All-New Invaders 5, Fantastic Four 5

All-New Invaders 5
J. Robinson (w) and Pugh (a) and Guru eFX (c) and Petit (l)

Everything works out because Winter Soldier breaks out Aarkus and he and another Eternal find the God's Whisper while Torch knocks out the watching Kree soldiers and Steve uses a computer virus laced shield (??) to shut down the Supremor for a time while they make their way off-planet. Back on Earth, Namor returns to the deep, Bucky goes back to wherever it is Bucky goes, and Cap recruits Jim to SHIELD while they muse over what Aarkus could be doing with the Eternals (hint: controlling Galactus in the Negative Zone with the God's Whisper if they should ever need him).

That "everything works out" bit above is only there partly because I'm lazy. Moreover, though, it's there because that's the spirit of this issue. It's very much a book that revolves around the old school style "I only wanted you to THINK I'd missed when, in fact, I was aiming at that device above you that's currently toppling on you" or some such that I swear happened in every other issue of AVENGERS back near the start of its run. Here it's all meaningless misdirect as Bucky buys time, Cap has a computer virus on his shield (not how that works, for the record, don't care what kind of comic book technology you have), and Torch ups the radiation in the room with Cap waving it off by literally saying "I'm immune." If the solutions are ridiculous then the stakes are meaningless. It's like being in an imaginary shootout with a child who keeps saying "no, you didn't hit me! I have a forcefield and the shot bounced and hit you!" You can make up the rules all you want, that doesn't mean I'm going to be on board with it. Pugh's art is pretty good though.

Total Score: 2/5


Fantastic Four 5
J. Robinson (w) and Kirk (p) and Leisten and Magyar (i) and Aburtov (c) and Cowles (l)

The Fantastic Four are on trial and the prosecutor is dragging them through the mud about every major superhero thing they've played a role in and how many people it hurt and it ends with a ruling that we don't get the full sense of yet but means the kids of the FF are shipped off to Camp Hammond to be watched by new SHIELD agent Jim Hammond (very quickly making his first SHIELD appearance from above). Oh, and in other news on this book, it made me as angry as any other book I've read in the past year and a half and I can't believe Marvel decided to charge five dollars for a book with five extra pages in it (albeit with art from all sorts of different artists).

Seriously. The courtroom superhero drama hasn't been compelling since the first time it was done and, when it's done this poorly, it throws everything into question. There's a writing trick wherein a writer knows exactly how a sane character would get out of a problem but dutifully ignores that solution because there's no drama in it. That's what Robinson's doing but it's not just Robinson who knows how to get out of it, it's every single person reading this book ever. The prosecutor has the shakiest grasp on how to prosecute and his terribleness and the terribleness of the entire plot draws the lawyering abilities of She-Hulk, the F4's lawyer, into severe question. It's a rare book that can take a completely separate book that I really like (SHE-HULK) and call it into question by painting its protagonist so weak. It's choppy writing at best and it's a terrible and cliche story that's executed about as badly as it could be. It feels like it was an excuse to get a bunch of guest artists in (who all do admirable work, though it sometimes feels like it's Marvel trying to hard sell their other books as Samnee draws some Daredevil related business and the Allred's pop in to draw Galactus and the Silver Surfer) and to charge an extra dollar for five extra pages and the book is garbage. Literally within the first three pages I was angry at this book.

Total Score: 1/5

SUPER QUICK REVIEWS: Ultimate FF 2, Miracleman 6

Ultimate FF 2
Fialkov (w) and Guevara (p) and Vlasco, Hanna, Pennington, and Leisten (i) and Rosenberg (c) and Sabino (l)

The FF, complete with new member Victor Van Damme, are tasked with finding out what happened to group of disappeared rich people living in an underwater luxury destination built near the ruins of Lemuria. Falcon and Stark speculate that the abrupt disappearance has to do with dimensional shifts but they have to put their theories aside when suddenly Namor, the thought-dead emperor of Atlantis, appears, as does apparently the entire population of Atlantis, all of whom have super strength because everyone seems to be from a different dimension.

It's a little hard to follow some of the different dimension talk because the theories start to ask if just about everyone they stumble upon isn't from a different dimension but nothing is ever really confirmed. Some of the bickering between the team is fun (a good Doom is typically a welcome addition to any sort of team book or, you know, any book) but some of it feels a little out of place and forced. Still, the book has an energy and a sense of fun to it that's certainly welcome. I should mention that Tom Grummett is credited with layout work on the art in this book but I didn't want to double use the letter "L" above.

Total Score: 4/5


Miracleman 6
Moore (w) and A. Davis and Ridgway (a) and Oliff (c) and Caramagna (l)

Miracleman and Evelyn Cream head to Paraguay to find Gargunza, who Miracleman suspects has his wife. While Cream wrestles with his motivations for all of his actions, Miracleman stays decidedly quiet, seemingly scared. Gargunza, meanwhile, runs some tests on Liz thinking about how neat it's going to be to be immortal. We also get a flash to the past of Gargunza and MM as, back in the testing days of the '60s, Gargunza observed and experimented on Miracleman. One particular set of tests, though, started to see Miracleman's subconscious begin to try to rouse him from his sleep, to set him to the task of stopping Gargunza. Gargunza manages to set his mind at ease at the last moment but the fear he raised is palpable.

Another strong issue, though this one feels almost like a rest issue, giving us a chance to kind of catch up with the story and prep for the upcoming encounter between Miracleman and Gargunza. There are interesting things happening with Cream that we're only kind of privy to but dishing it out slowly is an effective way to keep us interested. Plenty of cool things still happening in this book and it continues to be a worthwhile read even for those not so interested in the re-release.

Total Score: 5/5

SUPER QUICK REVIEWS: Fantastic Four 4, Deadly Hands of Kung Fu 1

Fantastic Four 4
J. Robinson (w) and Kirk (p) and Kesel and Leisten (i) and Aburtov (c) and Cowles (l)

The new Frightful Four (Wizard and the Wrecking Crew) have been powered up by some genius, apparently, who wants the city at least partially destroyed. It takes the combined might of the Fantastic Four (even Johnny as a powerless distraction) and She-Hulk, Ant-Man, and Darla Deering showing up at the right moment to take them down. They hand them off to SHIELD then return to the Baxter Building to find Maria Hill and some more SHIELD and NYPD officers denying them access to the building and giving Reed summons to appear in court.

It's hard not to feel like there's just a little too much exposition throughout this one. It feels like an older comic with new comic art, which is a bit strange. Robinson wants to make sure everyone knows what's happening at every moment, including name dropping everyone who appears and giving a little bit of history for a number of them, plus some clunky dialogue to make sure we're all caught up with what's happened already in the series and what's happening at current. I think there's a story here that's probably worth telling but sometimes it can be hard to get to it beneath the writing.

Total Score: 3/5

Deadly Hands of Kung Fu 1
M. Benson (w) and Huat (p) and Yeung (i) and Aburtov (c) and Sabino (l)

Leiko Wu, an agent of MI6 and a former love of Shang-Chi, has been hunted and killed in London's Chinatown. Shang requests time off from the Avengers (after successfully bringing in a fleeing Crossbones) and goes to her funeral. Though he claims he does not want revenge, he can't help visiting the place where she was killed, where he is quickly attacked by a few random agents claiming to work for White Dragon. MI6, led by Black Jack Tarr, swoops in on the scene and Tarr, an old friend of Shang's from his days with MI6, warns him not to pursue Leiko's killer but knowing that's bound to send him to it even faster.

DEADLY HANDS OF KUNG FU, a four issue limited series, kicks off with the unenviable position of needing to cover a lot of ground. People unfamiliar with Shang-Chi will likely find themselves unsure who many of these people are and what their connection is. However, it's certainly manageable and Shang-Chi on the trail of someone who killed his first love will likely lead to an intriguing story. As a huge X-MEN LEGACY fan, it's also pretty neat to see Huat and Yeung back on the case.

