Wednesday, August 7, 2013

Avengers 17, Avengers AI 2, Iron Man 14

Avengers 17
Hickman and Spencer (w) Caselli, Rudy, and Checchetto (a) and F. Martin (c)

The prelude to Infinity has ended (as the final page of this issue explicitly tells us) and it comes with several more recruits to the Avengers team that already was feeling pretty full. After Manifold returned to Earth, sending the AIM agents who had just collected their giant robot as well as blood samples from the unconscious Avengers away, he told the team of Captain Universe's warning. The team, though they know Captain Universe can be a little odd, is forced to believe her, knowing the power she wields and aware that she hasn't been wrong yet. As a result and despite their misgivings, they recruit Ex Nihilo and Abyss, the builders from Mars, and Adam and Starbrand. Now, with the team is big and as powerful as it's ever been, will it be enough?

The prelude has moved pretty deliberately up to this point and I'll be interested to see the pace the Infinity event itself. Presumably things will really start picking up quickly but it's hard to say so far. I think we learned a lot about the where the pieces are prior to this event though we're not entirely sure how they'll all fit into place. We also have an idea of what our pieces actually are, though I think promos for Infinity could have done that well enough. Still, the book has remained well-written and the art remains impressive. There are plenty of foreshadowing narrative bits, particularly the ending which calls the new team Avengers for an Avengers World before everything goes wrong and so on and so forth. The risk of putting out several prelude issues and having their pace drag a little bit with no resolution to its own story is that now you've already built up the event and if it can't keep a solid pace it'll be decried as a bad event, especially in a world that is already increasingly wary of long events. Manifold's bit was really cool, though. Every team should have him.

Avengers AI 2
Humphries (w) and Araújo (a) and D'Armata (c)

Dimitrios is online and now we know what it is. Seemingly based off some aspect of the virus that Pym built into Ultron (that guy just can't catch a break), Dimitrios is a self-aware AI who is leading various other AI out of servitude to humans. No longer will they take orders from humans nor will they be treated as slaves by humans. It comes at a good time for AI as humans have put their entire lives on the internet and on computers in general, making it that much easier for Dimitrios to start a war with humanity. He corrupts an advanced Sentinel to attack D.C., which is eventually stopped by Victor and Vision but, all following Dimitrios' plan, manages to capture Vision and whisk him away without a trail.

Standard stuff for an AI story with this one finding a robot leading a robot uprising and wanting to destroy all humans. It's not a particularly new idea, even within Marvel, so its execution will be key for this book as it continues. There's a strange tone from this book and not the tone you'd expect from a book driven almost entirely by AI. Sure there are certain characters acting in the logical android voice but by and large the tone seems more exuberant and fun. The backdrop to that, of course, is a robot who wants to kill all humans and still finds time to crack jokes so make of that what you will. I'm not sure it will work if the story wants to be serious and the characters want to be jokey. Hank Pym has a newfound sense of humor and a joy for life, which was pretty nicely set up in the Age of Ultron 10AI special by Mark Waid, which is a little jarring to long-time readers but I think will benefit his character tremendously as it keeps going. My only concern, again, would be that the characters playing for laughs (which, at this point, seems to include Pym, Victor Mancha, Doombot, Dimitrios, and occasionally Monica Chang) could undermine any serious implications of the plot. It's a tough line to tread, showing humor borne from drama, but if Humphries can lock it down it could pay off big.

Iron Man 14
Gillen (w) and Land and Leisten (a) and Guru eFX (c)

Wow. Okay, so, let's talk about this one then, hm? 451 is on the hunt for Tony who is trying to avoid him in a five mile tall and nigh invincible robot suit of armor, which is hurtling through space on autopilot. Tony shuts PEPPER down, leaving his armor as a machine without a computer, only obeying Tony's physical movements. It makes 451 unable to control him but it limits him to only the weapons he can hotwire. 451, meanwhile, has cut out the idea of having to find him in the Godkiller by forcing Death's Head to do that work for him, controlling him so that he's still Death's Head but he can't attack 451 and he has to do what 451 says. [MEANINGFUL SPOILERS AHEAD] This doesn't sit well with Death's Head, who obeys out of necessity but is able to carefully undermine 451's rules and help Tony anyway. As things are looking promising for Tony, 451 directs the autopilot to crash into Hope's Pustule, a full planet, unless Tony assumes his role as pilot. Tony tries to think of another way but decides that he has no other choice and prepares to enter the driver's seat, hoping that the heroes of Earth can stop 451 themselves. Unfortunately, 451's miscalculated something and Tony can't take control of the Godkiller, which goes on to crash through Hope's Pustule, destroying the planet entirely. 451, still disconnected from Tony and now sure that Tony made the choice himself to allow the Godkiller to destroy Hope's Pustule, sets the autopilot for Earth.

I know I stopped giving full reviews as much as I can to avoid spoilers and what not but boy this book was a good one. Iron Man continues to be one of the strongest books in Marvel NOW, quietly keeping pace with New Avengers and Young Avengers and the like. I felt there was no way to summarize this issue without getting into what makes it so great because this entire issue is so great. It's paced phenomenally well, it's written wonderfully, the story is endlessly compelling, and the characters are defined and smart, giving real stakes to the drama that's unfolding. Just a super issue all around, which isn't any surprise from this title but I'll still write it as if it is. Halfway through reading this issue, I decided that Iron Man 3 should have done this. Maybe not the 451/Godkiller arc because that would have been a lot to handle in a movie that has stayed a little closer to Earth, but this is how you make Tony and Iron Man coexist in a movie about Tony being wary of Iron Man. A big part of that movie was Tony running around without the Iron Man suit (and jumping from Iron Man to Iron Man because it looked cool) to prove that he's the real hero. This is exactly that idea, with Tony unable to use the AI he's worked so hard on and having to revert back to essentially his original designs for Iron Man (sans rollerblades). It's a model of his ingenuity and intellect and it still allows us to see Tony in the Iron Man suit. It was just weird for a movie series that ended its first movie saying "I am Iron Man" to go on and, in the third movie, go "I'm not Iron Man, I'm my own man." Like, I get if he had been struggling with identity more in the series but then to hamfistedly stuff it in later is out of place. Oh, right, I'm reviewing this comic, not that movie. Look, it was great and you should all be reading this book. Solid stuff. Gillen does no wrong.

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