Black Widow 11, Bucky Barnes: The Winter Soldier 1

Black Widow 11

Black Widow knows her attorney's gone missing and she is not thrilled about it. With the suspicious intel of Tori Raven and the help of X-23 (who, I suspect, has teamed up with Natasha thanks to events that we maybe were already supposed to know about from the aftermath of DEATH OF WOLVERINE, though I don't know that that's true and I certainly don't want to do research on such a thing), she storms the casino where Isaiah is being held and makes it up to the top floor, where she finds that Isaiah has been taken away by his captors and a bomb has been left in their place. Natasha and Laura manage to evade the bomb and catch up with the helicopter leaving the casino. Natasha keeps X-23 from killing one of the men, hoping for answers, and keeps Isaiah from keeping Rashid, the man Natasha once saved long ago. However, Rashid forces her to let him go from the helicopter, plunging into a pool below and surviving, but not before muttering that "they hadn't told him about this part," leading Natasha to suspect something about CHAOS, assuming it is them behind this, has to do with some sort of precognitive ability. This seems confirmed when we see, after Natasha, Laura, and Isaiah have successfully left the casino area, Tori take a call from the people at CHAOS and imply once more that they have access to future information.

On top of the gorgeous art of this book which, hopefully, you have checked out by now, one of the great things about this book is the tone and atmosphere of the story. I've already talked at length (perhaps ironically) about the terse dialogue and narration of the book, which makes the book move really quickly and keeps Natasha's character pretty well-defined while still ensuring to keep things decidedly close to the vest, even with the ever-present and unseen audience. However, in the broader sense, Edmondson is doing a fantastic job keeping CHAOS out there and somewhere on the outskirts. It's the same sort of thing you see in a lot of spy or crime series. One notable example is the tandem of Casino Royale and Quantum of Solace, the first two Daniel Craig James Bond movies. The end of Casino Royale introduces this new apparently anti-MI6 terrorist group called Quantum and then Quantum of Solace, which picks up just minutes after the end of Casino Royale, goes on to illustrate them as this ubiquitous group that hides in plain sight, showing Bond that he can't trust anyone and forcing him to rely only on himself and anyone he can tangibly prove isn't working with the organization. In just 11 short issues (and far fewer concerning CHAOS), Edmondson has nicely planted the seeds to view this group in that sort of light, some sort of ubiquitous but unseen enemy that is constantly closing in on Natasha. It's a perfect adversary for her and it's presented brilliantly by both Edmondson and Noto. It's classic spy stuff and it's so far striking the perfect balance that makes them a massive threat but not something that requires Avengers attention on it (always a worry in a shared universe: why didn't so-and-so just call the Avengers? They can't ALWAYS be off-world!). Really great book just doing what it does, continuing to be really great.

Total Score: 5/5


Bucky Barnes: The Winter Soldier 1

Bucky Barnes has taken on Nick Fury's role as "man on the Wall," the guy who protects the planet from interstellar threats before they can even make it to Earth. This first issue finds him all over the galaxy with his chosen sidekick-who-isn't-a-sidekick Daisy Johnson. They start on a planet, kill a dude, take a weird little pet off the planet, investigate a drug trade through Atlantis, and team up with Namor only to find that the drug dealer's middle man was Loki and then the drug dealer is killed by someone else who seems impossible to identify in the murkiness of the final page.

I hate to say "I told you so" but I especially hate to say "I told you so" to myself, who was really starting to eagerly anticipate this book. I have had my problems with Kot in the past (I think SECRET AVENGERS is all over the place and certainly has become a book that isn't for me, a thing I hate dealing with because I still force myself to read every book like some dummy. I also think Kot really wants you to know that he's smart and thoughtful and progressive, something I would honestly have believed if he just wrote books I like because I think writers who can make good books ARE smart and thoughtful and progressive and don't always need to have an agenda LOOK, we're on a tangent again) and they're all coming right to a head here as he loads each page with dialogue and exposition and throws it all at us over Marco Rudy's really specific art style. One of the problems with that is that Rudy's art style involves using space on the page in a way that's very rarely, if ever, done. There are a lot of circular panels in the middle of a page that kind of branch out to create the rest of the page's layout and, when used effectively, create a really neat and unique sort of page. Here, though, it's really hard to follow the art because the words are so very present and it's a struggle just to find your way around the story, meaning you can't really make room for the art. Hopefully this is something that will settle out as the book continues (which is certainly a possibility as the two become more comfortable working with one another) because I still want to believe this book has potential. I just need to stop rolling my eyes at it.

Total Score: 2/5

Original Sin 8

Original Sin 8

Nick Fury attempts to fight off Dr. Midas, Oubliette, and the Mindless Ones Midas has in tow. Help arrives as his gathered team of investigators show up to take on the Mindless Ones has Fury chases Midas to The Watcher's body, where Midas hopes to gain all of the deceased's secrets and power. Fury admits that he was the one who killed The Watcher after all, though flashbacks show us it was a little more complicated than that, and uses the remaining eye to destroy Midas. As the clean-up begins, no one is entirely sure what happened, only knowing that Uatu and Fury seem to really be dead. However, unbeknownst to everyone, a new being named the Unseen has emerged, someone bound to witness all just as Uatu did. In finishing news, Thor still can't pick up his hammer, Oubliette has one of Midas' still working hands, and Winter Soldier has seemingly taken Nick's place on the world's front lines.

One of the things that ended up frustrating me about this series was that I don't think it was poorly written or that the characters weren't well-done or something. I do think there were parts that dragged a bit and I think that the story wasn't particularly strong, certainly not strong enough to overcome my cynicism about releasing all these secrets into the world (especially the secrets that didn't end up impressing me) and about events as a whole. Still, it's hard to complain too much as we walk away from ORIGINAL SIN with a couple of big, key changes (no more Watcher, no more Nick Fury, Thor can't lift his hammer, Bucky's in space, etc.) and as there were a couple of good character moments. I didn't think Nick Fury's plot was very strong; I'll always consider Fury the wheels-within-wheels guy as opposed to the front-lines-of-Earth guy. I think that there's certainly room for both definitions and that one doesn't necessarily preclude the other, but there's something much more clever and much more sly to the first than to the second and that's the Fury I like reading. Anyway, though I didn't like his story, I thought that Aaron wrote him well enough to generate real sympathy and real heart for him as the series ends. I think everyone else gets a fair shake too. Geez, what a conflicting event. I guess I'm still not totally impressed with it but I can't say I full-out didn't like it. Sounds like a certain score to me...

Total Score: 3/5

Original Sin 7

Original Sin 7
Aaron (w) and Deodato (a) and F. Martin (c) and Eliopoulos (l)

The Avengers have brought the fight to Nick Fury, who has just revealed to his pseudo-team that he had taken countless lives protecting Earth and gaining tech to protect Earth and hasn't exactly denied killing the Watcher. Fury, in his powerful suit, fights off the Avengers, using his knowledge and the secrets he learned from the Watcher to pick them apart, including overriding Iron Man's armor to send it back to Earth and telling Thor a secret that suddenly makes him unable to wield Mjolnir. Finally, he manages to extricate himself from the fight holding the two eyeballs and returns to the moon to bear witness to Watcher's last secret while a slew of other Watchers arrive.

As readers of this blog have probably realized, I tend to be wary of big events. I've certainly mentioned that fact enough, though I've also mentioned that I really liked CIVIL WAR and I think it still holds up pretty well. So while I'm wary, I do still root for the event to succeed because, in general, I like good stories and, in specifics, I run a blog wherein I review every major Marvel comic release and boy is it terrible when I have to review a book I don't like, particularly one that allegedly has major implications on the Universe and carries on for too many issues. Do you guys see where I'm going with this? It's not that this event has become unreadable or anything like that to me (sorry BATTLE OF THE ATOM and AGE OF ULTRON, you don't have company in that category), it's just...I don't know, kind of boring? It's also been, from the get-go, a sort of way to kickstart the universe. I very carefully am not saying "restart" or "reboot" or "reset" because it's very carefully not doing that. Instead, it's deus ex machinating (I had written machina-ing and autocorrect suggested machinating and I actually liked that better, thus providing me the one time autocorrect improved something) a way to drop a bunch of stories into a universe already overwrought with continuity. I'm not even REALLY begrudging it that because I can't imagine how hard it is to break through that continuity sometimes. I'm just begrudging that it's still kind of boring and it's carried on probably four issues too long.

