Captain America 22, Black Widow 8

Captain America 22
Remender (w) and Pacheco (p) and Taibo (i) and White w/Loughridge (c) and Caramagna (l)

Everyone needs a rest once in a while and I can't think of anyone in the Marvel Universe after the past few months who needs one as badly as Captain America. The serum-less and frail Steve Rogers spends a day in his big bed at Avengers Mansion watching his reputation be tarnished and his ethics questioned by a number of SHIELD critics in the wake of Nrosvekistan and watching Louie while Tony Stark, Bruce Banner, and (kind of) Thor try to find some trace of the serum in his blood and to restore him to Cap status. Steve is roused from his bed at last, though, when a portal to Dimension Z opens and Zola's minions come pouring out with Zola himself discussing his plans with the Red Skull.

I've said it before and I'll no doubt say it again: every book needs a sort of rest issue now and again to slow things down and to keep the intensity of the action-based issues high by giving something to compare against. That's what this is for CAPTAIN AMERICA, a solid rest issue that establishes where we stand right now and what we should be thinking about as the series continues (mostly Zola, Red Skull, the serum-less Cap, and the fact that Jet and Falcon have, against Falcon's better impulses, started up some sort of a relationship following a wine-fueled night). It's a very good book and one that manages to reset the pace and tone, exactly what Remender set out to do, while still not resting on its laurels, preferring to still push the plot forward.

Total Score: 5/5


Black Widow 8
Edmondson (w) and Noto (a and c) and Cowles (l)

While Isaiah tries to secure some funds for their operation, Black Widow has a new job: stealing back some key data for a client from a courier on a train in Prague, or a reverse train heist, as she calls it. She easily makes it on to the train and recovers the package but she's surprised when Winter Soldier turns up, hired to stop an international gang from robbing the train. They work together well to get off the train and evade the attacking gang but Natasha is shot in the leg in the process and the two make their way to an empty house for Bucky to patch her up and for them to plan the next move. Bucky insists that she leaves before the gang catches up to them, arguing that her job was to secure the briefcase and that his was to handle the gang. She accepts reluctantly and begins to leave before Bucky calls out to her again. Unable to say anything to her about their one-time relationship (thanks to Natasha's complete amnesia of it), he wishes her luck and she leaves. She returns home to find a new lead waiting for her from Maria Hill while Isaiah has been taken by some anonymous party.

It's no surprise for me to say that I absolutely adore this book and that this issue, one that teased a Winter Soldier appearance that would team the two for the first time since Natasha's memory wipe at the hands of Leo Novokov, had a particular draw for me. Edmondson and Noto deliver as the book is appropriately exciting and fast while also being layered and heart-breaking. Edmondson handles the team-up extraordinarily well, not letting on (save for a few quick lines that could go either way) until the very end that something is on Bucky's mind while making their interaction feel like two spies who are really good at their jobs and who have an obvious chemistry together. Noto continues to amaze as both Natasha and Winter Soldier look incredible (my girlfriend pointed out how consistent Noto is in Natasha's appearance, something that you can't always expect from this medium) and setting their fight against some gorgeous backgrounds and colors. Another month, another great BLACK WIDOW issue.

Total Score: 5/5

SPEED ROUND: Punisher 6, New Warriors 5

Quick note to start: having a pretty busy weekend (they're only going to get busier from here, it seems, but I'm going to do my best here) and so the last two sets of reviews this week, both set to drop today, will be done in SPEED ROUND fashion, where I tell very little about the comics (though especially these two deserve a little more) and just drop a rating in. Sorry for all of the format changes recently but such are the ways of a blogger on a limited schedule.


Punisher 6
Edmondson (w) and Gerads (a and c) and Petit (l)

Punisher nearly kills Electro but is stopped by a reluctant Domino, allowing both mercs to escape. He sets out to stop Guillermo Del Sol but finds himself caught in an explosion, seemingly killing Del Sol. He's caught in two more explosions and eventually shot through the back as he lands on a moving city bus by the Howling Commandos, still hot on his trail.

The book keeps its intensity up and manages to fit three nice explosions in (impressively, they all look really good too) without it going so over the top it loses itself. Instead, Punisher even points out how much he's getting blown up. It's smart and quick writing and it's easy to lose yourself in this book, as it's been pretty easy throughout its run so far. Very strong stuff coming from Edmondson on both this and BLACK WIDOW and equally strong stuff from Gerads on this title.

Total Score: 5/5


New Warriors 5
Yost (w) and Roche (a) and Redmond (c) and Caramagna (l)

Still examining things to do with the High Evolutionary, the New Warriors (minus Nova, home per his mom's request) have made their way to the Wundagore Mountains to investigate possible monsters in the mountain. While Justice, Scarlet Spider, and Water Snake search the mountain (complete with Water Snake seeing visions of the whole team dead), Speedball, Hummingbird, Sun Girl, and Haechi make sure the villagers are fine (they are) and chat together. In the mountain are an evolved dog and cat who agree to return the team home but plan to do it by teleporting the mountain to New York.

The book continues to be a lot of fun and Nick Roche's art here matches the tone of this issue, which is a little more humorous and light, brilliantly, right up to and including when Hummingbird questions Speedball's involvement in Stamford and his time as Penance, which silences Speedball for just about the only time we've seen so far. It's a deep, dark moment juxtaposed against the lightness and fun of the issue (minus, of course, the visions Water Snake's having). Definitely worth reading this title, which is something of a breath of fresh air in exactly the sort of way Yost's SCARLET SPIDER was.

Total Score 5/5



BOY I wish I had swapped CYCLOPS and LOKI with these two because I didn't say much about those books and I have more about these books but TOO LATE FOR WISHES NOW.

