Disappointing news out of Marvel

Hey everyone. Some of the bits of news that have come out this week, on the heels of February solicits, include the ending of Waid and Samnee's run on DAREDEVIL, the cancellation of ELEKTRA (slated to end with issue 11 in February), and several more books that seem to be wrapping (though I don't have links for those), including X-FORCE (brutal) and STORM (though I'm not hearing that that one's actually being cancelled, just that the numbers are much lower than they'd like). DAREDEVIL, it sounds like, is ending based on Waid and Samnee wanting to move on, but the others all seem to be numbers-based. One of those sad days where really good books aren't getting enough eyes on them and are being dropped, undoubtedly, for more events.

Bit of internal news, I doubt there will be many more reviews this week. I've read just about every book this week and many are very good (DAREDEVIL, BLACK WIDOW, ELEKTRA, AVENGERS, NEW AVENGERS, MOON KNIGHT, SPIDER-WOMAN, and several more) but, as you all know, it's getting harder and harder to get these reviews out on time. We'll see what the start of this week brings.

Amazing Spider-Man 10

Amazing Spider-Man 10
Slott (w) and Coipel (p) and Von Grawbadger (i) and Ponsor (c) and Eliopoulos (l)

A team of Spiders led by the Superior Spider-Man enter the Ultimate Universe to rescue Miles Morales and that universe's Jessica Drew from Verna of the Inheritors. Superior Spider-Man leads them back to the 2099 Universe, where a number of Spiders including the newly onboard "true" Peter Parker, Miguel O'Hara, Spider-Woman, Kaine and some others go to bring them into the cosmically guarded alternate Earth. Unfortunately, the mass influx of Spiders in the 2099 Universe (and particularly the draw of Silk, who wasn't supposed to tag along with Peter but did) brings a handful of Inheritors to the 2099, only for Superior Spider-Man to kill what ends up being a clone of Daemos and managing to get away with the body. Teams of the various Spiders split off and begin setting out on different goals, meant to throw us into such tie-ins as SPIDER-WOMAN, SCARLET SPIDERS, and SPIDER-MAN 2099. As Peter leads Superior Spider-Man and a couple others back to the cosmically protected universe, Doc Ock decrees that he is in charge during this war.

SPIDER-VERSE continues with another pretty strong outing (not least helped by the impressive Olivier Coipel on pencils). What's particularly weird about my reaction to this book (and you all should know by now I largely review these books just based on reaction) was that I found myself really intrigued and, dare I say, excited about the tie-ins they were promising. It's hard to ignore (and I'm sure this is what the Spider-Man team at Marvel formed this event around) the multitude of really great Spiders in these universes. It's a curious thing as this event seems every bit as manufactured as AXIS ("let's get all the Spiders together!" vs. "let's make all the heroes into villains and vice versa!") but I'm far more willing to suspend disbelief on this one. I think that comes from a number of factors, starting with the idea that this impacts Spiders alone and can certainly be tied up neatly after the fact. AXIS (geez, I really need to get over this) bold-facedly claims to be a major event and feels instead like something that will be washed away with little problem and a solid forty bucks+ out of a lot of people's pockets (calculating the cost of AXIS just made me really sad). So yes, I'm enjoying this manufactured series more than I'm enjoying AXIS and, in fact, possibly a good deal more than that.

Total Score: 4/5

Marvel announces new HOWARD THE DUCK ongoing

Following a fun little cameo at the end of Guardians of the Galaxy, Howard the Duck is making his return to Marvel comics in the form of a new ongoing written by hilarious SEX CRIMINALS artist Chip Zdarsky and drawn by the very talented Joe Quinones (CAPTAIN MARVEL, FF, SAVAGE WOLVERINE, a bunch of other things, several prints on my wall, many thanks for that). Like with the announcement of the new Squirrel Girl series, Marvel makes another smooth move by taking a bit of a joke character and putting a very funny Canadian in charge of the book (Zdarsky for HOWARD, Ryan North for SQUIRREL GIRL). I'd throw Skottie Young for ROCKET RACCOON on that list but I'm pretty sure he's not Canadian, though I believe he lives in one of those states on the border that isn't in New England. Anyway, I'm stalling a bit because I'm on my phone so my abilities are a bit limited. Segue! Here's a link: http://popwatch.ew.com/2014/11/21/marvel-announces-howard-the-duck-by-chip-zdarsky-and-joe-quinones/

Not going to say I'm not excited.

Avengers and X-Men: Axis 6

Avengers and X-Men: Axis 6
Remender (w) and T. Dodson (p) and R. Dodson (i) and Delgado and Aburtov (c) and Eliopoulos (l)

The X-Men have taken over Manhattan and have started to expel humans from the city, promising that soon, attempts at taking back the city would be met with violence, all while secretly building a gene-bomb that will soon kill everyone without the X-gene. Sabretooth and Mystique have learned of the bomb's existence and have joined with other inverted villains like Loki, Enchantress, and Carnage in a group assembled by Steve Rogers to set things right. Also, Scarlet Witch attacks a repentant Doom in Latveria.

Let me make one thing clear: there are some interesting dynamics here. I've talked in the past (though probably not for a year and a half now, since DARK AVENGERS) about a soft spot I have in my heart for alternate dimension stories. Because I'm a nerd, like you, and we like these possibilities. I think we like them even more in long-running comics because we so intimately know these characters that twisting them allows us to wonder, if I may, "what if...?" That's 100% what this feels like. So, you say, perhaps I've come around on AXIS? Nope. It feels like that but I don't want my mainstream universe to feel, at any point, like an alternate universe. That's why it's my mainstream and that's the appeal of an alternate. However, it does leave me in a weird position with this event where I'm able to recognize that maybe occasionally we need a big shift like this, even if it's only going to be righted a couple months down the road. However, this continues to feel very much like a shoe-horned "let's write heroes as villains and villains as heroes!" sort of pitch. I cannot respect that. Even if this wasn't billed as a major event and was instead advertised and sold as a WHAT IF...? or a separate alt-universe story or something like that (which, I understand, wouldn't sell at a fraction of an event), I'd be rolling my eyes at it. The complications are that some sort of marginally interesting plot is developing amidst this terrible premise and the tie-ins (which we'll, I'm assured, get to at some point this week) are a little more compelling than the main series (which occasionally happens, at least in my view, because it gives us a sense of how things are affecting our characters at a more personal level). At the end of the day though, my rating has to be based on whether this is worth reading? And guys, obviously it's not.

