Original Sin 7

Original Sin 7
Aaron (w) and Deodato (a) and F. Martin (c) and Eliopoulos (l)

The Avengers have brought the fight to Nick Fury, who has just revealed to his pseudo-team that he had taken countless lives protecting Earth and gaining tech to protect Earth and hasn't exactly denied killing the Watcher. Fury, in his powerful suit, fights off the Avengers, using his knowledge and the secrets he learned from the Watcher to pick them apart, including overriding Iron Man's armor to send it back to Earth and telling Thor a secret that suddenly makes him unable to wield Mjolnir. Finally, he manages to extricate himself from the fight holding the two eyeballs and returns to the moon to bear witness to Watcher's last secret while a slew of other Watchers arrive.

As readers of this blog have probably realized, I tend to be wary of big events. I've certainly mentioned that fact enough, though I've also mentioned that I really liked CIVIL WAR and I think it still holds up pretty well. So while I'm wary, I do still root for the event to succeed because, in general, I like good stories and, in specifics, I run a blog wherein I review every major Marvel comic release and boy is it terrible when I have to review a book I don't like, particularly one that allegedly has major implications on the Universe and carries on for too many issues. Do you guys see where I'm going with this? It's not that this event has become unreadable or anything like that to me (sorry BATTLE OF THE ATOM and AGE OF ULTRON, you don't have company in that category), it's just...I don't know, kind of boring? It's also been, from the get-go, a sort of way to kickstart the universe. I very carefully am not saying "restart" or "reboot" or "reset" because it's very carefully not doing that. Instead, it's deus ex machinating (I had written machina-ing and autocorrect suggested machinating and I actually liked that better, thus providing me the one time autocorrect improved something) a way to drop a bunch of stories into a universe already overwrought with continuity. I'm not even REALLY begrudging it that because I can't imagine how hard it is to break through that continuity sometimes. I'm just begrudging that it's still kind of boring and it's carried on probably four issues too long.

Total Score: 2/5

Comics this week

Who releases 22 comics in a week??


Captain America 23
The countdown is on for a number of things happening, including Steve seeing Ian again and Falcon becoming Captain America.

Captain Marvel 6
Space war!

Original Sin 7
Is this thing really still going? I'm going quick here today (but really YESTERDAY, thanks to the magic of the internet) but I saw a poll on CBR asking which OS revelation has been the most interesting and literally NONE OF THEM WERE. The series isn't falling as flat as some others in the recent past (FEAR ITSELF comes to mind, as does AVX) but it's certainly not hitting me in any meaningful way. A NOTE: Cap finding out about the Illuminati was on the list and that one's interesting but I'm going to say I think that all happens with or WITHOUT OS so NO DICE.

Thunderbolts 29
I just like this book, okay? Edges out AVENGERS UNDERCOVER and AVENGERS WORLD in that respect. Also, ending soon, sad face.

X-Force 8
This book is great, expect some big plot movement this time out and GET ON BOARD THIS BOOK.

Leftovers 8-6-14

Hey guys, not that you're not used to a more sporadic schedule of late but I'd like to note I very nearly have an excuse for not posting yesterday (ignoring totally not posting Friday when I was just tired). I was at Boston Comic-Con, a con that started just nine years ago and has really exploded into something huge. It's not so big as some of your more established cons (your SDCC, your NYCC, your Chicago one whose name currently escapes me), but even the difference between this year and when Amanda and I went two years ago is CRAZY. It was at a bigger venue and the lines wrapped around the building all day long. Tons of cosplayers, tons of retailers, several cool celebrity guests (like John Barrowman, Sean Astin, and Jewel Staite, listing the people I was pretty pumped to be near), and, most importantly great artists like Neal Adams, Joe Quinones, Ming Doyle, Maris Wicks, Norman Lee, Jorge Molina, Greg Capullo, Kate Leth, Shelli Paroline, Braden Lamb, and oodles more (first half of that list is people from whom I bought stuff, +Neal Adams, the second half is just people I like but I didn't even get around to really seeing), and writers like Mark Waid and Scott Snyder. Lots of great people, lots of great art, pretty solid experience. LOOK, HAVE I SUCCESSFULLY DISTRACTED YOU FROM NOTICING THERE WAS NO POST YESTERDAY? Great, mission accomplished. I'll probably post pictures of the stuff I bought at some point. You know, low quality images of images. Don't let that dissuade you, though, everyone from whom I bought was awesome and all the stuff I bought was equally awesome. Okay, now that THAT'S through, let's get to the eight or so books we need to cover today. Yipes.