Captain America 21, Black Widow 7, Iron Man 27

Captain America 21
Remender (w) and Klein (a) and White (c) and Caramagna (l)

The Gungnir has fully deployed, turning into a giant robot over the small country of Nrosvekistan in Iron Nail's attempt to show SHIELD and America tyrannically and devastatingly eliminating an underpowered enemy. With Mindbubble out of play, the SHIELD agents onboard have started to wake up, though they're groggy from their time mindbubbled. Captain America continues to fight Iron Nail and manages to stall him a bit, enough for Maria Hill to tell him that he needs to destroy the Gungnir's power core. Cap races down, pursued by the Iron Nail, and weak and injured, manages to make one last throw to send his shield caroming into the power core and shutting down the Gungnir. Iron Nail manages to get some of his weapons into Cap, draining him of his life force and aging him incredibly before Falcon arrives to save him, though it affords the Nail a chance set the Gungnir to destroy, hoping to take everyone down with him. Falcon pulls Cap out as Ran Shen is engulfed in flames but  it may be too late for Steve, who recovers in a hospital bed old and frail.

There's a lot of strong character work in this book as Steve pulls himself together for a final attempt at shutting down the Gungnir. He yells at himself for letting this all happen on his watch, for not seeing that Nuke was clearly a part of a bigger scheme, and for losing himself in thoughts about Dimension Z when it was already past, that he would mourn his past while he lost his present. Poor Steve is just about the only guy whose gone through that sort of thing TWICE and now he's here and upset with himself for being sad about it. He remembers his role as the super soldier, as Captain America, the guy who gets the privilege of wearing the uniform, as he continues to push himself and continues to stand. It's meaningful and hopeful and restorative right up until the moment when Iron Nail ages him up (hard to say if it's aging him up or extracting the super soldier serum from him, all possible, though I don't know that the latter would age him so incredibly). It's a strong finish to the Iron Nail's arc and it's certainly going to leave plenty of story pieces to pick up as we move forward.

Total Score: 5/5


Black Widow 7
Edmondson (w) and Noto (a and c) and Cowles (l)

Black Widow's new target, a group of cyberterrorists, are making a buy in San Francisco, new home to former lover and ally Daredevil. Natasha remembers her days with Daredevil in San Francisco, where she walked the line between contract killer and hero and where he could read her like everyone else. She takes out the seller and poses as him to try to make the drop but she's found out quickly and ends up in a rooftop chase with a sniper who tried to take her out. She catches up with him and holds him at gunpoint, trying to get more information out of him but he doesn't know enough. Before anything else comes of it, Daredevil appears and intercedes, telling Natasha that he'll make sure the authorities take the sniper. He tells her to leave San Francisco as he cannot read her heartbeat any more, meaning he doesn't know if he can trust her and his job is to protect the city.

As Isaiah hopes for Natasha to make some friends, Natasha finds that maybe she's lost one of her oldest. It's a poignant and meaningful story and rather heartbreaking. It's the first time we've seen Natasha as she's viewed in the superhero community and the first time we've seen her in this series outside of her own bubble, where we know what she's doing and we root for her because she's our protagonist. Now Daredevil steps in and tells us that maybe Natasha's role isn't so sacred. There's a flashback to kick this one off as Natasha, years ago in San Francisco, lies to Matt about a job she's just done and he tries to get her to reconsider her jobs. Juxtaposed with this story where Matt can't afford to give her the benefit of the doubt, it's a little painful to watch. It also pretty starkly gives us the contrast between the Natasha of then (someone trying to shelve her killer past) to now (someone trying to atone for sins but unafraid to kill, which puts her at odds with so many heroes, including Daredevil). On top of ALL OF THAT, we get a bit more on Isaiah, a former mob man who somehow got himself and his sister out and believes himself indebted to Natasha, despite his sister's protests. Really excellent writing in this one and some of the best character work I've seen a single issue do. Oh, and Phil Noto is still on this book so it continues to be outstanding art.

Total Score: 5/5


Iron Man 27
Gillen (w) and C. Richards and J. Bennett (p) and Hanna (i) and Guru eFX (c) and Caramagna (l)

The Stark brothers have made their own ring and know at least some of the plans of the current Mandarins. All they need is someone who has interfaced with these rings to put their plan of taking down the Mandarins in action. That, of course, leads them to Abigail Burns, the Red Peril (I want everyone to know, right here and now, that I almost called her "Abigail Brand, the Red Fury" but DIDN'T EVEN STUMBLE because I knew how wrong that was and instantly course corrected both words. I wish I could also say I didn't look it up afterwards to be sure but I'm not that self-secure), who needs convincing but agrees when she learns that Nazi Alec Eiffel is one of the ring-bearers and she wants to stomp a Nazi. With her help, the Starks manage to find and take down the Mandarins pretty handily, except for the so-far-unrevealed Liar, who reveals himself to be Marc Kumar, PR person for Stark and fiancee to Pepper Potts (who can't have anything nice). Oh, and speaking of Pepper Potts, Marc has her hostage and forces Tony to a standstill.

There's a lot happening here to explain the rings and the Starks' methods for bringing them down and Iron Metropolitan (which is a full battlesuit and which is activated to stop Mole Man and his pals) which rather slows this issue down. It's a lot of exposition and a lot of soft science from all angles (we have to talk about the rings, about the plans that each known Mandarin has, about the way to stop them, about tech vs. magic, etc.) but I don't know that there's a better way to do this. I think if you stretch this issue out into two it doesn't work and I think if you sprinkle this sort of exposition across books, you forget the relevant parts by the time we reach the showdown. Gillen has sprinkled in some of this information already but it really is a bit of an information dump here (which is rare from Gillen) and it's a little hard to get through at times. Not a bad book by any stretch but certainly not as impressive as I'd like from this typically top-notch book.

Total Score: 3/5

This week's picks!

Another pretty solid week on the books and all that's left to do is break down the most highly recommended books we had this week. EASY PEASY.