Total Score: 2/5

Secret Avengers 5, Avengers World 9

Secret Avengers 5
Kot (w) and Walsh (a) and Wilson (c) and Cowles (l)

It's sort of a day off for the Secret Avengers with all of their recent missions end it and the team spends it in their own ways. Spider-Woman talks to the living bomb and learns from it that she is an empath, Coulson demands a vacation and takes it even after it's denied, Fury is sent into Coulson's locker only to have acid sprayed in his good eye for his troubles, Black Widow helps Maria Hill interrogate the terrible poet and reveals that she knows about MODOK, Hawkeye eats lunch and shoots some arrows, and Maria Hill and MODOK discuss whether MODOK can be trusted. Though MODOK swears he can and swears that he wants to make the world better, Hill secretly believes that everything that's happened recently, from the hitman to the recently discovered pregnancy of the Fury to the poet and the living bomb, has MODOK's fingerprints all over it.

There are directions in which this book can go that I think would make it an interesting book and I think that Kot has wisely kept many of those directions open. One of the benefits of an occasional rest issue is that it allows a reader to reset and the writer to nod at different potential plot lines. You need to fill space in a rest issue and you don't want it to be wasted space so the best thing you can do is keep some balls in the air. Kot is doing that nicely here, but there is a little bit of a flaw here in that Kot's biggest ball still in the air is that MODOK maybe can't be trusted. I wasn't particularly onboard at any point with MODOK joining up with SHIELD because I don't think it tracks at any point in MODOK's existence (it tracks in SHIELD's existence because SHIELD is the worst) but neither sincerely wanting to help SHIELD nor subterfuge and subtlety in trying to take SHIELD apart from the outside has ever been a strong suit for MODOK, so to find that this book's drama is currently hinging on whether or not we trust MODOK left me feeling a little letdown. Still, I enjoyed this issue more than the previous ones because it felt a little more down-to-Earth (I don't think the book should be forced to keep to sort of generic comic book standards, but I do think it needs to choose a real tone and stick with it) and didn't get too caught up in its own perception.

Total Score: 4/5


Avengers World 9
Spencer (w) and Caselli (a) and Mossa (c) and Caramagna (l)

Cannonball and Sunspot are being treated pretty well by AIM and it's throwing them off a bit. They're not able to leave but they're treated to fine dining and first-run movies (with as blatant a nod to Marvel's upcoming Guardians of the Galaxy as you're about to see in comics, even including the movie tie-in books). Still, their rescue team didn't pan out but Maria Hill was able to establish contact. With the help of a future Jocasta unit recovered back in Spencer's SECRET AVENGERS, Hill has learned that AIM Island has blossomed because the AIM of the future is sending back tech and info to the past. She knows how they're doing it and sends Cannonball and Sunspot to go shut it down at the source, traveling to the future to stop the flow of information to the past. A future Jocasta meets them there and brings them to see the kidnapped children of the Avengers.

I talked in my pre-game about how much I'm enjoying this series as a whole, with smaller teams and somewhat more personal quarters and missions. It's been a really strong book altogether and I think this issue is no different. This one is a little more light-hearted as Cannonball and Sunspot, particularly together, are more light-hearted characters, but it works here as the situation still feels big but they, with all of their powers and bravado, don't quite fit into it, leading to the humor and the slightly-off tone. It works. Also, there's a major Back to the Future reference which is then called back very nicely and a good Back to the Future reference will typically get me on your side (I'm calling it Back to the Future because the line in question, "it's your kids, Marty, something has got to be done about your kids!," is at the end of the first movie and is repeated at the start of the second movie but we're NOT GOING TO TALK ABOUT THE SECOND MOVIE. Whole stupid thing hinges on Marty not being able to walk away from someone calling him chicken. So dumb, you guys! But that first one is gold).

Total Score: 5/5
Back to the Future Total Score: 1.21 GW

Original Sin 6, Original Sin 3.2 - Hulk vs. Iron Man

Original Sin 6
Aaron (w) and Deodato (a) and F. Martin (c) and Eliopoulos (l)

Nick still won't confess or deny the murder of the Watcher but he admits that he called all of them there (aside from Rocket, who turned up on Moon Knight's and Gamora's behalf) in the hopes that at least one of them would want to take up his mantle, that these are the people most able to do his job. Fury Prime, who also reveals that the Infinity Formula keeping him young is now gone and he's aging rapidly as a result, returns to his work and begins interrogating the Orb on how to make the eyes talk. The team he left behind fight the other Furys in the hope that they'd get to the other Fury just as the Avengers also arrive only to find Nick waiting for them in a battle suit.

Look, who killed the Watcher? I don't want to say that there wasn't interesting stuff in here because I think there still was but I've often chided events for lasting too long and I think this event is suffering from that in this very issue. Aaron does a solid job keeping the pace of this issue moving but you're not in an event to see the rest issues or to reset for a minute. You're in an event because something huge is happening. Nothing huge happened in this issue. It felt like a recap of the last one and a prep for the next one, which will be the penultimate issue. Not a lot more I can say about it. AND YET, this review took SO LONG TO WRITE. I'm a little out of it, you guys. Long day. ANYWAY, don't let that cloud your judgment of my Total Score.

Total Score: 2/5


Original Sin 3.2 - Hulk vs. Iron Man
Gillen and Waid (s) and Gillen (w) and L. Ross (a) and Guru eFX (c) and Caramagna (l)

Tony buys an unsuccessful motel nearby to where the original gamma bomb went off, trying to remember what happened there back when he and Banner once yelled at one another there, as Banner goes to Arno to work on a tweak for Extremis. Tony remembers back to a time with Thunderbolt Ross wherein he was officially paid to help Banner, back to the fight the two geniuses had, and back to his decision to knowingly sabotage the bomb. Meanwhile, Banner's tweak worked and he's off and running.

I liked this issue a good deal more than the first for a couple reasons: first and foremost, it's an actual addition to the story as opposed to just kicking things off with information solicits and interviews told us (again, not Waid nor Gillen's fault there, but still made for a more boring read). Second, though, I really do appreciate that Tony very clearly is the villain here. We all know that Tony was a war profiteer and an arms dealer and, you know, still rather Tony but drunker and less ethical. To then have Gillen make Tony completely at fault for what's happening, a pretty major "completely at fault," is pretty gutsy, particularly where this is still a well-liked "hero" character. Strong move. Still some slowness to the plot as we build to the climax (there was some good new information and information that colored the story a bit more, but by and large, it didn't give much new).

Total Score: 4/5

Original Sin 5

Original Sin 5
Aaron (w) and Deodato (a) and F. Martin (c) and Eliopoulos (l)

On top of his usual roles as soldier, spy, and head of SHIELD, Nick Fury has also long been keeping an eye on the extraterrestrial plains insofar as they concern Earth. Since the days of Howard Stark and newcomer (though dead now, but newcomer to this universe in this flashback) Woodrow McCord, Fury's spent some time in a secret base monitoring alien life and intercepting any who strayed too close. How did he manage to be a one-man SWORD and head of SHIELD? Oh right, those LMDs he has in droves. Fury's secret war (well, at least this secret war) has been carrying on for some time and now his team is a little concerned that maybe it put him at odds with the Watcher, though Fury has no real comment on that. Instead, he believes maybe it's his turn to die as well as the Watcher's.

Tons of never-before-seen history for Nick Fury as the world's most secret secret agent reveals another facet of his life that might be more engaging if SWORD didn't currently exist. I think it's still somewhat engaging here because it's just another "well, Nick Fury does everything, I suppose" kind of story and a good Fury story tends to be a story worth reading but with SWORD in play (though often more than a little incompetent) it's hard to really get a scale for the invasions he's been holding off. Aaron also pulls the "for every one invasion we see, dozens more are stopped by this last line of defense" bit, which is essentially saying "look, we know there are a lot of invasions in Marvel but there would have been even MORE if not for this retcon." Deodato does some solid work and Frank Martin continues to deliver with all of his books (I'm particularly high on Martin right now because EAST OF WEST is one of the best books I think I've ever read). Real atmosphere book meant to give us a sense of the scale of this story if not to drive it along more.