Miles Morales: The Ultimate Spider-Man 4
Bendis (w) and Marquez (a) and Ponsor (c) and Petit (l)

Kate's upset that Miles is Spider-Man, revealing it IMMEDIATELY to her sister, who says they have to break up because their parents will kill him and possibly Kate for her involvement with him (INTRIGUE, RIGHT?) but Miles has his own problems as he fights the ultra-powerful and somehow resurrected Green Goblin in front of Peter Parker's old home only to have Peter Parker, decked in full Spider-Man gear again, intercede and team up with Miles to drive Goblin away. The highly publicized fight is seen by everyone in their little worlds and suddenly Peter Parker's alive again. The book, when it gets to the fight, moves pretty well. The Kate stuff is a bit slow and I still feel the relationship is a little sudden and tortured. The fight is good but this seems like one of those stories that can only be judged when we have all the information. REGARDLESS, here I am judging it: Total Score: 4/5



Miracleman 9
A. Moore (w) and Veitch w/R. Bryant (a) and Oliff (c) and Caramagna (l)

Miracleman returns just in time to find Liz having very sudden contractions. Not wanting to give birth on Gargunza's facility, MM straps Liz into a truck, telling her to blast the heat in the cold air, and flies her to a nicer place. Meanwhile, a couple of spooks visit young Johnny Bates, still comatose, in the hospital. They go into his mind and can't find traces of Kid Miracleman there, so they leave, allowing him to come out from hiding and question their appearance. Back with Liz, an incredibly graphic birth scene happens and a baby is born, to the delight of Miracleman and Liz, replaced by surprise when the baby says "ma-ma." Plenty happening here, nice bit of Miracleman pondering life and death and birth and so on as we see full-on graphic birth. Sorry, limited vocabulary here, I have nothing to say but "graphic." Pretty weird, guys. I'd have bought it if you just showed me the baby born, probably just would have assume there was a graphic scene off-panel. Total Score: 3/5


New Warriors 8
Yost (w) and To (a) and Redmond (c) and Caramagna (l)

Haechi and Sun Girl are trapped in the presence of Lash and two of his ambassadors, one who controls the "puppets" (read: humans) outside to hold off the New Warriors and one who is pretty much made of knives. Lash offers Haechi a place with them and he considers it, remembering the humans who beat him when he first gained his new powers, but rejects it, remembering the man who saved him from the punks that day. Outside, Water Snake and Scarlet Spider get annoyed with Justice as he's unwilling to use much force against the mind-controlled humans attacking them. Fortunately, Hummingbird is able to eject the Inhuman Nocculus from their minds so they can pass. Facing the might of the New Warriors, Lash and the two other Inhumans leave, swearing to meet Haechi again. Meanwhile, Nova arrives at Mount Wundagore to learn from Jake Waffles that the team has already completed a couple of their missions without him and, according to Speedball, he sucks. Tons of fun spread throughout the issue but well-balanced by seriousness and action. Chris Yost has written some of the most enjoyable Marvel stuff over the last four or five years, from my much-mentioned and much-beloved Avengers: Earth's Mightiest Heroes to AVENGING SPIDER-MAN/SUPERIOR SPIDER-MAN TEAM-UP to SCARLET SPIDER to this. Such a great energy in this book and some real, genuine laugh lines to boot. Total Score: 5/5


Original Sin 3.4 - Hulk vs. Iron Man
Waid and Gillen (s) and Gillen (w) and L. Ross (a) and Guru eFX (c) and Caramagna (l)

Iron Man escapes below Troy to find a new suit and turns up in a Hulkbuster to bust Hulk, who, in fact, busts him, knocking him out and drugging him before taking him, trapped in his own ruined suit,  out to the gamma testing site where Hulk was born. While Hulk derides Tony, ready to punish him further, Tony shows him one last piece of information, including Banner's original plans for the bombs and Tony's updates. As it happens, Tony was hired to power-up the bomb behind Banner's back but he actually discovered when he examined it closer that Banner's excessive shielding would have ended up doing far more harm than good, likely killing Banner and tons of innocents in surrounding cities as a result of Banner's "safety precautions." The updates Tony made, though still potentially responsible for the Hulk (never quite cleared up), saved lives, including Banner's. Banner apologizes, going on to thank Tony, but Tony keeps some information to himself, including an email he sent to Banner after looking at the bomb (which Banner deleted) that may have set Banner on the track of adjusting the bomb himself to keep it from Hulkifying him and also would have paved the way for plenty of Earth-friendly technologies Banner could have discovered, sparing Banner from knowledge that may legitimately have caused him to commit suicide (or try, you know that Hulk guy). Pretty strong stuff and a nice little ending for the science bros but I can't help but be a little disappointed that Tony is apparently arguably a bigger hero than he was going in and not just a little bit of a villain. I know you don't want necessarily to taint your cash cow but I liked knowing that his hubris had such a huge ramification on the Marvel Universe (not the first time, certainly, that would have been true, but still a pretty poignant one). Total Score: 3/5


