Harvey Award nominees announced

The Harvey Awards are among the most prestigious of the awards given to comic professionals. The nominees for the awards, which will be presented in September, were announced today. As is typical for this Marvel-centric blog, I'll be highlighting a few of the choices out of the House of Ideas (creative name, by the way).

Best Colorist:
Marvel alums Laura Allred, Laura Martin, and Jordie Bellaire were all nominated for Best Colorist, though only Allred was specifically nominated for her work on a current Marvel book (SILVER SURFER). Her work there is stunning and the crazy cosmic art of Michael Allred on the book certainly requires Laura to be at her best at all times on the series. Laura Martin also does excellent work and has been recognized for it in the past, with a couple of Eisners and a Harvey Award already under her belt. She has done loads of incredible work for Marvel over the past couple decades. My money, though, goes to Jordie Bellaire, a once up-and-coming colorist who seems to have really hit her stride with books like JOURNEY INTO MYSTERY, MAGNETO, MOON KNIGHT, and THE VISION, among many more from Marvel in the past five or so years. Bellaire is unbelievably talented and an outspoken force-for-good in the comics community, shining a light on colorists and the under-represented in comics. Check out this sweet AV Club interview with her for some examples of her art and a good look into her history.

Best New Series:
The only new Marvel series the Harveys nominated this year was THE VISION, by Tom King, Gabriel Walta, and Jordie Bellaire. THE VISION has been lauded since its first issue for its complex portrayal of the titular Vision, his relationship with his family (a wife, and a teenage boy and girl, all of whom he created), and their relationship with a world that finds them, in the best case, creepy. Though the book has featured excellent art from Walta and Bellaire, and a compelling story with multifaceted characters, it hasn't really grabbed my attention in the way that other instant standouts like Fraction and Aja's HAWKEYE and Hickman and Epting's NEW AVENGERS. Admittedly, that's a tall order, and I'm not exactly sure what counted as a new series last year (though I'd hazard a guess that books like UNBEATABLE SQUIRREL GIRL and SPIDER-GWEN might be in the running; who knows, what with all the reboots and events). That said, THE VISION is certainly worth a read and it's not particularly a surprise to see it on this list.

Most Promising New Talent:
The only Marvel entry here is the aforementioned Tom King from THE VISION. Read above for my thoughts!

Special Award for Humor in Comics:
Chip Zdarsky is Marvel's only official entry in this category for his work on HOWARD THE DUCK, a book that is certainly always entertaining and decidedly worthy of consideration in this spot. It is baffling, though, that books like UNBEATABLE SQUIRREL GIRL (which consistently delivers laughs) and even Zdarsky's work as an artist in SEX CRIMINALS aren't even mentioned (particularly when USG -spoilers- is mentioned later among the nominees). Many of the other nominees in this category have other ties to Marvel, with Marvel regular James Asmus (GAMBIT) making an appearance for QUANTUM AND WOODY MUST DIE! and Elliott Kalan (SPIDER-MAN AND THE X-MEN) getting the nod for UNITY. Hard for me, a fan of The Daily Show and The Flophouse podcast, to vote against Kalan here, but Zdarsky would definitely merit a win here.

Best Cover Artist:
Marvel great David Aja (HAWKEYE, IMMORTAL IRON FIST) is nominated here for his work on HAWKEYE (which seems to never be out of the running? I guess maybe we'll all just keep throwing it back into consideration), but it's literally impossible for me not to root for Mike Del Mundo (X-MEN LEGACY), here nominated for his covers on ELEKTRA. It's worth noting that Del Mundo has also been doing the covers on THE VISION and they've also been (perhaps unsurprisingly) unbelievably good. Also bears mentioning that Marvel artist Paolo Rivera is nominated for his work on THE VALIANT for Valiant Comics.

Best Continuing or Limited Series:
The only Marvel book in contention is UNBEATABLE SQUIRREL GIRL, which is truly a phenomenal book. Though I wouldn't say that USG ever really faltered, even out of the gate, writer Ryan North and artist Erica Henderson have found their voice and the results have been stellar month in and month out. If you haven't been reading this book and enjoy well-written and really fun comics, check it out. I do think SPIDER-GWEN could also have gotten a nod here but, as I mentioned in a previous post, Marvel's had a bit of a weird year, so the lack of other books didn't really irritate me as much as it has in the past. Other former and current Marvel talents Kelly Sue DeConnick and Jason Aaron also see some love here for BITCH PLANET and SOUTHERN BASTARDS, both from Image Comics and both with a derogatory B-word in the title isn't used derogatorily. Is this a key to success? Check in after the Harvey Awards to find out! (It's not).