Total Score: 4/5

All-New Invaders 4, Fantastic Four 3

All-New Invaders 4
J. Robinson (w) and Pugh (a) and Guru eFX (c) and Petit (l)

The Invaders have been captured by Tanalth and the Kree with the help of Ikaris, the Eternal they control with the God's Whisper. The Supreme Intelligence wants to dissect the Vision (already off in another chamber for testing), Human Torch, and Captain America to try to make their own forces stronger but they have no plans for Bucky, who launches forth as if to try to escape. He is shot and pronounced dead by the Human Torch. Namor is brought back to them and Tanalth and the Supreme Intelligence demand they fight Ikaris for the amusement of all present. Cap, Torch, and Namor manage to hold off Ikaris long enough for Bucky, obviously not dead, to sneak away and break Vision out, which had been the plan all along.

Story
For the first time, all our players are generally in the same area and rather aware of the situation. The story right now is the fight against the Kree and against the God's Whisper which gives everything something of an old-fashioned feel, sending this team away from the perils of Earth for a minute to deal with a possible alien war before it can become one. Okay, that's not really what makes it feel so old-fashioned but we'll get to that. The twist of Bucky being alive isn't so much a twist as it is another sort of call-back to a simpler times in comics (specifically to the time when everyone would go "I only wanted you to THINK I'd missed!" before a shield/arrow/Mjolnir/avalanche hit its intended strategic target. The God's Whisper is certainly compelling but even that can only take us so far. 4/5

Character
Cap's the strategist, Torch is proud of being more human, and Bucky doesn't want to be made a mindless slave as he relates in an all-too-long tirade while he's trying to enact an "escape" that would cause his "death." You can very nearly give him a pass for that strange and sudden speech because maybe he's just overacting but it is still a jarring sort of speech. Namor shows real emotion as he admits that it was his pride that put them all in this position and killed Bucky (he was not aware of the plan). It's an okay moment to see him open up to the only people would who really call him a friend but it still seems rather out of place, even in the midst of all of this. Namor isn't really a character who apologizes or recognizes his own pride. Honestly maybe a little too easy to get a grip on these characters. 3/5

Writing
The old-fashionedness I was talking about above comes out most of all in the writing. There's a lot of over-explanation for a plot that I have to imagine everyone understood as soon as Bucky was pronounced dead. It's like in Harry Potter and the Deathly Hallows when Voldemort (spoiler) thinks he kills Harry and has one person whose been grumpy with him all book check to confirm, then goes "WELL THAT OUGHTA DO IT." But even worse here for the brilliant strategist Kree, they let one of their ENEMIES check on their other ENEMY and totally believe him. It's the kind of basic suspension of disbelief that pulls you out of any sort of story. On top of that, the characters do feel so sort of cut-and-paste copies of themselves that it's hard to really be worried about any of them, which is particularly sad because I love the Invaders. This isn't me coming from a place of "oh, these characters are okay, I guess, I don't really know much about them or know why I should care." I love these characters through and through and I'm not invested in a single thing that happens to them in this book. Ugh. Whatever. 1/5

Art
Art's fine. Maybe a little too reliant on face lines for me but it gets the point across. I'm just depressed, okay? 4/5

Miscellaneous
Oh, who cares?

Total score: 2/5


Fantastic Four
J. Robinson (w) and Kirk (p) and Kesel (i) and Aburtov (c) and Cowles (l)

Johnny's powers have been wiped out since science. Something about the Negative Zone and Johnny's time there and the antigens in the bomb Reed had to make on the fly. Either way, his powers are gone now and Reed will work on getting them back but, you know, no promises. Meanwhile, Fury has detained all of the inert monsters from that other zone and plans on disposing of them until Reed learns that, underneath their monstrous exteriors, they're all humans. While Sue takes the kids on a field trip through Atlantis, Johnny and Ben walk through Times Square talking about his power loss only to be attacked by the new Frightful Four, led by an apparently healed Wizard.

Story
There's something specific going on for each F4 member, meaning that they're all more or less on their own as this story starts to take shape. While all of this is happening at home, Valeria has left for Latveria to spend some time away from her family and to hang out with ol' Uncle Doom. The Fantastic Four has always been about unity and family so keeping them apart as the series starts to really move could lead to something more interesting. There are hints that we'll be examining the love life of everyone as the story progresses as Ben and Alicia rekindle a relationship, Johnny mentions the Skrull Lyja he once loved and explains that he searched the Negative Zone for her but couldn't find her, and Namor guides the field trip Sue sets up while also looking adoringly at her. While the rest of the story is starting to take some shape, I'm not a huge, huge fan of multi-faceted love stories? So I have some concerns about that. We'll air those when we get to it though. 4/5

Character
Like with the above ALL-NEW INVADERS, it feels almost like these characters are too easy to grasp. These ones are maybe a little less carbon copy of the normal F4 representation (mostly in that Ben seems quieter and Johnny is more wistful than powerful) than the ANI are of the Invaders so far, but it's still not making for an altogether engaging story. I just don't have a strong enough connection to these characters right now to make much of what they go through dramatic for me. Now, I admit that that may have more to do with these characters over the long haul (I've never been a huge F4 fan) than about Robinson's new run, which is still very young. Still, I'll need to see more out of these characters to get behind this series. 2/5

Writing
References to the rest of the F4 Universe seem to be the order of the day for FANTASTIC FOUR as Nick Fury drops in and everything from the FF's encounter with Doom at the end of the recently ended FF series to Wyatt Wingfoot, Darla Deering, Lyja, Doom, Namor, and the Negative Zone are all referenced. Certainly Robinson wants to establish the depth of this corner of the world but references like these seem often to  be there just for fan service and that ends up being tricky. Of course, a lot of it, I'm sure, is sowing seeds for the future of this book but there's no need to put it all here in issue three. Let the book find its footing before you start plotting out its future. 3/5

Art
The art sometimes looks a little too soft for me but i tend to project what I'm feeling about a book onto its art so maybe I'm not the best judge of this one. I think the book is moving a little slowly in its tone, even for one that's seen so much action and life-shifting in just three issues. There was an issue of HAWKEYE where Clint set up a DVR and it was more engaging than any of these three issues where there's been an invasion of Earth, powers lost, and shocking revelations. Tone means everything. The art helps too, I guess, since we're in the art section, right? Look, I'm maybe not on my game today. 3/5

Miscellaneous
This book feels very much like it wants to be darker than it's currently coming off. Right from the get-go this creative team has promised major changes to this world, including Johnny's lost powers and the possible arrests of Ben and Dragon Man, not to mention the harsher red costumes instead of the classic blue ones. Still, there's very nearly nothing dark about this tone through three issues. It's hard to tell a great story if you can't get your tone, writing, and story to match up.

Total score: 3/5

Captain Marvel 1, Fantastic Four 2

Captain Marvel 1
DeConnick (w) and D. Lopez (a) and Loughridge (c)

Six weeks from now, Captain Marvel is in outer space with some new and alien crew-mates, on the run from the Spartax Secret Police and on the search for certain materials at an outpost. They pretty quickly get into it with a couple of roaming Spartax Secret Policemen and are forced to separate. Cut back to six weeks ago, when our story begins, as Carol and Iron Patriot attempt to stop what seems to be a missile from hitting New York. She grabs it and tosses it, giving the two a chance to examine it in the air. It's not a bomb, as it would happen, but instead some sort of containment for an alien creature. The alien is delivered to SWORD while Captain Marvel returns to her home in the Statue of Liberty, where she's recently welcomed Kit and her mother to stay after Kit's mother lost her job. As Carol puts Kit back to bed (she got up when Carol returned home), Iron Man beckons her to come with him. He tells her that he thinks the Avengers should have someone out in space monitoring any potential threats to Earth or even just things Earth should be aware of. His time with the Guardians of the Galaxy made him aware of how dangerous space may be for Earth and he wants to be prepared. She volunteers to take the first shift, which would be about a year or so in space. She breaks the news to her disappointed but understanding boyfriend Rhodey and she sets off, hoping to find where she belongs.

