New Warriors 11, She-Hulk 9

New Warriors 11

The Eternals have picked up the fight against the New Warriors on behalf of the High Evolutionary, making things infinitely more difficult for the young team. Justice gets dragged away to the Arctic Circle, trying desperately to explain to his captor that they just want to save everyone while Jake Waffles mourns the loss of Mr. Whiskers and the rest of the New Warriors gets pummeled or otherwise captured. Only Zuras of the Eternals, though, seems complicit in the actual plan, the rest of the Eternals clearly think something else is happening, with Zuras keeping them from the truth. Meanwhile, Justice comes to in the Arctic Circle, ready to rush back to the High Evolutionary's ship and get his team back.

It's a huge loss for the New Warriors here but the pieces sure are in place for an outstanding comeback. Yost and Burnham work together here to build our characters up while also developing the plot into something familiar but exciting. The key to making a familiar story worth reading is developing characters that the reader cares about and Yost has spent this whole series making sure that's true. Even the least developed character (probably Water Snake) matters and you care about what happens to her. In the spotlight in this one is Speedball, whose inner monologue keeps fighting but wonders if maybe this isn't for the best, as he recognizes that this is the second massive tragedy he's been at the start of. Poor guy. There's something for everyone and the book is doing a great job of keeping the stakes raised even as the end nears.

Total Score: 5/5


She-Hulk 9

The day in court goes rather badly as prosecutor Matt Murdock plays his cards the right way and keeps She-Hulk off-balance. We hear the charges lodged against Steve Rogers, part of a deathbed confession that accuses Steve of getting the recently deceased man's brother killed back before Steve was Captain America. The plaintiff, Harold Fogler, said that he had gotten in with some bad guys out on the West Coast while his smarter, more gifted brother studied to be a doctor back in Brooklyn. When his brother caught wind of the things Harold was getting up to, he made his way west with his friend Steve to try to get Harold home, only to get the two of them captured by the bad guys. Steve, of course, refuses to be silenced and his insistence on demanding the bad guys do the right thing leads to said bad guys shooting Harold's brother. Harold had kept his mouth shut even after Steve became Cap because he recognized that Cap was good, but he always believed Steve to be the reason his family had suffered for so long. As the day in court ends, She-Hulk isn't feeling great about the whole case and tries to train Steve for the stand, though Steve is prepared to go up and tell the truth without concern. Daredevil comes to visit She-Hulk at night, asking her to take a run with him. They run through the city as Matt tells Jen that he had declined the case, basically laughing in the face of the plaintiff, but that he warned Steve a case might be coming, whereupon Steve asked Matt to take the case and argue it to the best of his ability. Annoyed, She-Hulk heads back home and, the next day, calls Steve on to the stand, only to have him immediately say that everything Fogler said was true, to the frustration of his lawyer.

Rounding out this week's "soon-to-end" books, SHE-HULK once more brings forward a story and several characters that we can immediately care about and that we can be entertained by. I talked in this week's AVENGERS review about how I'm having trouble with the take on Steve, not because I think it's impossible and a terrible character change, but just because it takes his good qualities and pushes them too far, making them stubborn, bad qualities. Here his good qualities are on full display and they're pushed to, for She-Hulk, a frustrating place but still a ridiculously good one. It's the idea that his goodness will get him in trouble versus the idea that his goodness could turn into bitterness and obsession. While I think both ideas are potentially valid (when placed in the right stories), I much prefer reading this one, which also hinges on the humor of She-Hulk rolling her eyes and continually being taken aback by the way Steve does things. Soule and Pulido put in the perfect ending to this issue as Steve takes the stand and ignores She-Hulk's urging to tell his side of the story, instead saying that everything in Fogler's account is accurate, eliciting a gritted teeth "COME ON" from She-Hulk. Great moment, really excellent and fun book.

Total Score: 5/5

This week's picks

Lotta good books out there this week. Makes it tricky to pick the top three and it's helped none by the fact that so many books got full 5 star reviews from me, even some that didn't necessarily strike me as much as others (technical five stars count just as much as gut-feeling ones! That's all this is, really, gut feelings! And maybe I should stop bringing that up so much!). HOWEVER, as there were so many good books this week, I want to shine a light on a few different books, worthy of this list but would undoubtedly be unseated by the likes of BLACK WIDOW and MOON KNIGHT (both of which I do still wholeheartedly recommend). So let's talk about some different books this time.

New Warriors 4

NEW WARRIORS has an interesting story and some compelling characters, enough so that it would warrant a look even without the strong writing and art. Simply put, it feels like a book that's doing everything right so far. This one is certainly more of an all ages book than some of the other books/team books that are coming out right now (though parents be forewarned that there are some bleeped out swears here and there, mostly from Kaine, so if that's something you worry about your kids seeing, maybe read through the book yourself first, or maybe do that anyway?) but there's still plenty there for everyone. The characters are all worth learning about and the team has set itself up as something fairly diverse without going for blatant diversity. The book is the whole package, story, characters, writing, art, and everything else. Strong, strong book.