Best Writer:
Only G. Willow Wilson gets the nod from Marvel proper (and she's certainly deserving; I feel like I've fawned over MS. MARVEL enough for you to know all the key points I'd hit, so let me just say that it's incredible, Wilson is spectacular, and let's move on), but other Marvel past and present writers like Jason Aaron (SOUTHERN BASTARDS; apparently I should have kept reading that one), Jeff Lemire (BLOODSHOT REBORN, though he's also writing about half of Marvel's current line), Brian K. Vaughn (SAGA, which will be nominated forever and ever, evidently, not that it's not good. He's also a former Marvel writer, but like, technically, probably everyone nominated has worked there at some point in some capacity), and Mark Waid (ARCHIE, but also DAREDEVIL, ALL-NEW, ALL-DIFFERENT AVENGERS, and others) also get the nod. Whoops, that was somehow all one sentence.

Best Artist:
Chris Samnee is already worthy of every ounce of praise you could foist on to him. Declan Shalvey recently compared him, entirely in earnest and with merit, to Jack Kirby. So his nomination for DAREDEVIL is fully deserved. Jason Latour is nominated for SOUTHERN BASTARDS, and while he hasn't done any real recent work for Marvel as an artist, I want to just point out again that SPIDER-GWEN (which Latour writes) is really very good.

Best Single Issue or Story:
SILVER SURFER 11 was fine. Just fine.

Daredevil 7, Elektra 5

Daredevil 7
Waid (w) and J. Rodriguez (p and c) and A. Lopez (i) and Caramagna (l)

Daredevil hitches a ride with SHIELD to Wakanda, which SHIELD isn't willing to fly over because they're not entirely stupid. DD drops down into the most technologically advanced nation on Earth and is quickly captured, which, of course, turns out to be part of his plan. Instead of hoping to fight his way through Queen Shuri and the rest of Wakanda, he aims to lawyer the nuns out of jail, which he does by revealing that he's brought the corrupt army general to Wakanda and made his disappearance known, which will certainly get people looking and checking into his background and likely lead them to Wakanda. Shuri's only option is to release the nuns and separate herself from the general before things start to look ugly for them, which she does. On the way home, Maggie explains to her son that she had severe postpartum depression and it caused her to attack her husband and, nearly, her infant son, which led her to leaving the house and the family and taking up with God to protect her loved ones. With Jack proven innocent and a relationship with Maggie rekindled, Daredevil gets to return home happy.

I'm fairly pleased that this didn't end up being a "I have daddy issues" sort of revelation. Instead, it's far more nuanced and a bit more interesting as we learn a good deal about the rarely seen Maggie and get to see Daredevil spend some meaningful time with his family, who were misunderstood and not abusive after all. This one, as opposed to, say, ORIGINAL SIN: HULK VS IRON MAN, paints someone as a villain then reveals them to be a hero...but I found it interesting as opposed to somewhat predictable and boring. Javier Rodriguez does pretty phenomenal work here. I'll certainly miss his contributions on the book, though I look forward to colorist extraordinaire Matt Wilson's take on Samnee's art starting next issue.

Total Score: 4/5


Elektra 5
W.H. Blackman (w) and Del Mundo (a) and Del Mundo w/D'Alfonso (c) and Cowles (l)

Cape Crow fights with Elektra and reveals that he was able to beat all of his previous attackers because he has extremely limited pre-cognition. It's maybe only half a second, but it's enough for him to use his instincts and win each fight. Elektra, armed with this knowledge, manages to clear her head and fight on pure instinct, defeating him in a close fight. With Cape Crow down and his helmet removed, she learns that he is, in fact, her dead father. But not really, that's just some psychic image put there by Kento, who has some amount of psychic power. She's super mad but agrees to continue to help them assuming Kento never does that again and that they still pay her. Bad news, though, Bloody Lips has arrived, still desperate to eat Elektra. Having a pretty tough day already, Elektra cuts herself and drips blood onto Bloody Lips' lips, giving him a full range of her memories and experiences, which breaks him and he stumbles off a cliff. So long, Bloody Lips! Anyway, Lady Bullseye is back and vows revenge on Elektra.