Total Score: 4/5

Original Sin 4, Avengers 31

Original Sin 4
Aaron (w) and Deodato (a) and F. Martin (c) and Eliopoulos (l)

As the mysteriously led groups converge on a single location, led there by various data, each small group discovers it's part of a larger entity. They also find Bucky, the first one to arrive at the small station on the blue side of the moon. Though tempers flare (Gamora and Moon Knight aren't so pumped to have been ditched by Bucky and had to catch a ride with Rocket Raccoon), particularly as Bucky reveals the head of Nick Fury, things are explained a bit when Gamora stabs the head, shorting it out and proving it's a sophisticated LMD, and when an elderly Nick Fury emerges from a door in the station with several other LMDs.

The various groups have converged and are looking for answers, understanding now that maybe they've been lied to and suddenly they recognize how tenuous their groupings are and how distrustful they are of one another. There's a lot of sniping as everyone tries to feel each other out and tries to figure out his or her own role in this investigation. As such, the tension is written pretty well and Deodato's ability to draw just about any character in any situation pays off as he's forced to draw plenty of team scenes and fights and powers and so on and so forth. The book moves as fast as any of these issues have and Aaron's love of The Orb continues to shine through as he has the heroes bring the nonsensical root of all this along with them. Strong issue. Still unsure about the scale of this book (it doesn't feel like an event in a lot of ways, though so many are involved) but that's not a concern the book really needs to answer and, as such, doesn't affect an overall good performance.

Total Score: 5/5


Avengers 31
Hickman (w) and Yu (p) and Alanguilan (i) and Gho (c) and Petit (l)

The Avengers have been sent 500 years in the future now and Hawkeye, just as his future self predicted, won't go any further, falling away in the timestream and aging to dust. The Avengers aren't worried about him unduly, believing that this is what the Hawkeye they just met predicted. They're more worried, though, when they end up trapped in the future and when they learn that Ultron controls the planet with about 30 million humans surviving and future Thor working for the AI (who he claims is also the All-Father). The Ultrons take Cap and Black Widow away and plant a bomb in Cap while the future equivalent of Black Widow speaks in guarded language about wanting her own freedom. Enter time gem, sending Cap, Black Widow, and Starbrand (Thor and Hyperion fall away as Hawkeye did, ending back in Stark's lab with Clint) some five thousand years into the future.

The glimpses of the future continue to be interesting, if a little confusing. I think it's to Hickman's credit that we land in each future for less than an issue's length, just as it's to his credit that all of the future talk isn't winks and nods to the audience, as so many future time travel books are ("this event could happen!" or maybe "this Avenger has died!" or so forth; this book is doing a little of that by the way each future looks and occasionally a quick aside about, like future Thor saying he remembers when he was worthy of Mjolnir, but there are very few explicit, hitting you over the head kind of moments, which I appreciate). There's a lot to try and keep up with and it reads like a story that will make more sense in time, as is so often true with Hickman. Certainly more than readable now as is (and there are some good character moments, particularly as Cap is knocked out and dreams of the Illuminati, undoubtedly only enraging him further) but the true plot has yet to really come across.

Total Score: 4/5

Mighty Avengers 11, Secret Avengers 4, Avengers Undercover 5

Mighty Avengers 11
Ewing (w) and Land (p) and Leisten (i) and D'Armata (c) and Petit (l)

Luke Cage (formerly Carl Lucas) has just found out from the Watcher that his dad, James Geary (formerly James Lucas), was part of some sort of super team back in 1972, a team he'd never told his son about, even going so far as to completely excuse himself from Luke's new life because he didn't want to be involved in anything super heroic. Cage interrogates his dad about the team and what they did. James tells his son about a time when a bat-man (but not that one) was found dead on the streets of his homicide beat and, in trying to learn more about it, James ended up working alongside reporter Constance Molina, dark sorcerer Kaluu, Blade, Blue Marvel, and the Bear (from Howard Stark's little super team back in Gillen's SECRET ORIGIN OF TONY STARK storyline for IRON MAN), who reveals that the bat-man is actually a Deathwalker. His dad is reluctant to tell the whole story but Luke informs him that Blade is part of their team now but is missing, seemingly taken by Deathwalkers, and now Constance Molina and Kaluu are apparently prepared to go up against the current Mighty Avengers.

There's a lot of exposition to get through here as Ewing has limited time to explain James Lucas' history in a book not about James Lucas. Of course, it ties to some of the prior events already in MIGHTY AVENGERS and seems like it will drive the series further, which is a benefit not always seen in tie-in books, but it's also hard to feel like this isn't a little bit slow. There's a lot of exposition and rather a lack of subtext in favor of simply text in the hopes of pushing the story forward. Still, it's a very nearly engaging story but I think the true story lies in the story of why the Bear's dogs are so big here and not, as I believe they originally were, corgis. Boy, that's a weird word and somehow looks weirder pluralized.

Total Score: 3/5


Secret Avengers 4
Kot (w) and Walsh (a) and Wilson (c) and Cowles (l)

While Coulson, Black Widow, and Spider-Woman are off disabling a poetry bomb, Fury and Hawkeye have been sent to Kowloon Walled City in China to capture The Fury, although the Kowloon Walled City no longer exists. MODOK speculates that the city was brought back in to China from another dimension, possibly as a place to trap The Fury. It's a bit of a crazy story but it's the best they can come up with for why a thought-gone city has reappeared and, frankly, it doesn't really matter because they just need to capture The Fury. Thanks to the help of a MODOK-made gun and a little theory about the way The Fury's brains work, Hawkeye and Fury are able to take the alien down and SHIELD is able to extract him. Meanwhile, though, MODOK starts to get under Hill's skin and the assassin who had tried to kill Hill winds up dead in his containment.

With a little less happening and a little less quipping and bantering, this issue leaps out as probably my favorite so far of the new series. It's not without its issues (most of which are convoluted-plot based) but it's certainly a step in the right direction as far as I'm concerned. The characters acted in a way that felt more within themselves and some of the interesting layout choices and unconventional pages worked in a way that I thought some of the attempts in previous issues hadn't (namely the weird text-adventure game that ran through Natasha's head at one point, which was kind of fun as an idea but didn't work for me because there's little doubt in my head that Natasha has never played nor thought about a text-adventure game so framing her thoughts as such seems like it's only there as a fun idea and not anything more substantial). Still, this issue largely works (though I still can't get a great read from a couple of characters, but that may be thanks to the nature of this team) and I think toning it down works to the advantage of the book (though, in this case, toning it down is a secret strike team capturing a deadly space alien in a city that shouldn't exist).

Total Score: 4/5


Avengers Undercover 5
Hopeless (w) and Walker (p) and Gorder (i) and Beaulieu (c) and Caramagna (l)

The group of kids (they really need a better collective name) are given the night to think over Zemo's offer of a place in his organization (which is pretty much the whole of Bagalia) or to return to their homes and likely go to jail for killing Arcade. Their split into three groups to tour the area with Nico and Cullen going with Daimon Hellstrom to see the magic part of town, Constrictor showing Chase and Death Locket the more group-themed entertainment (basketball court!), and Madam Masque quickly leaving the perceived remaining leaders of the group, Hazmat, Cammi, and Anachronism, behind as she goes to her own business, saying that she's told them they can have the world on a platter and that there's nothing more she can do to convince them than that. There are surprises all around as Hellstrom continues to sympathize with and help teach Nico before revealing none other than her thought-dead ex Alex Wilder (of RUNAWAYS fame), as Death Locket continues to hit it off with Excavator, and as Hazmat forms the idea of infiltrating Zemo's group to gain leverage in eventually becoming heroes again. When the group reconvenes, she and Anachronism reveal the plan and give everyone the chance to join, telling them they don't know where it will lead or when they'll back out, but it's a chance to eventually return to being heroes and to disconnecting themselves from Murder World. The next morning, everyone but Cammi tells Zemo they'll join with him while Cammi, flying away from the city to return home, is dragged out of the sky by Constrictor.

