Lot of good picks this week and not too many truly bad ones, which is pretty exciting as someone who makes himself read them all. Let's get right into it without any more unnecessary notes from me.
Thunderbolts 18
Another fun issue of THUNDERBOLTS that continues to help build a new feel for this series. This arc probably overall could have been condensed an issue or so but I don't think the extra length really hurts it in any big way. If anything, it gives us a more complete look at the characters and a better feel for the tone. Everything in this first arc from Charles Soule comes to a head as the Thunderbolts succeed in all of their goals (plus a few bonus ones) but not without tensions rising and a bit of a competitive bent shining through (there's a great moment where Deadpool brags about killing the Paguros and doing it without following Punisher's complex plan and then gets to rub it in to Punisher that, since he was helping after all, Punisher's going to be in for a doozy when Deadpool's name comes out of that hat). There's still a romantic thing going on with Elektra and Punisher (that culminates IN THE BATTLE VAN) and there are still plenty of tensions borne from that. And Mercy, this doesn't even mention Mercy! There's so much happening and the book still manages to be fresh and fun. Pretty neat.
X-Men Legacy 20
Speaking of culmination, Si Spurrier's final arc on the book is approaching and he's going into it guns fully blazing, it seems. After an entire series spent with David going back and forth in his power-set and in his own confidence, everything seems to be pretty well sorted as David goes up against his biggest foe yet (and he's been up against the Red Skull, you guys). One of the best and most impressive parts of it all is that it's not coming as a heavy-handed "FINALLY David overcomes all of his issues" sort of story because David has fluctuated so often in the series. He's gone from being among the most powerful to de-powered to looking to be de-powered to being confident to being doubtful to everything in between and, frankly, he's won out in just about every venture he's undertaken, even if it's not the cleanest win. Because of that, it's hard to say that he's needed outwardly to overcome his issues since, without overcoming it, he's been so successful. This is a very emotional and exciting win for David and it's perfectly executed. The art really stands out here and it works perfectly for the tone of the book. Great stuff, really excited for the next arc to start.
Young Avengers 12
Guys, YOUNG AVENGERS is likely to remain on my top picks for the last few issues, just as it's been here for the first 12 or so. This book is reliably among the best of any given week, no matter what happens. For starters, the writing is always top of the game and the characterization is always incredibly intricate and multi-faceted. It's a book that feels fully in sync with itself; the art perfectly represents the writing, the characters will say something and then look amazingly expressive of that thought. Often, they don't even really need to say anything, the look conveys it, and Gillen is a skilled enough writer and trusts McKelvie enough to know that upfront. Gillen said in an interview that one of his biggest goals for the book was to get McKelvie into the spotlight by getting him to draw a fairly big ongoing series with Marvel. He's pretty clearly accomplished that by getting the immensely talented Jamie McKelvie into the comic-reader lexicon and, as anyone who knew him before this or who has seen him since can tell you, it's one hundred percent deserved. This is, hands-down, the best drawn book in a slew of absolutely amazingly drawn books right now. Amazing stuff. Hoping to hear soon that Gillen and McKelvie are picking up another Marvel book.
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