I think this is a tricky issue to write and it kind of shows. This is a book being rebooted not because it was doing poorly or because it needed a fresh start but because Marvel wanted the boost of a new release in the midst of new release season instead of just before a wave of new releases. This is, anyway, the company line. That said, there are pros and cons to sending Carol to space just as there are pros and cons to having to reboot a series so soon after the last one "concluded." Some of the pros and cons of the latter include needing to try to reach a new audience while similarly retaining one fresh off a great and well loved volume while some of the pros and cons of the former are that Marvel cosmic is ALWAYS a risky move. It's, of course, currently rather in vogue as Guardians of the Galaxy and the comic by the same name have paved the way for introducing more mainstream audiences to the space side of Marvel comics. Of course, that doesn't make it entirely less risky, just means it's got a bigger sandbox to play in. I guess what I'd say, then, is that this isn't a bad issue, just an issue that has found itself in the precarious position of trying to set up a new world without completely dismantling the old one. With that said, I think that the next few issues have the ability to get progressively stronger as the new order falls a little more into place.

Fantastic Four 2
J. Robinson (w) and Kirk and Kesel (a) and Aburtov (c)

The strange monsters that burst from the Baxter Building are revealed, by Franklin Richards, to have come from his secret pocket universe which is currently, as Franklin puts it, sick. They are extremely resilient creatures and it takes Reed a while to concoct something that will neutralize them. By the time he does, they've wreaked havoc all over New York and drawn the attention of plenty of Avengers and other heroes alike. Like his solution with Fin Fang Foom in issue one, Reed's solution this time requires Johnny to act as a catalyst for the cytotoxin he's developed and which will need to be dispersed in the atmosphere. He warns Johnny that it may have negative effects on anyone close to it while it disperses but Johnny decides they can't wait any longer and flies off with it. The cytotoxin works, rendering all the beasts unconscious, but it also knocks Johnny out of the sky. When the F4 catch him, he reveals that he can't feel his powers any more.

The pocket universe Franklin refers to in this issue is the controversial HEROES REBORN universe that it was revealed he had created back in the late '90s when Marvel attempted to reboot some of their major franchises with more modern takes on some of their key heroes after their apparent deaths at the hands of Onslaught. Interestingly, series writer James Robinson also wrote the final issue of all of the HEROES REBORN rebooted titles back in the '90s so he has some first hand familiarity with the universe he's reintroducing here. Despite all of the fighting and the race-against-the-clock mentality of Reed developing the cytotoxin (which happens kind of anticlimactically), it's hard to say this was a particularly exciting issue. It's also hard to be TOO interested in Johnny losing his powers as this is something of a frequent trope of superhero comics and, more importantly, is something that happened in just the last volume of FANTASTIC FOUR, albeit in a slightly different way. Of course, before Fraction's run (and part of Hickman's run, I suppose), I could never find myself interested in the Fantastic Four for some reason so being kind of bored by this one just fits the mold.

Daredevil 33, Fantastic Four 14, Indestructible Hulk 15

Daredevil 33
Waid and Samnee (s) and Copland (a) and J. Rodriguez (c)

Daredevil, slipping away from reality as he suffers from a severe gunshot wound, dreams of himself and Foggy (or his representation of Foggy, having never seen him before) at the ocean, talking about things, when Foggy walks into the sea with Matt helpless to stop him, unable to move. He awakens to find himself surrounded by the gang of monsters from last issue, wrapping him up tight with the mummy's bandages to stop the bleeding while Satana and Jack attempt to use their magic to close the wound. They manage it, despite Matt's misgivings, and he's quickly back on his feet asking Jack about the Darkhold. Jack reluctantly tells Matt about the book, which is in his possession, and about missing pages from the book, which he believes are in the possession of a man in town named Lucien Sinclair, who seems tied to the Sons of the Serpent. They've attempted in the past to get the pages back but found themselves driven nearly mad by the hallucinatory sights and sounds on the way to Sinclair's home. Daredevil takes off for it instantly and finds himself in a similar predicament, though he need not see what they've seen. The gauntlet he has to run through is one made up almost entirely of the suffering of other races (particularly African-Americans) and the message that whites and the Serpents are the true rulers of the world. It nearly breaks Matt but he's able to push through and, as he reaches a doorway, he begins to worry that more horrors that he won't be able to cope with lie ahead. He realizes, though, that this isn't a torture mechanism; it's a test. True Sons of the Serpent would have no problem traversing the hallucinations, they'd revel in it. Enraged, he bursts through the door and sets the entire house ablaze, grabbing the pages he needs (and keeping them hidden from the monsters) and tossing Sinclair to the others waiting outside.

Guys, this was my summary after I cut things OUT. Anyway, it's a really powerful issue and one that covers a lot of ground. The Sons of the Serpent are an oft-seen hate group in the Marvel Universe and I think it's easy to kind of push them aside; we've all seen hate in real life and we've all seen prejudice and the KKK and things like that, so sometimes it's easy enough to wave these guys away as just another sect of that, a villain group that is 100% villains with no subtext to them and one that should be and typically is dispatched by our stalwart and righteous heroes. The true extent of their hatred rarely really comes across with the vitriol and power that it does here. Pretty tough one to get through and Daredevil's pain is real, even if it's mental anguish over physical, which makes his rage palpable when he finally breaks into Sinclair's. Good book and solid fill-in art from Jason Copland with ever-perfect colors from Javier Rodriguez.

Fantastic Four 14
Fraction and Kesel (s) and Kesel (w) and Ienco (a) and Mounts (c)

Old John Storm isn't exactly Old John Storm, as it turns out, he's Alternate-Universe John Storm. He tells the F4 that he's afraid that his F4 was partly responsible for the degenerative disease afflicting the F4 now and that they can definitely cure it, though it will require going to his universe, one ruled by Doom, Kang, and Annihilus. With no other options available, they travel to the other universe and find themselves greeted by a barrage of missiles and a distinct inability to properly control their powers. Sue manages to protect them with forcefields for as long as she can but it drains her immensely. Other John Storm goes out to distract Doom and his team, leaving Johnny behind because  activating his powers will leave him stuck in flame form. An electromagnetic barrage hits the ship and knocks out all the mechanics, leaving them hurtling towards Earth and defenseless to the missiles coming at them. Sue pulls out her last trick, a whistle given to her by Medusa that brings Lockjaw to them, who transports them to the ground before taking Val and Franklin back home to their own dimension. All is not well, though, as Johnny was still hit by shrapnel from the exploding ship and needs to activate his flame powers to burn the metal out. He's bleeding and the team needs to stitch up the wound to save him, using the last of Sue's powers to create a needle and some thread from the unstable molecules in their uniforms. She manages it then passes out herself as Reed and Ben realize that Johnny will die of dehydration within a day if they don't get him help. Meanwhile, Kang betrays Doom (who was, of course, planning to betray him) and takes a device meant to control the Negative Zone, making him the ruler of time and space.

Geez, another long summary. This iteration of the series is winding down and the action is stepping up as a result. Things are clearing up as we see the alternate dimension Johnny is from with a little more clarity and we get to see the two F4 teams meeting up at the end of the issue. Big things in store for the next couple of issues. There's not a ton of room, though, for characterization in these last couple issues, which comes as both a bit of a surprise and a bit of a let-down. These are big things that are happening and they're somewhat unprecedented in F4 history. I'd like to see exactly how they're weighing on the team. Granted, this whole series has done an awful lot of character work and now feels like the time to focus on story, but the voices are starting to blend together a little bit. There's another argument to be made that the F4 is the oldest and most consistent team in the Marvel Universe and that they don't really need a ton more by way of characterization. However, I'd say that the start of this volume saw a lot of big character moments that changed the way I viewed these characters in a couple ways. It's a little sad that they'll have to shift over to plot to end the series. Also, did Doom really not see Kang betraying him coming?