My official mantra should be "there's plenty happening in this book" and probably something to do with the word "interesting" but it's hard not to say here again, as overused as it is on this blog, that there's plenty happening in this book and it's already, even before we start moving towards the bulk of the plot, plenty interesting. Of course, Hopeless was lucky enough to take hold of all of these compelling characters with mostly rich personalities and backgrounds before he absolutely helped himself by writing a spectacular book in the form of AVENGERS ARENA and really helping to cement where those characters are at. Now he gets to take that experience and those well-developed characters and drop them into an all-new story with plenty of exciting roads to go down. For as great a character piece as AVENGERS ARENA was, it was a decidedly contained story, one that literally couldn't go outside the bounds of the island on which Arcade had trapped everyone. Here Hopeless expands the playground with even more fleshed out characters. It's exciting to see and I'm really looking forward to where it's going.

Total Score: 5/5

Original Sin 3, Avengers World 7

Original Sin 3
Aaron (w) and Deodato (a) and F. Martin (c) and Eliopoulos (l)

While the Avengers in the immediate vicinity of the Orb (who, it turns out, was working alongside Oubliette's father Dr. Midas, all of which makes me quite glad I read Morrison's MARVEL BOY not too long ago) are sent reeling from the weight of their secrets (soon to be seen in all the tie-in books), the mysterious murder investigation boss's teams are spread out finding other such murders. Black Panther, Emma Frost, and Ant-Man examine bullets they've found while Punisher and Doctor Strange discuss the people who could shoot a target from such a huge distance. Meanwhile, Moon Knight, Winter Soldier, and Gamora explore space and find a trail of meteor-sized bullet casing that lead to a murdered sentient planet (not Ego the Living Planet, but similar enough that Gamora namedrops him). While Moon Knight and Gamora discuss how much this must narrow down the possible suspects, Bucky destroys their ship and teleports to Fury's base, where he's trying to glean more from the eye they've recovered. Winter Soldier proclaims that everyone has to pay for their sins and that there will be no more secrets before he shoots and stabs Fury and takes the eye.

In FEAR ITSELF, the last event he appeared in, Winter Soldier (at the time, Captain America) seemingly died in issue three. Now he returns to events as he seemingly murders someone in issue three of ORIGINAL SIN. There's a lot going on and plenty that's hinted at for us to read elsewhere (some pretty intense selling of the tie-ins as everyone starts to see their applicable secrets, with the most egregious being Thor yelling "BY THE SPIRES OF ASGARD, I HAVE A SISTER?") but the murder investigation and Bucky's apparent betrayal take center stage here. Like in any crime drama, it feels rather too early a reveal for Bucky to be the actual killer (not to mention that like, does he even know who the Watcher is?) but there's still clearly something pretty deep happening here. Also interesting is Fury's concern that everyone in the vicinity saw their secrets but he didn't see anything. Plenty happening, including a bit of less appealing salesmanship, but it's hard to read where this one will go next.

Total Score: 4/5


Avengers World 7
Spencer (w) and Caselli (a) and Mossa (c) and Caramagna (l)

Madripoor has lifted off the Earth on the back of an ancient dragon at the behest of Gorgon, who has defeated Shang-Chi while his teammates Falcon, Black Widow, and Wolverine try to calm riots on the street. Black Widow calls for extraction, saying it's futile to keep fighting there, while Falcon goes to find Shang. With no birds in the sky around them (what do you think Redwing does on his days off? Bird social worker?), it's up to Sam entirely to find the missing Avenger and he follows a drone leading away from the flying nation. The drone drops him at a giant airship hovering near by called the Circle (because it's circular). He enters and meets Xian Zheng, who informs him that the Circle is his ship and it's one of many new Chinese airships. He explains that China realized it had relied too much upon SHIELD and the Avengers when the war of the Builders struck and now they've put together their own force, called SPEAR, with their own team of heroes called the Ascendants including Weather Witch, Saber, Vector, Devastator, and the Monkey King (last seen in IRON MAN 2.0, I think). Zheng tells Falcon it's nothing that he need worry about, that they're all fighting for the same cause, just that the world looks to China for defense and protection and China hasn't provided it yet. He also asks Falcon to help deliver the message to the world, which he does by appearing on footage broadcast around the world with the new team.

Occasionally a series will delve into the politics of the world, moving away from the individual superheroes and the individual villains and giving us a look at the world that these heroes and villains have created and how it differs from ours. AVENGERS WORLD 7 is one of the times where such a look is smart and compelling. We've seen other country-sanctioned teams and loyal national heroes (Britain has the most obvious example but there are heroes in the Middle East and in Russia and in Japan and, well, pretty much everywhere our heroes occasionally visit) but there's nothing out there with the sort of power and reach that SHIELD has. Now we've taken a story that was interesting, featuring Gorgon raising Madripoor on the back of a dragon, and turned it into something else entirely, introducing SPEAR (the acronym is never explained by Zheng points out that there has always been the shield in the west and the spear in the east so, I mean, pretty much just a word, huh?). I like having Falcon run point on this because he's someone who can understand the need for something like this without feeling entirely threatened. He's worked with SHIELD, he's worked against SHIELD, and he understand the way the world is changing so he's skeptical and hesitant but ultimately willing to give this a shot. Cool idea overall, we'll have to see how this plays across the rest of this arc and the rest of the universe.

Total Score: 5/5

Original Sin 1

Original Sin 1
Aaron (w) and Deodato (a) and F. Martin (c) and Eliopolous (l)

The Watcher has been murdered, a hole blown into his forehead and his eyes removed, and it's up to the original Nick Fury and a few of the other heroes out there to find out why and by whom. Thor discovered the body and immediately alerted fellow Avengers Iron Man and Captain America, who in turn told Fury, Black Widow, and Wolverine (all of whom were enjoying a nice dinner together, members of, presumably, the pals of Fury club). Also working the case from a different angle is a ragtag team consisting of Black Panther, Ant-Man (Lang), Moon Knight, Winter Soldier, Gamora, Emma Frost, Dr. Strange, and Punisher and assembled by a mysterious shadowy figure. Meanwhile, back on Earth, a Mindless One has encountered Thing and Spider-Man in New York wielding the Ultimate Nullifier that was in the Watcher's armory and claiming that he has seen too much. After the Mindless One ultimately nullifies himself, Thing reports in to Cap about what he said. It seems like plenty of people will be seeing too many sins too soon.

Story
This is a tough one to judge story on if just because we've known the general plot of ORIGINAL SIN for months now but Aaron and company still need to address it. It's no easy chore to write a story where just about everyone reading already knows the first act (thanks again SOLICITS, and also press interviews but WHO KNOWS much of this would have come out already if the solicits didn't exist) and Aaron does a commendable job getting it out of the way here. Still, more questions will have to be answered before we can actually call this a worthy story. Of course, it's not the job of the first issue to answer every question a story can have. Look, what I'm saying is that it's hard to judge the story on this one. 4/5

Character
Events are particularly hard to judge character (I'm just going to make excuses the whole way through, apparently) because events are driven by plot. To a point, those plots can be driven by the characters involved, i.e., Civil War (driven very much by who Cap is, who Tony is, etc.), but by and large the focus is on a big and sweeping story. As such, it's incredibly difficult to insert too many meaningful character beats because there isn't enough time and, typically, there are just too many characters. There's a little development for the Fury's pals club as they reminisce and a little development for Black Panther as he reacts to information from the mystery figure but everyone else is incredibly bare bones, presumably out of space concerns. Still, hard not to look at the team I listed in the summary and not read it as simply a line-wide advertisement. Is it an intriguing team? Sure. But each one, very randomly pulled together with particular outsiders Moon Knight (possibly crazy), Winter Soldier (thought dead by most), and Gamora (unknown by just about everyone on the planet), seems hand-picked not for their stealth or mercenary or brutal ways (though, sure, they share that) but for representation of seemingly every single book out there right now. Thing and Spider-Man even get a nod because I guess we hadn't swept in the Fantastic Four or the Spider-Man universe yet. I'm not saying that the team is bad or that they're uninteresting or a bad fit for the job, but it's hard not to view this as simply a huge push for tie-ins and advertising and that stings pretty bad. 2/5

