly for Fantomex who has to watch as everyone around him begins to outperform him which comes at odds with his programmed-in belief that he's the best there is at everything. He goes into his own mind to meet with EVA where she parses out the trouble he's been having and recommends, because it's possible she's not exactly in her right mind right now, that he simply kill anyone who may be better than him in anything.

Story
The story here has to do with the Volga storyline but it has more to do with the story of Fantomex, which is a story well worth diving into right now. Spurrier does a phenomenal job meshing story with character here as Fantomex's journey of self-discovery is inextricably tied to the actual journey they're going on and to the future of this series. It's very strong and it's very interesting and it's getting into some pretty scary territory for the team. 5/5

Character
It's no secret that I love Fantomex but it's hard to argue that he's one of the more complex characters out there today. Even without a long and sweeping history like some of these characters have, his origin and his powers are some of the more hard-to-define powers out there. That wasn't necessarily made easier by the fact this his three brains were split into three different characters and each brain controlled separate powers. Spurrier promised big things out of Fantomex during this series and he's already delivering pretty heavily, immediately diving into his created French accent (he reveals here that he can't speak French) and his built-in superiority complex and everything else. Fantomex physically can't imagine anything bigger and more important than himself and Spurrier is using that to show a man in serious conflict with himself. It's a little heartbreaking and it turns dark very quickly, even amidst a few really funny scenes. 5/5

Writing
The story bounces back and forth between the chase of Anaïs and Fantomex's talk with EVA, meaning that their dialogue carries throughout the entire issue and both narrates what's happened while also explaining its relevance. It doesn't hit you over the head with any of it but it works really well in terms of showing us everything that's happening. It's good writing and the talk with EVA both serves as a useful device to advance the plot and makes for a compelling plot line all its own. Fantomex himself brings up early in their talk that he's been avoiding her because he's not sure what the brain-split has done to EVA and where her loyalties lie. Those questions certainly persist through the issue as she asserts herself and eventually recommends that the sane option would be to make himself the best there is by killing everyone else. The tone of the issue is fantastic, switching between somewhat light-hearted and extremely dark as the issue wraps up. Brilliantly done. 5/5

Art
Jorge Molina taps in for Rock-He Kim on this issue and does an admirable job. I've liked Kim's work a lot but I think putting Molina on the Fantomex-centric issue ends up paying off because the book is a little lighter and a little more kinetic and Molina's more cartoonish style works really well for it. It's not necessarily easy to make Fantomex particularly expressive considering his face-covering mask but Molina puts a lot of emotion in the eyes and it's what we need amidst all the drama going on inside his mind. On top of that, letterer Joe Sabino helps with a lot of expressive type. 5/5

Miscellaneous
Really fun book and another really good issue. While we're on the subject, I re-read X-FORCE 3 last night and BOY that was a good issue. I don't know if I gushed about it enough last time. Spurrier is writing some of the best and most interesting characters out there right now.

Total score: 5/5

Deadpool 26, Guardians of the Galaxy 13

Deadpool 26
Posehn and Duggan (w) and Koblish (a) and Staples (c)

Another flashback issue for DEADPOOL as we go into the past to find Deadpool teaming up with Nick Fury to stop a time-traveling Hitler from scouring the timeline and killing Nick Fury to stop all of the interferences the Howling Commandoes have caused. Hitler gets his hands on a time machine when, just like has happened so often to him, a time traveler comes attempting to kill him and he defeats the time traveler. He goes through time trying to destroy Fury at various points in his life but has finally honed in on what Hitler sees to be his weakest time; his time between the war and the CIA. Cable and Deadpool have figured out his plan and are time jumping to try to save him. A giant battle ensues and Hitler actually succeeds, but not before Deadpool can send off a postcard which Cable receives in the future, allowing him to jump to the moments before Fury and Deadpool die and save them. The three of them slaughter Hitler then place him in the bunker while Deadpool yells through the door as Hitler about how he's going to commit suicide knowing the war is unwinnable.

This book is right on the edge of being maddeningly frustrating because there are parts of it that, ignoring how offensive some people may read it, are truly very funny and then there are parts that just carry on way too long and seem to be for no one's benefit. For example, I don't have any idea who is finding the many narrative interjections and editor's notes funny, particularly given how pervasive they are. On the other hand, there's a lot of really funny material in here, both in idea (the idea that Hitler constantly has to battle time travelers coming to kill him) and in the writing and things (in a sentence I never thought I'd find myself writing, Hitler is kind of the funniest part of this book). The style of the book, just as the style of all these flashback style issues, mimics a different time in comic history and it does a good job representing that time. Some really funny stuff in here but it's hard to really outright recommend this one because it is kind of hard to get through with all of the unnecessary stuff.

Guardians of the Galaxy 13
Bendis (w) and Pichelli and Marquez (a) and Ponsor (c)

Jean has appeared in the middle of the fight and announces that she understands that she's been the Phoenix and they're right to be upset about it. However, she says, it's not like anyone else would have been able to control the Phoenix either so it's ridiculous to put her on trial when the Phoenix was always going to come and always going to be an unstoppable force. On top of that, the Shi'ar killed her entire line on the off-chance it might help, which isn't sitting well with Jean and she fights Gladiator using newfound power, an ability to meld her telepathic and telekinetic powers together, rather in the way that Psylocke does but maybe even bigger because anything goes, right? Oracle finally calls the fight off mid-battle and rebukes everyone, but it does the job of making sure everyone keeps away from one another, though Scott uses the opportunity to threaten at Gladiator for a while. They all go their separate ways and, upon returning home, Kitty kisses Peter Quill because I'm so mad and Scott announces that he's going into space with his dad and Kitty continues to be an ineffective professor and I'm still so mad.

Hey guys, if you like regular Bendis stuff and double-page spreads, you'll absolutely love this issue. That's about what I can say for this because I'm really having some trouble wrapping my mind around it. Bendis is doing so much to write his own history (as he is wont to do) that he's making things more and more ridiculous. On top of that, his go-to relationship stuff is always love triangles and, hey guys, I'm real sick of them, about as sick of them as I am of Bendis choosing the character he likes the best and flooding them with girls. This also continues to make it known that Kitty is perhaps the worst choice for mentor of these kids as she continues to show literally no control over them despite being completely capable in whatever other role she takes on in other books. GUYS. I'm really frustrated. If you like this book, I really am happy for you and I hope that you continue to do so. I'm also hoping that GUARDIANS OF THE GALAXY returns to the state it had been at before - it was certainly a slightly better book than ALL-NEW X-MEN and it's very clear that this TRIAL OF JEAN GREY crossover has been altogether too permeated with ALL-NEW X-MEN to really land with me. It also goes to my theory that Bendis is better writing solo titles than team books, at least in my view of him, and so adding multiple teams to this one didn't help anything for me.

