Death of Wolverine 4, Death of Wolverine - Logan's Legacy 1

Death of Wolverine 4

Wolverine arrives at Dr. Cornelius' laboratory to find the doctor majorly behind the Weapon X program and responsible for his adamantium skeleton has been trying to perfect his technique on what would be a fully controllable, adamantium, healing army, claiming that he wants to better the world in a way he couldn't with Wolverine. He derides Wolverine as simply a killer, even named after the only animal (aside from man) that kills for pleasure, and explains that he doesn't want his legacy to be making a killer better at killing. His problem so far, and why he's wanted Wolverine and others, is that he can't seem to perfect the healing factor the would-be soldiers need to survive the adamantium. Of course, that doesn't go so hot since Wolverine no longer has his healing factor and, after he puts down Cornelius' protection, forcing Cornelius to flee, he destroys the machines, causing the last of the adamantium Cornelius has secured and re-used for hundred of experiments to pour out over him. He grabs the last syringe of passable healing factor Cornelius has been using and follows Cornelius to the roof, where his getaway chopper pilot bails before the wounded Cornelius can follow him. Cornelius bleeds out on the roof asking what Wolverine has ever done besides kill. As the adamantium hardens on our hero, he decides he did enough, looking into the sun as he solidifies.

Wolverine has always been defined by a number of things, particularly his animal nature and the Weapon X program. Soule and McNiven crafted Wolverine's death story with that in mind and, as such, gave us a final Wolverine story befitting the well-loved dark and mysterious hero. It's a story that allows Wolverine to go out unquestionably as the hero, destroying a mad scientist's attempts at making an unstoppable army and ensuring no one else goes through what he's gone through, while doing it quietly, succeeding in a way that, as Wolverine himself says it, is enough. Most hero deaths, when they happen, happen in front of witnesses, ranging from the many to the few but always with shocked onlookers. Instead, Wolverine, despite the impact he's had (which we're going to see in great length all across the Marvel Universe in the coming weeks), dies silently, away from everyone he knows and loves. And it works really, really well. Great work by Soule and McNiven and though all the makings are there for his inevitable rebirth, it's the kind of death story that has meaning and works thematically with the character so well that you can understand why Marvel was willing to do it.

Total Score: 5/5


Death of Wolverine - Logan's Legacy 1

Someone has captured Daken, X-23, Sabretooth, Mystique, and Lady Deathstrike and, supposedly, implanted them with a number of trigger words that should effectively control them. Together with their mysterious benefactor, they're meant to get to the bottom of a few secrets behind Wolverine's death.

Okay, this one wasn't nearly so great. It's just...the thing is, this one is so weird. I don't know if it's hindered by the slowed release schedule or if it was just planned to have a weird first issue, but it's unlike anything I've ever seen. The issue teases moments and character changes still to happen in this series. I legitimately wasn't sure of this and thought that maybe we were being shown clips from some infinite comic I hadn't read or something but no, it seems like it's just previewing issues to come. I...I don't get it. I mean, I get it to a point, but I don't think it's a good storytelling technique and it feels like it really doesn't benefit this series in any way. I'm hoping the next few issues will be better as they'll likely be in a more standard format. This one's just so strange though.

Total Score: 1/5

Death of Wolverine 1, Rocket Raccoon 3

Death of Wolverine 1

Wolverine, on the recommendation of Reed Richards, has removed himself a bit from the heroing life while Richards tries to work on a way to reboot his healing factor. Unfortunately, the world doesn't stop moving just because Logan tries to step away from it. He finds himself on the wrong end of a bounty and suddenly has a number of interested mercenaries trying to cash in. One such merc is failed super soldier Nuke, who tracks Wolverine to the woods of British Columbia. Wolverine, who has already faced down a number of these mercs successfully, despite the toll it's taken on him, manages just barely to survive a fight with Nuke and learns that the bounty requires he be brought in alive and that the price on his head decreases the longer the bounty is out, making it a race for everyone interested. He also learns that it was placed by Viper, who also has Sabretooth in chains.