Total Score: 2/5

Comics this week

It's new release day which means this post is, SURPRISE, late. But that doesn't mean we can't still get into it. First and foremost, though, big ups to short-titled books this week. With a slew of books like BLACK WIDOW, ELEKTRA, DAREDEVIL, MAGNETO, INHUMAN, PUNISHER, and more, this is one of the few weeks where I'd guess the average title length is only about two words (thrown off, of course, by the extraordinarily clunky AVENGERS AND X-MEN: AXIS and DEATH OF WOLVERINE: THE WEAPON X PROGRAM). Also, I don't usually talk about reprints or anything like that because they serve only to confuse me on the comic list but I want to shine a light on the fact that we'll get a SEVENTH printing of MS. MARVEL 1 this week. How crazy is that? Pretty fantastic though. Okay, so what am I excited about? Well, a good deal, as a matter of fact, but it is tempered by how dumb the current event is (not to mention that said event has a release this week and two books that directly tie-in to it plus several others, I'm sure). ANYWAY, on to the good'uns.


Black Widow 12
I love this book and it's quickly become one of those titles that washes over me with a cool wave of relief right after seeing books like AXIS: REVOLUTIONS or ALL-NEW ULTIMATES or something like that alphabetically. I was feeling down and then BOOM, B-Widz. Knocking it out of the park.


Daredevil 10
Geez, those Purple Kids are freaky. Even still, they're an interesting villain beyond just the fact that they're kids and DD probably shouldn't make a habit of beating up kids. They've all been directly and indirectly created by the Purple Man: directly because he's their biological father and he bestowed his powers unto them and indirectly because the impact he left on their lives and the havoc he wreaked on their upbringing by not being there left them emotionally fragile, even more so than regular children. Also, as I've been saying for three years now, we've got to be seeing the fallout from SHADOWLAND here. Huge credit to Mark Waid for holding off and patiently waiting to deliver greater results.


Moon Knight 9
Brian Wood and Greg Smallwood have already shown the chops for creating this book that Warren Ellis and Declan Shalvey built so effectively and so efficiently (they're all helped by the phenomenal Jordie Bellaire on colors) but I'm more interested than excited to see this book for another week. Still trying to see what mark Wood and Smallwood will leave on the characters.


Spider-Woman 1
I'm leery of books kicking off during events (great work, CAPTAIN AMERICA AND THE MIGHTY AVENGERS) and, frankly, I'm still leery of Spider-Woman as a character. I've never really loved her but I certainly came to like her more the more that Kelly Sue DeConnick used her in CAPTAIN MARVEL and AVENGERS ASSEMBLE. I also am a fan of Dennis Hopeless so here's hoping that it's the perfect storm of wary optimism that will actually pay off.


X-Force 12
So the team is probably a little more aware of Fantomex's sinister motives now that he's attacked all of them and sworn to kill them only to have Domino reveal herself and save the team. So much happening here and it's all been great through and through. Geez, good slate of books this week, huh guys?

ALL OF LAST WEEK 11-12-14

Ugggh. Alright guys, I gave you a heads-up on this. Did I definitely know I wouldn't get any reviews done? No, I had some amount of optimism. Did I suspect I wouldn't get any reviews done? No comment.
So this blog is getting a little bit lax lately. I built up this thing on reliability and long and rambling reviews. Unfortunately, lately I've both been unreliable and I've tried to cut off the rambling. One of those changes, I believe, has been a good thing. The other? Wellllllllllllll, maybe less so. There's a good chance this blog starts taking a different format soon or at least stops proudly toting that it reviews every single major Marvel comic every single week. But, as we are still that (at least in my head), here's as quick a review as I can do for every comic this week.


All-New Captain America 1

Sam Wilson is officially the new Captain America and he's certainly capable of walking the walk, talking the talk, and wielding the shield. In a bit of a challenge, his new pseudo-partner is the new Nomad, Steve's son Ian. Together they storm an enemy base but find themselves at odds when Nomad throws Batroc the Leaper to his death (WHAT) and the pair suddenly find themselves faced with a number of classic Cap villains led by Baron Zemo. Remender's wasting no time getting Sam acquainted to the role and to the Cap villains he already knows. There are some great uses of Redwing in this issue and, while it's a pretty good issue and certainly a monumental achievement, it's hard for me to give this a 5 out of 5 when it's possible Batroc is dead. Total Score: 4/5







All-New Ultimates 10
Taskmaster is hunting Ultimates and just about finishes his collection with little resistance, though now he has to contend with an angry Bombshell. Still don't like this book but at least some plot and action happened. Total Score: 3/5


Avengers and X-Men: Axis 5

All the Avengers who were on Genosha are still inverted (though, and I wanted to talk about this above but I forgot and there's no possible way to go back, ALL-NEW CAPTAIN AMERICA mentioned off-handedly in its opening salvo that a bunch of heroes got inverted but came back around, so great work schedule?) and they capture the other Avengers after calling a meeting, leaving only Spider-Man, Nova, and a few others free. And the X-Men attack them. And everyone's mad. And this is still such a stupid and reverse-engineered premise. I don't really care if you can milk stories from it for months, it doesn't make it a worthwhile event. Total Score: 2/5








Axis: Hobgoblin 2
Phil Urich, the new Goblin King, attacks original Hobgoblin Roderick Kingsley only to discover that Roderick, profiting on his newfound success as a hero, has an amnesiac Lily Hollister in his sway. There are some fun and interesting things happening here but it all relies on characters I personally practically refuse to care about. Total Score: 3/5


Bucky Barnes: The Winter Soldier 2
Bucky was shot in the back just after learning that Loki was the middleman for the drug running operation underseas. The bullet he was shot with turns out to be filled with the drug they're chasing, a dosage of hallucinogenic Illum which wreaks a bit of havoc with Bucky as he tracks down and confronts Loki. Loki plays some games with him and makes him see all manner of strange, identity-plaguing thing. Still, by the time Bucky gets through it all, he's learned the location of the planet he needs to visit next. QUESTION: is this really the threat-level Nick Fury had to contend with as man on the wall? I'm still not at all sold on Ales Kot but he's working a bit better already with Marco Rudy, whose art is well worth the price of admission. Really gorgeous but the story and the dialogue leave a lot to be desired. Total Score: 3/5