Black Widow 5
I wrote a review later on this list about five times talking about how it had barely beat out BLACK WIDOW because, unfair as it is to BLACK WIDOW, it's held to a higher standard because of four amazing issues to start it off. Then, as I kept trying to explain why it had barely beaten it out, I found myself disagreeing with my own arguments. So here we are, replacing PUNISHER with BLACK WIDOW on this list. I thought that PUNISHER had the upper hand this week in the narrative, which Edmondson uses in both books, but I liked the action, the characters, and the art more on BLACK WIDOW, enough to push it just past the great action, characters, and art on PUNISHER. In truth, it was also partly because Natasha made Molot Boga get sucked into a jet turbine and because of the panel right before it happened (seen at left). Great, great book.

Moon Knight 2

This one definitely stuck with me through the week. The layout, the narration, the chilling midway point as your comfort in the narration takes a turn; it's all perfectly handled and it makes the book a really quick and tense, though gorgeous, read. The initial narration, simple black print on a white background, reminds you of Moon Knight and therefore quickly reads like Moon Knight's narration, not to mention that it sounds just like his origin. Then you realize that it's not just a character saying it while all the action goes on, it's the character behind the action saying it and it forces you to wonder if Moon Knight is killing these people. Then, when all of the eight targets on the page have been killed, the first person you see in the aftermath is Moon Knight himself. It's a wonderful turn and just about the best way for Ellis and Shalvey to show us how crazy we even think Moon Knight is, that we believed it could have been him. Amazing, thought-provoking, mind-blowing, great stuff.

New Warriors 3
Also just beating out PUNISHER this week, I think that NEW WARRIORS had a real turnaround issue this week. I don't think the book was bad in any way before this issue or anything like that, it just felt like it was going to take longer to set up with all of the moving parts and the big storyline that Yost was creating. However, this third issue really did a great job explaining our plot and further establishing our characters, all in a pretty quick reading twenty pages or so. Really well done by Yost and artist Marcus To as they continue to build the world of these young superheroes and start to get the audience a little more situated. Bonus points go to NEW WARRIORS this week for giving just about the simplest but most accurate breakdown of so many of the off-shoot races on Earth, like mutants, Atlanteans, Lemurians, Inhumans, Eternals, Deviants, GOD SO MANY.


BONUS PICK OF THE WEEK
Captain America: Winter Soldier
Seriously, just everyone go see it. Though I imagine if you're on this blog, I probably don't need to tell you.

Punisher 4, She-Hulk 3

Punisher 4
Edmondson (w) and Gerads (a and c)

Captured by Dos Soles and Electro, Punisher is in a bit of a bind. Electro tortures him while the leader of the Dos Soles promises that he'll earn money loaning Punisher out to be tortured to other villains who have been hurt by his actions. Electro has no intention of letting Punisher live that long but doesn't mention that bit to the Dos Soles' leader. After the drug lord leaves the room, Electro continues to brag to Punisher before Punisher kicks out at the chest of Electro and propels himself, chair and all, through a window behind him. Freed from his chains on impact, he rushes to one of the bombs in the room, daring the Dos Soles who saw his escape to shoot him. He manages to get a gun from one of them and he works his way through the building before the Dos Soles' leader detonates the building, preferring not to leave anything behind. Punisher reunites with Tuggs and tells him that the Soles are planning a citywide strike on LA with Electro, who is also working with AIM and has come to work with the Dos Soles as part of an arrangement with AIM (though Frank doesn't know this part yet). While Frank sets out to shut them down, Tuggs is captured by the new Howling Commandoes closing in on Punisher. A new wrench is going to be thrown into everything, though, as AIM hires another mercenary to work for whatever their plan is: former X-Man/X-Force member Domino.

Like BLACK WIDOW, Edmondson is here writing another story about a strong protagonist who is good at what he does even if what he does is arguably "good." He also makes sure that the protagonist has a strong narrative running throughout, something important for both books that he's writing right now. With BLACK WIDOW, he has to ensure that she's not characterized as cold or heartless; Noto's art helps bunches with that because she's so very human in the art but having a running narrative of the way she thinks helps tremendously. In that same way, Punisher is brutal and efficient in his methods and he's very steadfast in what he believes, all of which has put him toe-to-toe with unambiguously "good" superheroes time and again. Giving him a strong narrative and putting his very human thoughts there (as writers sometimes use the "Punisher's War Journal" entries to do, though I think it's less effective than a straight shot into his mind) humanize him in a way that his actions never could. Strong issue here and plenty of story to follow as Punisher's new universe gets a bit bigger every issue.

She-Hulk 3
Soule (w) and Pulido (a) and Vicente (c)

She-Hulk has been approached by Kristoff Vernard, son of Dr. Doom, seeking asylum in the United States. As the two go out for coffee so she can hear his case, he says that he's being kept in Latveria and groomed to be the next ruler of the nation, which may be okay except that he knows he wouldn't be a ruler in his own right, he'd be the ruler holding all of Doom's positions and doing only what he wanted. He wants to be allowed to experience the world for himself and he knows Doom will never allow it. She agrees to help him but, since he's been in America for exactly a year at this point, they have to get the paperwork in that day. She calls in a favor with a judge and they get into Kristoff's car. His driver begins to take them to the airport, revealing himself to be a Doombot as they figure out where they're going. She-Hulk stops him and tracks down an old Fantasticar kept at JFK to get them back into the city. On the way in, they're besieged by legions of Doombots as they try to make their way into the courthouse in disguise. One catches what they assume is Kristoff only to find it's Hellcat posing as Kristoff to allow the actual man time to get into the courtroom. He does and She-Hulk rushes in behind him, rather beat up. Given the difficulty it took just getting past Doom and into the court that day, the judge approves his grant for asylum but no sooner does she pound the gavel than does Doom himself descend into the courtroom and drag Kristoff away, with She-Hulk vowing to get him back.