Indestructible Hulk 15
Waid (w) and Jacinto (a) and Staples and Loughridge (c)

Banner is separated from Hulk who has just received a double dose of gamma making him Hulk-squared, an even stronger and more uncontrollable force. Banner is excited for a moment, realizing that he's suddenly separated from Hulk, everything he'd wished for, but quickly understands that he might be the only thing capable of stopping this Hulk, as they're in the time before the Avengers, the Defenders, Thor, whoever else. He's the best chance at righting history, and he's given extra motivation when he learns that all of this meddling as erased Betty Ross from time. He attacks the Chronarchist, who reveals to him that this is all Zarrko's doing, and manages to push them back just far enough in time to link him with Hulk again and to reach through time to stop Zarrko. It's...it's confusing and extremely timey-wimey. Everything is set mostly right and Betty herself, in Red She-Hulk form, reaches through to pull him back out and bring him back to the present. Everything is right again but Banner can't help feeling like there's something very slightly different in his past but he can't zero in on what it is, though it certainly seems big enough for someone to be curious about it, as we see a file stolen at the end of the issue with the test results for Project Gamma.

There was a fair amount of cool stuff through this Agent of TIME arc and it was a story that I would say was mostly worth telling. It harkens back to the Stan Lee days of "everything changes, everything stays the same," where all of the crazy convoluted soft-science and timeline crossing is ultimately pretty ignorable because everything returns to the way it was again at the end. Obviously it's setting up a bigger game here with something in Banner's history changed enough to make an impact somewhere down the line but BOY if this wasn't the windiest road we could have taken to get there. Not a bad arc overall and not a bad story to wind it up, with a couple of nice character moments sprinkled throughout (Banner gets to unabashedly yell at General Ross, Banner attempts to leave the Hulk to someone else, Banner expresses his love for Betty, etc.), but it's hard to feel as if this wasn't just a little bit unnecessary. A story that ends more or less the same as it started with a big twist likely planned somewhere in the future but ultimately distracting us a bit from the goings-on prior to this; Banner's science team is just about the only non-powered superhero assist team I've found myself wondering about when they're not appearing (sorry Deadpool and Wolverine's teams).

Ultimates 29, Thunderbolts 14, Nova 7

Ultimates 29
Fialkov (w) and Di Giandomenico and Ruggiero (a) and Charalampidis (c)

Reed's team only needs the one remaining Infinity Gem to finish out the gauntlet and things really should be less complicated as Tony Stark is dead and his armor seemingly under Reed's control and the Ultimates are imprisoned. Unfortunately for Reed, Tony's smart enough to have uploaded his consciousness into his network, meaning that he can hack just about anything now. Bit of a buzzkill for Reed as it allows him to take his own armor offline, mostly, instead of allowing Reed to use it and it means he can hack Reed's systems and control a suit himself. The book moves incredibly fast as Tony works his way through all of Reed's plans, culminating in a rescue of the Ultimates and the serious delay of all of Reed's work, if not the ultimate end. Meanwhile, Quicksilver has used John Storm to drill to the Earth's core to retrieve the last Infinity Gem for Kang, who he believes is his sister Wanda. As he returns with the gem, he reads through Reed's math (Pietro admits he's not smart but he's great at math because the speed he can analyze it means that he knows math well purely through repetition) and realizes that Kang's plan isn't going to end the way he thought it would and it's not anything that Wanda would ever do. She's not Wanda. Kang realizes that Quicksilver's found out and quickly catches up with him, admitting it to him before taking the gem and ending his life, giving him 30 seconds in which he sprints to Wanda's grave to give a final speech to her, pouring his heart out before he dies by her side. It's that speech that serves as a sort of narrator for this book, starting right with the beginning of the comic and ending as Pietro actually reaches the grave before starting anew out of Pietro's actual mouth. So who is Kang? The Ultimates find out as they gang up on Reed that Kang is future Sue Storm and she'll kill every one of them if they get in her way.

There is a TON happening here. Really impressive the level of climax we had here. Guys, I know this is the Ultimate universe and people die here but Tony Stark is kind of dead and Quicksilver just died. I recounted this book to my girlfriend and the fact that Quicksilver died came up and was, honestly, kind of off-handed because Tony obviously is a bigger death and she had to stop me to be like, "wait, what? Don't they stay dead over there?" I know! That's not to say it's poorly done or something, the fact that it's more off-handedly mentioned. In fact, it's very well done. It's incredibly sweet (ignoring the weird Pietro-Wanda relationship in the Ultimate universe) and it justifies a lot of his actions. He's suddenly more understandable and more helpless than conniving and kind of pure evil, as he's been shown lately. But it still fits nicely and his sentiments are very sweet and very touching. The pace of the book is great as Tony consciousness runs circles around Reed, thwarting and mocking him at every turn. Everything is fast and smart and the Sue Storm end reveal (with present Sue Storm in the room working against future Sue) is pleasantly surprising and well hidden. Solid work here. I've had some skepticisms about this Ultimates Disassembled business but this issue really straightened some worries out, giving us plenty to look forward to next time. High fives all around.

Thunderbolts 14
Soule (w) and Palo and Pallot (a) and Guru eFX (c)

Guys, I'm going to be honest and give some review-spoilers here: the three books reviewed today all get slightly surprised high fives. I could not be happier that this is true; I've had my troubles with each of these series that extended even as far as the most recent issues before these but I found myself genuinely enjoying each of these books and happy to be reading them. Let's talk about the specifics more, hm? Okay, so Thunderbolts. The change is official: Charles Soule is the new Thunderbolts writer with Daniel Way stepping aside to make way for him. I'm a Daniel Way fan; I thought his run on Deadpool was great and really helped the character along in the Marvel Universe (don't talk to me about the new one, whatever guys, I'm having fun right now) and he carried that solid Deadpool into this book. There was plenty to like about this Thunderbolts team but I wasn't falling in with the tone of the book, which wasn't particularly well-established, and the other characters didn't have too too much meat to them. Soule takes over along with artist Jeffte Palo and the tone is immediately changed. I've liked the last couple issues a bit but they were meant to tie up final plotlines. In 12, Soule's first issue, Punisher hunted down Elektra's brother. In 13, we learned about Mercy. Here, in 14, Soule is building his first set of issues. They're kind of tied-in to Infinity in that the Avengers are off-Earth here and Thanos is likely on his way, which might have an effect or might be a backdrop to our story. But Ross is keeping to his promise for the team; he built the team with the assurance to each member that they'd have resources and a team at their disposal to do things for themselves and that the team would alternate missions, one for Ross, one for another team member, one for Ross, one for another team member, and so on. So he's sticking to it. The first team member to get to choose a mission, after picking names from a ridiculous hat, is Punisher. He says that his mission is that he wants their help taking down a crime family in New York, which is followed by this nearly perfect beat (I don't often post panels in my summaries but this was too perfect to pass up. It might still make its way to panel of the week this week):

Great, right? Anyway, Punisher wants help taking out a dangerous crime family who has the support of every other crime family in New York. A success would mean crippling New York crime, potentially even by taking out tons of players, but the risk comes with the fact that every crime family in New York is willing to drop everything to defend the Paguro family. Risky business. There's another fun moment where Punisher starts to make a plan which dances around utilizing the whole team, knowing that attracting the attention of the Avengers isn't a great idea but, as soon as he learns the Avengers are off-world, he changes the plan to a full on assault.

Look, this is a really long post because I'm very happy with this change in tone and pace and even art. I liked Phil Noto's stuff but it was kind of as tone ambiguous as Way's writing. The book had funny moments but wasn't funny and it had serious moments but didn't feel that serious. This book has its own serious moments but the humor really shines. The art also gives it a lighter feel, with Jeffte Palo's more cartoony artwork giving us a really great match for the writing. Lots of great moments, genuinely fun beats and an exciting plot. I can't ask for more out of a team that I originally anticipated being incredibly fun and exciting. Full-on applause for this one.