Original Sin 5.3 - Thor and Loki
Aaron and Ewing (s) and Ewing (w) and Garbett and Bianchi (a) and Woodard, Dall'Alpi, and Peruzzi (c) and Sabino (l)

Thor and Angela fight with Angela gaining the upper hand thanks to her speed and brutality while Loki learns about some Heaven history from the queen, who reveals that she once had a deal with Odin that had her and her angels watching over Midgard to protect it from jerk Asgardians. When she betrayed Odin and joined up with the Frost Giants and other enemies to Asgard, war was declared and the battle that "killed" Odin's daughter started. Loki, though, is just as much an outsider to Asgardians and a villain to these honor-bound people as the money-craving angels are, she points out. Back outside, Angela is stopped from killing Thor as the queen and new "Mistress of Strategies" decide that he's more useful alive than dead. That Mistress of Strategies? A transformed woman Loki, of course. This is probably the first issue of this tie-in that starts to give a little more new information and contextualizing, though it does drag a bit when that happens. Still, it seems like a classic Thor/Loki story as Loki has gone ahead and seemingly betrayed his brother and his people for whatever quick gain or long con he could be playing at. Strong enough to pass, slow enough to overstay. Total Score: 3/5


She-Hulk 7
Soule (w) and Pulido (a) and Vicente (c) and Cowles (l)

She-Hulk and Hellcat have been hired by a scientist/inventor duo to work out the terms of a contract that would sell their new revolutionary shrink ray, the Shrinko (more affordable than Pym Particles), to an outside buyer. One member of the team, Rufus (the marketer), wants to sell while the other, Reza (the brains behind the Shrinko tech), wants to keep it out of the buyer's hands. Their partnership is 50/50 so Rufus would need Reza's approval to sell but Reza, in a fit of anger over the way the proceedings are going, has shrunk himself down and disappeared. She-Hulk calls in resident shrinking expert Dr. Pym for a hand and she, Pym, and Hellcat shrink themselves with Pym Particles to find Reza. Pym isn't optimistic and actually knows Reza's work, saying that Shrinko tech isn't ready for human testing and that people tend to explode with some great force when using the tech on themselves. After a couple scares and some in-fighting between She-Hulk and Hellcat, they find Reza and rescue him from some cats nearby. It turns out that the buyer interested in the Shrinko patent is Pym himself (Pymself), wanting to help them perfect their tech in exchange for a small percentage of the profits. Reza doesn't believe his exploding claims but quickly learns that he might have a point when his own severed finger, left behind in a coke can in which he hid himself from the cats, explodes, safely out of range thanks to a She-Hulk toss. Reza and Rufus agree to sell to Pym but She-Hulk already has a new case waiting with an elderly Captain America waiting in the lobby. Another fun issue and we've already seen this neat little formula, wherein a story runs kind of underneath but really quietly while individual episodes involving the superhero community in legal battles takes the spotlight, work really well and this one is no exception. Plenty of fun, a good deal of heart, and some fun art ideas. Total Score: 5/5


Superior Foes of Spider-Man 14
Spencer (w) and Lieber w/R. Ellis (a) and Rosenberg (c) and Cowles (l)

Very slight break in the action as the team regroups at Boomerang's secret safe-house. We learn why Overdrive joined this gang (trying to fight Spider-Man so he can eventually be recognized by the hero and, in turn, become a hero himself, like your Hawkeyes or Black Widows or so forth) and stole that bus that time (a very brief affair with Beetle after evading Mr. Negative's henchmen trying to collect debts from Overdrive exhausted him and they escaped their car on-foot, needing to power up the bus in a pinch when they needed new wheels). We also learn that Speed Demon's beloved corgi was actually a missing dog he adopted and he was missing for most of this while he did the right thing and returned the dog to its owners. After the stories and repartee pass, Boomerang mocks Shocker one too many times and he emerges from the bathroom and blasts them all. As I mentioned with ROCKET RACCOON this week, this book continues to be just a lot of fun and great humorous moments, grounded a little (as far as Marvel grounds anything) by its perpendicularity to the rest of the universe. Spencer's got something really fun here and he's doing just what he needs to with it. Total Score: 5/5