Bold move here as Soule puts She-Hulk right up against Dr. Doom to kick off her brand new series. There's a lot of legal work here as we understand why Kristoff wants asylum and the case in which it can be granted to him, not to mention some of the logistics of gaining asylum. The book kicks off with double page spreads galore as She-Hulk and Kristoff walk through the city with elongated panels stretching between the two pages. It's certainly an interesting layout and makes the story feel almost widescreen, in a way, though it's not a tactic I think I'd enjoy so much on repeated issues (I'm a bit conservative with my fondness for double page spreads, another thing I tend not to enjoy from Bendis). The book flows pretty well, though it's an interestingly paced book. There are long swaths of dialogue as procedure and history is explained but the double page spreads serve to make the book read faster; though there's a lot of dialogue, every page-worth of dialogue is spread across two pages. So the book flows but it's not in a regular sort of way. Still, it works and the book continues to be a pretty fun ride.

This week's picks

Some really good comics out this week and some comics I really, really disliked this week (looking over at you SECRET AVENGERS). So which three comics make up the list of the top three of the week? Well...look, I'm figuring that out.

Avengers Undercover 1
I thought this was a good issue, maybe even a very good issue, in and of itself. What elevates it to "top picks" status over, say, CAPTAIN MARVEL or X-FORCE (which, truth told, I think I probably enjoyed more as a book), is that I think it's setting up its own world so extremely well. I think it's often really hard to incorporate what came before either as a direct or indirect sequel and build another story with changed characters around it. I think that AVENGERS UNDERCOVER has already done a marvelous job at showing what these kids are up to and what they're up against for this series, which is an incredibly difficult feat for a first issue. Very rarely does a series world build so effectively in one issue. Of course, that comes with the caution label that reads "AVENGERS ARENA finished just a couple months ago and is fresh in my mind so maybe that's what has built the world more than this issue" but I think you could come into this book without having read AVENGERS ARENA and still have a good sense of what's happening here. More impressively, I think you could come into this book knowing what happened in AVENGERS ARENA and not be plagued by over-excessive backstory and summarizing. That's particularly hard to do in the case of books that take such a huge shift, especially where so much tangibly happened last series. Good start to this one, really looking forward to how it shapes up.

Black Widow 4

Another new release week, another issue of BLACK WIDOW gracing the top picks list (get ready to see another familiar name on the top of the next entry). BLACK WIDOW is the kind of book that seems to have everything; writing, characters, plot, art, and colors. Everything is working on this series and, as Edmondson and Noto enter into Natasha's first arc of the new series, it seems like this is going to be more of the same. Normally when people say "more of the same" it's a negative, worrying that the book isn't trying anything new. WELL GOOD NEWS, this book is incredible already so "more of the same" is just "more of the doing great work" kind of thing. This one didn't get as much into Natasha's character as the last three did, though it works here because Edmondson clearly set out to establish her character in those first three issues and did a magnificent job of it. Getting us into story now is definitely a good way to go. Also, this book will find it hard not to make my top three every time if Phil Noto continues to absolutely bring his A-game in the art. Incredible and definitely able to carry a subpar book anyway. Fortunately, this isn't a subpar book.

Hawkeye 17

HAWKEYE has long been doing things unprecedented in mainstream superhero comics. The conceit of the book as a whole was that it would focus on the days when Hawkeye wasn't with the Avengers or whatever other team he may be a part of at the time. That means it was the daily life of a superhero with no powers while he set up his DVR or bought tape or watched a holiday special. With this most recent issue, these are all things he's done in this series, and done to tremendous effect. This issue finds Clint falling asleep watching a wintertime holiday special and dreaming of said special which happens to mirror his own thoughts on things and his own situation. He denies help from everyone repeatedly but they refuse to be sent away and, as a result, he and the others overcome the problems. Will this message translate to Clint's life? Probably not. He's kind of stupid. But it's a wonderful book and it's one that's incredibly well-done with artist Chris Eliopolous stepping in for series regular David Aja and providing exactly the right style of art and the right feel for the book (as well as expert colorist Jordie Bellaire stepping in for series regular expert colorist Matt Hollingsworth). I talked a lot in my full post this week about how HAWKEYE has succeeded while trying all sorts of new things and things that, on paper, absolutely should not work, so I won't recount it all here (just click that link above, guuuyyyys) but all of that is part of why this book makes this list. Also because it's great.

Hawkeye 17, Black Widow 4

Hawkeye 17
Fraction (w) and Eliopolous and Aja (a) and Bellaire (c)

Back in issue six of HAWKEYE, Clint was invited into Simone's apartment to watch some holiday specials with her kids. This issue brings us back to those heady days with a frame of Clint sitting on the couch with the kids before all the pages between the first and last show us that cartoon, entitled "Winter Friends." The Winter Friends are a superhero group consisting of animals representing various holidays (including Santalope, the Kwanzaagator, the llama Rama-in-Pajamas, and Menorable, a cat with a menorah on its head) and they're up against one of their biggest foes yet: Mister Sun, who is turning the winter into summer, meaning no one needs the feeling of warmth and kinship provided by the winter holidays. With all of the Winter Friends defeated, Steve, the dog with no powers that they hang out with for some reason, is called into action. Joined by his smaller sidekick dog Lil and his brudder dog Herman, they set off to find the Winter Friends. They're attacked by the Dingoes, a bunch of tough dogs who slow up the three dogs. Eventually, three friend dogs Birdie, Lady, and Spooky jump in the fight and help Steve and his friends, despite his continued insistence that he can do it all by himself. He sets off alone for the sun palace and attacks Mister Sun, though he can't really do much against him without any powers. Steve continues the fight, though, because he's not going to let people get away with things just because no one will fight them. Eventually his other dog friends show up and save the Winter Friends, who summon Mother Winter to help them defeat Mister Sun. Before she goes, she calls Steve a good dog. Later, at the multidenominational pantheistic all-inclusive seasonal festivities, Steve thanks Lil for her help and admits he couldn't have done it without her. This lesson, though, may be lost on Clint, who has fallen asleep on the couch.