Nova 7
Z. Wells (w) and Medina and Vlasco (a) and Curiel (c)

Nova has been given permission to keep Nova-ing but isn't yet ready to join the Avengers. Point of fact, he's not really ready to keep Nova-ing. He ignores the damage he did to the skate park in his hometown during his first arc and speeds to New York, only to be immediately accosted by angry NYPD and to crash into a more angry and more dangerous Spider-Man. Spidey curses him out for his inexperience and naivety before sending him on his way with the useful suggestions of getting a police scanner to identify real emergencies and maybe going to a city without superheroes to practice (which would be any other city on Earth, practically). Sam rushes off to do these things, using his helmet to identify some real world problems and zooming around after a failed attempt in Los Angeles (with a not-so-thinly-veiled and a bit eye-roll-worthy nod to Joss Whedon and a quick cameo by former New Warriors Justice and Speedball). He quickly learns that rushing into situations isn't the best approach (there are some neat bits where he admits to construction workers back at his skate park where he's reluctantly decided to help that firemen are better at fires than he is and that angry crowds aren't easy to talk to) and slows things down, returning to Carefree, Arizona to start small. However, Thanos is on the horizon, so don't expect him to stay small for too long.

I really enjoyed this issue. Nova sounds like the fifteen year-old he's supposed to sound like and the book wants to have a more fun feel to it, something that books that try to hard fail miserably at. Instead, it works very well here and the laughs are mostly genuine (the Joss Whedon does indeed get an eye-roll). This one's applause comes with rather a wary eye, though. I wasn't a huge fan of the Nova reboot here. First and foremost, he spins right out of the newish Ultimate Spider-Man TV show which is garbage. Still, comics don't necessarily follow TV or movies word for word so he was still jumping into an established universe. I liked the idea behind the Black Nova corps but I didn't love the story or the character particularly under Jeph Loeb. It felt strained and very cliché. Zeb Wells took over recently and got me a little more onboard, giving Nova a more genuine sounding voice and putting the character back on new ground on Earth. I've liked the work he's done and this issue is certainly no exception; in fact, I'd say it's the strongest of the series so far. But issue 10 will see another writer change on the book, replacing Wells with Gerry Duggan. Remember above, in my Thunderbolts post, when I mentioned not liking the new Deadpool book? Or every Deadpool review where I've said that? Duggan is one of the men behind that. Don't get me wrong, that certainly doesn't mean Nova is bound to cross borders I don't care for. Deadpool's a different character and Duggan's a pro, who is also, it should be mentioned, writing Deadpool alongside a stand-up comedian in Brian Posehn. Still, I'm wary of the new direction that could be coming, especially after I liked this issue so much. Hoping that Wells' stay, if nothing else, is memorable. Truly hoping for better beyond that, but I'd except a solid five issues.


Geez guys, sorry for the really long post today. I've tried to limit my number of three review posts but sometimes you have fourteen books and you can't help yourself in four days. Also, I was really impressed by these three books and really surprised at how impressed I was. Days like these make me love comics anew. Wonderful. Maybe not the best books this week (building suspense for THIS WEEK'S PICKS tomorrow) but good enough to make me excited.

Age of Ultron 9, Thanos Rising 3, Thor: The Dark World Prelude 1,

Age of Ultron 9
Bendis (w) and Peterson, Pacheco, and Bonet (a) and Mounts and Villarrubia (c)

One of my problems with this series, as I've said time and time again, is that it is way too long. I tend to have issues with Bendis on this front, which I'm sure I will examine again tomorrow as I write a review for the final issue of Daredevil: End of Days. However, I think we've officially reached the point where I have nothing more to say about this series. Everything I've written about this series (and recent Bendis as a whole, honestly) holds true; it expects that the readership, people currently reading comic books, I'd remind you, don't know anything about time travel, it focuses on characters who like to talk in quick bursts of snippy dialogue, and a bunch of the tones don't match with the seriousness of the situation. I'd add to that, in this case, that there are literally three pages of this penultimate issue which feature panels of destroyed New York and Wolverine making a plethora of grunts and groans and the like. All in the same area of blown-up New York. Then Tony Stark tells Wolverine that time is an organism and traveling back and forth through it to change things tears it apart and Wolverine proceeds to travel back to talk to himself about killing Pym. As the both talk to each other in snappy repartee, with the occasional interruption from Hank Pym saying "this is fascinating" and the likes, the opposite of what the audience is thinking before all three are greeted by Sue Storm, also still back in time, who jumps in to, first and foremost, blame Wolverine for knocking her out at the car so that she didn't come in to see what was happening. This might not sound that objective, but this is all so stupid. Then they tell Pym to create Ultron but make it so he has a design flaw that he can't fix and that Pym can activate to stop Ultron but Pym can't know he's activating it because this is all so stupid. Then he makes a weird new Ultron as the Wolverines and Sue arrive at the Savage Land and watch as one Wolverine kills the other, which is all so stupid.

As I said above, I'm not convinced I can say anything else objective about this book. This is one of the problems with a series that has dragged on too long; a once-noble reviewer dedicated to try to look objectively at the book is now forced to admit that maybe he's not in the right state of mind to do just that. Instead, he wants to type "stupid stupid stupid stupid stupid stupid stupid" all over this review. Frankly, we should all praise him as a hero for not having done that from word one of this review.

Thanos Rising 3
Aaron (w) and Bianchi (a) and Svorcina (c)

Thanos leaves Titan after killing his mother to go on and push forth in his new life. He goes across the universe, from galaxy to galaxy, with a crew of pirates, landing many wives and spawning many children across the cosmos. None of it is satisfying for him as he keeps taking more wives and fathering more kids and killing more aliens with his pirates in order to simply feel something. He doesn't, except lingering remorse over the things that happened at Titan. Mostly, he's upset that the mysterious girl didn't reciprocate his feelings towards her. She, he is convinced, is the only woman who will ever make him feel love. In this new life, he leaves all of his wives and children behind time after time and has sworn off killing, even though it enrages the pirate captain. He keeps his job because he's adept at finding new targets and turning off all of their sensors and everything. However, his seeming inability to kill is a point of contention with the captain, who eventually attacks Thanos to provoke a response. As Thanos continues to refuse to fight, he accepts his fate, ready to be beheaded. Instead, though, he seems to black out and opens his eyes to find the pirate captain disemboweled before him. He returns to Titan later to see his mother's grave and comes across the mysterious woman again. He asks her to marry him, deciding that she needs him just as much as he needs her, and promising her that he'll give her anything she could desire. She sort of consents, saying that he'll need to be hers and hers alone and demanding that he go out and kill all of his once wives and children, which he begins to do as the issue ends.

I'm unsold on this series. I'll be honest, I don't know the full history of Thanos. I know only what I've seen reading the books that I've read in my lifetime which means I've seen him more than a few times and through several different lenses. However, this is comics and he's been around for four decades now so I certainly don't know his full character. In what I do know of him, though, he's a comic book villain in every sense of the word. He's cold, he's calculating, he's powerful, and he's evil. Sometimes that can come off as cliche or lazy or any number of other negative attributes. However, sometimes the best villains are simple brilliant sociopaths, dedicated to chaos for chaos' sake. It's the character of Iago from Shakespeare's Othello and it sustains over time for a reason. Sometimes, then, giving these characters a background can actually weaken them. I'm not a hundred percent sure that's true of Thanos (particularly where I'm not sure of his background in general) but it kind of feels like, as the mystery is unraveled, it's going to leave people feeling a bit unfulfilled. I suppose if this woman turns out to be inside Thanos all along (a definite possibility) or something along those lines, it's going to equate to about that same thing and it will have been nice to watch his descent into madness (well, maybe "nice" is the wrong word). However, if it is a woman, I have some serious qualms about the message here and Marvel should probably be a little careful about the idea that one of its universe's biggest killers was turned this way by a woman. So let's all just hope it's his imagination.