Writing
Aaron has a lot of ground to cover here in explaining a tiny bit about the Watcher for those who didn't pick up ORIGINAL SIN 0 or who don't know him well anyway and then killing him off and getting all his pieces moved into place in this roughly double sized issue (full of double page spreads). He does the job well enough and, though I think we're maybe keeping a few too many cards close to the chest (I've grown to rather hate the "someone is talking to a shadowy figure and that someone knows who the shadowy figure is but the audience CAN'T" trope because I simply don't understand it. I understand its purpose but I can't accept the logistics of it). 4/5

Art
Deodato's art is ever Deodato's art. It's clean, skillful, and tends to make up for its lack of emotion with strength of action. Sadly, there's not a lot of action here, bar the fight between Thing and the Mindless One, and plenty of room for emotion. Deodato is an incredibly talented artist but I remember seeing interviews that were talking about how he was picked particularly because of his ability to draw just about anyone identifiably and to work fast, a necessity to keep up the pacing of the event. I think Deodato's a strong choice for artist on an event but it's getting a little hard not to read that as "time constraints were more important in this situation than finding the best fit." That's probably not fair but it's also not something I'd have considered if not for the points I brought up in the character section and for the price tag on this first issue, which I'll talk about more in just a sec. 4/5

Miscellaneous
This book, first of the eight-issue double-shipping four-month event, retails for 4.99 and, although it's another extra-size book, it's hard not to look at this with the same cynical eyes as, say, the recent AMAZING SPIDER-MAN 1. ASM was a huge book, probably worth the 5.99 price tag it held, but I mentioned in my review of that book that I think a show of good faith sort of move, keeping the book at 3.99, would have allowed more people to buy it and get involved while also garnering praise for releasing so much without a price hike despite the recent move to bump all books to 3.99. I think this is the same situation: the onus should be on Marvel to get us to buy into their event and physically buy their event, not on us to need to keep up with the Marvel Universe for whatever price they may put the lynchpins at. We're off to a rocky start so far and it's nothing to do with the story behind ORIGINAL SIN just yet. Right now, it's hard not to look at this new event and see it as everything people complain about when they complain about events: money-grubbing and devoid of substance.

Total score: an extremely wary 3/5

Deadpool 26, Guardians of the Galaxy 13

Deadpool 26
Posehn and Duggan (w) and Koblish (a) and Staples (c)

Another flashback issue for DEADPOOL as we go into the past to find Deadpool teaming up with Nick Fury to stop a time-traveling Hitler from scouring the timeline and killing Nick Fury to stop all of the interferences the Howling Commandoes have caused. Hitler gets his hands on a time machine when, just like has happened so often to him, a time traveler comes attempting to kill him and he defeats the time traveler. He goes through time trying to destroy Fury at various points in his life but has finally honed in on what Hitler sees to be his weakest time; his time between the war and the CIA. Cable and Deadpool have figured out his plan and are time jumping to try to save him. A giant battle ensues and Hitler actually succeeds, but not before Deadpool can send off a postcard which Cable receives in the future, allowing him to jump to the moments before Fury and Deadpool die and save them. The three of them slaughter Hitler then place him in the bunker while Deadpool yells through the door as Hitler about how he's going to commit suicide knowing the war is unwinnable.

This book is right on the edge of being maddeningly frustrating because there are parts of it that, ignoring how offensive some people may read it, are truly very funny and then there are parts that just carry on way too long and seem to be for no one's benefit. For example, I don't have any idea who is finding the many narrative interjections and editor's notes funny, particularly given how pervasive they are. On the other hand, there's a lot of really funny material in here, both in idea (the idea that Hitler constantly has to battle time travelers coming to kill him) and in the writing and things (in a sentence I never thought I'd find myself writing, Hitler is kind of the funniest part of this book). The style of the book, just as the style of all these flashback style issues, mimics a different time in comic history and it does a good job representing that time. Some really funny stuff in here but it's hard to really outright recommend this one because it is kind of hard to get through with all of the unnecessary stuff.

Guardians of the Galaxy 13
Bendis (w) and Pichelli and Marquez (a) and Ponsor (c)

Jean has appeared in the middle of the fight and announces that she understands that she's been the Phoenix and they're right to be upset about it. However, she says, it's not like anyone else would have been able to control the Phoenix either so it's ridiculous to put her on trial when the Phoenix was always going to come and always going to be an unstoppable force. On top of that, the Shi'ar killed her entire line on the off-chance it might help, which isn't sitting well with Jean and she fights Gladiator using newfound power, an ability to meld her telepathic and telekinetic powers together, rather in the way that Psylocke does but maybe even bigger because anything goes, right? Oracle finally calls the fight off mid-battle and rebukes everyone, but it does the job of making sure everyone keeps away from one another, though Scott uses the opportunity to threaten at Gladiator for a while. They all go their separate ways and, upon returning home, Kitty kisses Peter Quill because I'm so mad and Scott announces that he's going into space with his dad and Kitty continues to be an ineffective professor and I'm still so mad.

Hey guys, if you like regular Bendis stuff and double-page spreads, you'll absolutely love this issue. That's about what I can say for this because I'm really having some trouble wrapping my mind around it. Bendis is doing so much to write his own history (as he is wont to do) that he's making things more and more ridiculous. On top of that, his go-to relationship stuff is always love triangles and, hey guys, I'm real sick of them, about as sick of them as I am of Bendis choosing the character he likes the best and flooding them with girls. This also continues to make it known that Kitty is perhaps the worst choice for mentor of these kids as she continues to show literally no control over them despite being completely capable in whatever other role she takes on in other books. GUYS. I'm really frustrated. If you like this book, I really am happy for you and I hope that you continue to do so. I'm also hoping that GUARDIANS OF THE GALAXY returns to the state it had been at before - it was certainly a slightly better book than ALL-NEW X-MEN and it's very clear that this TRIAL OF JEAN GREY crossover has been altogether too permeated with ALL-NEW X-MEN to really land with me. It also goes to my theory that Bendis is better writing solo titles than team books, at least in my view of him, and so adding multiple teams to this one didn't help anything for me.

Captain America 17, Iron Man Annual 1

Captain America 17
Remender (w) and Klein (a) and White (c)

Dr. Mindbubble, the product of the mysterious Weapon Minus program, is loose and his old friend Ran Shen, the Iron Nail, is the first to contact him. They talk about how SHIELD has lost sight of any boundaries and how its power is too great before Mindbubble agrees to do his part to slow its growth. He finds Nick Fury, having lost Falcon, at the bottom of the cliff and quickly mindbubbles him (GET READY, I'm using this as a verb whenever I see fit). Back in New York, Cap and Jet talk about Cap's idealism and how, in Jet's opinion, he could maybe stand to have a little less. Cap does seem to recognize that occasionally his desire to capture and not kill allows greater crimes to happen later but it's not something he's willing to strike right away. He's pulled into a situation wherein a dirty bank manager is attacked by Shen's people, ready to bring him to Shen's dirty bank manager mine. Cap stops them but looks with disgust at the man he saved. He's called back to the Hub by Maria Hill, who informs him of Nuke's explosion and the deaths it caused, including the presumed deaths of Fury and Falcon. Cap blames himself but gets the slightest reprieve when Jet reveals that she can sense Falcon two miles downstream from the site, not dead. MEANWHILE, Dr. Mindbubble has so mindbubbled Fury that Fury attacks a SHIELD base, thinking it's a Hydra base, and "steals" the plans for a new and seemingly indestructible helicarrier.

There are a lot of things to really like about what's happening in this book right now. Among those things is the idea of Dr. Mindbubble. I'm not going to say yet that I think Mindbubble is a great character (though, I can't stress this enough, mindbubble is a great verb) because it's just too soon. However, the idea that Weapon Minus was a SHIELD project meant to counter Weapon Plus is very intriguing and rather goes to Iron Nail's point that SHIELD maybe does have too much power (anyone who's ever read anything with SHIELD in it, except maybe Hickman's work or Steranko's work, could have told you that). Where everything that came out of Weapon Plus (Cap before it was officially Weapon Plus, Wolverine, Deadpool, Fantomex, the Skinless Man, etc) was created for his strength and fighting prowess, Mindbubble was created for his power over the mind, where everyone of them (aside from Fantomex, who takes his own precautions) is susceptible. Actually, you know what, tangent time. In a world where like, EVERYBODY wears costumes that entail some sort of headgear, why does only Magneto, of the major characters, have the sort that blocks out telepathic communication. Sure in SOME cases it makes sense, it may be more likely that Wolverine will WANT to communicate telepathically with, say, Psylocke than that he'll be controlled telepathically but shouldn't there be like, some sort of switch or something that blocks telepathic communication? Like, your head is ALREADY covered, dude, just throw in some lead or something. ANYWAY, pretty good issue, glad Falcon's not dead (though I wouldn't have supposed he was), really like the idea of Weapon Minus to counter Weapon Plus.