Captain America and the Mighty Avengers 2
The Inversion is still happening over here and the Mighty Avengers are starting to think maybe they can run the world with an iron fist (though Iron Fist himself is not affected by the inversion) and finally bring peace. However, that doesn't mean inverted Luke Cage is going to forgive Spider-Man for that whole superior thing. Again, I didn't enjoy this book but I think it comes as a result of a weak premise that I cannot get behind. I mean, I don't regret buying it at all because Skottie Young cover, so duh. Total Score: 2/5


Captain Marvel 9

Captain Marvel and Tic find themselves summoned by mutant intergalactic pop-star Lila Cheney to help her get out of an arranged marriage with a prince of a different planet that she certainly never arranged. The planet the space-adventurers find themselves on is one where everyone speaks in rhyme and it gets a little bit old throughout the issue but props to DeConnick for almost entirely making it work. Anyway, Captain Marvel finds a solution, helped by her beating up a vile, power-hungry woman who would marry the prince herself to gain power, and Tic marries the prince instead, though is promised that it's a marriage in name only and that she's able to go wherever and do whatever she likes anyway. Ambitious issue that falls a little flat for me because I still don't like the Captain Marvel supporting cast and the change of scenery. I loved Carol when she was relatable and tough on Earth. Pulling her into places where explaining the plot (or rhyming) has to take most of the dialogue instead of character building hurts this book. Total Score: 3/5


Death of Wolverine: The Logan Legacy 4
Lady Deathstrike has a lot to think about with Logan dead. She does her thinking while thwarting a slave trade and deciding to run Logan's old underground. Certainly not a bad issue and it mostly moves fast. The art style of Juan Doe works really well with Lady Deathstrike. Total Score: 4/5


Guardians 3000 2

The Guardians continually face their own death but finally break out of their cycle with the advance knowledge provided by Geena Drake. They manage to flee from an overwhelming amount of Badoon with the assistance and probable sacrifice of Gladiator and others, hoping to end this war once and for all, though they're being followed by what is purportedly a big ol' Badoon weapon. Still finding it a little hard to get invested in these characters or this future. Total Score: 2/5











Hawkeye vs. Deadpool 2
Hawkeye and Deadpool are trying to figure out how the pieces of this puzzle fit together but continue to come upon dead ends. When Deadpool and Kate finally start getting somewhere with a hidden flashdrive, though, Hawkeye reveals himself to be apparently some sort of double agent, stabbing Deadpool and knocking Kate out while he takes the flashdrive for himself with much the same gusto as the fake heroes Black Cat had in her employ. Still some fun here but the issue drags a good deal. Total Score: 3/5


Miles Morales: The Ultimate Spider-Man 7

Osborn reveals to Miles that he, the Spiders, and Miles' dad are all connected in some way but refuses to give any more evidence than that, eventually leading to Miles and Peter knocking him senseless and potentially re-killing him. Peter gives Miles his blessing and his web-shooters and leaves with MJ to try to figure some things in his life out. Soon, Miles is faced with seeing his father again. Oh, and Kate Bishop's parents are Hydra so she's Hydra and she knows who Miles is. The issue moves pretty well and there's only a little bit of forced banter thrown into a long fight scene. It's very similar to the last issue in a number of ways but it still moves well and adds a bit of texture to the story, so little to complain about. Total Score: 4/5







Nightcrawler 8
Nightcrawler and the X-Men are returning to normal life after the passing of Wolverine when Nightcrawler is pulled back into the lives of the Crimson Pirates thanks to a distress call from Pirate Bloody Bess, who asks for Nightcrawler's help in defeating her teammates, possessed by the villain the Shadow King. He agrees to help her but they quickly find themselves on the run hoping for more backup from the X-Men, who similarly get possessed, and possibly Scorpion Boy and Ziggy Karst. Claremont's love of story again wins out here, though he's quietly doing a good job with Nightcrawler's character. Still, pacing and excessive dialogue really drag this book back down. Total Score: 3/5


Nova 23

After discovering that Kluh is attacking Arizona, Nova rushes away from Spider-Man and Steve Rogers to take on an even stronger and more vicious Hulk. He manages to do some damage but ultimate finds himself launched unconscious to France by Kluh, where he wakes in a hospital room with his broken helmet beside him. Still don't like Kluh but it's a pretty strong Nova-issue. Seriously though, every tie-in to AXIS is marred by how bad AXIS is. Total Score: 3/5











Savage Hulk 6
Dr. Strange and his SHIELD escort learn (god, FINALLY) that this race of strange intergalactic crustaceans ages at an insanely fast rate and that Hulk started off feeding on their non-sentient ancestors but has laid off of the sentient lineage, only to be cast as a villain by certain members of the society who would ruin themselves waging an unwinnable war on the monster. Strange defeats the most vocal of the anti-Hulk shrimp and deposits the Hulk back at the Crossroads while saving the society. Solid art props up this issue, which otherwise falls a little flat for me. Total Score: 3/5


She-Hulk 10

Steve tells his side of the story, revealing that his pal's brother, the one who blames Steve for getting his brother killed, was working under Nazis and Steve took a stand against them in a situation where the Nazis were very clearly going to kill all three of them. Steve is found innocent and chats with his lawyer pals for a bit before She-Hulk heads back for NYC, hoping to relax a little but finding Titania, whose name is also in the blue file, waiting for her. Another strong issue. Soule writes a really fun She-Hulk and a strong Steve Rogers on top of being just a strong writer all around. Pulido's art is absolutely perfect for the series. Total Score: 5/5









Silver Surfer 7
Dawn Greenwood and Silver Surfer have been traveling for a while now and run into their fair share of adventures and excitement, but Surfer finds himself as excited as ever to end up at the end of the universe, where even the light from the stars doesn't reach. As he and Dawn sail further and further into the depths, they find some sort of way station lighthouse and approach, only for it to grab Dawn and pull her into the nothingness. Though Norrin had sworn recently that he'd never silver down again after a particularly bad experience while he and Dawn let their guard down, he looses the power cosmic and the depths take him too, only for him to silver up again and rescue Dawn. He gave her a ring that's part of himself so he can always find her and she asks if it means they're dating. Slott's joy for writing the series, as with AMAZING SPIDER-MAN, shines through here, though the tone is still a little hard to always nail down. The art of Michael and Laura Allred is, as ever, pretty astonishing and remains exactly what the book needs. Total Score: 4/5


Spider-Verse 1

Cute little introduction to a handful of alternate dimension Spiders like Spider-Man of the Spider-Clan of Earth-2301, the steampunk Lady Spider from Earth-803, the cartoonish 11-year-old Penelope Parker, Spider-Girl, of Earth-11, and a couple of other Peters who die or are ignored by Morlun. They're nice vignettes from talented writers and artists, which makes the book worth reading as long as you know what you're getting into. Total Score: 4/5