All-New X-Men 24, All-New X-Factor 4

All-New X-Men 24
Bendis (w) and S. Immonen and von Grawbadger (a) and Gracia (c)

J-Son, King of the Spartax empire, interrupts Gladiator's tribunal to ask why Jean Grey has been put on trial for crimes she hasn't committed and why he'd still be going after her even after he's done so much to harm her, like hunting down her family to destroy any sort of genealogical attraction the Phoenix felt to Jean Grey. Of course, this leads to a delay in the trial and to a very angry Jean Grey. She's escorted back to her cell while Gladiator and J-Son argue but she breaks away from her captors, escaping into the city. Meanwhile, the Guardians, O5 X-Men, and Starjammers manage to secure a Shi'ar ship with the aid of Angela and fly it down to the planet, hoping to go unrecognized. They land and find themselves immediately discovered by Gladiator and his Imperial Guard. They quickly get into a fight before Jean emerges and asks to be brought back in and tried as a murderer.

It continues to be a little hard to review this book (and a good deal of Bendis' books, but the difficulty increases steadily the more characters are involved. I should make a graph) because my problems with the dialogue and the interactions and the tone and the double page spreads and everything else is already so well-documented. There's probably something deeper I could say about the fact that nothing changes in the style of so many of his books from issue to issue but it seems petty to complain about that; clearly if Bendis is popular, he's going to keep writing in that style and putting out books that fit that formula. So maybe one of my issues with this whole series and everything else that's come out surrounding this in the last year is that it's all so boring to me. I very rarely have found Jean Grey interesting, I tend not to be too connected to the Phoenix as a whole but particularly Jean Grey is uninteresting in the hands of many writers, and she and Cyclops, the oatmeal of the superhero community, are really at the center of this series, just like Cyclops is the center of UNCANNY X-MEN. Of course, it doesn't help that I have had real misgivings about the conceit of ALL-NEW X-MEN since it launched and I am getting more and more sick of stories about "can we kill an innocent person to stop crimes they may commit?" which means that, at least for right now, literally nothing about this book is working for me. Okay, and there IS something to be said about the fact that the format of these books never seems to change and I don't feel invested in ANY of these characters, partly because I know they all must get back to the past at some point and because I just haven't been given a reason to care about any of them yet. Too much to complain about in so little time.

All-New X-Factor 4
David (w) and Di Giandomenico (a) and Rosenberg (c)

X-Factor has discovered that Gambit's old associate Nil was the one responsible for taking considerable funds from Serval Industries and that he did it using a a very damaged Danger, former X-Man. Now she seems to have no memories and a distinct desire to kill her captor. Gambit, who has the closest semblance to a relationship with her on the team, tries to talk her down to no avail before Polaris destroys her body with her powers. However, Danger can inhabit other mechanical forms and quickly inhabits the team's ship to preserve herself and continue to fight. Her body rebuilds itself and she transfers back into that, ready at last to kill Nil, who finally offers himself up in the hopes it will save the island. Gambit refuses to allow it though and jumps on Danger again, this time kissing her before she can strike at anyone. Somehow, this restores her to herself enough for her to recognize Gambit and stand down. The team convince Nil to give back the money he took and they all leave with Danger in tow. Without discussing it with the rest of the team, Gambit promptly offers her a spot with X-Factor.

Okay, so let's get the compliments out of the way first. The issue moves pretty well. Peter David has a tendency to chew scenery a bit and load up dialogue with exposition and it happens here to an extent but, despite that, the issue moves quickly enough, keeping the action intense enough to merit a very action-based issue. There are, of course, still some flaws after that. The big one is the cliché yet also inexplicable return of Danger's memories after a kiss from Gambit, who admits himself that he never had any sort of romantic link to the robot, the living embodiment of the Danger Room. They had spent time together in various X-meetings and the like but I don't even think they've had a particularly close bond at any point. And yet, here we are, as the issue winds down, with Gambit kissing a robot and it having enough of an impact on that robot that her memories return and her homicidal rage is quelled. It's simultaneously a giant cliché and a deus ex machina, all wrapped neatly into one package. I think that the interesting things that are happening in this book are getting somewhat overlooked by moments like that and some of the exposition pieces. For example, I think David is developing something very interesting with Polaris but I think it's going to be hard to get to it if the book can't get past some of the set pieces. I'd also like to see a little bit more happening with Gambit and Quicksilver. It's a hard book to judge right now because we're only four issues in so there hasn't been a lot of time to really get into it with some of the characters and still tell compelling stories but I'd like it to at least go one way or the other. This story wasn't compelling enough (it basically boiled down to "Danger is crazy for some reason and Gambit's kiss made the crazy go away") and it ended up just taking away from the book as a whole. Still, four issues in isn't unusual for a book to still be finding its footing.

All-New X-Men 22, X-Men 9, Marvel Knights X-Men 3

All-New X-Men 22
Bendis (w) and S. Immonen and von Grawbadger (a) and Gracia (c)

The ANXM team is back from their meeting with the Purifiers and everyone's relaxing their own way. For Scott and Jean (and, inadvertently, Warren), that means arguing about her knowing the future and being upset and Scott being upset and drama and so on and so forth. The fight ends as Jean storms off and is promptly kidnapped by suddenly attacking aliens who, according to Kitty, seem to be Shi'ar. They put everyone attacking them in bubble forcefields and take Jean away in one without a giant fight. As soon as they've left, the Guardians of the Galaxy pop by and realize that they're too late.

Right off the bat the pacing feels a little strange in this one. Things move pretty well for the second half of the book but the first half is largely made up of Scott and Jean fighting across a cafeteria table (and across Warren for comic relief). Though the back-and-forth dialogue is pretty prevalent in this scene, I actually think that it works here because they're meant to be kind of quickly shouting at one another and it doesn't often step into strange asides and quips. Instead, it feels like a real fight. So my problem, then, isn't with the writing of this scene, it's with the length of it. Maybe halfway through it I think it's safe to say it could have ended. There's even an out there that could have still sent Jean walking away and the issue progressing from there. It might be an attempt by Bendis at trying to give just a little more characterization to the three characters present in whatever way he can but it feels like it just overstayed its welcome, causing readers to have to push through the end of a fight they already fully understand and, worse still, to which they know the ending. Still, it's not one of the weaker issues of the series for that, as the pacing almost immediately picks up (though again, I'd say there's a bit of waste in the second half insofar as how often people explain what's happening in the fight, but that's pretty petty, even by my own admission) and the ending paves the way for the now started TRIAL OF JEAN GREY. Solid Immonen artwork on this one but, then again, it's always solid Immonen artwork.