Thor: The Dark World Prelude 1
Yost and Kyle (w) and Eaton and Hennessy (a) and Troy, Sotomayor, and Mossa (c)

This is a weird one. If you saw The Avengers, and you're reading this blog so I have a feeling you did, you'll recognize about 50% of this issue. This book takes place before and concurrent with the movie as we learn exactly why Thor hadn't yet returned to Earth prior to Loki's attack on the Tesseract. We also see a little bit of how Thor came back to Earth with the Bifrost destroyed, something that was glossed over a bit in the movie (with a throwaway line talking about dark energy and the cost to send him through). More or less that's what we get here as Odin shows Thor some dark energy and explains it will cost them both to send him through it. So pretty much exactly the same. However, we also get some interesting stuff about how hard Jane has been working to reopen the portal and what the universe is doing in Asgard's absence from it. For someone looking to get into the spirit of Thor: the Dark World with only knowledge from Thor and The Avengers, it seems that this comic is certainly accomplishing that. It's a good interweaving (not necessarily seamless, but good) of the storylines from the Cinematic Universe with some behind-the-scenes Asgard stuff tossed in. I don't have a huge idea of what's coming in the newest Thor movie, set for release in November, but it certainly feels like this book is going above and beyond to tie some plots together.

What intrigues me most about this book is that it's co-written by Christopher Yost, writer for Scarlet Spider and Avenging Spider-Man, most episodes of the amazing TV series Avengers: Earth's Mightiest Heroes (available on Netflix streaming), and, most importantly, co-writer for the screenplay of Thor: The Dark World. It's encouraging that one of the writers of the movie is entrenched in comics and has already had success translating comics for media with EMH. It's also encouraging for this two-issue prelude (which feels like it's being released too early to coincide with a November movie release) that one of the film's writers will be helming this tie-in. Fun stuff, probably not a ton of substance for long-time fans but great to get caught up in the Cinematic Universe and probably great for fans whose only knowledge of Marvel comes from the movies. Good way to introduce a lot of concepts that could be lingering on the shelf before this movie.

Age of Ultron 7, Thanos Rising 2

Age of Ultron 7
Bendis (w) and Peterson, Pacheco, and Martinez (a) and Mounts and Villarrubia (c)

Guys, if you go back to the past and kill someone, the future changes! That seems to be the lesson of this story and, in particular, these few issues. What a twist that no one saw coming! Except that it's so prevalent in science fiction that there's already a term for when this very thing happens and it is used commonly, despite the fact no one in our lifetime has ever gone back in time and killed someone.
So yes, I continue to be a bit bitter about Age of Ultron. It might even come off sounding a little hypocritical, considering how much I'm enjoying Dark Avengers and preparing to enjoy Red She-Hulk. Those are different. We're looking into alternate dimensions there, where something has happened in the real history of the place that changed it. It's a nice hypothetical situation asking things like "what if Hank Pym had died early into his research?" and then giving us some sort of answer in a universe where that's the way things are. Here, in the main Marvel Universe, we all know that things are going to be reset and a couple things might be a little different, but by and large this hypothetical situation isn't fully realized, just a slight diversion from the main path. Then we end up back on the main path. Woo. Thanks for the ten issue "major event."
So yes, Wolverine and Sue return to the present to find that EVERYTHING HAS CHANGED. It's a lot of "gee, what's all this? This wasn't here before..." for a bit of time, then they get attacked by the Defenders, a team of heroes comprised of Cap with a Nick Fury eyepatch, Doc Strange, Thing, a smarter Hulk, Janet Van Dyne in a costume that's a cross between Captain Marvel and the Wasp, Wolverine in old-school costume/Daken costume, Starlord, and Cyclops/Cable (dying to hear how that happened). Wolverine and Sue are eventually taken down and Doc Strange says they have to go to "him," which Colonel America (for real) doesn't want to do. However, "he" shows up anyway, a version of Tony Stark controlling tons of Iron Man armors and looking more cybernetic than human. Where will this lead next time? When will this all eventually go away and be restored? Only time can tell (issue 10).

Thanos Rising 2
Aaron (w) and Bianchi (a) and Svorcina (c)

Thanos left the last issue slaughtering a heap of lizards and now we find him no long averse to the idea of killing. However, he does it for science, not for joy. He's certainly intelligent, learning faster than he can be taught. However, the existential questions of life bother him and he has no idea where to start looking for those. So he looks inside a lot of different creatures, than finally inside the people of his planet. As he tries to find something that can tell him what he is and what his purpose is, the mysterious girl from the last issue, the one who nudged him in the direction of killing the lizards, continues to watch him work. He twice tries to express love for her and twice he's rejected. She's happy he's letting his inner nature out (though he initially denies a joy in killing) but she wants nothing to do with him by way of love. We learn a little about Titan too, as narration tells us that no one had ever been murdered there before Thanos was born. He reveals later that he's killed 17 people. Mostly children but a few professors on occasion. This issue ends with his admission that he finds joy in killing, if only because killing lets him feel close to someone, lets him stop feeling alone for a moment. So he's determined that maybe the issue is in love and in his makeup and need for love. The only place he can find love and answer questions about his makeup? His mother, who he has strapped to his dissection table now.
The tale of Thanos is getting darker quickly. It's well paced so far; it's a four issue mini and definitely feels like, if we keep ramping up the creepiness exponentially, it could lead to the Thanos we know today. The biggest drama and intrigue in the continuation of this series will be in seeing how this boy, who wants answers about why he has to be this way and what purpose he serves, will become the all-powerful and pretty murder-hungry Thanos. Hopefully it goes a different way than saying "he just wants to be loved" and I think it will. It could go in the existential route, with Thanos deciding that no one really has a purpose and he's just the sociopath to prove it. However, the best option seems to be to let Jason Aaron tell the story and allow him to guide us through the history of the cosmic supervillain who is rapidly re-emerging on the scene after his surprise cameo in The Avengers. With Guardians of the Galaxy on the table as a new book and a new upcoming movie, we're moving Marvel back into the cosmic realm and who better to usher us there than Thanos, who will also headline the next major Marvel event, Infinity. It's interesting to get to dive a little deeper into his history to see why he is what he is, if we indeed will see that.

Fantastic Four 7, FF 6

Fantastic Four 7
Fraction (w) and Bagley and Hennessey (a) and Mounts (c)

The Fantastic Four go into prevention mode as Franklin saves the team from the sun and Blastaar explosion by sending them through time and space to the end of the universe, just before the aliens who sentenced Blastaar to being the first death in the universe send him back to it. They arrive and instantly head it off with the aliens, who help repair their ship and talk to Reed, Susan, and Ben about how their bodies are decaying. They know that Reed's cellular structure is decaying while something is happening to Ben's mind. Ben is angry Reed didn't tell him, but has more pressing issues. The next day is the one day a year where he transforms out of the Thing and into Ben Grimm for 24 hours and he'd like to be able to spend that day himself. Reed promises to be done with what they're doing at the end of the universe by then to allow Ben to choose where ever he wants to go. The whole team works together to pull one over on the aliens (after the aliens fix up and improve the F4's ship and everything) by rescuing Blastaar for themselves. If he isn't sent back in time to the start of the universe, he'd never explode there and they'd never be caught in the explosion. Johnny asks the question "what sparks us to come back here if he never explodes?" opening up a loop of time travel issues, but Sue rebuffs him by simply demanding he not ask. Val creates a containment unit for Blastaar that should keep him from exploding and helps prepare the ship. Everyone plays a role in the long con and eventually they end up leaving with Blastaar, who they drop off in the Negative Zone. Reed asks Ben what he wants to do with the rest of his day (they've taken out an hour doing this) and he asks to go home.
It's a nice little issue that has a lot of layers to it. There are nice mentions from the aliens of Franklin (when they first see Franklin, who is unconscious from the effort to bring them there, they tell him he's not the first Franklin Richards they've seen) and Valeria (the head alien says "while your species as a whole may not have survived this long, everyone knows of Valeria Richards"). It all fits in nicely with the F4 mythos without dominating too much of the story. Now 3/4 of the Fantastic Four know that their powers could be killing them, which will likely bring out some more tension as we continue. There's also a Reed-defining moment as he says to the alien, once the long con is complete, "your society, this civilization, you might have a few billion years on me and mine, sure...but I'm Reed Richards. Nobody's smarter than me." Fun issue. By the end it does feel rather like a heist movie (hence all the long con references) with all the pieces coming into place. Nicely done.