Iron Man Annual 1
Two Cities: Gillen (w) and A. Martinez and R. Fernandez (a) and Sotomayor (c)
Orbital: Gillen (w) and Padilla and Hanna (a) and Staples (c)
By Moonlight: Gillen (w) and Marz (a) and Sanz (c)

Three stories in this IRON MAN ANNUAL, or IRON MANNUAL, that all focus around recent events in the IRON MAN universe. The first ties to the recent Iron Man infinite comic FATAL FRONTIER wherein, on the moon, abandoned Soviet probe Udarnik the Shockworker used a new fuel source, called Phlogistone, to build a wonderful city for anyone who would join him and Tony, to prevent the free flow of Phlogistone getting out of hand, tried to keep the peace by pitting prospective Phlogistone manipulators against one another. It ended badly and Tony realized that Phlogistone poisoned humans, driving them mad. Everyone abandoned the city and Tony neutralized the metal. "Two Cities" picks up after that as Tony pleads with Udarnik to remove the remaining Phlogistone from his system. Udarnik isn't exactly on good terms with Tony, though, after the shutdown of his own city left him alone in space again. Tony convinces him by telling him of Troy and the impact it will have in space and reaching to the moon. Udarnik doesn't like it and hates the cruel irony that Tony, who destroyed his city, wants Udarnik to save him so he can finish building his own great city but Udarnik also can't help believing that Tony is the world's greatest hope to building a city like he claims and reaching to space and so saves him, telling him to leave and bring back other people. "Orbital" finds Arno Stark reaching out to Warren Ellis Eli Warren and his New Modernist Army (from that first arc with Extremis, the guys who were in space) to man Troy's geostationary orbital platform. Warren is skeptical and doesn't want to help anything Stark-related (though he doesn't know that Arno is Stark-related, just that Troy is) but Arno makes a compelling case and they agree, though not before informing Arno that Tony had destroyed every piece of Extremis which likely would have had the power to fix Arno's physical maladies, rebuilding him from the ground up. Finally, "By Moonlight" shows us a series of double-page spreads that start nine months ago, with Pepper and Marc's first meeting, followed by one a month later with the two of them on a date, and culminate with a date in Scotland three months ago when Marc proposed marriage and Pepper proposed a business relationship between Marc and Stark Resilient.

Geez, long summary, but remember I'm summarizing three different stories in one issue and (very briefly) one four-part (maybe?) infinite comic so let's cut me some slack, okay? The best thing about this issue, hands down, is how into Tony it gets without even really placing Tony front and center for the three different stories. In fact, he's only arguably the star of one of the three stories and even then Gillen has to cover some backstory that he can't be sure the reader of this comic has actually gotten around to reading yet, even if he's promised to do it and has it somewhere. In that first story, though, Tony is hallucinating about Yinsen, his friend from the day he became Iron Man, and Yinsen pretty explicitly offers up the theme of this issue and it's a powerful one. Yinsen says, as Tony believes himself to be dying (before Udarnik reluctantly helps him), "you're always willing to ask others to sacrifice for your greater good" and it's perhaps the most compellingly true thing about Iron Man. It's hard to argue that Iron Man has done good for this world, that his genius and his, after the Iron Man-creating incident, ethics have made the world a better place. In some ways, that's a part of what can make Iron Man boring if he's not well-handled; we know he's a good guy at this point and we know how nearly unbeatable he can be given some tools. But this, the idea that his egomania and arrogance make him exactly who he is, someone willing to make people give up their dreams to further his own because he knows them to be good, is certainly a compelling take on Iron Man and it's one that I certainly can't find fault with. As if his asking Udarnik to sacrifice his city and pride to help Tony build his own isn't enough, we get the second story where Arno learns that Tony destroyed Extremis despite the good it could have brought into the world. Very neat stuff, worth checking out to get a good sense of who Iron Man is.

Thor: God of Thunder 19, Winter Soldier: Bitter March 1

Thor: God of Thunder 19
Aaron (w) and Ribic (a) and Svorcina (c)

King Thor examines Earth millennia in the future, now a cold, dead rock, with his three granddaughters, who are less enamored of Midgard than Thor was. As King Thor laments the way the world defeated itself, we turn back the clock to see what's happening with Thor the Avenger. It turns out he's trying to land a date with SHIELD agent Roz Solomon, who is, herself, trying to bring down the somehow constantly re-formed Roxxon. Thor helps her bring down some whalers before the two of them head for a new Roxxon unveiling with new Roxxon head Dario Agger. Agger has led an expedition to drill ice from Jupiter to try to "cure thirst" or something along those lines but Solomon knows that it's just a way to control the profits of Jupiter water. Thor arrives at the press conference with way more ice straight from Jotunheim, killing a lot of Agger's profits (business, am I right, guys?) and putting Thor and Solomon right on the map for Agger. After this act, Solomon agrees to go for coffee with Thor. Now we go back...to the FUTURE to see King Thor and his granddaughters on Earth as Galactus approaches.

Very clear set-up issue as plenty of seeds for the new arc are planted. There's something remarkably endearing about Thor trying to win a date with Agent Solomon that's worth seeing in this book and, of course, Esad Ribic's art flourishes here as he gets to draw giant underwater scenes and some big Asgardian style scenes. The issue starts to lose a little bit of steam as Roxxon gets involved, as Aaron is tasked with setting up a new agenda for Roxxon and a new CEO for the always always always corrupt company. I'd say that the Jupiter ice thing falls a little bit flat too since it's such a specific thing and it's hard to really see the point of it (though I suppose you could make the case that it's readily available water that Agger, like the villain in Quantum of Solace, would have at his control but, unlike that villain, Agger doesn't control the entire region's supply of water). Likewise, it's a little hard to muster up some sort of feelings for the Midgard of the future as it's far out enough that it's, you know, kind of expected that it will eventually die. Like, Thor HAD to have been told this at some point, right? Still, the seeds could harvest interesting fruit (just how I like my fruit) given just a little more time.

Winter Soldier: Bitter March 1
Remender (w) and Boschi (a) and Chuckry (c)

It's 1966 and Fury and SHIELD have learned that Hydra has captured Nazi scientists who have perfected the alchemy formula, which would allow Hydra untold resources if they're able to glean the formula for themselves. It's up to Fury and SHIELD's number two agent Ran Shen to break into a secure Hydra facility (Castle Hydra on a sheer cliff face in a snowy, remote locale) and capture the Nazi scientists or, if they can't manage capture, kill them. Shen and Fury wager on who will find the fastest way into the castle and Shen goes in the front door, counting on his smarts and ability to blend in to get him through, while Fury scales the side of the castle and goes in the drainage pipe. Shen seems to blend in okay and ends up hitting it off with a woman who seems to know something about Hydra's inner workings. The pair of them leave the party to be alone and the woman reveals herself to be the absolutely horrible new creation Madam Worm. With worms crawling out of her and into and all over Shen, designed to show Shen the beauty of Hydra, Fury appears and flamethrowers her into a big ol' pit. They manage to find the scientists and escape, to Fury's chagrin, up through the castle. They manage to avoid all guards going that way and make it outside only to have their new charges instantly stolen from them by none other than the Winter Soldier. Shen and Fury pursue him, all three essentially hang-gliding away from the castle. Shen distracts Winter Soldier while Fury attacks, causing him to drop the two targets. Shen manages to catch them and land but Fury is shot in the chest and falls elsewhere. Winter Soldier's wings are damaged and he, too, falls into the forest. Shen lands with the two scientists in the forest, realizing that he's up against a man thought only to be a myth, on foot with two Nazis, in the middle of a frozen forest.

