Slower week of releases this week and some pretty clear picks jump to mind. Then why are we wasting time when we could just be getting to it?
Daredevil 2
Things stay interesting in issue two of Matt Murdock's new stay in San Francisco. Waid, Samnee, and Rodriguez introduce him to some new friends and new foes and to people maybe somewhere in between. It's a lot of fun without ever forgetting its plot or its goals. On top of it, as has been true with this book from day one, even back in the Paolo Rivera days because
of course even in the Paolo Rivera days, the book is gorgeous and conveys everything it needs to artistically while remaining one of the top books out there for interior art (and cover art, hence why Samnee was nominated this year for best cover artist at this year's Eisner's after a win for best penciller/inker last year). The spirit of this book persists and the tone that Waid and his various art teams worked so hard to establish still permeates through the series even after all of the tense events at the end of the last volume and the move to San Francisco to kick this one off. Really great overall comic book and I can't recommend it enough, you guys.
Elektra 1
Really great first issue for this new series, one that writer W. Haden Blackman will have to work hard to make relevant in a day and age where so many books are coming out and a seemingly B-list character will have to really stun to stand out. So far, so good. As I talked about in my review this week, Elektra is a tricky character to write over a long term but Blackman very clearly has plans for her and very clearly know what he wants to do with the character. On top of it, Mike Del Mundo, phenomenal, Eisner nominated cover artist for my beloved X-MEN LEGACY, is already crushing it on the art for this series. There's a lot happening in this first issue and a story that looks interesting, though it looks like it may have the ability to trump any sort of character developments. We'll have to hold out on any of those judgments and just really focus on how neat this first issue was.
Iron Patriot 2
This one gets the nod over AVENGERS UNDERCOVER, THUNDERBOLTS, and UNCANNY AVENGERS because it was a very good book but also because it surprised me with how good it was. There are certainly still nits to be picked here but it's a series I didn't expect much out of; I've had some troubles with writer Ales Kot in the recent past and I don't know how much I trust an Iron Patriot series to really shine but if Kot and artist Garry Brown can keep the book going like this then I think there's a real opportunity for an impressive series. It's another in a long list (one that also includes ELEKTRA) of recent risky series for Marvel to take a chance on and hopefully another one that will pay off. I love how many risks Marvel is taking but I do worry a little bit about flooding the market with books and how expensive those books have become (Robert Kirkman was in the news recently talking about Marvel's business plan of exclusively 3.99 titles) and what that will mean for books with smaller general followings. Still, hopefully the cream rises to the top and the books that deserve to be kept are kept when the numbers start getting crunched.
This one gets the nod over AVENGERS UNDERCOVER, THUNDERBOLTS, and UNCANNY AVENGERS because it was a very good book but also because it surprised me with how good it was. There are certainly still nits to be picked here but it's a series I didn't expect much out of; I've had some troubles with writer Ales Kot in the recent past and I don't know how much I trust an Iron Patriot series to really shine but if Kot and artist Garry Brown can keep the book going like this then I think there's a real opportunity for an impressive series. It's another in a long list (one that also includes ELEKTRA) of recent risky series for Marvel to take a chance on and hopefully another one that will pay off. I love how many risks Marvel is taking but I do worry a little bit about flooding the market with books and how expensive those books have become (Robert Kirkman was in the news recently talking about Marvel's business plan of exclusively 3.99 titles) and what that will mean for books with smaller general followings. Still, hopefully the cream rises to the top and the books that deserve to be kept are kept when the numbers start getting crunched.
i think the art was TOO good in Elektra. every page was a freeking painted masterpiece. there were like 5 two-page spreads. there was hardly any room for story!
ReplyDeletei wrote about why i hated this issue so much here: http://cobyscomics.blogspot.com/2014/05/elektra-1.html
DeleteYeah, I think the story started off maybe a little slow for this arc but I think Blackman had to start to establish Elektra and the villain more than the story to kick things off. The story seems kind of basic, just an assassin going for a tough mark. I think they're hope is that Del Mundo's art is going to draw people into the book and maybe the story will keep people there as the series continues. I did rather love the art and I'm more willing to excuse a lacking story for sweeping art like this.
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