FF 6
Fraction (w) and Quinones (a) and L. Allred (c)

We get a fun look into the Baxter Building (complete with map of the tower) as Dragon Man searches for his roommate Bentley-23, who we know has been taken by Medusa. Dragon Man's character has been pretty fun in this series, if far removed. He's constantly off to the side, reading a newspaper and making "hmm" kinds of sounds. This issue starts the same way, though with several more "hmm"s. He searches the general area and starts asking about Bentley, but no one can tell him anything. At breakfast, he brings it up again, as Ahura (Medusa's son) brings up that she's missing. Meanwhile, Scott has been having trouble sleeping because of an incredibly depressing dream about his daughter that's keeping him from rest. He too questions where Medusa is as She-Hulk shows Darla the paper, which has hacked cell phone pictures of her trying on different headwear (as seen last issue). Darla is furious but has to get over it to go to a gig at Carnegie Hall. Of course, the Yancy Street Gang, who has joined the modern age as hackers, is behind it. Tong, one of the Moloids, expresses to his brothers that there's something inside him now that "there is a girl inside of him" and she dons a dress and asks for their understanding. They grant it and parade through the Baxter Building, to the enjoyment of She-Hulk and Darla and the confusion of Scott. She-Hulk and Ahura meet with his father Black Bolt to tell of Medusa's disappearance. It's actually a pretty funny scene as Black Bolt and Ahura communicate telepathically and Black Bolt continually gets closer to his son's head. Ahura reveals that Black Bolt has given them permission to take Lockjaw with them (rad) to help them find Medusa again. Darla's gig goes badly as everyone in attendance has been brought there by the Yancy Street Gang and are all wearing Thing masks and throw things at her to force her off the stage. Scott has seemingly disappeared on her and she eventually meets up with him at an internet cafe. He's invited the heads of the YSG to the cafe and reveals to them that he was with them as they went home that night, watching as they hacked things. He got all of their passwords and sent them around to any other hackers or news organizations or embassies they've embarrassed. He tells them to back off and it seems to have the desired effect. It's nice for Scott to finally win one. They return home to find that Dragon Man has connected Medusa and Bentley-23's disappearances after all, just in time for the whole building to be sent to the Negative Zone.
If this recap seemed like it jumped around a lot, it's because it did. There are a lot of things going on at the Baxter Building these days and a lot of storylines Fraction wants covered. He switches back and forth between them effortlessly and doesn't really seem to care if you're comfortable with the pace. There are places to be and things to do. I think it's a solid way to approach this book, which he's set up as being a pretty hectic time. Of course it would be hectic, there are 15 or so children living in one building with four adults (three right now) who don't quite know how they fit with one another yet, or how they fit into the lives of the children. The jumping back and forth at random and quickly, without allowing us to get too comfortable in one story, helps show how chaotic the FF life is. When I said above it was nice that Scott was able to win one, I meant it. It felt like such a victory for him in that it was a near-total victory over the YSG and it was so needed. Will it help stem the tide of emotion over Cassie? No, of course not. But it's nice to win occasionally. Good book. Next issue we send everyone into the Negative Zone. Fun stuff ahoy.

Age of Ultron 6, Wolverine and the X-Men 27AU

Hello again! I've missed you all terribly while I was away but NO TIME FOR THAT NOW, NOW THERE ARE 19* BOOKS TO REVIEW.

*I know, I said in my pre-game that there were 20 but that was apparently incorrect and I, in my vacation-craving mind, counted a reprint of All-New X-Men 1, of all things, as a new release this week. Can't win 'em all.

Age of Ultron 6
Bendis (w) and Peterson, Pacheco, and Martinez (a) and Mounts and Villarrubia (c)

Bit of a confusing by-line to add up there. Bendis wrote the entire issue while Peterson illustrated things that happened in the future with Mounts coloring it and Pacheco and Martinez pencilled and inked (respectively) the bits in the past with Villarrubia's colors. So hope that's all cleared up. ONWARDS.
I've talked a lot about this series in recent weeks because there have been six issues since March so I've covered a great deal, I think, about what this series is doing as a whole. Now we're starting to get into the bread and butter of it, which involves a great deal of time travel. I talked last issue about time travel sneaking into the plot and now it seems we're going full-bore into the sci-fi aspect of comics. That means that the butterfly effect is in play, everybody, the sci-fi, timey-wimey law of "don't change anything whatsoever in the past or else it will change the future." Wolverine and Sue Storm (who snuck out of the mission to the future to stop Wolverine from killing Pym in the past) travel to a time when Pym is studying Dragon Man, his first real run-in with artificial intelligence and his inspiration for Ultron. Wolverine, who asked Sue to stay outside, attacks Pym. Meanwhile, in the future, the Ultron strike team finds itself in a somewhat serene world which mixes nature and technology and seems pretty devoid of Ultrons. However, they eventually run into a fleet of smaller Ultrons patrolling the technological wonder that was New York. The strike team attacks and is quickly and fiercely retaliated against, leading to many injuries and seemingly the decapitation of Captain America. Just a friendly reminder, it would seem, that none of this will have an impact on regular continuity after the series ends. In the past, Wolverine eventually defeats Hank and, after a momentary restraint from Sue, kills him. The cover for next issue features the results of this butterfly effect, with a Quake (or Maria Hill, I suppose, because they look identical) Captain Marvel, a Nick Fury-esque Captain America, a Cyclops-Cable thing, and more.
The main takeaway from this for me is, as it has been, that none of this will likely stick. Again, it seems the ten issues is excessive for a giant event that will likely not have lasting effects on the Marvel Universe. There's also an interesting debate going on my head about the merits of using the butterfly effect as a much plot twist. Firstly, of course, I don't think it matters because everything will be reset ANYWAY. But secondly, I was torn on the kind of over-explanation of what the butterfly effect is (just as I think next issue will focus on just how crazy some of these effects are) because, on the one hand, that's pretty basic knowledge for the people you assume are reading comics but, on the other hand, you don't want to assume anything about your audience. Bendis tends to do this, for better or worse, the over-explanation and reliance on twists that don't REALLY feel like twists to people who know sci-fi and things like that. I think that's one of the things that makes him such a popular writer; he's pretty easily accessible. I've talked about Hickman's new Avengers series not particularly caring if you're following or not and being all the better for it. I do think that limits the audience to people who aren't frustrated by that, but I think it has a greater payoff. But with an event like this, do you want it to be so easily accessible? It's clearly going to be reset or something and now you're trying to get new readers into it, into a world that won't exist post AU 10? Weird to me. I did find out this week that Neil Gaiman will be involved in the final issue of this series, so there's some hope yet.