All of our players are here, all of our plot is right here, laid out for us for this limited series, as we get our first real, extended look at a Cold War-era Winter Soldier. It's a really neat idea and the idea of three superpowers, SHIELD, Hydra, and Russia, vying for the formula tucked away in the heads of a pair of old Nazis, is a compelling story in and of itself. Throw in the fact that it'll both pit Shen and Fury against Winter Soldier and will establish the relationship that Shen has with all the players today (appearing in CAPTAIN AMERICA as the villain Iron Nail) and we have a pretty fascinating limited series on our hands. The art and the tone of the book hit their mark, feeling like a pretty solid spy story (too bad I spent so much time talking about James Bond in my THOR review, huh? Requisite Bond time has already been taken up). Matching that tone perfectly, by the by, are Andrew Robinson's covers for the series. SECRET AVENGERS has been trying to go for a spy, '70s era feel with its covers and fonts and things for a little while now and I think they've been okay but often a little convoluted for my tastes. These ones are much cleaner and the cover for issue two is pretty astounding, really looking forward to that one. Of course, I say all this but I still ended up with Chris Eliopoulos' animal variant (seen at right) for this issue ANYWAY. Look, it had Batroc as a fox, what was I supposed to do, not buy it?

Superior Spider-Man 27, Secret Avengers 15

Superior Spider-Man 27
Slott (w) and Camuncoli and Dell (a) and Fabela (c)

GOBLIN NATION is finally in full swing (SWING, guys, like how Spider-Man swings, are you with me on this?) as the glitch in Spidey's spider-bots has finally become apparent to the controversial hero. After a slew of these anomalies, Spider-Man throws himself into his work, ignoring his responsibilities to Parker Industries and Anna Maria. Finally he tracks down Uatu Jackson, who designed the facial recognition software in the spider-bots, and the two of them realize that Spidey can use the program's constant refresh to track where the block is coming from. He goes down an abandoned subway line and finds himself face-to-face with the Green Goblin. The two talk and Goblin reveals that, through the captured Carlie's journal, they've discovered who Spider-Man really is, offering to partner with Otto to rule the city. Spider-Man rejects him and prompts Goblin to attack. Fortunately for Spidey, he had sent a hologram of himself in from Spider Island. Less fortunately, Goblin doesn't cede victory so easily and orders a strike from his troops waiting just outside Spider Island.

Even though the players have changed, this is shaping up to be a classic Spider-Man vs. Green Goblin fight. I've talked plenty about how Otto is a new sort of Spider-Man (whether or not you believe he's superior), one who relies on planning and preparation more than Peter ever did. In that respect, it makes this battle more of the sort of chess game style battle than you usually see out of this pair, which is largely driven by irredeemable actions by Goblin met with inconsolable rage by Spider-Man. This one will still have some of those points to it, particularly as Otto takes it extremely personally whenever he's outplayed, but the opening gambit here finds Otto sending in a hologram to scope out the area while Goblin lays siege to Spider Island. That's not even to get into the subplots of J. Jonah Jameson commissioning new Spider Slayers, a testament to how much he hates Spider-Man right now given that the last appearance of the Slayers ended with his wife's death, and ensuring that Spider-Man knows that they work by his hand and the fact that Peter is still trying to work his way out of his own body's memories to gain control of the body itself. He throws himself into Otto's memories to hide and finds himself almost immediately swept up in them, hoping to retain himself as he lays low to plot and plan against Otto. Need another subplot? Captain Watanabe is still after Peter for the disappearance of Carlie Cooper and the Avengers are still suspicious of Spider-Man. Geez, you guys. There's still a lot of ground to cover before April's AMAZING SPIDER-MAN 1.

Secret Avengers 15
Spencer and Kot (w) and L. Ross (a) and M. Wilson (c)

All of the active Secret Avengers are in the same place now as Clint breaks into Bobbi's quarters to get her out, only to discover that her memories are shattered and that she's incredibly confused and unsure of what's happening. At times she remembers Clint and that she killed Taskmaster and why that was bad but at others she forgets everyone around her. They escape and rejoin Natasha and Fury who, with the unseen help of Mentallo, defeated the Shang-Chi adaptoid. Together, they all make their way for the submarine they arrived in but Forson has other plans. He orders his small team to prepare for attack, commanding them to take Mockingbird down first as she has the most intel on AIM. Before he gives the order to take the shot, the team is accosted by Yelena Belova and instantly she and Mockingbird begin to wrestle. They disappear from view for a moment and, as soon as Mockingbird emerges, Forson has his sniper take the shot, killing her instantly. Clint jumps to her aid while Fury and Natasha take care of the rest of the team. As they pile into the submarine, Clint still carrying Mockingbird, the camotech on Mockingbird disengages to reveal that it was actually Yelena Belova who was shot and who is now in their possession.

Neat little trick ending though it was somewhat telegraphed by a Chekhov's gun style mention of the camotech as Clint rescued Bobbi in the first place and as we don't see "Belova's" body after Mockingbird stands. Still doesn't exactly tell us what's happening with Mock but we can likely assume it's something and not just "oh, she's dead too, Belova killed her but now Belova's dead." There's also some weight to parts of this issue that involve Maria Hill and MODOK working out the kinks of their new and very strained relationship, including the hint that Forson has a double agent working in SHIELD (surprise, SHIELD is beset by double agents and corruption). Luke Ross' art is impressive here and manages to stay emotive even in the midst of big fight scenes, which is always tricky. At times, the style of the book's art and the book's layout confuse unnecessarily, including a long sequence where Fury duels with a sniper, but you can more or less get easily past it just knowing it's a fight scene and Fury wins, all set. There's still one more issue of this iteration of SECRET AVENGERS before it nearly instantly reboots in March but this issue does a nice job setting up the ending of this little story.

Captain America 15, All-New Invaders 1, Black Widow 2

Captain America 15
Remender (w) and Pacheco and Taibo (a) and Rosenberg w/ Beredo and Staples (c)

Cap, Falcon, and Fury make the trip home with Nuke in tow. On the way, Nuke talks about how he never liked his nickname, that "Nuke" implies he was dropped into wars and brought back, but he was always on the ground with other soldiers. Fury and Cap commend him on it and talk about how wrong his recent orders had been, promising to clear his name as someone who would rather risk his life saving American soldiers than killing enemy ones until whoever was behind this reprogrammed him to be unable to do anything but follow orders. Nuke promises to try to help remember what these people did to him and who they were. When they return to the States, Falcon drops Cap off at home and they have a nice talk before Falcon sets off again to help interrogate Nuke at a SHIELD hub in the Grand Canyon. While there, the Iron Nail listens to everything said with his own surveillance. As Nuke talks to SHIELD agent Lamia, whose father Nuke risked his life to save in the war, while Falcon and Fury talk outside, Iron Nail detonates Nuke, who apparently has a real nuke or some other powerful bomb inside. Fury and Falcon escape but only just. Meanwhile, the doors to the Weapon Minus program have been cracked and new supervillain, Horace Littleton AKA Dr. Mindbubble, waltzes out as Iron Nail explains to the audience that Littleton had perfected a super soldier serum laced with LSD and, after his funding was cut, had used it on himself and been locked away for his troubles.

There's a lot of really good and interesting stuff happening here and it's balanced by, as you can probably guess by the last sentence up there, a lot of stuff we're going to have to wait and see on. The most interesting stuff is the humanity from Nuke and Cap's sort-of pep talk to him. Cap is still pulling himself back from the edge of what he almost did to Nuke and Pacheco's art and Remender's writing make it clear just how hard it is on him. Still he does a good job talking to Nuke and trying to get him to understand what's happening and encouraging him about finding his place in the world. There's a lot of really good stuff between Cap, Fury, and Nuke and later there's more good stuff between Cap and Falcon and Falcon and Fury. Each and every one of them comes off as real and well established. The Iron Nail is definitely still someone we're going to have to get used to. Remender kicks the issue off with a scene where we see some of the world's wealthiest men forced into mines by Iron Nail and made to work there until they're 65 so they can see what they put the rest of the world through. Then there's the Dr. Mindbubble business. So I think there are some good ideas here and there's a real political message in here particularly apropos for today's audiences as the class gap widens and more people start to notice it. I'm just not sure it's realized enough and I'm not instantly sold on Dr. Mindbubble (he literally has a tube shooting bubbles out of his brain) so we'll have to see where it all goes before any judgements are made. Otherwise more really good stuff.