Superior Spider-Man 32
Slott and Gage (s) and Gage (w) and Camuncoli (p) and Dell (i) and Fabela (c) and Eliopoulos (l)
Spider-Sanction: Gage (w) and Kubert (a) and Beredo (c) and Eliopoulos (l)

SUPERIOR SPIDER-MAN returns as, during the events of SUPERIOR SPIDER-MAN 19 (the exploding temporal portal, or temportal, that brought Spidey 2099 to the present and set of Spider-Man's exit from Horizon Labs), Superior Spidey is sent to 2099 in Miguel's place (universe course-correction). He manages to swipe some tech from Alchemax and create a computer for himself based on Anna Maria (little weird) and starts to jump in time and into other universes accidentally. However, each universe he hits on his way home has dead Spider-Men in it, hunted by the same adversary. Eventually he realizes how dangerous this adversary is and begins to assemble a team of Spider-Men from the universes he visits, eventually hoping to amass an army (he already has six including himself by issue's end). SPIDER-VERSE is coming and this is our prelude to it. It's an interesting story and one that allows the story to take place and commence, thanks to time jumping, with Superior Spider-Man getting his hands dirty too. Follow-up story SPIDER-SANCTION gives us a tease of one of our new Spiders, a colder, more withdrawn, and more brutal Peter Parker who has been driven to kill by the events in his life and who joins Doc Ock's army only when assured they'll be looking to kill the assassin. Some pretty cool stuff as the Spider-Man event of the year bears down on us (funny that this is the event in the year when Peter Parker came back from the dead). Total Score: 4/5

Rocket Raccoon 2, Legendary Star-Lord 2

Rocket Raccoon 2
Young (w and a) and Beaulieu (c) and Eckleberry (l)

After handing himself in, Rocket is put in and subsequently, with the help of the Groot shard he smuggled in, breaks out of one of the highest security prisons available. On the way out, he finds and takes with him fellow inmate Macho Gomez, a criminal he put in prison originally but who will actually have transport available once they get out. Though Macho does not like Rocket, he wants to get out of prison and he wants to see his own boss Funtzel, with whom Rocket wants a meeting, destroy the raccoon. As they escape and set out, to the chagrin of the other raccoon-like life form, they're accosted by the fleet of Rocket's ex-girlfriends.

This book is unrepentantly and unabashedly fun, something you rarely see in mainstream comics these days. I would say that something like SUPERIOR FOES OF SPIDER-MAN is the closest you'll get to this level of humor and excitement and weird plot turns and so on, but even that is a little more entrenched in the giant established Marvel Universe. There's only so much you can do with a group of characters who live in a continuity-based universe and are acting in the one major city on which that universe focuses. Rocket, on the other hand, has a whole unexplored galaxy to play in with completely different rules and freedoms. He's only tied to things insofar as he's a functioning part of this universe (now more than ever) but everything else Young is having him play with is fair game. It's exciting and lawless and fun and Young is taking full advantage.

Total Score: 5/5


Legendary Star-Lord 2
Humphries (w) and Medina (p) and Vlasco (i) and Curiel (c) and Caramagna (l)

Star-Lord has just found out he has a sister (well, half-sister) who works on behalf of the Spartax Empire. Though he's captured by her in an attempt to collect a giant bounty on his head from a Mr. Knife, they manage to come to a middle ground where each can understand where the other comes from. Star-Lord is, you know, Star-Lord, we pretty much know his deal, and half-sister Victoria wants to collect the bounty in order to help the destabilized innocents of the Spartax Empire since Star-Lord threw things into chaos by exposing J-Son's crimes. They work out a plan wherein Victoria turns Star-Lord over to one of Knife's lieutenants but the two end up duping him and cashing in even more credits from all of the accounts Knife holds. Though it paints a bigger target on Star-Lord and Victoria, it gives her the money to really help the Spartax and at least leaves her feeling amicable towards her half-brother. Meanwhile, though, Mr. Knife isn't so pleased.