Superior Iron Man 1
Tony Stark has started drinking again, as well as mass producing Extremis and giving it to everyone in San Francisco with a smart phone. Of course, he's a despicable human being now, though he still helps out on the hero front in New York with remote Iron Men. As Pepper begins to worry about what he's doing, he shows how profitable it'll become by removing the Extremis from all of his test subjects in SF and offers it to them once more for a hundred dollars a day. What a jerk. Surprise, I still don't like AXIS. Total Score: 2/5


Thor 2

The new Thor (who is sounding more and more like SHIELD agent Roz Solomon, to my chagrin) has traveled down to Midgard with Mjolnir and finds herself beating up Frost Giants and helping the Minotaur, Dario Agger, by rescuing him from other Frost Giants attempting to find the head of King Laufey. There are some interesting bits here and there, particularly as Thor continues to speak like the old Thor but her thoughts come out sounding (and looking, thanks to the regular typesetting of her inner monologue, as opposed to the typical Thor word bubbles of her dialogue) human. Other interesting tidbits include the idea that Mjolnir is sentient and responding to Thor. Still, I'm going to be really bummed if this does just end up being Roz Solomon, who is both predictable (still a big deal that Thor's a woman but I would have liked, for story purposes, a more surprising pick) and a SHIELD agent, which practically guarantees she's not really worthy. SHIELD is terrible. All around. Total Score: 3/5

Comics this week

Is this the earliest in a week I've apologized for being late on reviews? Maybe it is but somehow I'm sure I've apologized sooner. Anyway, I'm definitely going to be a little slow on reviews this week because my work has gotten a little busier in preparing for a move and I myself am moving so this looks to be a week rife with complications. On the plus side, there are practically no massive books out this we-what's that? Hang on, I have my finger to an imaginary earpiece and I'm suddenly hearing about the tons of big books out this week.

All-New Captain America 1
The debut of Sam Wilson as the new Captain America! Well. Okay, so he was introduced in the last CAPTAIN AMERICA issue and he was in the first set of AXIS books but this is the real introduction, I should think. Well, I'm going to call it that since I haven't really liked any of the other issues mentioned. Still a big deal and I still love Sam Wilson so let's all keep our fingers crossed.


Captain America and the Mighty Avengers 1
This one just edges out BUCKY BARNES: THE WINTER SOLDIER and SHE-HULK to make this list because I found MIGHTY AVENGERS somewhat lacking but clearly capable of putting on an excellent show. Will the addition of a bonafide Captain America help launch this to a different realm? Maybe not. Look, I'm regretting this choice as it is.


Spider-Verse 1
I'm still taking something of a stand against events (just kidding, I'm just mentioning them in the pre-game less [take that AXIS, out this week] and I'm grumbling about them more! If that's taking a stand, it turns out I'm way more proactive than I thought), but I couldn't help liking AMAZING SPIDER-MAN 9 and most of the EDGE OF SPIDER-VERSE books, so I'm feeling like maybe one good event will build some good will back up? Maybe this will be it? Or maybe it will last too long and meander in the middle only to rush through the end, like every event since INFINITY (you won't believe how many there have been since then).

Superior Iron Man 1
It's the dawn of a new day for Iron Man, who seems primed to become quite possibly the next big villain of the Marvel Universe, particularly as we seem to be on the precipice of a number of re-upped events. Geez, writing that down somehow felt worse than thinking about it. Anyway, writer Tom Taylor steps on to a pretty big stage at Marvel as Tony Stark's role in the MU shifts once more.


Thor 2
To round out Marvel's "big three," the second issue of THOR comes this week to let us know, potentially (or maybe not!) who indeed picked that hammer up. Was it Freyja, or was that just some smoke and mirrors to distract us. Fingers crossed that it wasn't any member of SHIELD. Seriously. No members of SHIELD. In fact, sidebar, I'd like it if we could just stop teaming members of SHIELD up with heroes. I think we've all had enough of that.

Leftovers 11-5-14

To say that I meant to do more reviews this week would not be inaccurate. However, it would be typical. So let's stay away from that and just do these reviews literally as quickly as I am capable.

All-New X-Factor 16
X-Factor needs to fight off Sentinels to protect the nuclear football containing the launch codes. They succeed but tensions within the team (and within Serval) run a bit high. Still too quippy at key tense parts for my liking. Total Score: 3/5


Deadpool's Art of War 2

Deadpool's tips lead Loki to total victory over Asgard then inspire him to attack Earth before locking Deadpool up in the dungeon with Thor, only to have 'Pool free himself and Thor. I'm not sure why a Marvel-Universe practical adaptation of Sun Tzu is worth making. I like that cover though. Total Score: 2/5














Death of Wolverine: Life After Logan 1
Jeff Loveness writes a good story about Cyclops' reaction to Wolverine's death, Josh Fialkov writes a fine story about Nightcrawler and Colossus delivering Logan's sword to Mariko's grave, and Rex Ogle writes a perfectly sufficient story about Armor fighting in the Danger Room. You know these books, they happen after every comic book death. Total Score: 3/5


Death of Wolverine: The Weapon X Program 1

As the new Weapon X facility crumbles, a couple of experimented-on soldiers with various powers make their escape from the debris. With the leadership of one of the soldiers whose face is concealed until the last page, they manage to make it to the roof and take Cornelius' helicopter, wherein we learn that the concealed soldier's face looks an awful lot like Logan's. The genuinely surprising twist makes this issue somewhat worth reading, unless it was spoiled by some reviewer. Total Score: 4/5











Hulk 8
Doc Green is heading for Red She-Hulk, AKA Betty Ross, next. To make matters more personal, he knows now that Betty and her new organization, the Order of the Shield (from the last days of RED SHE-HULK), arranged for Dr. Leucenstern to shoot Banner in the back of the head at the end of INDESTRUCTIBLE HULK, believing that Hulk was to be responsible for an impending Extinction Level event. Doc Green actually harbors no ill will toward either and uses Rick Jones, who is actually loving his newfound lease on a regular life, to trick Betty into using the serum before Doc Green has to. Still some interesting stuff happening (even if it's been the same interesting stuff the last couple issues and even if it de-powers my probably favorite Hulk right now) but it continues to be hard to enjoy watching Doc Green. Total Score: 3/5