Wolverine and the X-Men 27AU
Kindt (w) and Medina and Vlasco (a) and Curiel w/Rosenberg (c)

Another tie-in to the Age of Ultron event as we watch Sue and Wolverine travel to the past to stop Pym from creating Ultron. Nick Fury's car, which they stole in AU6 after he conveniently landed in the Savage Land right where they had traveled to, breaks down and they need to get a battery from a nearby secret-SHIELD base. While inside, their opinions seem to shift into the opposite of what each had been thinking in the first place; Wolverine starts to believe that maybe he shouldn't mess with the past after accidentally shaping the Brood into a much fiercer foe than they would have been, and Sue begins to think that they need to stop Pym at any cost after finding surveillance of Reed and remembering things. Like the other AU tie-ins, I don't think this is particularly necessary to read for plot, more for character and, in this case, more explanation of the butterfly effect. The art is supplemented by original images from Jack Kirby and John Buscema, which was interesting to me and a pretty nice touch. It was also interesting to me that this took place before Wolverine killed Pym and had Wolverine second-guessing himself, even though people who may have read AU6 first know that he did, in fact, have no real qualms with killing Pym. It felt a little like adding morality questions where there weren't any. Not that Wolverine doesn't have morality or anything, just that he doesn't question his convictions. He's always done what he thinks needs to be done without hesitation. Killing Pym fits into that, though again I'd question why they don't just go to a time when they, without question, know where Ultron is and when he's weaker than in the present and disable him there and then. Solves everything, I win the day.
Not too much else to say about this issue except that there's a weird amount of focus on Sue's breasts. I guess it's not weird, it is comics, after all, but there are shots set from her breasts up which is a little weird. Male gaze and all that. I think that's about all I've got. I don't think it's the best tie-in. We get some questioning of motivations but those questions are all kind of erased by the actions of this pair in AU6 anyway so this seems pretty avoidable on the whole. Nice to see Kirby/Buscema art sprinkled throughout.

Fantastic Four 6, Ultimates 23

Fantastic Four 6
Fraction (w) and Bagley and Farmer (a) and Mounts

I enjoy this Fantastic Four run quite a bit and the Thing is an interesting character in this run. These are two statements I never thought I'd make separately, let alone together, but they hold true regardless. I like that the Fantastic Four have returned to the roots, as it were, and gone in a route of exploration. I think removing them from the superheroes of Earth is probably a smart idea, and one that will only benefit the team for the time being. This issue puts the F4 and the two kids (with everyone alive, despite F4 5AU's assertion; remember, this issue puts us squarely back into F4 continuity whereas that one drifted us somewhere between Age of Ultron and F4 and there's a high probability that the Age of Ultron continuity gets erased, so that story's plot has less meaning to it. Still I'd recommend it based on the character moments all around) on a trip to see the Big Bang. The ULTIMATE exploration for science. They'll see the entire universe created from a place somewhat removed from it. Reed quizzes the kids on what the Big Bang is in a whole lot of science-talk, mixed nicely with a couple of child-like moments, and the gang sets off. Ben, meanwhile, is dealing with a killer headache and some rage problems, not unlike the Hulk. But imagine if, instead of the Hulk growing out of Bruce Banner, the Hulk grew out of someone like the Thing, who is already somewhat Hulkish in his own right. Ben actively has to calm himself down from even minor annoyances, flashing a Thing-out when the kids knock on the bathroom door while he's trying to open a container of Tylenol. The team flies to the Big Bang and finds a creature strapped to a rock in front of the explosion. The audience saw this creature at the start of the issue (it's all covered up so we don't know its identity as yet) being sentenced for its crimes by authorities at the end of the universe to die in the Big Bang; to be the universe's first death. The F4 waste little time in deciding to rescue the creature, which they manage, only to find that he's none other than old cosmic foe Blastaar, currently outputting crazy radioactivity. Blastaar immediately begins attacking his rescuers and blowing bits of the ship to pieces. Thing hulks out (I'd try to use a different word but that one already exists and it really fits, you guys) and starts wailing on Blastaar before eventually being knocked outside the ship, hanging on for his life. Sue protects the kids and herself before telling them to run for safety and trapping Johnny and Blastaar in a forcefield together. Johnny heats the area up intensely before Blastaar can manage to knock him out. The kids send a couple of HERBIE-based robots (and a Doctor Who joke) in to help, which distracts Blastaar long enough for the team to reconvene and come up with a plan. The craft is pretty devastated but Blastaar is close to exploding, so the only viable option is Franklin, who swears he can use his powers to save them. The last few panels show the ship (Ben included, who is floating outside the ship but hanging on) disappearing and leaving Blastaar in front of the Big Bang explosion, fading into it.
So we're not sure where the F4 will wind up and whether or not Franklin did what he aimed to do successfully, but we're in a very interesting spot for this book. If Franklin wasn't able to do it as successfully as he hoped, we'll have questions for the plot about where they are and what's happened to them. If he did do it successfully, maybe we'll have to question if Franklin is ready for his role as world's most powerful hero sooner than we thought. And Ben...what is happening with Ben? When he loses control to the anger, His color scheme inverts, with his rocks going black and the cracks between the rocks going yellow/orange. It looks a bit like his Fear Itself Worthy-incarnation, as I think I've mentioned before. Is he still suffering ill-effects from that or is he, like Reed, starting to see degradation from the power-granting explosion? All questions worth asking and all interesting plot points to deal with going forward. Good issue.

Ultimates 23
Humphries (w) and Bennett and José (a) and Milla (c)

Another solid issue for the Ultimates as Ford's West Coast Ultimates continue their attacks on the true Ultimates. Black Knight has successfully subdued and captured Tony Stark and brought him back to Ford, who soliloquies his plan in a super-villainy way. Tony decides not to attack Ford, as his armor isn't available and Ford still has one reject Ultimate with him, though in suspension (Wonder Man). Meanwhile, President Cap is getting pretty fed up with his new job. He's disgusted with the people he has to work with (namely the elected officials) and feels he could be doing more out on the front lines than from behind a desk. He complains that he was elected to win the war and he's done that but the country's still not mending and he can't politic his way around that. Carol Danvers assures him that he was elected as a symbol for the war and the reconstruction and that he's doing a fine job. This doesn't stop him, though, from leaping into action when Tigra and Quake are unleashed on DC. We get a bit of backstory for Tigra (ex-cop who was in prison for "actions that cost a young man his life" before Nick Fury approached her about joining the Ultimates), who is soundly beaten by Cap, and for the Vision (Robert Mitchell, a high school dropout with an IQ of 240 who is adept at hacking and created an antimatter generator from plans found on the internet) who is currently using Tigra and Quake as a distraction so he can bring a new Tony Stark satellite/energy platform crashing down on Sacramento. Ford explains to Tony that the action will look like an attack on the West Coast from the President and that it will also kill the current governor of California, paving the way for one of Ford's hand-picked candidates to take control and to officially separate itself from the United States and become an enemy to the country. Cap sniffs out the distraction tactic and directs SHIELD to figure out what they're meant not to see. Quake, meanwhile, reveals to the audience that she's been betrayed by Vision and Ford, who did not tell her that the plan was to reprogram the J-RICE (the satellite) and not simply destroy it. Quake is angry about the betrayal and clearly was not complicit in the plan, so we'll see where that goes. At the same time, the Black Knight shows up on the moon and knocks Thor aside, keeping Thor and Sue Storm distracted. Hawkeye is out somewhere keeping tabs on Nick Fury for SHIELD. So that's all Ultimates accounted for with seemingly no way to stop what's happening.
This is an interesting place to leave the issue. Cap has figured out that it's a distraction and that these Ultimates were sent by Ford for some reason or another and, on top of all the other crap he has to deal with right now, he is pissed about it. These Ultimates are pretty formidable, with Vision's intelligence and at least some powers (we haven't seen a lot of them, just an ability to phase and fly so far) making him a useful counter to Black Knight's sheer power. Tigra was somewhat impressive but she ended up one on one against a very angry Captain America, so it's hard to get a proper gauge on her. Wonder Man's still in the tank, so we'll have to see soon what he's like in the field. The country and the Ultimates are on a dangerous precipice as we head into the next issue, leaving us in a pretty good spot for action and intrigue.