Strong first entry to the DEATH OF WOLVERINE event that seems primed to stand in the tradition of OLD MAN LOGAN sorts of stories (even going so far as to have McNiven still at the art helm). The problem with a shared universe, of course, is that Nuke has so recently had a big appearance in CAPTAIN AMERICA so I'm reading the whole thing trying to ignore that my brain is like "wait, Nuke's dead unless this is before the events of CAPTAIN AMERICA which would kind of make sense except that Steve's old now and I bet old Steve and Wolverine have appeared together since but maybe they haven't which would mean that this could all happen before that and that could be a link between...you know what, never mind." I don't like that my brain does that and I don't think it's fair that a single book be tied to the rest of the universe in a way it can't really help (though nothing specifically "Nuke" happens so it feels like they could have put any merc in his role and avoided all the confusion). Still, pretty good start as Charles Soule sets out to kill one of the most beloved Marvel heroes.

Total Score: 4/5


Rocket Raccoon 3

Rocket, Groot, and Macho attempt to fight off Rocket's ex-girlfriends, still unsure who they're fighting and why, when Macho uses one of his fish-themed escape plans to get them safely out of harm's way and on to Funtzel's home planet, which, coincidentally, puts them back in harm's way. However, the harm isn't too worrisome as Rocket quickly destroys Funtzel's guards and makes it to his compound to ask him a few questions. He knows that the guard who was shot by the impostor raccoon was one of Funtzel's men and figures Funtzel has done some sort of investigating to find the perpetrator, which is accurate. Funtzel says that he's barely gotten any answers back, just references of some tower and the book of Half-World, which astonishes Rocket though Funtzel calls it a fairytale. Before Rocket can tear into him for a perceived slight, the lights in the compound go off and Rocket investigates, finding the impostor raccoon on sight with Groot tied up behind him.

I've said it already but this one hundred percent feels like the book Skottie Young wants to be writing. It's often very rare that you see such a chemistry between a writer/artist and an idea but this book is so very clearly straight out of Young's imagination and Marvel should be lauded for letting him do his thing. A quick scroll through Young's website and his other work shows such a depth of ideas and creativity that would almost be wasted by just having him illustrating a book. Of course, he's a phenomenal illustrator so it's never a waste to "just have him illustrate," as if that's a minor achievement, but you see books like this or his sketchbooks or his warm-up sketches and you can kind of see how many stories he has wanting to get out. Here he's set Rocket out on his own, far away from the rest of the Marvel Universe, so it's very nearly acting like an indie book, which is very rare for a comic to do. Really strong stuff and extremely fun. It's not the kind of book I'll mention in the same breath as the heady and introspective HAWKEYE or X-MEN LEGACY or something like that because it's not going for that sort of feel, but it's certainly one that I'll recommend to anyone anywhere and would be astonished if they don't like it.

Total Score: 5/5

THE DEATH OF WOLVERINE limited series announced

With his healing factor gone for nearly a year (by that point), it's time for Wolverine to go into the light. Current THUNDERBOLTS, SHE-HULK, and INHUMANS scribe Charles Soule along with art pro Steve McNiven give us a weekly four-issue limited series called THE DEATH OF WOLVERINE, set to launch September 3rd. In an interview with EW, new X-editor Mike Marts talked about Wolverine being the "eternal victor," someone who doesn't lose a fight because he can always jump back into it before asking what happens now that he can't always get back into it. Soule hopes that the death will feel appropriate to the character and that it will feel like the definitive end to the character. As comic fans, we all know that second "feel like" is kind of the key. This is Wolverine, Captain SellsBooks, so it's hard to imagine he'll stay out for long but this is another in a string of high-profile "deaths" in the Marvel Universe of late, like Captain America, Nightcrawler, Johnny Storm, and, most recently, Spider-Man. All of those mentioned have returned within the last few years but still, that doesn't mean the story of each's death wasn't engaging. We'll see how this one reads in September.