Saturday, July 27, 2013

Hunger 1, What If...AvX 3

Hunger 1
Fialkov (w) and Kirk (a) and Aburtov (c)

After the events of Age of Ultron, the time and spacelines are split a bit and everything is wonky. Issue 10 of Age of Ultron showed Galactus popping into the Ultimate Universe (where he "exists" in the form of a swarm of robot drones and flesh eating viruses called Gah Lak Tus) and that's what this four issue mini-series is focusing on. To start, it focuses on Rick Jones, who is far more powerful in the Ultimate Universe than he is in the 616 and has been tasked by the Watcher to protect the Universe and who is currently trying to take something of a break from that life. He's unable to when he's thrown through a portal by the Watcher that sends him to a battlefield where the Kree and Chitauri (the Ultimate version of the Skrulls, pretty much, which are now also in the 616 thanks to The Avengers and Bendis' Guardians of the Galaxy, among other things) are attacked by the Gah Lak Tus swarm. It's here that the rift in the time opens up, depositing the 616's Galactus in the middle of the fight as well.

The Gah Lak Tus swarm and Galactus are obviously already huge threats on their own but this mini-series introduces the idea of two versions of Galactus teaming up and wreaking unbelievable havoc, among other worrying things about the rips in time and space. The decision to focus this, at least for now, on Rick Jones is an interesting one as I believe he's been rather inactive for rather some time (well, by his own admission, he's been incredibly active but we've not seen him in some time) but he's a wonderfully powerful entity and therefore is a good gauge for how strong the Galacti are. At the same time as this giant disaster, Fialkov is writing the giant disasters ongoing in the Ultimates at current and he's fresh off a startlingly good Alpha mini-series. I don't read a ton outside of Marvel and a handful of  other indies (and Scott Snyder's Batman which I have to admit is a pretty awesome book, even if I won't recommend it here lest it ruin my Marvel cred) so I hadn't seen Fialkov prior to this set of Marvel comics but he's certainly a capable writer with a good eye for character and a story to tell. He was recently on the Nerdist Writers Panel podcast and said that one of the approaches he likes to take is to tell the story of a character on their worst day, which is a nice frame for a lot of these stories and which tells a good amount about the character in the way he or she reacts. Solid start here. It'll be interesting to see how this resolves as I find it hard to believe the 616 will be lacking a Galactus permanently.

What If...AvX 3
Palmiotti (w) and Sandoval and Tarragona (a) and Rosenberg (c)

Quick note again: Marvel has to get their credits together. This is another in a series of issues I've seen recently where the credits on the cover don't match up with the credits on the interior. The interior is claiming Gerardo Sandoval is the main artist but the cover claims Jorge Molina, as does the shipping list I check. I went with Sandoval because I've seen more Molina art and it doesn't really look like his style. I could be wrong, of course, but I'm sticking with it. Anyway, glad this took up so much space because there's not a whole ton to talk about with this issue. Hope was, at the end of last issue, possessed by the Phoenix in the company of Magneto and Emma Frost and the Avengers space strike team was in hot pursuit. They get there only to find Hope controlled by the Phoenix and starting to be manipulated by Magneto, which doesn't bode well for the humans on Earth. On Earth, everyone is getting pretty antsy about the reports from space and the Avengers and X-Men put their differences aside to try to stop Magneto. It won't be that easy, though, to stop the master of magnetism teamed up with the impossibly powerful Phoenix. They have one more issue to try to do so.

I'd be interested to hear how someone who prefers comics and stories for their plots is reacting to this What If series. I like plot and a good plot can certainly carry a comic sometimes but it would have to be an insanely good plot to make up for weak characters. I care mostly about characters and think the best characters can easily hoist up a bad plot and make you forget all about it. This story is not about the characters. That much has been clear from the get-go. Events sometimes have trouble doing that because there are so many pieces to the story. It's why I liked the Age of Ultron tie-in stuff more than Age of Ultron (well, that and other reasons); I preferred to hear how these events impacted the characters I care about rather than how the story would settle itself out. Civil War was pretty solid for defining character because it was such a morality question and just choosing a side told a lot about character. Here, though, the character doesn't really impact the story. It's good that it doesn't, though, because every character continues to be either written exactly the same, in the case of any backgroundish character, or to their basest elements, in the case of the characters most in the foreground. Everyone is simply saying whatever best advances the plot and no one seems to have a personality to them except for the personality foisted on the stars of the book, like Magneto (hates humans), Cap (soldier), Cyclops (X-Man) and Iron Man (Avenger). On the other hand, pretty much anyone else could be swapped with any other character and it would all look about the same. Nova, here Sam Alexander, talks like he's been a superhero for years and is maybe actually Richard Rider under there instead of a 15 year old who just got powers. Black Panther literally says, in conferring with Tony about a scientific weapons device, "From what you told me, this thing packs a wallop!" which ignores the fact that the Panther we know would already know the exact scope of the tech he's using, would never say "wallop," and likely hasn't had an exclamation point anywhere near him in decades. These may sound like nitpicks from someone who's a little too into comic books (if that's what you're thinking, why are you here? That's pretty much ENTIRELY what this blog is supposed to be), but they really do break the flow and the weight of the book by making it feel like the writer didn't care about the characters, so why should I? I adore Black Panther, he's in my top five superheroes, and it couldn't have mattered less to me that he died in this issue (he died in this issue, btw). Sure it's a "what if" so I know it's not in continuity anyway, but I still should have felt something: I knew he wasn't actually going to be dead at the end of Age of Ultron and I was still legitimately mad when he got killed off (though that was largely because he got killed by a bad fall, the dude with maybe the best reflexes in the world). Here, it didn't matter. He was just words on a page. And that's an ugly thought to be left with when your job description boils down to "words on a page."

No comments:

Post a Comment