OKAY, first things first, I was totally wrong in my pre-game this week when I said this was promised to be "the dog issue of sign language issues." BUT, IN MY DEFENSE, the site I use to see what comics are out in a given week lied to me first. Now, about this issue, it's absolutely great. HAWKEYE has found this incredible little niche where it's able to do just absolutely insane things seemingly at will and, guess what, they always pull it off. This is a series that wasn't expected to go past about six issues; according to Fraction himself on the recent LiveWire podcast, he was on his way out of comics in that people were starting to stop calling when HAWKEYE was set to kick off. On top of that, Hawkeye never lasts more than about six issues whenever someone starts up a new series about him. Instead, it took off and did really well, well enough to justify issues like the dog issue and the time-bending and the interesting storytelling and so on. So it does unheard of things (which I think has also inspired Marvel to allow others to try new things, sometimes working and sometimes not) and, most importantly, it always pulls them off and are always worth reading. This issue has series regular artist David Aja illustrating the first and last page, the frame with Clint, and series regular letterer and children's book artist and cartoonist Chris Eliopolous drawing all the pages in between to give it a real sense of a cartoon holiday special. It's incredibly well done and the beats are all funny and sweet as Steve attacks everyone who tries to help him. Perhaps the funniest part is when Birdie, Spooky, and Lady appear as the comic drops all pretenses of passing for a regular special (Birdie, Spooky, and Lady, who represent Mockingbird, Black Widow, and Spider-Woman respectively, all very obviously have explicit ties to their counterparts). Things start to get more and more obvious throughout the issue, presumably as Clint loses any grip on the show as he falls asleep. Really great stuff in here and very, very sweet. If you came here for the ongoing story of the HAWKEYE series, this one may disappoint you, as, you know, it's a children's holiday special set in a HAWKEYE issue that was over ten issues ago. However, if you're here because you've liked what the book has done so far, you'll love it.

Black Widow 4
Edmondson (w) and Noto (a and c)

Black Widow gets caught up in an assassination plot when she's sent to go plant bugs in a foreign embassy only to have the embassy blown up while she's outside. She spots the bomber and gives chase over the rooftops but, when she catches up to him, he mutters a Russian word and cracks a hole in the ceiling of the church they're standing on, sending them both to the ground. Natasha blacks out with a broken arm while her assailant escapes. Her next step, under the authority of Maria Hill, is to spy on a meeting in the Cabinet of Ministries in the Ukraine to find what they know. She finds that they haven't authorized this man, Molot Boga, but that his next target is the Croatian ambassador, who will soon be stopping off in South Africa. Sure enough, when the ambassador arrives, Molot Boga is standing in the middle of the street, giant machine guns blazing. Natasha tries to intercept but has some trouble with accuracy with her broken arm. Still, she gets a couple of shots on him, though it seems to do him no harm. He calls himself the Hammer of God and continues to rail bullets against her. When he runs out on his giant machine gun, he fires a grenade at her, knocking her back into a storefront and giving him the opportunity to assassinate his target. He's in the wind before she can recover. She vows to follow him and meets with Hill to procure what she needs. Meanwhile, Molot meets with his benefactor, the man Molot may believe is God, and tells him that his next target is hard to kill and recommends that he destroy the plane the man is coming in on, regardless of the casualties.

This series has done something really interesting in its layout, something that comic books don't tend to do these days. BLACK WIDOW spent its first three issues creating this Natasha and showing her doing her work around the world. Some of it, of course, has seeds that will be harvested later, but the first three issues were more episodic than serial, in that you could follow the action and the character choices but, by the end of the issue, the story was over. Of course, the Iron Scorpion is someone likely to return but the story he first appeared in here ended with the issue, not a "to be continued" sort of thing. I think it served the series well. Natasha is a character, as I mentioned in my review for SECRET AVENGERS this week, who tends to flummox writers some, unsure if they should make her somewhat maniacal or somewhat unhinged or completely cold and efficient or, you know, more human. This series has a very clear view of Natasha, a very human view, and so sets about establishing that before it tries anything else. HAWKEYE, actually, was not too too different. Of course, there were even more seeds at the start of that series, with appearances by the tracksuit draculas and a slew of supervillains and so on, but every issue ended without an explicit "to be continued." Most books now immediately plunge into arcs within the first or second issue. Here, though, Edmondson and Noto have chosen to give the audience some time to get into the character and the style of storytelling before getting us into a full story. I think it's going to really pay off. Another wonderful issue with absolutely gorgeous art. Phil Noto's Natasha may be my favorite Natasha. Amazing stuff.

This weeks picks

Kind of a slow week this week. Not a lot of standouts and not many that'll really stick with me but surely enough to fill this list out, right? Right?

Daredevil 36

It's a little hard to add too much weight to this finale as the book will pick up again next month with the same creative team. Fortunately, that's not really why it stands out this week. The fight and the court case are all good, particularly as Matt realizes just why he's protected his identity for so long and just what that protection has meant. There are a couple of really nice pages in the issue but the real driving force is the opening scene between Matt and Foggy. They have one of the best relationships in comics and one of the most unique and it's come through pretty well here as they've repaired their friendship pretty solidly (though it still had its bumps this volume) and the series ends with Foggy, despite the pressure it'll bring on him and the health care it will take away, urging Matt to reveal himself as Daredevil. Very nice stuff.

New Warriors 1

I don't think this was a perfect first issue by any means. I wasn't blown away by it in the same sort of way I was by NEW AVENGERS or BLACK WIDOW or HAWKEYE though, if I compare every book to those, most books will lose. What I really liked about this book, though, is it was a very confident set-up book. Sometimes writers on a new book will try to cram too much in or try to introduce too many storylines all at once. What makes this number one even better is that, looking back at it, it feels like this book very much could have had those problems as it showed a bunch of our new heroes and showed them all up against a new enemy but it never felt overloaded or slow. It moved well, it had a good tone, and I think it's planting seeds that will work pretty well. Very interested to see where this one goes.