Legendary Star-Lord 5
Star-Lord has a lead on a bad guy group heading for the Black Vortex and lulls one into a false sense of security to get more information before unleashing Drax on him. Peter and Kitty continue to have a bad and boring relationship. Said relationship drags the book down at least as much as the story and as the villainous Mr. Knife. Total Score: 3/5


Rocket Raccoon 5

Rocket and Groot tell a story to a couple of camping alien kids. Well, Groot tells it. The results are rather predictable but astonishingly fun and still very clever. Excellent book. Guest artist Jake Parker draws all of Groot's story while Skottie Young provides the frame art. Parker steps in admirably and uses a style that is similar but obviously different to Young. Both work excellently. Total Score: 5/5













X-Men 21
Manifold Tyger put both Storm and Cecelia Reyes in critical condition before the other heroes catch up with him. They also learn that Tyger was working with the villains trying to gene-splice a baby out of Deathbird. Meanwhile, this story is somehow still going. It hasn't been bad, exactly, just slow and and getting more and more bogged down with each issue. Total Score: 3/5

Quick Big Hero 6 review

I went out and saw the new Marvel/Disney movie Big Hero 6 with my girlfriend and a theater full of children and parents. I went into this one pretty upbeat; I love Disney, I love animation, and guys, I love Marvel. I was not disappointed in the least. It's a delightful movie with a lot of genuine laughs and some really moving scenes. Very well-written, extremely well-acted, and overall absolutely delightful. I don't see too many movies aimed at all ages (okay, mostly children) with a theater full of children but boy it's more fun than seeing a movie intended for older audiences with a theater full of children. Can we agree, nationwide, to stop taking kids on field trips to see Gone Girl? So anyway, Big Hero 6 was great, would recommend to friends. And you're all friends.

Amazing Spider-Man 9, Spider-Verse Team-Up 1

Amazing Spider-Man 9

Spider-Man and Silk are having a discussion about how they should deal with their crazy urges (Silk suggest Spider-Man leave New York) when Spider-Woman, Arana, Spider-Man 2099, and a few Spiders from other worlds show up to take them all away, bringing them to their safe zone world, one where Spider-Man never gave up his cosmic powers, making him too powerful for the Inheritors to challenge (though if he leaves that world, the cosmic powers stay behind, so he can't help in the fight either). Meanwhile, Morlun's oldest brother Daemos has arrived in the 616, despite Morlun's protestations (Morlun claims he is saving that world, though the other Inheritors believe it is the only world he fears, thanks to previously dying there), and incapacitated the New Warriors in an attack on Scarlet Spider. Three more Spiders show up to rescue Kaine with one of them, Bruce Banner Spider-Man (not a Hulk), dying in Kaine's place while Kaine and the other two escape. All the Spiders fill Peter in on the details they know and tell him that he's their secret weapon because he's the greatest Spider of them all. Meanwhile, Morlun's sister Verna launches an attack on the Spider-Man and Spider-Woman of the Ultimate Universe.

If you HAVE to do an event, this is certainly a better way to do it than AXIS. It's far more contained than a typical event (though, to be fair, it is billed as Spider-Man's event of the year) and it's interested in character at least as much as story. The story itself is a fairly simple one masking itself as a more complicated one, which actually works pretty well. Despite all of the new characters and the invocation of the "Great Web," the basic gist of the story is that the Inheritors like killing Spiders and the Spiders want to team up to avoid being killed. At its core, simple. Will there be twists and turns along the way? Yeah, probably. But that's what we need to know to progress. So instead, Slott focuses on establishing several characters, which he does to varying degrees of success. Still though, as has always been true for Slott, it's obvious he's having a really good time writing this story and that carries a lot of weight here. For all of the complaining I did about events yesterday, I'm feeling onboard with this one.

Total Score: 4/5


Spider-Verse Team-Up 1

Our first SPIDER-VERSE TEAM-UP has two stories with two different sets of Spiders. The first story features Spider-Ham, Old Man Spider-Man (seems redundant but that's what they call him), and Ben Reilly fighting off some of Verna's hounds; this time a slew of vampiric Vultures taken from different realities. It's a more brutal fight than Ben Reilly is used to but he begins to understand pretty quickly why it has to be that way and the three of them manage to escape, knowing Ben's chosen world is safe as the Peter Parker of that world never became Spider-Man. The second story finds the Six-Armed Spider-Man and the decidedly more brutal Spider-Man Noir teaming up to help a newly changing Spider-Man avoid his inevitable fate as food for one of the Inheritors. This new Spider is turning full spider, a change that will ruin his otherwise happy life (Uncle Ben and Aunt May are both safe in this reality) and will leave him very open to attack, so Six-Armed Spider-Man manages to whip up a version of the serum that gave him his extra arms but that he hopes will, thanks to the differences in their stories, simply cure this Peter like it was meant to cure him. The serum works, taking this Peter firmly off the Inheritor's radar and keeping his life happy, which Noir's plan of shooting him wouldn't have pulled off.

These are two pretty good stories that accomplish exactly what they set out to and what I think is very important to this event: building character. I talked in the above review about how the simplicity of the story at its core allows Slott to build character and focus on that character throughout the series. The problem he faces, of course, is that there are just so many characters to focus on that the story will inevitably get diluted as Slott has to spend so much time establishing new guys. SPIDER-VERSE TEAM-UP, on top of being a potentially interesting and obviously profitable tie-in, allows Slott to build the Spiders himself or to spread the wealth a little and let other writers have a crack at these fun characters. It's likely the first idea Marvel had when this event was first introduced but, as opposed to, like, everything in AXIS, it actually will help the main series. How much it helps remains to be seen. It'll require some strong writing and a stronger editorial team to keep a unified tone and unified voices through all SPIDER books. Solid start to this event.

Total Score: 4/5

Avengers and X-Men: Axis 4

Avengers and X-Men: Axis 4

SHIELD wants the Red Skull but Captain America refuses to hand him over, not trusting that SHIELD is capable of holding the criminal. That's the only sane thing done in this book, as then the X-Men, still led by Storm, Havok, and Cyclops, become decidedly more militant and turn to a grown Apocalypse for help, Tony Stark introduces an Extremis app that will allow people to experience their better selves, and a portion of the Avengers (Captain America, Scarlet Witch, Wasp, Thor, Hulk, Luke Cage, and, for some reason, Medusa) decide they need to kill Red Skull to stop this kind of thing from happening again. Jarvis tries to stop them but is thrown out of the way quickly, prompting a doubtful Hulk to intercede and try to stop the others. Though he fails, the sadness it causes him turns him into Kluh, the inverted Hulk who is, apparently, even worse. He runs off and the rest discover Red Skull is missing.