X-Men 9
Wood (w) and T. Dodson and R. Dodson (a) and Keith, Woodard, and Mossa (c)

Lady Deathstrike has moved her operation, along with Enchantress and Typhoid Mary, to a new office in Dubai where she hopes to power her small team up and hopes to bring Arkea to life. The X-Men are trying to track them but not finding much until Jubilee and Karima find a Cortes jet landing in Dubai. Monet is ready to strike and aimed at the top seven floors of the building, all of which are owned by Cortes and seem empty, aside from the villains. Monet blasts through but it's just too late; Arkea has already been revived, taking the body of Cortes' assistant Reiko, and amped up the powers of the other three. Enchantress, her powers fully restored, manages to grab and hold Monet until she loses consciousness while Mary and Arkea escape. Mary and Arkea talk about the X-Men, whose databases Arkea still retains from her first appearance, and it gives Arkea an idea: she begins to take over other entities all over the world (including, possibly, Karima again) and plans to attack the X-Men on every home base she knows.

The stakes are pretty quickly rising here as Arkea comes back online. There's still plenty of intrigue and questions as Sublime returns to the X-Men to help for one reason or another but it's largely out in the open now as the audience is privy to Arkea's rebirth and her plan going forward. The team building and characterization is mostly in the actions of characters as everyone has her role and takes to it immediately, with Jubilee and Karima trying to track Arkea, Storm and Psylocke meeting with Arab superhero and peacekeeper Sabra to ensure their fight with Arkea keeps from starting a war, Monet as the strike force, and Rachel probing Sublime for information and directing the others. Everyone has an individual voice, even as some of our characters have fewer lines and are maybe a little out of focus. Meanwhile, the plot is running full tilt now and our players are largely accounted for, though there are hints that Arkea might be picking up new enemies for her sisterhood, as Enchantress deems it. As X-MEN moves firmly out of the event it was wrapped up in, it's progressing extremely well with Brian Wood doing his "raising all the stakes" thing perfectly as expected. Good stuff, excited to see what comes of it.

Marvel Knights X-Men 3
Revel (w and a) and Peter (c)

As the X-Men onsite begin to see their memories come to life as a result of Darla, powered up by Krystal's drugs, things start to break down pretty rapidly. Tons of old X-Men villains and horrors descend on the town and tensions immediately start running high, particularly from Wolverine, who has apparently gone crazy and is set on killing Darla for what he saw in her memories and what's happening all around them. As he and Rogue fight pretty brutally over it, Kitty tries to get Krystal to safety. Meanwhile, a mysterious group practically running the town and creating the drug that everyone in the town has been using, a mutant drug born of a mutant who arrived in the town some time ago, is ready to jump into the fight and do so by killing the sheriff of the town, Krystal's uncle Jasper. As Kitty and Krystal try to get away, an entity that Krystal refers to as Jasper appears in the car and attacks Kitty from behind, forcing her to phase through the moving vehicle and stranding her on the road in front of a mob of angry townspeople.

The chaos of this book is really ramping up and it's easy to lose track if you miss a single panel. In that respect, the interesting and rather gorgeous art is almost a hindrance to the book as you kind of want to skip the writing just to look at the artwork. It's the sort of book that might take a couple read-throughs to really comprehend (and even then I'm not sure I've got it all) and to really see it. I'm not the type to start complaining about pretty and experimental art in a book. The plot is maybe a little convoluted but this is the sort of story that I'd like to see the results before I officially condemn the plot. I think that it's something that could wrap up really nicely or could go entirely south depending on how Revel moves from here. This serves, then, as a very interesting midway point for the limited series and continues to set itself apart from a lot of the other books on the shelves with its action, its intimate team, and its artwork. Pretty neat issue, looking forward to how this one wraps.

Uncanny X-Men 15, Cable and X-Force 17

Uncanny X-Men 15
Bendis (w) and Anka (a) and Beredo (c)

The girls of the New Xavier School have realized that they don't have much by way of clothes or entertainment or whatever else they might need and so convince their female professors to take them shopping. Emma is excited about it and provides the needed money while Ilyana and Kitty are ambivalent but willing to go anyway. They go to London and shop and buy clothes and talk for a while until sirens interrupt a meal. They follow the sirens to find cocoons popping up all over the city and the telepaths, scanning the mind of anyone they can reach, hear about the Terrigenesis bomb. They go to one of the nearby cocoons which has a transforming Latverian in it who comes out and, after a brief talk with the X-Men, knocks them all unconscious without trying. AIM shows up right after and takes the boy into their custody, excited that he seems to be able to take out a fleet of X-Men without even trying. The women eventually wake up and they leave the scene, realizing that the world is about to get more complicated.

An INHUMANITY tie-in here and one that, I suppose, helps illustrate this new event and shows us that Cyclops' team is aware of what's happening but doesn't do a ton else. There's a lot of dialogue here, as is typical in a Bendis book, but most of it doesn't really delve deeper into character than we've already been. Celeste doesn't like Jean and Jean doesn't really like that Celeste doesn't like Jean because of what she could become and Celeste actually doesn't like Jean because she shouldn't be in this time and so on and so forth. Beyond that, not much more is discussed beyond the women's desire to go shopping and some defensive lines from Bendis about how it's not sexist, they just like to go shopping is all. There's a lot of the back-and-forth dialogue that, again, serves to slow the book a lot while making every character sound the same and somehow, spectacularly, not adding anything to the book's story. Kris Anka picks up the art on this one and it's definitely the highlight of the issue. Anka's done good work on UNCANNY X-FORCE covers this run and he's done pretty killer character and costume design work recently (he also works on the excellent new Teenage Mutant Ninja Turtles show on Nickelodeon so I've nothing but praise for him). Overall, the story is one you're probably reading everywhere else across the Marvel Universe right now and it's done better elsewhere and, if you're reading UNCANNY X-MEN, you won't get much new out of this one unless, I suppose, these new clothes take a front seat in the next arc?

Cable and X-Force 17
Hopeless (w) and Sandoval (a) and Rosenberg (c)

The Adversary is on the loose in the X-Force bunker and Forge and Doctor Nemesis are trapped in Forge's mind while he uses Forge's body. Forge realizes that he hasn't left the bunker yet because he can't; the Adversary's incredible magic powers don't work on cold metal, such as the steel the bunker is entirely made out of (seems arbitrary). The key, then, is to keep him in there and to get Doc's consciousness out of Forge's body and have Doc kill Forge to stop the Adversary getting loose in the world. Doc refuses but Forge insists and both try to contact Boom Boom to stop her blowing holes in the bunker and to get her to get Doc out with the mind sync in the lab. Meanwhile, Domino and Colossus stop the avalanche hitting the small town below with a bit of luck and some ingenuity while Cable and Hope have worse luck against the Reavers and their Reavertron 9, made up of the lower level Reavers in the area. After a bit of fighting and some impressive fortitude on both their parts, Hope destroys the Reavertron and takes down the higher ranking Reavers and Cable carries her exhausted body out. Back at the bunker, Boom Boom manages to reach the switch, sending Doc's and Forge's consciousnesses into Doc's mind but, with the mind sync grabbing all nearby consciousnesses, it also sends the Adversary to Doc. Forge is annoyed that it seems impossible to save any of them but Doc points out that not all minds are created equal and he uses the tools in his own mindscape to indefinitely trap the Adversary, eager to hold his victory over Forge for long to come.