Punisher 5

There were a number of really fast-reading books out this week that struck a chord because of the pace at which they moved and the way that the art worked with the writing. PUNISHER was a prime example of this and reads extraordinarily well because of it. We're getting some good glimpses of character here and there (although Punisher is perhaps a character more set in his ways than most) and some really interesting story stuff. Mitch Gerads' art feels like a perfect fit for this story and for, really, any Punisher story that's ever happened. As opposed to going the common route of bigger and more cartoonish (that's not what all Punisher artists do but it's one of the directions some artists go in light of such big and brutal stories), Gerads' realism (even in the shape and design of someone like Castle) hits on a very poignant note and carries the series into a spot that lifts the series into another realm.




She-Hulk 4

I continually give Charles Soule a lot of credit for taking THUNDERBOLTS, a book that I thought had a fairly strong premise and a really interesting team but had already gotten bogged down into its own stories, and making it a book that was both exciting and really fun. Now he's jumped on to SHE-HULK and immediately made it his own, giving it the same tone of fun and excitement and real story-telling that's made THUNDERBOLTS such a success (look, I think it's a success, I don't know what the numbers say). Jennifer Walters is a delightful character who gets handed problems and finds ways to solve them. The writing is fun, the characters that support her work well with her, and the art is working wonderfully for the tone. Can't ask for anything more out of a series than that.

This week's picks

Tricky week this week. There weren't many that were true standouts based on the impact they had or the glee I felt reading them. I toyed with just knocking the "top three" down to one or two but the day I can't figure out three comics worth reading shall be a very sad day indeed. This isn't, then, necessarily the three comics that, if you're going to buy comics, are the ones you should go for (with the exception of MOON KNIGHT). Instead, these are the ones that really went for it this week and certainly are worth mentioning.

Moon Knight 1

A pretty good first entry, giving us a look at our hero and the problems he'll be facing this time out. Of course, they're in the same ballpark as the problems he's dealt with before, but Ellis is taking a slightly different approach to them, giving them an almost more mythological feel to them, which is, of course, a nice move. Shalvey and Bellaire are incredible and the series is off to a solid start. This one should be fun and I'm sure it's going to be one that really makes us think and that will be different than everything we've seen from Moon Knight before.

Punisher 3

This series continues to really press on what makes a solid PUNISHER book. It's raw, it's calculated, it moves with logic and reason, and it's not afraid to get its hands dirty. I don't know that it's in my list of favorite books being released by now (geez PUNISHER, BLACK WIDOW took literally no time to crack that list, it's taking you upwards of three issues) but it would have to be a really phenomenal book to win me over to a PUNISHER solo series. He's not my guy, I get that. With that said, Edmondson's put together a compelling book with an interesting lead and some good supporting characters. Mitch Gerads, for his part, has done a terrific job selling me on LA and on the sort of war Frank is fighting. Keep an eye on this one.

She-Hulk 2

I'm in favor of the SHE-HULK series in just about every aspect. I've immediately come to like Charles Soule (as has, it seems, the entire comic industry, given the raves I've heard about books like SWAMP THING over at DC), I like the idea of more female-led books, I like She-Hulk as a character well enough, and I'm happy to check out Pulido's art. Still though, the book hasn't exactly gripped me the first couple issues out, though it's certainly putting a lot on a book to ask that it work for me right away like I'm expecting. I'm not necessarily asking for that, I think, just stating that this one hasn't burst out of the gate like so much HAWKEYE, BLACK WIDOW, or NEW AVENGERS. Regardless, it's certainly establishing its world and its tone, both of which will be paramount for the book ahead. If it can keep this up and keep pressing, it'll find itself in an awfully favorable position when the stories start hitting.

2014's event "Original Sin" revealed

Quick note to say that CBR has confirmed this year's big event at Marvel (or, the way things have been going lately, presumably one of its big events) will be ORIGINAL SIN, by Jason Aaron and Mike Deodato. ORIGINAL SIN will center around the murder of the Watcher and the villain who stole his secrets, harkening back a bit to Ed Brubaker and Javier Pulido's 2011 POINT ONE one-shot, which saw a couple of spies trying to steal secrets from the Watcher. The series will be eight issues itself and will have its share of tie-ins (those tie-ins haven't been revealed yet but Aaron promises they'll be a bit different than other tie-ins have worked in the past, swearing that these tie-ins wouldn't exist if they didn't have something important to say). ORIGINAL SIN will feature a big cast of both A-listers and people more out of the spotlight (Aaron says, for example, characters like Emma Frost, Black Panther, Punisher, and Ant-Man will all play big roles) and will focus on solving the murder of the Watcher by "head detective" Nick Fury, as in original Nick Fury (excited about that, anyway). I'm fairly on the fence about this one and will just have to wait until May to start forming an opinion.