Punisher 2

I don't know that this was really the best book out there this week and it certainly makes this list as a benefit of the slow week but all of these qualifications don't mean that this book isn't still worthy of consideration or of checking out. One of the things that this book is already doing really well is one of the intangibles of any sort of literature or media, creating a tone. It's still pretty early and so there's not really a way to even guarantee what that tone is but it's certainly establishing a unique and consistent feel for the series. A lot of that tone is built with Mitch Gerards' art and colors but I think Edmondson has also shown between this book and BLACK WIDOW that he understands the worlds that his characters inhabit. Time will still tell if this is a really top-notch book, more than just a top-notch Punisher book, even, but there are certainly hints of a greater world and greater character development and plot here, all helped by the established tone.

Possible Black Widow movie in the works

Pretty early to say but Marvel Studios President Kevin Feige recently said in Total Film magazine that, on top of a bigger role in Captain America: Winter Soldier that would expand her story, "exploring that even further in her own film would be great, and we have some development work with that." The wording is still pretty vague and certainly promises nothing but it would make some sense, given Scarlett Johansson's visibility and the cinematic feel of Edmondson and Noto's new series. Excuses are constantly made about why female-led superhero movies wouldn't work but we've never actually seen one tried and more people, it seems are realizing that it simply isn't a good excuse any more. That said, it shows that studios haven't been willing to take a chance yet so it's hard to say whether or not Feige's comments are giving anything new away just yet. I'll believe it when I see it but here's hoping someone figures this out.

Black Widow 3, Iron Man 21

Black Widow 3
N. Edmondson (w) and Noto (a and c)

Natasha's been hired to break a man out of a prison sentence in Argentina for crimes he did not commit. The job pays well and it's one that's not particularly hard for someone as good as she is. On her way out the door to head to Argentina from her Little Russia home, she comes across her neighbor Ana, who has a black eye from the husband Natasha has told her to leave. She has no time to dwell on this and goes to Argentina, successfully breaking her charge, a man named Angelo, out of the prison. She takes down every guard in their path non-lethally, refusing even to carry a gun in the situation, telling Angelo that these are good men just doing their jobs and that his wrongful imprisonment is no reason to take it out on them. She has to leave him at a riverbed for a moment while she attends to guards on foot and, while she's gone, Angelo murders one of the guards and tosses him into the river, telling Natasha when she returns that he slipped. When Natasha and Angelo meet up with Angelo's contact and their extraction, Natasha hears the man call Angelo "lobo blanco," the white wolf. As they begin to take off, she realizes who the man is, someone known as the butcher of Argentina. The crimes he was imprisoned for truly weren't his own but there were plenty he wasn't arrested for that were his own. She makes a snap call and drags Angelo out of the rising helicopter, landing them both back in the river. She stabs Angelo and lets the crocodiles eat him as she swims to shore. She's extracted from Argentina by Maria Hill as she's needed for a SHIELD op and requests to stop over at her apartment for some gear. While there, she pushes into Ana's apartment and pins down her husband, swearing to break his spine if she ever touches Ana again.

It's very, very rare to come across a book that I'm so enamored with so quickly, particularly one where I don't have a ton of familiarity with the creative team. I didn't really know Edmondson going in and I knew Noto but hadn't seen him be THIS good before. I think probably the last book that kind of had this feel for me was maybe NEW AVENGERS, which started so dramatically and felt so epic. Even books like X-MEN LEGACY (which I obviously adore but had a bit more of a slow burn for me) and YOUNG AVENGERS (which I loved out of the gate but also rather knew I would given the team behind it) didn't land in quite the same way this one has so quickly. Noto's art is absolutely gorgeous, Edmondson is telling a really compelling story and building a really amazing character out of Natasha, and, well, everything is just going really, really well. Natasha's narration again leads us through the story as she talks about how she doesn't really call any place a home, how she can't because homes are a distraction and she can't afford distractions in her life. Not having a home means that she feels she can belong everywhere but, as she points out, also feels that she belongs nowhere. It's such a wonderful and powerful idea for always traveling, always in exotic locales character and it's made even more tragic when she reveals that her real home is where she finds pain, that that's what's most familiar to her. It's a wonderful story and a wonderful book. GUYS, I haven't even talked about the fact that this is an amazingly strong female character who has spent three books doing nothing but being entirely amazing at her job, passing the Bechdel test, not being a sex symbol, and having real conversations with real people. GUYS. HOW AMAZING IS THIS BOOK?

Iron Man 21
Gillen (w) and Bennett and Hanna (a) and Guru eFX (c)

Arno and Tony have been trying and trying to track the Mandarin Rings but seem unable to find them when they're not immediately in use. The longer it takes, the more damage Troy suffers, particularly from the Remaker Ring, which keeps turning up to bomb parts of the city. Troy's PR head Marc Kumar meets with ex-girlfriend (and current Mandarin Seven) Abigail "Red Peril" Burns and tells her that she needs to stop acting the terrorist, a role that doesn't fit her. She swears the bombings haven't been her and decides to go see what's so special about the city. Iron Man tracks her and uses his stealth suit to follow her through the city. She finds that Troy is a self-sustaining, self-repairing city, capable even of taking care of its derelict population by creating energy efficient homes for them and everyone else. She realizes that the city she's been fighting against is actually nothing worth fighting against, that for as much as she dislikes Stark and what he stands for, this is a worthwhile place. Her ring leads her to two more rings active in the city, the Remaker, in the possession of the previous would-be warlord of Mandarin City after the fall of the Mandarin, and the Night-Bringer, in the possession of Victor Kohl, the jerk kid who felt so slighted by Iron Man after Kohl was responsible for killing his father in a drunken rage. The three talk and realize how their views perhaps don't really match up, including how the Remaker is preparing to launch a missile at Stark's current HQ, and prepare to fight one another. The rings then identify that Tony's in the room with them and he gets pulled into a fight he wasn't expecting while he's trying to get out to stop the missile and save Arno. The Night-Bringer won't allow him to leave in time and he ends up with a view of the building as the missile hits it, presumably with Arno still inside.