Nice little issue as everything here wraps up pretty cleanly and rather abruptly. Domino and Colossus get their moment together as they get to go on their date night after successfully working together to save the town and detonate the Sentinel. Cable and Hope get a bit of bonding time and Hope gets to prove herself to her father. Doc and Forge share a nice moment when Doc reveals that his plan of entering Forge's mind was a little short-sighted and he didn't have time to plan an exit strategy, too concerned was he in saving his reluctant friend's life. I'm also in favor of this issue because we get a lot of Doc Nemesis and we get to see him pretty much win outright in his constant battle of wits with Forge. Nice issue and a nice conclusion, in a way, to the series. There are still a few more issues before this book and UNCANNY X-FORCE disappear and get replaced by Si Spurrier's X-FORCE early in 2014 but the next few issues will be the crossover series VENDETTA between the two X-Force books and will therefore not exactly be based around the mission statement of this team (or of the other team but that one has less of a mission statement and more of a "we banded together because we had to in order to stop this crazy threat") so it's like the series is ending here, in a way. Bit sad. It does make me wonder how long in advance Hopeless knew about the replacement of this book, especially considering how abrupt the finale of this little arc was, wrapping things up in a hastily tied bow. Oh well, it all works out well and Sandoval's art really fits the sort of chaotic action we see throughout the issue. Nicely done all the same.

All-New X-Men 19, Uncanny X-Force 14, Cataclysm - Ultimate X-Men 1

All-New X-Men 19
Bendis (w) and Peterson (a) and Silva (c)

There's a mutant on the run for her life, though she's not convinced she's a mutant, in Miami. A group of heavily armed religious zealots have surrounded her and are ready to finish her for being an abomination when the All-New X-Men show up, clad in their brand new uniforms! There's much quipping about the mutant place in religion and how little sense it all makes while the fight rages. The new mutant runs off and Kitty follows her, hoping to help, calling her Laura and wondering why she's not recognizing her. As the X-Men wrap up the fight, the police arrive and Magik insists they go while Scott insists they stay and try to file a report for the police. Of course, the police don't want to hear it and Magik teleports them away before they're shot. Kitty finally catches up with the new mutant and we find that it's not a new mutant, it's a severely messed up X-23!

Another OG X-Men-in-action issue as they continue to adjust to this future and work together as a team a bit better. Laura is clearly a little out of sorts (and a bit out of memory, it would seem) after her time on Murder World, where she ended up rather left in the woods, feral, and extremely injured. Are they pulling X-23's first Wolverine, erasing her memory and leaving her wounded, defensive, and alone? Boy, sounds like it! The issue is a bit heavy on the back-and-forth and takes a somewhat slow pace because of it, despite being primarily a fight issue and despite so very little happening. There's one somewhat disturbing long-panel that gives rather a close-up on Jean Grey's butt, which goes rather over-the-top and both pulled me out of the issue and made me go "isn't she supposed to be like 15 or 16 at this point?" Jean Grey may be going down the Magneto road, disgusted by humans and angry at everyone, though it's sure to come in stages. The cover for next issue has X-23 throwing herself at Scott which made me groan and roll my eyes. Really sick of all these love triangles (and this isn't X-23's first) and people throwing themselves at other people. Bendis seems not to be sick of that.

Uncanny X-Force 14
Humphries (w) and Briones (a) and Curiel (c)

Cassandra Nova has opened up the portal to the Revenants' world with the sacrifice of a low-level psychic and now has locked down LA to stop communications from going out, leaving Nova herself and Psylocke as the only two psychics in the area. That makes things tricky for X-Force, who has to sacrifice a psychic before daybreak to close the veil (these rules seem arbitrary). As they send an attack force (Puck) at Nova's moving base (she called forth a ground-made creature to carry them all), Nova offers an alliance to Betsy, hoping that she'll help in exchange for her old body back, the original Betsy Braddock British body. She looks on it with sadness and longing as Puck breaks in and rescues her, taking the Demon Bear down in the process. The escape doesn't go particularly well and they end up in the Revenants' world.

Plenty of action here and a pretty neat little choice for Betsy, who has to push away probably her last chance at ending up in the OG British body to save the world. Not that she's done badly in the Hand-resurrected body and not that she hasn't had the time to get used to it, but it's still a really intriguing choice and one that you're like "I can see why she'd want that." Aside from the continually arbitrary rules, there's a lot going on here and a lot to make this seemingly final X-Force-only arc interesting; this arc will lead to the "Vendetta" crossover with CABLE AND X-FORCE which will ultimately result in the two books ending, to be replaced with Si Spurrier's X-FORCE, which will be amazing. Anyway, interested to see where this story in and of itself is going.

Cataclysm - Ultimate X-Men 1
Fialkov (w) and Martinez and Lucas (a) and Bellaire (c)

Galactus has reached Earth and it's come at a time when Kitty's X-Men have gone back to Tian to try to find any survivors, including the missing Pixie. They manage to find the small group of mutants (an oddly specific bunch that includes Pixie, a guy who has the power to calm people down, someone who can use and amplify the powers of others, Strong Guy and Beak) right as Galactus appears and Amp and Pixie both panic, leading to the entire group teleporting the entire area into what seems like maybe space, where the Gah-Lak-Tus swarm surrounds them, charging at them over and over in the hopes to consume them. Silence (the calm-people-down guy) is killed pretty quickly and the others begin to fight. Things seem a bit out of control when the new Captain Marvel, AKA Rick Jones, appears to help.

Fialkov has really orchestrated this whole event, it seems, which seems like a really big event for someone who hasn't been at Marvel for that long. I'm not saying he's doing a bad job or doesn't deserve to be doing this, but Marvel tends to give events to people they've been working with for awhile and really know they trust but Fialkov has kind of excelled this year (especially in the Ultimate universe) and has made himself worthy of the new event, apparently. It's certainly an interesting event and you can see all the pieces falling into place, as the Ultimates go after Galactus, along with Spider-Man, and the X-Men go after the Gah-Lak-Tus swarm along with Captain Marvel. That means a fight on all fronts, whether it's going to go well or not. Obviously the plot is the key to this issue, as with most event books, which means that some of the charm of the ULTIMATE X-MEN book under Brian Wood has been lost. I'm not sure that it really could have kept up into this event because, like I said, events tend to be a little too plot heavy and, also, this is going to be a limited run book, meaning it can't hit that same kind of building-tension tone that Wood had hit so well in his run. Still, should be an interesting event.