Captain America 9, Hawkeye Annual 1

Captain America 9
Remender (w) and Romita Jr. and Janson w/ Hanna and Palmer (a) and White (c)

Sharon has arrived in Dimension Z, telling Cap that everything that's happened must be false memories or some other manner of brain manipulation; he can't have been here ten years because she followed right behind him through the portal. Everything, this now included, sends Cap a little off the deep end. He's dealt with a lot already this series and now, bruised and beaten with his adopted son apparently dead, shot by the woman he loves, while she tells him that it was all a dream seems too much to bear. Still, he's Captain America so even at his lowest he stands and, instead of leaving with Sharon immediately, demands they go save Jet, who is still working to free the Phrox.

Plenty happens in this issue, no less the idea, planted into Cap's head, that this may have all been a dream. He will not believe it but Sharon is adamant. Whether she truly believes it or if she thinks this is the fastest way to get Steve standing is debatable (though the first instinct, if she did follow just moments behind Steve, is obviously to believe that this isn't real, Sharon's certainly seen enough in her time to accept it as real), but the revelation that it could have been a dream really floors Steve. Still, his mantra of "always stand up" kicks back in and he manages to revive himself enough to keep moving and to attack Zola on Jet's behalf. There's more interesting stuff with Jet that rings up more questions about her character and what she's working for but one of the most interesting parts to me is the way that Remender has played this whole arc nicely into Uncanny Avengers. We were told in that book that Cap has just returned from Dimension Z, which no one else knows, and that plays into why he's so on edge. At first, there's a real sense that his anger at Logan is driven by what Logan's done, then the first instinct after you learn this is post-Dimension Z is that Steve's just been through a lot and he takes it out on Logan. However, knowing what we know about this series and about what made him so mad at Logan, we can really start to see deeper into what's happened with Steve. He's mad at logan because Logan killed a child who was bred to be evil but was still only a child. Remind you of anyone? It certainly should and it gives us pause as to how he's going to react to Sharon with this attitude. Another solid issue. The conclusion of this first arc comes next issue and the fallout will probably come with it.

Hawkeye Annual 1
Fraction (w) and Pulido (a) and Hollingsworth (c)

Annuals, for those unaware, tend to be given to popular books at Marvel and are generally a double-size issue that may or may not be pertinent to the story at hand. You don't want to assume that everyone buying the series will buy the annual so you don't want to load it with too much giant stuff but you also want to give everyone a good read and a read that falls within the scope of the book that spawned the annual, especially since annuals tend to be more expensive. This one is 4.99 instead of Hawkeye's typical 2.99 (I believe it's still one of the 2.99 books; it might be 3.99 and I'm too far away to look at old issues right now. Well I could. But I won't. Could I look it up on the internet? Yup. But we're really already taking too much time from the review). With that in mind, you should buy this book despite its cost and its possibility to be skipped (I'm not sure it is really possible to be skipped at this point but I think you could gain just about everything you need to gain for the future out of past issues and future issues. Hard to say as I, too, am not in the future). This annual focuses on Kate Bishop, the Lady Hawkguy, the Hawkeye, the Young Avenger, and so on, and her travel westward. She's done with Clint and his desire to push everyone away when he needs them most and she refuses to be dragged down by him. With Lucky in tow, she drives out to California, happy to get away for at least a little bit and desperate to figure out who she wants to be in this world. However, she's not the only person interested in her identity (perfect segue); Madame Masque, who Kate royally pissed off back in Hawkeyes 4 and 5, has had her ear to the ground all this time, waiting for Katie Kate to resurface. Now Kate has to get away from a solid Marvel villain as well as the people she actually cares about, though frankly Madame Masque is the more threatening in that situation.

This is a phenomenal issue with a lot of fun energy from Kate, some good twists and turns, and a great emotional core to it that gives us a lot of background into Kate's life as well as her motivations for doing what she does. Kate's been around in the Marvel Universe for a while now but she's still something of a mystery, in truth. I think, because she's been here so long and she's so personable, it's easy to forget that we don't know all that much about her. Maybe it's because there's not much to know; she doesn't have a hugely tragic background like Spider-Man or Iron Fist (guys, his mom was eaten by wolves practically in front of him). Her mother died and her father is a powerful business man who remarried someone not much older than Kate. He seems to be a good enough guy (he had been, if I'm remembering right, more overprotective in the original Young Avengers books than he seems to be in this one) but he's not a terribly interesting character nor a terribly interesting backdrop for the drama we crave from our superheroes. So where does the mystery come in? It's the question of why for Kate, and a little bit the question of how. They're, of course, interconnected and well explained here. The truth is, beyond this explanation, you don't necessarily need much. Heroes don't need to have a harrowing story behind them; they need to be heroes. Still, it's nice to have Fraction know that and, instead of trying to spice up Kate's past with darkness that she had to overcome, highlight the aspects of Kate that make her who she is. Great issue. Pulido's art is decidedly a switch from Aja's and gives the book a completely different feel. I can't quite put my finger on what I'm thinking of when I see it but it reminds me of an older time in comics. It's pretty gorgeous and there are some really great moments with it. Spend the five dollars, dudes. It's worth it.