Lots of really great stuff here, including Elektra's bio-signature-based sai (nice try using them against her, Cape Crow), a great taste of her fighting prowess and strategies, the demise of Bloody Lips after a really impressive and very cool if mildly horrific double page spread detailing Elektra's memories, the promise of more assassin fights, and the promise of more Matchmaker, who, if I haven't said it enough, is the best. I really like this book and I think Blackman has plenty of ideas for this book and Del Mundo is an unbelievable artist who really brings this book alive. Just really fun stuff with lots of upside.

Total Score: 5/5

Elektra 4, Ms. Marvel 6

Elektra 4
W.H. Blackman (w) and Del Mundo (a) and Del Mundo w/D'Alfonso (c) and Cowles (l)

Elektra sees a vision of her mother through the veil, lecturing her about how she became a killer and giving her a glimpse of what her life would have been with the support of her mother throughout, while Bloody Lips sees his wife again, insisting he kill himself for the pain that he's caused. Elektra's mother invokes the innocents she's murdered and Elektra says that she's never killed someone who could be called innocent, showing no remorse even in the face of a disappointed mother and eventually realizing that it's not truly her mother as she asks Elektra what her father would think about her choices. She fights her way out of the area though she catches a glimpse of Bloody Lips in her mind, forcing him to reveal his name. She grabs Kento and the two emerge out of the water for Matchmaker to retrieve them. Kento knows that they have to go north to find his father and they escape in Matchmaker's plane, but Bloody Lips is hot on their trail, using Scalphunter's ship to trail them. Elektra dives out of Matchmaker's ship and manages to take down Bloody Lips' but she's forced down too, wearing wings to glide safely but still lost in the Arctic, where she comes upon a gun-toting Cape Crow.

With my new habitat of doing a leftovers post wherein I quickly summarize and give impressions of the books I didn't do bigger reviews for, I end up in a place where I can sort of cherry-pick the books for which I want to write a longer review (aside from the ones I deem "important" or "have AVENGERS in the title"). ELEKTRA and MS. MARVEL jumped out at me this week (though props to NOVA, MAGNETO, and THUNDERBOLTS for putting in the effort) as ones I really wanted to shine a light on. I've really enjoyed this book so far and this issue is no exception. The beginning gives a great look at Elektra's mentality (as well as Bloody Lips', which is, you know, pretty much the darkest thing you could imagine), which buckles for a moment in the face of her mother but never really falters, never backs down or asks forgiveness. Instead, she seems, if anything, more resolute about what she does. Really great stuff. And Matchmaker, you guys, she's the best. Real Amelia Earhart, fearless flier up there. Still excellent art from Del Mundo and still a great little series.

Total Score: 5/5


Ms. Marvel 6
G.W. Wilson (w) and Wyatt (a) and Herring (c) and Caramagna (l)

The Inventor has been sending bots out into the city to both annoy and try to find Ms. Marvel, who has done a good job so far of staying undetected or breaking said bots. Her father sets up a meeting with Sheikh Abdullah for her, which she doesn't wish to attend but ends up going, particularly as she's not in the best of books with her parents at current. She ends up getting really good advice from him and they both leave the meeting happy. Reinvigorated and looking for, under the advice of the Sheikh, someone from whom she might learn more about helping people, she dives into a giant suspicious pothole-turned-path-to-the-sewer, where she discovers Thomas Edison, the Inventor's clone of the real Edison combined with his own pet parakeet. Edison is conducting experiments to learn whether he can change an animal's nature, in this case teaching an alligator not to kill. Ms. Marvel prepares to fight him but is startled to find Wolverine entering the fight before she can get a punch off. Thrilled, Kamala relates to him how excited she is and how she couldn't have found a better team-up, to his dismay. Still, the two get along pretty well, helping each other out and trying to track the escaped Inventor or Edison in the tunnels. Unfortunately, they fall right into a trap and Kamala, with Wolverine rather injured, will have to fight her way out of it.

Another really strong issue as Ms. Marvel finally gets her first taste of the greater Marvel Universe through every teenage girl's dad Wolverine. He came to the sewers looking for a runaway from the Jean Grey School and now the two of them are pals. The writing between the pair is very fun and extraordinarily strong, particularly the way Wilson characterizes the well-known Wolverine on top of her own created Kamala. The book reads pretty quickly, though it does get a little confusing as Edison enters the scene, and the conversation between Kamala and Sheikh Abdullah is very strong but the draw here really is the chemistry between Kamala and Wolverine, which is equal parts adorable and fun on both ends.