This is so stupid. I'm not even going to put on airs about it any more. I talked in my review of AXIS: CARNAGE 1 last week about where this event was going and how it feels way more manufactured than most events in that it's such an insane premise with such a twisted, unbelievable, soft-sciencey solution that it's impossible to see it as anything but someone at a Marvel summit going "what if...some of the heroes were jerks? And some of the villains were good?" and everyone high-fifing one another and leaving Remender to write the whole thing (though I'm blatantly calling this stupid, I'm still not willing to force the blame entirely on Remender, though each issue seems to make it harder). But they're in the place they want to be, with clear factions and rivalries set up, from SHIELD up against the Avengers, to the Avengers keeping this on the down-low from other Avengers, to the X-Men and the Avengers, to Kluh and the Avengers (pretty Avengers heavy, huh?), to Iron Man making his big Extremis app announcement in San Francisco in front of Daredevil. None of it works for me. It screams of a WHAT IF... book or an alternate universe book but here it is, an all-enveloping event. I'm already sick of events (I'll reiterate, HALF OUR BOOKS THIS WEEK ARE EVENT-BASED) and here's this one, a terrible premise posing as an event. I didn't even want to write a review tonight. I was tired and I said "you know what, I'll give myself another one of those millions of nights off I've been giving myself lately. I'll update the comic list (on the right, you guys, chock-full of creator names!) and maybe I'll read a couple books but I don't feel like reviewing. So I read this one first, knowing it would eventually be the first one to get reviewed. I couldn't even take the night off, this comic was so bad. Ugh. I guess, in fairness, the art is Leinel Yu and he's pretty good. Though there was one really distracting shot of Medusa that literally focuses itself to only get her butt in frame. So you're certainly not winning points, guys.

Total Score: 1/5

Comics this week

No. I don't want to do this post this week. GUYS, I love this post. It lets me get hyped for the coming week. It lets me look at the comics that are coming and JUST pinpoint the ones I'm excited to read. Sure, it makes me look at a list that might include ALL-NEW X-MEN or FANTASTIC FOUR or whatever else I really don't want to read during the week, but I'm focusing on the books I'm most excited about. And, as if I needed another reason to love this post, it's short BY DESIGN. I only give a couple of refresher lines about why I like a book or what's happening in the book. It's the post where I allow myself to enjoy writing a little more and relax my own review standards a bit.

But this week I'm not even a LITTLE excited about the coming post. I played this game last week, a week with a handful of new books none of which I was particularly excited about, and I don't want to have to go through it again. There are twelve new books out this week. Five of them are tied directly to events (Two SPIDER-VERSE, two DEATH OF WOLVERINE, and one AXIS) and one more (ALL-NEW X-FACTOR) is a tie-in to AXIS. I usually highlight five books a week and I'm refusing right now to give more attention than I have to on events (getting really burned out and Skottie Young posted a teaser image for his variant cover for 2015's AVX event, something I really don't need to see, though, obviously, I loved his cover). That leaves me with six books to choose from, but one is MIRACLEMAN, which I've almost entirely stopped paying attention to; one is DEADPOOL'S ART OF WAR which I'm dutifully reviewing but otherwise ignoring based on the premise and the first issue; one is X-MEN, which is typically pretty good, but is also in the midst of an arc that I'm already deeming too long; one is LEGENDARY STAR-LORD, which I have very little interest in after four sub-par issues that feel squandered; and one is HULK, which I still have some issues with, thanks to the invention of Doc Green and Doc Green's mohawk (though I'm onboard with Red She-Hulk, who promises to show up this week). Quickly we're down to one book. So...

Rocket Raccoon 5
It's been great. Skottie Young is great. Jean-Francois Beaulieu is killing it on colors. Skottie Young seems to tacitly understand that being removed from the rest of the Marvel Universe and taking on a tone perfect for the characters and unique in this universe are keys to the success of this book. Even with the announcement that there's a new cosmic event coming, ROCKET RACCOON wasn't listed with the books tying into BLACK VORTEX (which I think will start being seeded in this week's LEGENDARY STAR-LORD, so that's another one you could chalk up to event tie-in). Brilliant idea, ROCKET RACCOON team. Absolutely genius. Keep up the good work. Please. Please keep it up.

Leftovers 10-29-14

Pretty short week for full reviews this week but, like I said yesterday, not too many giant books out there. Let's just blast through this.

All-New X-Men 33

The ANXM search through the Ultimate Universe trying to make sense of their new surroundings. Angel and X-23 find each other, Jean leans on the Ultimate Spider-Man, Iceman gets in some trouble, and Beast is rather trapped in Latveria. It's extremely similar to Bendis' GUARDIANS OF THE GALAXY 15, which featured the Guardians all split up in foreign places, some faced with the unknown and some faced with enemies, in little almost-vignettes to show that they're all confused and lost. Like I said with that one, worth a miss. Total Score: 2/5










Death of Wolverine: The Logan Legacy 3
Sabertooth has latched on with an army unit and is brutally killing just a bunch of people, even going so far as to kidnap a shorter one per night, dress him as Wolverine, and murder him. His dreams are filled with Wolverine mocking him, telling him that he'll never be complete without Wolverine and laughing at him for never getting to kill his true rival. It's weird and heavy-handed and the art is interesting but often lost me as to what was actually happening. Full-on crazy Sabertooth is not a Sabertooth I have any interest in, though I'm rather burned out on any Sabretooth after a few years straight of seeing him show up what feels like every week. Total Score: 2/5


Death of Wolverine: Deadpool and Captain America 1

Steve Rogers calls Deadpool in to help him thoroughly clean and destroy Wolverine's stuff, insistent that no one should find his genes and clone him (is this regular procedure when a hero dies?). The last piece is a knife used to stab Wolverine that was sold to AIM not long ago. With the clock ticking, Deadpool and Steve launch an attack on an AIM base and secure the knife again. When they return home, Cap leaves Deadpool to destroy the knife. Deadpool, though, returns to Butler's base and considers cloning Wolverine himself. It's a decent team-up, one we could have expected after their arc together in DEADPOOL. It's got a few laughs and some sweet moments between the unlikely allies, but it's nothing particularly groundbreaking, like I thought their first arc was. Total Score: 3/5