X-Men Battle of the Atom 2, Ultimate X-Men 33, Uncanny X-Force 13

X-Men Battle of the Atom 2
Aaron (w) and Ribic w/ Camuncoli and Currie and Palmer (a) and Svorcina w/ Mossa and Guru eFX (c)

Everyone has to take a moment to deal with the SHIELD attack started by Xorn and Xavier. By and large, the X-Men seem to realize that maybe this is a little out of form for SHIELD but they do eventually have to ask some questions as some SHIELD-authorized Sentinels appear. It's these attacks that are more troubling (why do they have Sentinels?) and more damage-inducing, as they kill old Hank McCoy and old Jubilee. Xavier also kills old Colossus and I THINK that's the full casualty list. You'll note, of course, that all of these deaths are from characters that may or may not exist in the future? Anyway, time travel. So the combined X-Men manage to defeat the Brotherhood (though the surviving members scatter in the present, like real jerks) and Ilyana teleports them all back to Westchester. There are a number of epilogues by a number of different X-creators and it basically boils down to the following: the team from the future goes back, the original X-Men are staying in the present because of course they are, Storm's future daughter Kymera is staying behind to track the Brotherhood, and Kitty and the original X-Men are going to Scott's X-team.

I really hated this event, you guys. And now that it's over, I can safely say that I hated it all the way through and that nothing changed my opinion about it. There's a ton of the back-and-forth dialogue here with altogether too many quips for the seriousness of the situation. There are very few (if any) of the kind of idealogical questions that X-Men has been known for over time (other than, you know, the ethics of time travel, a thing that doesn't exist). The original X-Men are still here and now Kitty, who was, perhaps, more burned than anyone by the Phoenix Force business, is leading them to Scott's camp because she feels like she can't trust anyone at the school to have her back because they didn't listen to her when she said she wanted the kids to stay (I think? It's not a very clear argument). Just so, so glad this business is over. Hard not to compare it to Infinity as both are happening at the same time but one has wonderful pacing and a huge, epic feel to it that certainly had its share of fights but they were all meaningful and different. Guess which event I'm talking about now? Guys, it was Infinity. Obviously it was Infinity.

Ultimate X-Men 33
Wood (w) and A. Martinez and J. Lucas (a) and Sotomayor (c)

Pixie is teleporting everyone from Tian to Utopia while Kitty meets with Jean hoping against hope for a peaceful resolution. They fight for a bit but still Kitty does it with the hope that Jean will listen to reason. Jean's main argument, of course, is that Tian is a sacred and perfect place and that mutants need to be united. Kitty explains why she doesn't believe that; she believes mutants are united, they just don't want to be ruled by Jean and this has kind of shown why. Kitty knocks down Jean and reunites with a healing Jimmy before Jean knocks them both out from behind, believing she's won the war. However, she suddenly realizes that there are no more citizens in Tian and Pixie appears to take Kitty and Jimmy away behind her, saying that she'll come back for Jean if Jean wants, especially given the bombs that are now raining down on the city. Jean struggles to survive through the falling Utopian attack and is eventually rescued by Storm and brought to Utopia, where she begins to make a new life for herself, admitting a couple weeks later that Tian feels like a thing of the past and that she's gotten better than she deserves from the people of Utopia. Kitty, meanwhile, suffers no retribution for the attack on Tian, for which she takes absolutely all responsibility. The government is still rebuilding and doesn't have the time nor the funds to press any charges if, indeed, there are charges to be pressed here. Everyone seems a little more comfortable with Tian off the board and they all seem okay with mutants policing themselves for the time being. World War X isn't entirely without casualties, though, as the Sentient Seed's consciousness is apparently dead.

Plenty still happening and a very cool ending for the World War X arc we've just finished but I want to note that this is also a really good way to end the series, if indeed Cataclysm does bring the Ultimate Universe to its end. Another good issue from the Ultimate X-Men team as we get some resolution at last for the problems that have been building for some time now. It's also got a nice question, a little bigger and broader than a lot of X-Men theme questions, which normally focus on good vs. evil and the like (okay, they're bigger than that). These are questions about nation-building and the place of this race in the world in an even broader sense than in the "humans fear us" kind of way. Pretty cool and it still fits really well with the themes we've built over the last year as Kitty has taken her X-Men to the next level here. As a quick note, Magneto destroyed New York with a tidal wave once in this universe and yet these X-Men, though smaller, seem like they may be doing better than the 616's X-Men. Who is dropping the ball over there?

Uncanny X-Force 13
Humphries (w) and Briones w/ Unzueta (a) and Curiel w/ Rosenberg (c)

The Revenants, led by Cassandra Nova, are primed to enter our world and Psylocke and company realize that they could use some help with the oncoming storm. Unfortunately, Nova, an omega-level telepath herself, has locked down psychic transmissions coming in or out of Los Angeles so Psylocke cannot contact anyone quickly enough (I guess as a psychic, you stop carrying cellphones). It's up to their little ragtag band to stop Nova from opening the portal to allow all of the Revenants in and, failing that, up to them to try to help stop the Revenants, an impossible army consisting of angry shadow-duplicates of every living being on Earth. They manage to crash Nova's party just as the Revenants are starting to come through and the fight quickly turns south as Nova has counter defenses for some of them specifically and as she manages to repossess the Demon Bear that's been at Psylocke's side for the majority of this journey. Now the Great Corruption (as Bishop calls it) is open and only the death of a telepath can close it. Bad news, as Nova now has Psylocke so controls the local telepaths.

This series is shaping up nicely with a pretty intense story and some nice characterization shining through in this issue, particularly between Storm and Psylocke. I know that it's a comic book but the rules of this little venture seem a bit arbitrary, which would be my biggest complaint about this. This is a new sort of enemy (even if Nova isn't new) so there are no established rules for this sort of thing, yet Bishop and others keep throwing out rules as if we know them. I'm not complaining, necessarily, about the rules themselves, but it it a little hard to follow without anything set up ahead of time and it makes it feel like simply roadblocks when we actually get to a big moment. The psychic shut-down of LA, for example, meaning no one thinks to pick up a phone is strange. The death of a telepath thing feels like something that was well-thought out but never really explained to us so it comes off as arbitrary even if it wasn't by design. Still, overall an engaging story with signs of progress for a series that felt like it was kind of spinning its wheels for a while.