Total Score: 5/5

Daredevil 4, Elektra 3

Daredevil 4

Waid (w) and Samnee (a) and Rodriguez (c) and Caramagna (l)

Despite his seeming betrayal, Shroud tosses Matt his telescoping cane, allowing him to save himself, and covers the area in shadow, giving Murdock the upper hand in the battle against Owl's henchmen, who he easily bests. Owl and Shroud have disappeared by the time the shadows lift and Matt reconvenes with Kirsten to discuss the next move. She informs him that Owl has become a big name in Silicon Valley and that only one substantial company hasn't fallen prey to him and that they have a big technological reveal to be announced soon. Daredevil stakes the place out and sure enough finds Shroud giving Owl access. As Matt enters to stop the pair, he realizes that Shroud wants to die and he's trying to die by Owl's hand, maybe taking the villain down with him. Suicide by supervillain. Daredevil refuses to let it happen, saving Shroud though leaving Owl behind to overload on the new technology (seems to still be alive and more powerful than ever but WHATEVER DEEDS, gotta check on that new guy I guess). DD lectures Shroud on how much tragedy he's been through and promises to help him find Julia, leaving Shroud to disappear on his own, though not to kill himself at least.

Some of the tech stuff involved here is a little confusing at its inception (though we're undoubtedly going to see more of it so it's not necessarily a big problem here. Meanwhile, the depression and desperation of Shroud is certainly compelling, even if it's not necessarily new ground for Waid, who explored something similar (though based more around a terminal diagnosis and an insurance scam than depression) in his INDESTRUCTIBLE HULK run. That doesn't make it any less jarring here nor any less meaningful. Plus, the way Bruce Banner deals with the problem of one of his employees going through this is going to be significantly different from the way Daredevil deals with a fellow superhero going through it. Samnee's art and Rodriguez's colors continue to be outstanding and lift this book above so many others.

Total Score: 5/5

Elektra 3

W.H. Blackman (w) and Del Mundo (a) and Del Mundo w/D'Alfonso (c) and Cowles (l)

Bloody Lips is stronger than ever and, thanks to the memories of the other assassins of whom he's tasted and of Kento, son of Cape Crow, whose blood he tasted on Lady Bullseye's sword, he has some idea where to go. Elektra and Kento go there first, though, the underwater city of Shicheng, to try to find Cape Crow. He's been there recently but isn't there now, to the chagrin of everyone, but before they can set off to a new location, Bloody Lips attacks. Elektra subdues him enough to try to give Kento a chance to escape but it leaves her open to Bloody Lips' attack. As he strangles her underwater, she stabs him in the chin with her sai. The two of them are guided through the Tiger's Gate together, a passageway in the now-flooded city that leads to the land of the dead for anyone who has been murdered. Both assassins are forced to cope with some hard truths as Bloody Lips sees his family, who he thought had died before he ate them only to find out that they were dying but it was his action that actually killed them and as Elektra sees her own mother, who she thought assassins killed but claims she died in childbirth.

This series has really gone for it in terms of its boldness and its darkness and its characterization. Elektra has been a character living rather on the outskirts of the Marvel Universe for some time now, getting characterization only insofar as it relates to those around her. More often it's characterization for Daredevil or Wolverine or someone but here Blackman is making a concerted effort to show us more inside her head, showing us what makes her her. There is, of course, still a hardness there and still an almost unwillingness to let the audience in but we're starting to see, bit by bit, a little more each issue. The same is true for Bloody Lips, who is a little more of an open book at this pint and who just keeps getting creepier (he's apparently Australian! Had we covered that yet? He is, it seems). Very strong series, really cool ideas and a very compelling read. Del Mundo continues to bring the seemingly perfect style to the book.

Total Score: 5/5

This week's picks

Plenty of books out there this week but the top three rather stand out to me. Guess I can't ask for easier than that? AND, spoilers, THEY'RE ALL FROM ONE REVIEW THIS WEEK.

Amazing Spider-Man 2

I'm particularly impressed in this issue how much Slott is setting up without it ever feeling like "geez, we get it." I got that feeling a few times nearing the end of SUPERIOR SPIDER-MAN (or perhaps it was the middle, when Spidey 2099 started popping up and Sup Spidey was kicked out of Horizon and so on) and I've seen Slott fall into that trap before. Instead, here, he's rearing to go with a lot of stories (you just know that Dan Slott has been the one most eagerly anticipating Peter's return) but he's, as of now, planning to roll them out only when it's really time to roll them out. With so much happening already in the plot, it's nice to see the book waiting until the time is right to add more stories in. On top of that, this issue was strong in its own right, fast and fun and this volume still has the new car smell so we should all be excited to show it off to all our friends before it starts to get worn in.