Deathlok 1
Henry Hayes is a Deathlok and has no idea. When he's sent on missions by his handlers, he returns mind-wiped, believing that he was assisting Medics Without Borders in war-torn areas. He also returns home to his life as a single father of a teenage girl named Aria. However, things might get complicated as his last mission had him attacking Black Tarantula, among others, who seemed to survive, unbeknownst to Deathlok, and he's drawn the eye of Maria Hill, who covertly promotes a promising researcher named Andrea Hope to active agent, tasked with finding as much as she can about this new Deathlok. It's an interesting starting point for this new series, though its best attribute this issue is actually how quickly it reads. With so much new information and characters and storylines coming at us all at once, this issue could drag, too exposition-heavy to keep us interested. Instead, it moves well and switches locales and perspective a lot, keeping the reader interested, if not yet invested. Total Score: 4/5


Elektra 7
Matchmaker has been killed by the experimentally juiced up Lady Bullseye who can become intangible as she pleases. Still not a problem for Elektra, who allows herself to take a few hits to force Lady Bullseye to become solid, allowing her to stab her then, as she goes intangible, Elektra breathes her enemy in. It's kinda disturbing. Anyway, she defeats Lady Bullseye and returns to Sidewinder, demanding he take her to the Assassin's Guild leader. He leads her to New Orleans where she's ambushed by other assassins she's defeated but are now similarly juiced up like Lady Bullseye with varying new powers. It's a tough fight but she bests them once more, finally making her way to someone at least pulling some of the strings. The guy says he doesn't lead the Guild but he can make this go away if Elektra lets the weird doctor experiment on her too. She, of course, refuses, kills the pair, and returns to Sidewinder to find out who leads the Guild. He doesn't know but believes Bullseye, currently catatonic and in SHIELD custody, does. Elektra sets off to bust Bullseye out. Elektra continues to be great, handling all of the amped up assassins who come her way and illustrating just how next-level she is in this community. The art isn't my favorite here, which is unfortunate because Del Mundo's really was up there. It's also a bit strange that she destroys so many people this issue that could have been issue-long fights. I'm not that upset about it, nice to see a book move quickly instead of trying to milk every fight out, but it's a tad weird in this community. Also, Matchmaker is dead and I hate this book for that. Total Score: 4/5


Fantastic Four 12
Wyatt and Spider-Man talk to Johnny, who IMMEDIATELY comes to his senses and visits Ben, explaining that someone is clearly pulling the strings here and that Ben needs to get out. In Latveria, Valeria tells Doom she has to go home to try to pull her family back together, leaving Doom, who has devious plans once more. Finally, Reed accuses Mr. Eden, with a great deal of exposition because who would ever want to see him work towards a discovery when we could just have him talk about things he discovered off-panel, of engineering the portal opening in the Baxter Building. Mr. Eden isn't really Mr. Eden though, Reed's lab partner Cully is Mr. Eden and he's doing all this because he hates Reed. WHAT A DUMB ENDING. I'm going to give this the very slightest benefit of the doubt here as we all know FANTASTIC FOUR is ending soon, so it's entirely possible these dumb twists and dumb turns were meant to unfold over multiple issues instead of twenty pages, but STILL. We don't care about the GASP, it's not MR. EDEN, IT'S CULLY thing because we don't care or know about either of those characters. Reed accuses him of engineering everything with a ton of evidence we're just learning about NOW, which is like a detective story where we see a moonlighting detective doing his day job then suddenly, apropos of nothing, solving the whole case on the last page of the book. It's all terrible and I do not like it one bit, my friends. Total Score: 1/5


Guardians of the Galaxy 20

FINALLY, the end of Star-Lord's story reveals that an already dying Nova sacrificed himself to transport Drax and Star-Lord back to their proper universe and that Thanos escaped too. There's also some crap about how Nova was in love with Gamora and he swore Star-Lord to secrecy about all of this, which is why he didn't tell Gamora or the crew earlier. If it is indeed the death of Richard Ryder (doubtful, as that old comic book axiom of "we didn't see the body" certainly comes in to play), it's a pretty stupid death; a standard sacrifice with questionable motivation marred by a prolonged and unnecessary admission of love. It's the worst kind of superhero death, cliche and boring at the same time. Then Gamora goes off and sheds a single tear. Total Score: 1/5






Inhuman 7
Black Bolt is still alive and Maximus is using his telepathic powers to control the missing king, focusing his limited powers entirely on Black Bolt. Medusa knows that her husband is alive and sends a pair of Inhuman investigators, one from the old kingdom named Auran and one NuHuman named (by Auran) Nur, to track him down. They eventually do find Maximus and Black Bolt and Auran, knowing that Maximus likely can't control their minds while he's focused so hard on Black Bolt, somehow doesn't realize that Maximus would be willing to use Black Bolt to attack the investigators, which he does, blowing out a huge part of the penthouse they're staying in overlooking New Attilan. Nur, though, may still be alive, ready for the next move. There are some interesting things in here, particularly between Maximus and Black Bolt, but the whole book is dragged down by a lot of exposition and re-explaining what's going on all over the universe wherever Inhumans are concerned. I also kind of like the idea that Soule is introducing new Inhumans all over the place, moving them into our consciousness slowly so he can eventually bring everyone out at once and we won't be overwhelmed. It's a smart play for a franchise looking to build. Still, the writing will have to get out of its own way and start trusting the reader a little more before the book can really take off. Total Score: 3/5


Marvel 75th Anniversary Celebration 1
It's an extra long (and double-priced) book to commemorate 75 years of Marvel, replete with a story about the start of the universe, an old Stan Lee script illustrated by Bruce Timm, a Bendis Jessica Jones story, a Tom DeFalco Spider-Man story, a Len Wein Wolverine story, and a slew of covers from a slew of illustrators for books that will never exist, all credited to Brian Michael Bendis. Is it worth your money? No, probably not, unless you really love Bendis because this book is just chock full of him. It's always nice to see some of the legends like Lee, DeFalco, and Wein, but their screen-time is limited and the stories are somewhat fun throwbacks, nothing you haven't read a thousand times before. Six bucks though? I'm not gonna tell you to spend that. Total Score: 2/5






Nova 22
Nova talks his way back out of expulsion with a reluctant Principal Philbin then goes trick-or-treating with the X-Kids at the Jean Gray School. It's a bit of a reset issue and it works well enough for that with a couple of nice moments and an easy, generic story. Nothing to write home about but not a complete failure of an issue, as I maintain it's important to rest every few issues and let our hero have a slower day now and again. Total Score: 3/5