The fight against the Mandarin Rings escalates even further as Tony and Arno become directly involved. Well, even more directly involved than they were. We also get a better sense of the people behind a few of the rings and a better sense, perhaps, of why the rings chose these people. There seems to be some discord out there between the rings' new owners but, perhaps, also between the rings. Burns, for all of her hatred for the establishment and distrust of Tony, isn't a terrorist and has a real belief in her progressive views. The Remaker, meanwhile, wants only to have ruled the city or for no one to rule the city. The Night-Bringer is a punk kid who refuses to be held responsible for his own actions. And these are just three of the ten. Will Arno be okay? Will Troy survive its first arc? The next arc is called "Rings of the Mandarin" and will focus on one new ring-bearer in particular trying to gain control of the other nine. Gillen's already talked about the next arc and who that one new ring-bearer is (click that link to read his pretty good interview with CBR and find out who) and it's got me pretty excited about what's in the near future but there are still some pretty good questions for the immediate future.

Punisher 1, Wolverine 1

Punisher 1
Edmondson (w) and Gerads (a and c)

Punisher has moved his operation to the west coast in order to stop some crime out there and to stay off the Avengers radar after things didn't end so well with them on the east coast. He's been out there a little while now and his first major mission is shutting down a drug running ring that ends with a big cartel named Dos Sols. He's made some contacts out in LA too, including an army officer capable of smuggling weapons to him named Tuggs, a young female police officer named Sam, and Louie, a local diner owner. While it seems Tuggs knows Frank's true identity, it's tricky to say whether or not Louie or Sam does (more likely Louie than Sam, who works the Punisher beat). When Frank ends up finding an HQ of Dos Sols and promptly blowing it up, it separates his supporters from his detractors, with some cops, Sam included, lauding him for taking down Dos Sols and some swearing to catch him, including the apparently deputized Howling Commandos.

I had to think about this issue for a while after I read it to try to figure out where I stand on it. Of course, it's kind of a fool's errand to try to figure out where you stand on a series after one issue but we're certainly getting a groundwork to base our future assessment on here. The thing that's most apparent is that Edmondson is very clearly creating a network for Frank to go to, something comprised of people on the ground (like Louie, capable of gossip and someone who supports Punisher because the kinds of crime he sets out to stop are run by criminals who wouldn't fear the Avengers the way they fear the Punisher), people in high arms places (like Tuggs, who seems to genuinely like Frank on top of a clear sympathy to the cause, illustrated by his willingness to smuggle arms out of a military base, an act the discovery of which would ruin him), and cops (like Sam, who has apparently taken a liking to Frank and understands the Punisher's place in the city). In fact, I think probably Frank is the person developed least in this issue but that's got a purpose too: this is still Punisher, the one we've seen for so many years now. Frank Castle wasn't about to come back with some kind of new set of beliefs so why spend too much time establishing what those beliefs are? Good issue and I think that it's more a groundwork laying issue (with some solid action and a couple of kind of fun beats) than many number ones are.

Wolverine 1
Cornell (w) and Stegman and Morales (a) and Curiel (c)

Wolverine is back after getting January off (haha, just kidding, I looked it up and WOLVERINE 13 was less than a month ago) and he's only a couple months removed from the loss of his healing factor and his subsequent beatdown at the hands of Sabretooth. Weeks earlier, he met with Storm to talk about (or distinctly not talk about) his new life as someone who will age and will weaken (if you believe that he's not getting his healing factor back, as he is currently forced to believe). He's averse to using armor and other weaponry at first but then decides he's okay with it and trains with Black Widow on using a sidearm and adopts new armor to protect him. In the present again, he's working with a team comprised of never-before-seen super-powered people named Fuel, Pinch, and Lost Boy to do various jobs for an overseer calling himself "The Offer" because he always makes offers to people that, in a line this book didn't use but very CLEARLY wanted to, they can't refuse. Someone from the Daily Bugle shows up to The Offer, claiming to be a contact from Sabretooth, and finds his life threatened only to be killed by Wolverine.

As I said above, it's a fool's errand to try to figure out where you stand based on the first issue of a book but it's also a little hard to consider this the first issue of a book when it's not even a month removed from the last issue of the book that preceded it and it's written by the same writer telling what boils down to the same story. So all the things I didn't really love about Cornell's "previous" WOLVERINE title are back in force here, including a shoe-horning of support characters who quickly go underdeveloped and an odd almost entirely humorless (not for lack of trying in some cases) protagonist and, frankly, some rather boring dialogue. In this story specifically, we'll have to wait a bit longer as some of the details as to Wolverine's switch from the X-Men to a weird team which headlines with a character named "Lost Boy" whose costume is simply an open hoodie with no shirt on underneath and a big chest tattoo that says "FIGHT EVIL WITH EVIL" become a little more clear, but I'm also going to be a little more willing to write off the series if it has a start so slow. I was hoping Stegman's art would infuse a little life into the book I found so lifeless with Cornell, Farmer, and Davis but I think it will take a little more than that to really get into this one.

This week's picks

Pretty good week for comics. I'd say there were a solid handful up near the top, worthy of consideration for the top three (marred by the fact that two pretty quickly took two of the top spots), plenty of books that drifted between "fine" and "good" and really none that slumped into "unreadable" or even "irredeemable." This blog should be called the Irredeemable Unreadable. Anyway. Picks!

Black Widow 2

After a very impressive debut just two short weeks ago, BLACK WIDOW lands on the top picks again with another thought-provoking, character-driven and absolutely gorgeous book. This one is particularly neat because you open the comic and the very first page is a beautiful full-page panel of Natasha flipping away from a car crash ("flipping" perhaps implies a little too much intent). There's a lot to like here and it's not hard to find it all. The action scenes are very impressive and well choreographed, the quieter moments hold their spots perfectly, Natasha's dialogue is exactly what you'd want it to be, the art continues to be amazing (guys, I can't stress how pretty this book is), we get some plot both with the introduction of the Iron Scorpion and with Isaiah's sudden ability to take care of problems. It's just a very interesting, very well made book. I'm really looking forward to this one and I think everyone should probably get in on the ground floor of it now.