Daredevil 3

There are weeks when I try a little harder (or the books try a little harder, I suppose) to make my picks a little less standard, trying to shine a light on other books that have the ability to unseat one of my typical choices. NOT THIS WEEK, friends. I praised DAREDEVIL on its consistency this week and I don't just mean that it's consistently putting out a readable book, which would be a feat in its own right. No, this book is consistently one of the best books on the shelves and 2013 saw it winning its fair share of "best of" lists (or at least placing near the top). Mark Waid has been writing a really engaging Daredevil while telling a really interesting story and Chris Samnee has been doing stellar work all the way through. Even steps that should have felt a little predictable in this issue feel fresh and exciting and the writing and tone alone would make for a completely worthwhile top pick, but Chris Samnee and Javier Rodriguez's art just always shoot this book up to another level. Great work.

Elektra 2

Though we're only two issues in, I'm really enjoying this series. It's a little hard not to draw critical comparisons to BLACK WIDOW as we see two typically colder characters, both professionals and neither afraid to get their hands dirty, start to get their own unique narratives and enter into their own unique stories, but I'm not about to start complaining (about either book). Mike Del Mundo's art is gorgeous, the story is compelling, and the characters, from what we've seen about them so far, seem more than capable of carrying this series. Both Edmondson of BLACK WIDOW and Blackman of ELEKTRA are also doing the smart thing with the dialogue: neither of these protagonists are chatterboxes and neither writer is finding it necessary to turn them into such to advance the plot. They're both excellent at showing, not telling, and at building character through action and, of course, narrative (never hurts to have a direct line into the thoughts of a character, even though these books are still keeping those somewhat close to the vest). Really neat book so far.

This week's picks

Slower week of releases this week and some pretty clear picks jump to mind. Then why are we wasting time when we could just be getting to it?

Daredevil 2

Things stay interesting in issue two of Matt Murdock's new stay in San Francisco. Waid, Samnee, and Rodriguez introduce him to some new friends and new foes and to people maybe somewhere in between. It's a lot of fun without ever forgetting its plot or its goals. On top of it, as has been true with this book from day one, even back in the Paolo Rivera days because of course even in the Paolo Rivera days, the book is gorgeous and conveys everything it needs to artistically while remaining one of the top books out there for interior art (and cover art, hence why Samnee was nominated this year for best cover artist at this year's Eisner's after a win for best penciller/inker last year). The spirit of this book persists and the tone that Waid and his various art teams worked so hard to establish still permeates through the series even after all of the tense events at the end of the last volume and the move to San Francisco to kick this one off. Really great overall comic book and I can't recommend it enough, you guys.

Elektra 1

Really great first issue for this new series, one that writer W. Haden Blackman will have to work hard to make relevant in a day and age where so many books are coming out and a seemingly B-list character will have to really stun to stand out. So far, so good. As I talked about in my review this week, Elektra is a tricky character to write over a long term but Blackman very clearly has plans for her and very clearly know what he wants to do with the character. On top of it, Mike Del Mundo, phenomenal, Eisner nominated cover artist for my beloved X-MEN LEGACY, is already crushing it on the art for this series. There's a lot happening in this first issue and a story that looks interesting, though it looks like it may have the ability to trump any sort of character developments. We'll have to hold out on any of those judgments and just really focus on how neat this first issue was.

Iron Patriot 2
This one gets the nod over AVENGERS UNDERCOVER, THUNDERBOLTS, and UNCANNY AVENGERS because it was a very good book but also because it surprised me with how good it was. There are certainly still nits to be picked here but it's a series I didn't expect much out of; I've had some troubles with writer Ales Kot in the recent past and I don't know how much I trust an Iron Patriot series to really shine but if Kot and artist Garry Brown can keep the book going like this then I think there's a real opportunity for an impressive series. It's another in a long list (one that also includes ELEKTRA) of recent risky series for Marvel to take a chance on and hopefully another one that will pay off. I love how many risks Marvel is taking but I do worry a little bit about flooding the market with books and how expensive those books have become (Robert Kirkman was in the news recently talking about Marvel's business plan of exclusively 3.99 titles) and what that will mean for books with smaller general followings. Still, hopefully the cream rises to the top and the books that deserve to be kept are kept when the numbers start getting crunched.