Thunderbolts 32

Six months after the fall of the Thunderbolts, Red Leader runs his new compound from Kata Jaya, the spot of the team's very first mission. He's plotted his whole life perfectly and now his only problem is that he has a crush on his biographer and can't seem to win her affection. However, all is not well for Red Leader as the Thunderbolts have been gathering intel about the new compound and have led the Avengers there to help take it apart. Red Leader has plenty of plans in place to pick apart his old team but they all crumble when his biographer turns out to be the SHIELD agent Hawkeye had been working with in disguise. She shoots him from behind and the T-Bolts and Avengers win the day, though it's made clear to Red Hulk that none of them want to join him again. It's a fun ending to a book that has certainly had its ups and downs (though mostly ups, particularly from halfway or so on). Deadpool has a particularly strong issue here, though the rest get a little bogged down by the sheer amount of characters and the focus being on Red Leader. Also, Mephisto sends the spirit of vengeance back to Johnny Blaze, to his dismay, which is a fun moment. Total Score: 4/5


Wolverine and the X-Men 11
Melita interviews Spider-Man, Storm, and Quentin Quire about the passing of Wolverine, though "interview" probably isn't the right word. She talks to each of them and gets more from some than others. The Spider-Man bits are mostly fun and work pretty well and the Storm stuff is more or less what you want out of Storm. To be fair, the Quentin stuff is what you can expect from Quentin too, but I still have to ask if we need this much Quentin Quire in our lives. Anyway, strong "in memoriam" kind of arc and, like last issue, it's nice to see so many artists paying their respects to Wolverine. Total Score: 3/5

Axis: Revolutions 1, Axis: Carnage 1

Yeesh, sorry about the lack of posts the last few days. As frequent blog readers know, I tend to get fairly busy during the week then backload my reviews towards the weekend, but I try not to put all the reviews on the weekend. I'm happy to shoulder some of the blame for that this week, though let's not act like Marvel's completely without fault. I also try, with my own never explained reasoning, to have the earliest reviews focus on the books I find most important, whether they're events or AVENGERS or X-MEN books. This week was kind of a snooze for all that so I went about reading all the books hoping the cream would rise to the top. I have bad news about this week's books: there is very little cream. There's not a lot out there that's egregiously terrible, but there's not much that stands out. That's a tough week for me, a week where I can't really win. I can't promote a book really worthy of your attention, I can't take a stand against a book I think you should ignore (I should mention, I've read most of the books so far, I haven't read FANTASTIC FOUR yet so there's a good chance there are still books out there that fall into this category), and I don't have any major MU books out this week to put in the spotlight. So here we are. My extended reviews are tie-ins that don't really require extension. HOPEFULLY it'll at least mean I can rein it in this week and stop rambling so much, though if this intro is any indication, NOPE.

Axis: Revolutions 1

The Hate Wave has gone out and some of our heroes are doing their darndest to deal with it in this tie-in to AVENGERS AND X-MEN: AXIS. In the first of two stories, Spider-Man attempts to quell a riot by showing a young hooligan the price of hate. Dennis Hopeless (which, sadly, is the perfect last name for a Royals fan, as Hopeless is) and Ken Lashley guide Spidey through New York as he tries to break meaningless fights that have escalated to full on riots up, attempting to get people to understand that they don't really hate each other and that they maybe wouldn't hate each other if they really knew each other. The story has a couple of decent lines and it's certainly a Spider-Man story in the long-standing tradition of "with great power" sorts of stories where Spider-Man wistfully thinks back to his aunt and uncle and the morals instilled in him. Overall, it's far too heavy-handed to really be called entertaining, almost serving more as a PSA against hate than, say, a comic.

The second story reunites, for the second time this month, Si Spurrier, Tan Eng Huat, and Craig Yeung for a fun half-issue wherein Dr. Strange, himself affected by the hate wave (though refusing to admit it) and trying to stop the incessant and obnoxious riots outside his Sanctum Sanctorum. He decides he needs a pure, un-hating vessel who he can use to calm everyone but it proves extremely difficult to find in the midst of New York. Finally he turns to Wong, who has been extremely patient with him despite his constant outbursts and jabs, believing that Wong's lack of retaliation is proof of a stronger fortitude. Unfortunately, Wong is just passive-aggressive and really has been raging on the inside, ultimately poisoning Strange's tea, coffee, and eggs. It's an entertaining story and Spurrier brings his penchant for writing funny anger and impatience to the characters, making everyone hope this is an audition for a gig writing DOCTOR STRANGE. Like the first story, it perhaps carries on a bit too long, but unlike the first story, it's not eye-rollingly message-laden.

Total Score: 3/5


Axis: Carnage 1

The Inversion has struck in AXIS: CARNAGE, like it had in AXIS: HOBGOBLIN and now Carnage finds himself feeling every emotion, something he hasn't had to do on the regular as a psychopath. With a sudden desire to be a hero but no knowledge on how to do such a thing, he clumsily goes about maiming and terrorizing people he believes to be criminals. Meanwhile, an amped up Sin Eater is killing news-people to absolve them of their sins. Carnage comes into contact with him as he attempts to get help learning about empathy from a newscaster he saw broadcasting the death of a coworker. Carnage knocks out Sin Eater and escapes with the fainted newscaster.

As we've seen with a few of the tie-in books already (AXIS: HOBGOBLIN, DEADPOOL), the Inversion is going to take our heroes and reorder their priorities and feelings. It's starting to feel, and maybe this is too early to say this, like simply a cheap excuse to make heroes act like villains and villains act like heroes. Events often have that kind of goal in mind; not necessarily this specific goal, I should mention, but a specific goal to bring about some drastic change or to play with some story idea. That's not necessarily a bad thing but the last couple (ORIGINAL SIN reveals the Marvel Universe's secrets! AXIS turns heroes into villains, or at least jerks!) have been so obvious that it's hard not to shake your head and sigh. It's entirely possible there are plenty of people out there who believe that this is a fine tactic, that the end result and the different perspectives are what matter. For me, though, I prefer a rich story that spawns naturally from something and goes naturally to something, not a magic MacGuffin that instantly gets us to an outcome. ANYWAY, this book isn't great and I have no need to see Carnage attempt to be a hero and struggle with emotions, particularly when it's so superficial, as a tie-in kind of has to be (thanks to length and inclusiveness).

Total Score: 2/5