Uncanny X-Force 12, Ultimate X-Men 32

Uncanny X-Force 12
Humphries (w) and Alphona (a) and Sotomayor w/ Rosenberg (c)

We get a look at how Spiral's been passing the time with X-Force and Bishop dealing with Revenants and, as it happens, Spiral's been on the tail of the Revenant's too. She has been searching for Ginny relentlessly, holding her vicious nature in check as best she can to try to get information out of any sources. Two different sources, one woman who has lost a friend recently and another who was killed trying to save her daughter (reanimated by Spiral so she could relate the tale), point Spiral to a White Robe cult. Neither woman seems to know much about them except that neither has heard from the person they lost since they joined up with the cult. The killed woman manages to relate to Spiral where to find the White Robes and Spiral sets off their quickly, eventually (with a couple stops first) leading her to the base of the Revenants, where she finds out that the Owl Queen has taken over Ginny's body and that she's really Cassandra Nova, evil, seemingly immortal twin of Charles Xavier. Spiral relates all of this to X-Force, having realized she cannot do this alone.

Solid entry that both serves to clear up a few things about the Revenants (while also asking a few more questions) and to establish Spiral better for this series. We already know her connection to Ginny and we can trust, even more now, that it's particularly strong and meaningful to her. More importantly, though, we get the real, mostly unbiased look into her psyche as someone who has been broken and molded by Mojo into whatever it is she is now and who has stepped so far from her humanity that she's left with only the killer inside of her. We also see a little bit of her magical abilities with the reanimation of the killed woman, though she's quick to point out that her magic is far more limited these days. Finally, we get the reveal of Cassandra Nova as the big baddie and that has its own implications, especially in a world where, as she so immediately recognizes, Charles is dead. Interesting stuff and Spiral's short nature makes the book move pretty well, even with as much narration as we have. One of the better issues of this book so far, I'd say, even with just the fairly brief action sequences.

Ultimate X-Men 32
Wood (w) and A. Martinez and J. Lucas (a) and Sotomayor (c)

Jimmy Hudson is attacking Tian so, for all intents and purposes, it looks like Utopia is attacking Tian. Jimmy manages to take down a few people though he's brought down surprisingly quickly by the full might of Tian. Derek Morgan, one of the good mutants in Tian, tries to stop him from attacking and lift him out peacefully but doesn't have any luck with that, eventually ceding to a troll in the city. The incapacitated Jimmy is brought to Jean, who begins to psychically attempt to kill him. Liz Allen steps in, though, at the expense of being called a traitor to deem Jean a murderer. Meanwhile, on Utopia, Kitty has decided she is going to Tian with the help of new Utopia resident Pixie and talk with Jean, which will, one way or another, lead to the end of this fight. Either Jean listens and they sort things out in a more peaceful manner (unlikely) or Utopia prepares to bombard Tian. It's time to end things.

I've praised this series' ability to keep tension running just as high from issue to issue without really missing a beat and it pays off in issue's like this, where you see the beginnings of the end of the arc. All the tension that has built up over the course of this series and, more directly, this World War X storyline is bubbling now and is likely to dispel as we reach the end. How quickly it dispels is anyone's guess but it's a perfectly structured story with smart characters and writing. That's all it takes to make a series this reliably good. Brian Wood is one of the best in the business at this kind of pacing and at writing a complete story, beginning to end, without particularly slow beats. This issue is another great example of it and you can already see the framework for the next issue, or for however long the resolution of this storyline takes. Really solid book and another particularly good issue. If you like the X-Men, even if you're not terribly familiar with the Ultimate Universe, this is one to get into. Frankly, it's a good one to get into even if you don't love the X-Men and just want to get into a book with understandably and unmistakably high stakes, near-perfect pacing and story, and solid characters and writing. Good book all around.

Uncanny X-Men 12, X-Men Legacy 17, Ultimate X-Men 31

Uncanny X-Men 12
Bendis (w) and Bachalo, Townsend, Irwin, Mendoza, Olazaba, and Vey (a) and Gracia (c)

Jean and young Scott have come to older Scott's X-Men team for help, hoping that his rogue team might offer them an alternative to being sent back to the past, where they belong. After much discussion and thought, Scott says that he will help to protect them from being sent back (Scott of all people should really be against this) though Emma is against it. Meanwhile, Kitty continues to argue with impassioned and nonsensical speeches about allowing people to do what they want with their lives to her X-Men team and the future X-Men team that they should be allowed to stay. Future Jean and Xavier get a lock on young Jean and Scott and everyone goes to Utopia to retrieve them or fight on their behalf. Future Jean freezes the others and knocks young Jean out. Of course, Emma and the Cuckoos are not frozen and Emma tells future Jean that, though she thinks the original team should be sent back, knocking young Jean out while being future Jean is not okay and gets ready to battle her.

I've been pretty harsh on Uncanny X-Men, All-New X-Men, and, most recently, Battle of the Atom. Sometimes I have to pull back and ask if my dislike is warranted or if I don't like, perhaps, some of the conceits or the writing or whatever factor and am now blowing it out of proportion. Uncanny X-Men 12, to me, feels like the proof I need to say "nope, definitely not." I hate this issue. I hate everything about it and it culminates in what seems to be the biggest, dumbest fan service with even a wink, in case we needed it, to say that it's the biggest fan service. Haven't seen Jean and Emma fight in nearly a decade? Worry not, WE'VE GOT YOU COVERED. Want people who see time travel regularly to still be flummoxed by the rules of time travel? Covered. Want to see normally smart characters suddenly turn absurdly dumb? How about if they have impassioned speeches that come from the heart even if they are unbelievably stupid? Covered and covered. Want more of that back-and-forth dialogue that is meant to be fast but, in fact, slows down the flow of the book to a ridiculous degree? Hey. We've got you covered. So yes, I think this book and this event are both terrible and it's hard to see it as anything other than the weakest form of fan service that I can't, in good faith, believe was actually asked for. And this is coming from someone who read Avengers vs. X-Men. I rather wish I wasn't reviewing this with Legacy and Ultimate X-Men, both of which are really good books and which are weakened by being on the same post as Uncanny X-Men. But I already made a schedule and I'm sticking with it.

X-Men Legacy 17
Spurrier (w) and Pham (a) and Rosenberg (c)

Cyclops and David have begun their "no powers" fight and are right in the middle of it as we begin this issue. We get a fair deal of David's inner monologue (and a little bit of fourth wall breaking as he addresses the audience, the people reading his thoughts) and a whole bunch of recap of things that have come before as the two trade blow for blow. Though Scott is a trained martial artist and is stronger and quicker than David, it's a reasonably even fight because, as David points out, Scott doesn't usually get to brawling with people, instead using his powers vs. their powers, and Scott has a code of honor. David doesn't have that, particularly, and he's really, really angry and, he admits, a bit envious of Scott, as he was viewed by Charles. The fight finally ends with, of course, David finally succumbing. Down and out, he uses his powers just enough to incite Scott, who blasts him into the new mutant Scott and his team had found (she fuses living matter together) and this action, thanks to Scott's attack, creates the world worm we've seen David, in his visions of the future, turn into. David becomes a part of the world worm and begins reaching out for more mutant minds. That means mutantkind is doomed unless Blindfold can kill David before things get too out of control. However, before she can strike, she's stopped by what seems to be a robot containing the mind of Blindfold's brother Luca.