Hawkeye 16

Proving that sequential numbering isn't for everyone, HAWKEYE 16 leapt ahead of HAWKEYE 15 in release date and shows, for anyone who may have been asking, that Kate Bishop can absolutely kill in two issues back-to-back about her. I don't know who possibly could have been asking that but, as much as I like the idea of the alternating story and I rather miss seeing what's happening with Clint, Fraction has made Kate such a compelling and entertaining character, pulling her from her more rigidly set YOUNG AVENGERS past and giving her solo adventures the likes of which have never been seen and she's knocking it out of the park every time. Add to that Annie Wu's incredible art and her uncanny ability for expression and emotion and this is a book with both immediate payoff and re-readability through the roof. Look, I love this title anyway and I don't know what else I can say to convince you but this book is amazing.

Superior Spider-Man Team-Up 9

I like the Spider-Man team-up books in general, with AVENGING SPIDER-MAN earning a special place in my heart and now SUPERIOR SPIDER-MAN TEAM-UP pulling in good issue after good issue, but this one feels different in a way because of just how tied to the current plot of SUPERIOR SPIDER-MAN it appears to be. Up to now, the team-up books have been good and extremely entertaining for the most part but have been pretty self-contained. Instead, this one has its roots very much in the GOBLIN NATION arc from SUPERIOR SPIDER-MAN and has repercussions that must be felt throughout both books. Also, the writing is impressive, the art is fantastic, and the characterization is spot on. One of the things that always impresses me about this book and AVENGING SPIDER-MAN before it is the adaptability of the writer to pull in a score of other characters, write them for only an issue or two, and somehow nail down the personality. Impressive feat and Kevin Shinick does it every bit as well as people like Christos Gage and Christopher Yost. Great stuff here, enough even to beat out other top picks contenders X-MEN, CAPTAIN AMERICA, and IRON MAN.

Comics this week

Bunch of new books out highlighted by one new number one and a couple of number twos to new and promising books AND a book that has decided sequential numbering isn't really its bag.

All-New Invaders 1

Guys, I love the Invaders as a team and I love every member of the Invaders as individuals and I'm really looking forward to a new ongoing about them. The launch seems to be coming at a good time as we're right on the brink of a new and probably amazing Captain America movie that will feature two of the Invaders, so it's just up to the book to be great. Let's hope it is.

Avengers 25

Our first new issue of AVENGERS since the events surrounding INFINITY (not counting last issue's celebration issue, which I still tie to INFINITY, thanks). Where will Marvel's flagship title go next? Well the solicit for it is awful strange but WHO KNOWS what it actually means. Anyway, look for a start to a new big story.

Black Widow 2

After a stellar first outing from Nathan Edmondson and Phil Noto, we'll dive back into BLACK WIDOW only a couple of weeks later. Really looking forward to seeing where this series goes and if the writing and the art can keep pace like it did the last time out. If the first issue is any example, this has the potential to be a really great book.

Captain America 15

The first book since Cap nearly killed a broken man in cold blood to stop future atrocities and out of his rage. As if we weren't seeing enough problems from Cap, we also have the Iron Nail out there somewhere and the trouble caused by Falcon allowing the reporter to leave with her camera damning America and SHIELD. Plenty happening here to keep an eye on.

Hawkeye 16

Who needs HAWKEYE 15? Well, we do, and we'll get it eventually, but the way that HAWKEYE is working right now, with Fraction and Wu telling Kate's tale on the even numbered books and Fraction and Aja telling Clint's tale in the odd ones, we shouldn't need 15 to understand 16, which is good because, as I implied, we don't yet have 15. As Fraction put it, one book is ready, one book isn't. I'm still excited to read it because this book, as slow as it sometimes is in its releases, is amazing.

This week's picks

Geez, I usually use this space to talk about how hard it was to narrow things down on a week full of comics. Not so, this week. Pretty easy and I had it pretty well in hand from the get-go. Apologies to IRON MAN and MARVEL KNIGHTS SPIDER-MAN which were pretty much the closest ones to making it but weren't close enough to warrant further discussion.

Avengers World 1

AVENGERS WORLD feels like Avengers back-to-basics, giving us a look at smaller teams dealing with smaller problems. Don't get me wrong, they're still pretty big problems, big enough to warrant the Avengers' involvement, but it's smaller than what Hickman's done throughout the AVENGERS series. It also breaks the team up into more manageable parts, so hopefully we'll get to see a little more personality out of the team as a whole. Interested to see where this one goes and I think it made the right steps in issue one.

Black Widow 1

Truly gorgeous book on its first time out and one that has the plot power to deliver interesting stories throughout its hopefully long run. I talked a little bit about how BLACK WIDOW books don't tend to last long for one reason or another but I hope that the distinguishing art and the full spy-feel of this book hold reader interest long enough to put this one on the map. With a slew of woman-led books coming out this year (though very few of them still created by women, sadly), it would be a real shame if a couple didn't catch on. High hopes for this one.




Young Avengers 15

One of the best comics of 2013 has, horribly depressing as it is, officially come to a close in the first comics week of 2014 and, while I'm sad to see it go, I'm happy that it got to finish the way it wanted to finish. YOUNG AVENGERS 15 is an homage to the rest of the series, a love note to the title at large that gives a final look at our characters as individuals dealing with their new lives and lets us see them as a team one last time. More gorgeous art out of Becky Cloonan (whose art may be the most impressive in the issue), Ming Doyle, Joe Quinones, Jordie Bellaire, Maris Wicks, Matt Wilson, and, of course, Jamie McKelvie and some top-notch character writing from Kieron Gillen to send this series to archives. Sad time but at least we got more than we could have ever asked from this series.