All-New Invaders 1
J. Robinson (w) and Pugh (a) Guru eFX (c)

Jim Hammond, the original Human Torch, was last seen betraying the AI uprising of Rick Remender's SECRET AVENGERS (which was one, soon-to-be two SECRET AVENGERSes ago) in order to save humanity. Since then, he's disappeared into Blaketon, Illinois, where he's free to live a normal life. Trouble comes calling, though, in the form of a Kree warrior named Tanalth the Pursuer who is trying to find three hidden pieces of an artifact called the Gods' Whisper, something that apparently can summon Hela to you (in the very least) and use her power. Tanalth uses a Kree weapon to dig a memory out of Torch, one he's not familiar with, which shows Baron Strucker in WWII using the device to have Hela kill attacking troops. From the memory and the recesses of Jim's mind, Tanalth gets what she wants and relays the information to her men. Before she can finish the job and kill Torch, though, Cap and Bucky show up to defend him. Meanwhile, the Kree Supreme Intelligence holds Namor captive, alluding to the idea that he's unintentionally betrayed his former allies.

Interesting first issue. There's a lot of information here and a lot of ground to cover but Robinson covers it pretty well, giving enough focus to Jim's current state of mind and how upset he is when his new home is attacked to successfully push us into Jim's shoes. That's particularly important since, as the splash-page character descriptions tell us, Jim's the least known of the Invaders these days so it's kind of an interesting decision to start with him as our focal point. There's also something interesting building with the Kree and the Gods' Whisper as it brings up something I wonder about occasionally, which is the relation to the Nine Realms and Marvel Cosmic. Obviously Thor has interacted with plenty of bits and pieces of Marvel Cosmic for some time but the Kree's desire to have Hela's powers on their side is an interesting choice. As I said, there's a lot to cover here for Robinson's first issue but he handles it pretty well. There's a bit of oddly choppy writing at times and I'd like to see how the other characters' voices come along as the series presses forward but it's certainly a worthwhile first issue. I'd love for this book to really find its place and give us a brand-new Invaders series to really dig into.

Black Widow 2
Edmondson (w) and Noto (a and c)

Natasha has been re-hired by an old client to find a missing colleague and rescue him. Despite her lawyer Isaiah Ross' wishes, she goes and immediately finds herself embroiled in something a little bigger than a typical kidnapping job. It's a job that impacts her directly, someone kidnapping the son of one of her old clients knowing that he would call her and that she would come to help. By her own admission, she was sloppy in not seeing anything weird about the situation and it leads her to finding the man's son too late and barely escaping with her own life. When she returns to her client, she also finds him dead and the man responsible waiting for her. It kicks off a fight that ends in a marketplace in Shanghai (which is where the issue begins before sending us back in time to the roots of the problem and then eventually makes its way back) when Widow surprises her would-be killer, going by the Iron Scorpion (apparently Asian villains are going by the old Russian naming system of focusing on a specific words these days, but replacing "Red" with "Iron"), and manages to injure him enough that he is forced to scamper away. Meanwhile, Ross has had trouble at home with someone attempting to blackmail Natasha and plotting to kill Ross to get to her. Ross, though, apparently isn't just the office worker we thought he was; he tracks and kills the blackmailers before Natasha returns.

Another very cool issue as Edmondson plays with the timeline of the story, which is a very common practice these days but is often done less well than it is here. HAWKEYE is the ultimate pro at it right now and this book certainly feels more like that one than some of the lesser examples. I'd like to have a few more issues under the belt before deeming the writing on this one particularly good but so far I'm really enjoying the voice of Natasha. It's hard to establish a voice this early into a series, especially for a character who writers seem to have a hard time giving a concrete voice to and so usually go for one of the tropes she's somewhat associated with (stone cold killer, slightly mad murderer, etc.). So far, though, Edmondson has done a good job giving her a voice in the narrative that's very human and much more real than much we've seen from her in the last few years. I'm also happy it's coming out so much in the narrative which leaves her somewhat more tight-lipped in dialogue. Not to say she's not talking or not sustaining a voice in her dialogue because she still is but she's not one of the really chatty characters in the Marvel Universe and so far Edmondson isn't changing that. Again the art is absolutely gorgeous and, frankly, you should be reading this book with each new release just for that. I worry that I'll get too complacent with it over time and forget to mention it but take it for granted that Noto isn't going to slip up. Check this new book out everyone. Give it to everyone you know.

Secret Avengers 14, Cataclysm - Ultimates 3

Secret Avengers 14
Spencer and Kot (w) and Guice and Rubinstein (a) and Wilson (c)

Our story is happening on about three fronts right now. On AIM Island, Mockingbird is being reprogrammed by AIM Scientist Supreme Andrew Forson. He's giving her memories that span back years and years and make her believe that she's been all for the AIM Island plan since the start. Forson is trying to completely overwrite and eradicate Bobbi's old mind but Bobbi's not quitting just yet. Elsewhere on AIM Island, Mentallo continues to seclude himself, clearly still not so thrilled with the way things are going. He learns of Taskmaster's death and it seems to depress him further. Back on the helicarrier, MODOK dispenses more AIM intel to Maria Hill. On the AIM submarine en route to AIM Island, Yelena Belova transports Fury, Hawkeye, and Black Widow to AIM Island. When they arrive, they break out of their handcuffs and prepare to finish their assault on the island.

I've had problems in the past with this series for what seemed like a lack of focus. I think it rather continues here as we're reaching a point where all of the plots are kind of coming to a head but some of them kind of feel like they're not done yet. I read this issue late on Wednesday (I was trying to review it for Wednesday, as I do with almost every AVENGERS title, but I didn't get my hands on it until late) and flipped through it again briefly today to refresh my memory and the flip through made me like it more than I had. I think that, as a book with various acts and plots coming together and things like that it works rather well. However, when reading the issue all the way through, it's really easy to get bogged down in the minutiae of it. I don't know if that's a function of needing to rush to get through everything before the series "ends" next issue (the reboot comes a little later this year) or if it's simply not wanting to spend more time on establishing the reprogramming and everything else. Don't get me wrong, I appreciate that they don't want to spend more time on it but I think cramming more words and images in doesn't necessarily speed things up. Ah well, I guess we'll see as this one ends down next time. Maybe...maybe Bucky will return?

Cataclysm - Ultimates 3
Fialkov (w) and Di Giandomenico and Ruggiero (a) and Quintana and Charalampidis (c)

Hercules continues to fight the horde of infected while Danny Ketch, Fury, and Dum Dum Dugan put Punisher down and prepare to take the fight to Tarleton, running the whole thing from his floating city. They key in on Falcon's coordinates and, after picking up Herc, teleport up there. Hercules attacks Tarleton and wrenches him from running the Gah Lak Tus swarm, leaving an opening for Falcon to work on cutting Tarleton's influence off. He's able to do it but he realizes that just killing Tarleton won't be enough; someone has to take his place to run everything or else the infected won't become uninfected. Without a second thought, Danny jumps into the spot and, with the help of Falcon's instructions, saves everybody still infected, sacrificing himself in the process. Tarleton tries to escape, summoning some of the swarm to him to try to get away but Ketch directs the remaining Ultimates to leave the floating city and he destroys it, catching Tarleton in the explosion. The civilians are restored (those who weren't destroyed as members of the swarm, anyway) and the newly restored Giant Woman helps to catch civilians falling from the sky. They laud Danny's sacrifice and Danny himself, our narrator for the story, is surprised when he finds that he's actually not dead; he's greeted by Agent Coulson and told that they spent a lot of money rebuilding him. They're calling him Machine Man now.

Pretty cool finale to this little mini series as CATACLYSM itself starts to wind down, ready to give way to the new-look Ultimate Universe. Fialkov has done a pretty good job with the rising tension, climax fight, redemption stuff we've seen in the last year from him (between ALPHA and all of his work in the Ultimate Universe). It's no different here as Ketch has a pretty strong narrative throughout and brings it to a head as he talks about the problems he's had and the person he's been that's led him to this spot but ultimately brings it to a head as he remembers the promise he made to himself and to his family to not let someone die while he was just standing by. It's a nice little mini-series and a solid ending for the mini as the new Ultimates manage somehow to survive the day and come out a little ahead (I mean, they lose Punisher but they'll live). Nice book.