There is an awful lot happening here. There'd be plenty to talk about even if this issue was just Scott and David fighting but then we get the whole last half of the book. The recap is maybe a little heavy at times but it's particularly understandable once we get to the end of the issue, which reveals Luca again, not to mention the world worm. There's also a fair amount of monologue, a lot of text, which slows things down a bit at the beginning (thanks, in no small part, to all the recap). Unlike with most books I say that about, here it still flows pretty well. Spurrier has created such an interesting and complex character with David that his thoughts are more than just the usual superhero book fodder. He's not just narrating what's happening and maybe making a quip or an aside or a reference here and there; he's a fully fledged person with a real personality and a lot to think on. It comes with real questions and doubt and confidence and strength and sadness and anger and happiness and love and many other emotions while also incorporating many human tics and behaviors. All around great writing throughout this series. This issue kind of feels a little like it's leading to a series conclusion but, to my knowledge, the book hasn't been cancelled. I'm hoping that stays true and this just feels big because it is big, not because it doesn't have a chance to get bigger.

Ultimate X-Men 31
Wood (w) and A. Martinez and J. Lucas (a) and Sotomayor (c)

Tian has more or less announced war on Utopia and Kitty has made arrangements by deciding to step down as the head and face of Utopia and put Colossus in charge. She's done this, she explains to her conflicted people, to give the world a different face to look at, one they haven't likely seen and one who is more than a little intimidating without the intent to look intimidating. She can now also be a part of the army that's formed on Utopia. We see a little bit more of what will be defending Utopia before we look in on Tian. Storm has eyes on the nation and is wreaking havoc with the weather there. On the island itself, Jimmy Hudson is having some qualms with the way Jean is running things. He lets slip that he still believes in Utopia and she asks him to choose which side he's on. He's locked up shortly thereafter and Jean formulates a plan, based on the announcement of Kitty's resignation. To attack now would make Tian seem like the aggressors (they rather are, but the world doesn't necessarily see it that way). Jean, then, intends to release Jimmy into Tian to murder civilians, looking like a Utopian terrorist. She plays with Jimmy's mind and releases him, warning Tian of the "breakout." She also authorizes Farbird to find and kill Storm.

It's hard to say tensions are still ramping up when the tensions are already so high. I really like this series and I'm continually impressed by the way tension ratchets up in some new way every issue without ever feeling like it's piled too high, high enough that it's broken past the point of believability, even in this world. The only thing that one could possibly point to as a little weird in these dealings is how far gone Jean Grey seems to be, but even that is a weak point at best. Something is clearly going on with Jean and it's hard to say exactly what but it's certainly impacting this story in pretty extreme ways. Still, everything else seems perfectly reasonable within this world. The actions Kitty and Utopia have taken don't seem out of sync with their possibilities; the logic is always there. The same mostly holds true in Tian, where Jean seems unhinged but is still making kind of logical decisions given how unhinged she may be. Really good stuff which moves the book extremely well and never piles too high to wear the reader down. It's enough to keep a lurking sense of dread, which is perfect for this book.

X-Men Battle of the Atom 1, All-New X-Men 16

X-Men Battle of the Atom 1
Bendis (w) and Cho w/ Immonen and von Grawbadger (a) and Gracia (c)

Eagle-eyed readers will notice that I've been a bit wary about events of late. I've tried to maintain that an event, by its nature, isn't a bad thing as long as there's a story worth telling. Marvel has worked for a long time to make a universe that is interconnected so it stands to reason that we should, occasionally, have stories that involve the entire universe. As long as they're good stories. Meanwhile, the future X-Men have shown up to tell the present X-Men to send the past X-Men back home or else we'll get a dystopian future that screams of both Age of Ultron and Days of Future Past. Let's start from the beginning. By which I mean with pages of recap of what's happening. Nevermind, let's not start with that, except to say that the first page shows Illyana jumping into the future to see what becomes of the X-Men (because traveling through time and space is only ripping apart the universe when it's convenient for a story. BENDIS, you wrote Age of Ultron, these are your rules) in a scene that is reminiscent to the opening scenes of Age of Ultron and many scenes in Days of Future Past. Things are going badly and she writes a letter to Scott Summers to sum up what he already knows and that's our lazy, lazy introduction. Anyway, Kitty and her team of All-New X-Men go to identify and either help or bring down a new mutant with dangerous powers in Arizona. Pretty quickly upon their arrival, a score of Sentinels attack followed by the appearance of Cyclops' team, presumably monitoring Sentinel activity. There's the usual Bendis banter and the two teams combined manage to bring down the Sentinels (suddenly, again when it's convenient, Kitty is happy to see Scott; not just in a "we could really use help" way, in a way that seems like "gee how we've all missed you!"). One Sentinel shoots young Scott, knocking him to the edge of death. Old Cyclops disappears until Triage, Cyclops' new mutant healer, saves Scott. Cyclops blips back into existence and everyone goes home. The present-day X-Men vote to send the past X-Men home (finally) when they're interrupted by the X-Men of the future appearing among them.

I feel like if someone were to write a parody of All-New X-Men, it would read a little like this. Actually, it would read almost entirely like this. "The future X-Men have shown up to tell the present X-Men to send the past X-Men back home" is a sentence I actually wrote up there and no one finds that ridiculous? I wasn't thrilled with the opening, loaded with exposition and summation, but I started to try to accept this book even as it started feeling like every other event it could get its hands on. When they voted to send the original X-Men home, I was like "duh, finally." (why it took someone almost dying to realize implications of time travel in a world that has had Back to the Future for over 25 years now is beyond me) Then the future X-Men showed up and I switched off again. Is there a way to make this event interesting and not hacky again? I don't know. Maybe. I sure don't know what it is though. And chapter two of the event, reviewed next, certainly doesn't help things (spoilers).