Boy, it sure was clever of me to review ROCKET RACCOON first, though my typical alphabetical listings skewed the other way at first glance. I'm glad that I did that one first because I almost wish this book, already, was more like that one. This one is embroiling Peter in the same sort of anti-Spartax fight he seems to be constantly fighting in GUARDIANS OF THE GALAXY. Some of that is fine, sure, and he certainly has more personal vendettas than someone like Rocket in his established history already, but I'd love this series to come in with a bang as we see this wild card roguish chaotic good sort of dude tramping around the galaxy and pretty much Han Soloing or Mal Reynoldsing. Instead, we get right into the politics and the daddy issues we've been seeing so much of in GUARDIANS. This seems the perfect place to break away from that a little and, particularly on the coat-tails of Chris Pratt's charming portrayal of the character, give us that sort of character for this universe. That's not to say it's not coming, certainly, but to get so invested in a sort of standard story when you have such a galaxy of opportunity, like in ROCKET RACCOON, seems like a waste. This issue isn't awful by any stretch, I just feel it's a missed chance to really explode with fun and excitement but it ends up feeling a little boilerplate.

Total Score: 3/5

Black Widow 9, Punisher 9

Black Widow 9
Edmondson (w) and Noto (a and c) and Cowles (l)

Black Widow got a hot-tip that Chaos, the organization she's after, has some link to a ship out in the ocean. She arrives there to find it apparently empty but her presence set off a number of alarms elsewhere, including on Crossbone's plane which he's using to transport Punisher back to his boss. He's also planning, apparently, to rig the same ship Black Widow finds herself on to explode. Crossbones arrives on the ship and he and Black Widow scuffle, finding themselves at a stalemate which skews towards Crossbones since he has henchmen. Of course, his henchmen are busy being picked off one-by-one by Punisher, who does appear to help Natasha. With about four minutes left before the ship blows, Natasha gives the ship a once-over to see if she can't find any leads. She finds one worker on the ship who does seem legitimately to not know anything but she comes dangerously close to torturing him anyway before PUNISHER stops her (that capitalization was to show how crazy that sentence is). They manage to escape the ship in time with the innocent worker, from whom Natasha manages to get a little bit more information. Then she turns the tables on Punisher, holding him at gunpoint. More on his landing place in the next review. Fast forward to the next day where Maria Hill wants to know who could have hacked SHIELD's communications and to a phone call Natasha receives where she learns that Isaiah has been taken.

Strong stuff overall and the crossover business is pretty cool as two really good Edmondson books with very strong looks come together. One of the coolest things between the two is a page that has the same starting lines and the same ending lines, which makes comparing and contrasting the page layouts and the focus of the panels really interesting. I'm onboard with this sort of really small, really contained crossover, particularly in this case, which will undoubtedly add to the coming stories in both books (helped by the fact that both books are written by Edmondson). Also, guys, Phil Noto continues to be amazing and I really like this cover AND really like PUNISHER's cover, to be seen JUST ABOUT NOW.

Total Score: 5/5


Punisher 9
Edmondson (w) and Gerads (a and c) and Petit (l)

Punisher is being transported by Crossbones when he breaks out of the jet, taking a couple henchmen down at the same time. He saves Black Widow after working his way through more henchmen and reveals that Crossbones rigged the ship to blow. He takes out more henchmen and saves the worker from Natasha's torture before getting both of them off the ship. Black Widow turns her gun to him, though, and he quickly remembers his standing with the Avengers. She drops him off at a Central American prison and he also remembers that he doesn't really like the Avengers.

Look, I said most of what I wanted to say above. More strong writing, though there's a running comparison of his stressful day to a vacation and it falls maybe a little flat, particularly since it feels a little out of serious Punisher's voice. Still a lot of fun in this crossover and a really well-drawn book by Mitch Gerads. And check out that cover!

Total Score: 5/5

Moon Knight 6, Iron Fist: The Living Weapon 5

Moon Knight 6
Ellis (w) and Shalvey (a) and Bellaire (c) and Eliopoulos (l)

For questioning why this Mr. Knight character gets to do the police work, NYPD officer Ryan Trent is told by his superior that he's going to be a street cop for life. With this, the latest in a lifetime of people telling him he's not good enough, Trent decides that he can be better than Moon Knight and begins gathering information on the vigilante. Things quickly spiral and he begins to really loathe Moon Knight, changing his plans from "make something of myself" to "kill Moon Knight as the new Black Spectre, classic Moon Knight villain, then take his place and enjoy the love and admiration of just EVERYBODY." It's, perhaps, a bit of a "shoot first, ask questions never/why would you even think about questioning this plan" plan but BOY does Trent commit to it. His final act (in the plan and, spoilers, in life) is to rig up some car-bombs and lure Moon Knight to their location. He detonates them, though Moon Knight isn't caught in the blast, having sent his car ahead as a decoy, and ends up blowing himself up with his last bomb while Moon Knight tells him that Black Spectre, like, it seems, Trent, only ever wanted to be loved and that was his ultimate downfall. Moon Knight, on the other hand, doesn't want love from anyone, that the people who love him end up dying horribly, and that's why he always wins.

It's an appropriately dark ending for Ellis and Shalvey's last issue of the series and it does a phenomenal job of bringing their arc of six mostly unconnected single stories to a full circle. The story is interesting, Moon Knight plays his typical role as sort of a ghost in the issue and ends up, as in each issue, the only one to walk away (his logic at the end, then, is evidently infallible). Shalvey and Bellaire's art remains unbelievable and fit Ellis' tone perfectly. Just an overall great book and one of the best runs on a character I've seen in some time. Interesting side-note: Marvel seems determined to get the reader to stick with the book, addressing Ellis and Shalvey's departure and providing a four-page preview at the end of this book, which wouldn't be as weird if they hadn't plugged the four-page preview into other books (including ROCKET RACCOON and presumably others). Weird that they're so concerned the audience will jump ship. It reeks of backlash from fans upon learning Ellis and Shalvey were leaving. STILL, back to the matter at hand: great book, pick this and its preceding five up.

Total Score: 5/5


Iron Fist: The Living Weapon 5
Kaare Andrews (w, a, c) and Caramagna (l)

Iron Fist begins to recognize the threat he faces as, of course, not his father but as The One, the final challenge a potential Iron Fist faces in their long line of challenges to ascend to the role of protector of K'un Lun (some day, SOME DAY, I won't have to look up how to spell K'un Lun). Look, that doesn't make it not weird since Danny killed The One in his own trial. Crushed and broken, Danny manages to escape only with the help of the K'un Lun elders, who whisk him out just in time to not be totally killed. Meanwhile, the messenger girl Pei continues to try to evade the dark forces following her with the help of Brenda who proves herself suddenly adept at many fighting styles (??) and escapes into the sewers carrying the chi of K'un Lun, though she inadvertently releases it and unleashes, it seems, Shou-Lao the undying (knew he wasn't dead...that's a joke, you guys) into the New York City sewer system.

Plenty happening but this issue almost acts more like catch-up, despite the incredible amount of action. Danny recaps a little what's been going on and we see just about everyone we've seen so far in Andrews' run. It ends up dragging the issue a little bit but I think it's probably worth it to kind of reset and show us where we are right now in a book loaded with pretty deep cuts into Iron Fist mythology. Still doesn't solve Danny's problems of totally broken fists and a lack of chi but I'm sure we're getting there, no doubt with Pei's help. Also kind of can't stand when characters suddenly whip out very convenient powers like Brenda did, though maybe that's building to something else too. Look, whatever, is what I'm saying. Still pretty good work and some stellar art from Andrews, as ever.

Total Score: 4/5

New Avengers 22

New Avengers 22
Hickman (w) and K. Walker (a) and F. Martin (c) and Caramagna (l)

The Illuminati have done the unthinkable as Namor has used their bomb to destroy and incurring Earth. They take a moment to examine the men they've become with Namor as unsympathetic and cold as ever, which sends Black Panther into a rage over the decision Namor made and therefore took from him. The two fight hand-to-hand before Reed pulls them apart but Namor then reveals that he had sold Wakanda out to Thanos, leading to another rage from T'Challa, only stopped when the Hulk separates them. The team heads in its separate directions but they'll be pulled together sooner rather than later as another incursion is coming in just under eight hours.

The fight we've been waiting for between Black Panther and Namor has finally come as Panther reels from his very recent disowning and the bomb going off in the hands of his new sworn enemy. Unfortunately, it maybe falls a little flat at the hands of Kev Walker, who I typically like well enough and have really liked on AVENGERS ARENA and AVENGERS UNDERCOVER. I don't know, maybe it's that this book has set itself up as something so grand and cinematic and Walker's style doesn't really carry the sort of weight that original series artist Steve Epting established as the norm. So instead, the art becomes almost a distraction. Still, the issue is big for the book as the terms of what they're doing have changed a bit with the first actual instance of destroying a thriving world. I also appreciate Hickman's built-in tension builder (used a-plenty in this series already) of showing that an incursion is once again coming to end an issue.

Total Score: 3/5