All-New X-Men 16
Bendis (w) and Immonen and von Grawbadger (a) and Gracia (c)

The future X-Men chat with the present X-Men about sending the past X-Men home (ug, had to write it again) and explain that not sending them home would be a giant mistake, wondering why they haven't done it already. The future X-Men team has older versions of Kitty, Beast, Iceman, Deadpool, and Runaway Molly Hayes, as well as a younger man claiming to be Xavier's grandson (named Xavier) and someone costumed as Xorn, former X-Men teammate and eventual betrayer and killer of Jean Grey. All the basic jokes come out ("I look like that in the future?") before young Jean panics, unable to read the newcomers' minds, and creates a situation wherein chaos ensues and she and young Scott run away. Back at the school, they all talk some more and Xorn reveals herself to be, in fact, Jean Grey, because of course she is. Everyone wonders why young Jean and Scott ran off and Xavier and Jean reveal that it's because they were guarding their thoughts, which makes Wolverine as suspicious as Jean had been. The reveal of Jean as Xorn, though, is where we leave off, seeing as well that young Jean and Scott have beached themselves somewhere removed after Jean reveals that she can't go home because she's afraid her new psychic powers will fight back against their Xavier if he tries to wipe their minds.

Imagine a Sherlock Holmes story where Sherlock leads the police from a recently murdered corpse through a house, following bloody footsteps, to a man holding a bloody knife and a gun (he used the knife, the gun is a clever red herring) talking to himself about the murder he just committed and, upon seeing this, the police yell "By Jove, Holmes, I don't know how but you've done it again!" That's what this kind of feels like. Everyone is suddenly incredibly stupid and we're supposed to accept this as a story because everyone is equally stupid so the tension is exactly the same as it would be if everyone was incredibly intelligent. Here, the biggest idiotic thing we're forced to accept as clever is Jean's panic over the fact that the future X-Men are guarding their minds. You might be able to pass it off as simply an excuse she used to run away before she was sent home but then even Wolverine, when he finds out the future X-Men are guarding their minds, says "Now why would you go and do a thing like that?" This is after nearly FIFTEEN ISSUES of people telling Jean that she shouldn't be reading other people's thoughts without their permission. People are constantly guarding their thoughts from psychics in the Marvel Universe because, if they didn't, there would be no ambiguity. So yes, there is ambiguity of people merely mention that thoughts are being blocked but to use it as a full-on plot device is so stupid. I would talk about more but there really isn't much more. There's one scene where the present X-Men talk to the future X-Men (making jokes and exposition) and then that scene is replayed as the backdrop to Jean trying to convince first Henry, who won't bite, to run away with her and then Scott, who instantly agrees. I BETTER GET NIGHTCRAWLER BACK OUT OF THIS STORY.

Uncanny X-Force 10, Ultimate X-Men 30

Uncanny X-Force 10
Humphries (w) and R. Pérez (a) and J.D. Ramos and Rosenberg (c)

Psylocke has returned to the team and everyone is eager to figure out what's up with Bishop. They ask Bishop what's up but can't really trust the words he says so Betsy checks his mind quickly, discovering that he's telling the truth, or at least thinks he is (like in Ghostbusters), which is still doubted by Puck, in particular. They learn from Bishop that Revenants, the creatures he fears from the future, are essentially spectral twins of every human alive, jealous of their counterparts' lives (they never SPECIFICALLY say "evil" but it's implied) and who have been unable to cross in large numbers until the Revenant Queen managed to figure out a way. Bad news for humanity and bad news particularly now as Bishop has followed the Revenant Queen back here. A fight ensues and plenty happens, including the capture of three of our team members (but which three? See, I don't give anything away! Though technically there are only three official members of the team and they're Psylocke, Puck, and Storm so GUESS WHO IT IS?).

Now we're starting to get into a meatier story and not a moment too late. Maybe one moment. It's issue ten, you guys. Still, there are some peculiarities about the story that are yet to be revealed (how did the Revenant Queen change things, are these guys evil or misunderstood or what, what makes this time the best time for the Revenants to come back to, etc) but we have our baseline, which is a nice start. Betsy's back with the team and ready to fight (until the capture of three members of the team, one of which may or may not be her). In addition to that, the Revenants have now captured three of these members and are preparing to unleash their Revenants on the world (another question, if Psylocke IS one of those captured, why does her Revenant look like a different version of her Japanese body? Wouldn't it look more like OG Betsy Braddock, the British blond of the Braddock brood - nailed that alliteration, by the way - rather than her corrupted self). PERHAPS ALL WILL BE ANSWERED SOON. Still, not a bad issue. The nice thing about this book, while I haven't necessarily loved it, is that it's always pretty eminently readable. There's enough going on and the writing doesn't hurt the book so it's not a pain to read or anything. Screaming endorsement, "eminently readable."

Ultimate X-Men 30
Wood (w) and A. Martinez and J. Lucas (a) and Sotomayor (c)

The war between Tian and Utopia seems to have seen its opening shots and it's led to a bit of drastic action on both sides. The Utopia mutants react to the essentially-droids attacking their home, destroying them all once they find out their not exactly alive to make a statement to Jean. Jean, in turn, blasts Utopia in a very public speech, pointing at them as the aggressors and as unwilling to tolerate another mutant community. It's a bold move and a dangerous one, one that James, Jean's newest citizen and confidant, doesn't approve of (he doesn't approve of most of what she does but he seems to see no other world for himself) and that Kitty has to react to internally. Disappointed that her ideals and hopes don't seem to be the ideals and hopes of the people around her, she cedes the leadership role of Utopia to new citizen Colossus.

Not a huge entry but still a pretty big issue. We also get a look at Magma and her powers, as she shapes the Earth around Utopia to create an even better area with which to defend Utopia. Pretty powerful lady and don't expect that she's only here to show her powers once and then fade into the ether again. Mach Two, while not being controlled by Psylocke any longer, still seems a little strange so don't count a plot with her out either. Still, those things are just icing on the cake for what is already a pretty great series and a pretty great story. I don't tend to give a lot of focus to the Ultimate Universe and it does still rank a little lower in priority for me than the 616 but this book is consistently one of the best books Marvel is putting out, and it feels like the company has a refocused effort all around in the Ultimate Universe so expect to see big things out of it. I also have found myself, on a somewhat related/unrelated note, really enjoying the Ultimate X-Men covers. They're usually more simplistic than this one but still profound and meaningful in some nice ways. And they look really good. Seen a lot of great covers recently. Always encouraging. Did you guys see the Astonishing X-Men one and the Thor: God of Thunder one this week? Rad. Probably others too, but those really stuck out. Love the colors on the Astonishing X-Men one, even if it is kind of a simple design. Less is more, ya know? Even the Uncanny X-Force issue above had some neat cover work to it, with all the ghastly looking Revenant versions of different costumes for each hero. Neat. Am I rambling? I'm rambling. Look, Ultimate X-Men is a great book, maybe check it out, you honestly don't need THAT much backstory at any given time. Maybe you do. But I didn't have a ton when I jumped onboard not TOO too long ago and I'm doing JUST FINE, THANKS. I mean, could be better, I suppose. Okay look, I'm ending the review now, only ten lines too late.