Thor: The Dark World review

Hey all my buddies, as ever with a movie review (or really any sort of review but particularly with movie ones) there are TONS of SPOILERS below. Read at your own risk.

Thor: The Dark World was released in America (who always gets these movies nearly last, much to the chagrin of comic book reviewers all over readmarvel.blogspot.com) on Friday, November 8th. Thanks to the magic of certain movies being allowed to release early, I got to see it on the 7th at 8 PM, which was reminiscent to me of when Amazon accidentally delivered Thor on blu-ray to my house the day before it was released. That is not where the similarities between the two movies end and, frankly, it's not really where they begin because that is a truly absurd and specific association to make. Probably where the similarities begin is right at the beginning of Thor: The Dark World. Like its predecessor, this movie opens with Odin (Anthony Hopkins) recounting for the audience a tale from Asgard's past. It's a little further back than the tale he opens the first movie with (which had to do with the war between Asgard and Jotunheim and the Frost Giants), giving us a look at Odin's father, King Bor (an apparently uncredited Tony Curran), and his Asgardian army taking down the Dark Elves of Svartalfheim and their leader Malekith (Christopher Eccleston), who had created a weapon called the Aether which, when bonded to it, would make him nearly invincible and would give him the power to destroy the nine realms during the convergence, the event every few thousand years when the nine realms align. If that sounds like an absolute whirlwind of exposition, it's because it is. Within five minutes of the movie starting, we know a movie's worth of plot. It's a bold move, though not a foreign one. It's essentially "A long, long time ago in a galaxy far away..." What makes it a bolder move, then, is that it's the second movie in this series to open this way. In most cases, you'd expect the first movie to have told the story you needed to tell to continue the series. Here we're telling a very different story with the same characters and so there's a different backstory. I've seen the movie twice and I remember the difference in feeling the two different times. The first time I was a little taken aback that they'd start the movie with another history of Asgard. The second time I was grateful. It gives the movie and this world a sense of the epic, a sense that this world has existed for so long that this story that's coming up, as good as it may be and as current as it may be, just brushes the surface of things Asgard has done. And that's how you kick your movie off. Bold choice, I think it pays off.

I did not intend to spend that long on the first five minutes but here we are. Malekith was defeated by Bor and the Aether was taken and hidden away, too powerful to be destroyed or allowed out in the open. Now, millennia later, the convergence is upon us again, aligning the nine realms. Suddenly, in the points where the convergence happens (where the branches of Yggdrasil, the World Tree, meet) small portals are opening and gravitational fluctuations are occurring. Dr. Jane Foster (Natalie Portman), Thor's love interest from the first movie, is investigating one such portal with the not-so-much help of intern Darcy Lewis (Kat Dennings) and, inexplicably, Lewis' intern Ian (Jonathan Howard), when she finds herself face-to-face with the Aether. It latches on to her and suddenly several interested parties are aware of its existence again, most notably an awakened Malekith. Malekith, along with top lieutenant-turned secret weapon Kurse (Adewale Akinnuoye-Agbaje), attack Asgard, killing Odin's wife and Loki's only supporter Frigga (Rene Russo), but fleeing before they can obtain the Aether. After the funeral for Frigga, Thor comes up with a plan to lure Malekith out by bringing Jane to Svartalfheim where Thor can sneak-attack Malekith and the Aether while both are weakened. Odin refuses the plan, preferring the Asgardians fight Malekith on their home turf, no matter the casualties. This sets Thor off on a clandestine quest wherein he breaks out Loki and the two, along with Jane, and with the help of Lady Sif (Jaimie Alexander), Volstagg (Ray Stevenson), and Fandral (Zachary Levi), escape Asgard and enact Thor's plan. It fails and Malekith obtains the Aether while Loki sacrifices himself to save Thor and destroy Kurse. Left with little time to mourn, Jane and Thor return to Earth and enlist the help of Dr. Erik Selvig (Stellan Skarsgård) and soft science Malekith away. They trace the root of the convergence to Greenwich and realize that's where Malekith will come through, setting up shop to doom the universe. After an impressive, portal-hopping fight scene, Thor and the science gang win the day, splitting Malekith between the realms and eventually landing his own ship on him. Thor returns to Asgard where Odin plans to name him king but Thor refuses, wishing instead to protect the realms from the front lines, not with the pressures being king puts on someone. As Thor leaves, given Odin's reluctant blessing, Odin reveals himself to the audience to, in fact, be Loki in disguise.

That's a pretty long plot summary but you should have seen the first draft at this. Anyway, the movie is certainly an impressive one; the fight scenes are well done, Thor and Loki have an unquestionable chemistry and Loki continues to be handled extremely well. The plot itself is interesting and echoes, most recently, a 2010 or 2011 episode of Avengers: Earth's Mightiest Heroes, written by...what's this, CHRISTOPHER YOST, CO-WRITER OF THOR: THE DARK WORLD. Don't act so surprised, you guys, I've been hinting at this for months. More than that, one of the things I found pretty interesting about Avengers: Earth's Mightiest Heroes, on top of how great it was, was that Marvel seemed to use it as a way to test out some ideas on young audiences, including the popularity of the Guardians of the Galaxy and the Skrull invasion. In that episode, "The Fall of Asgard," the Avengers get separated between the nine realms and have to find their way to Asgard to defeat Loki, who had previously worked alongside Malekith to try to conquer Earth. Anyway, that doesn't make the story any less intriguing. What I would say makes it a little less intriguing is the insistence, as in the first movie, to draw parallels between the world of magic and the world of science, meaning that there's a ton of soft science in here that, when you start to really think it through isn't particularly well-explained. Still, the writing largely covers for it and the action and characterization of Thor, Loki, and the other Asgardians (particularly Frigga and Idris Elba's Heimdall) certainly make for an enjoyable film overall.

Eagle-eyed readers might notice that I'm not saying too much in my positive section about the characterization of Jane Foster or Erik Selvig or Darcy Lewis. There's, uh, there's a reason for that, eagle-eyed readers. As with the first movie, it feels a little like the screenwriters aren't totally sure what to do with Jane Foster. I listened to a podcast recently with one of the screenwriters for Thor who said that Natalie Portman wanted to bring more of a poet/scientist feel to the role of Jane Foster. I'm not totally sure what that entails but I assume it has to do with her clinginess to Thor. Not to say she's necessarily all over him but there are certainly lines here that imply that she's done very little in the way of science since he left (we're told the events of the first movie happened two years prior, with The Avengers happening somewhere in-between though probably closer to this movie than to Thor). She's instead spent time at her mother's and, if Darcy is to be believed (big "if"), hasn't looked at least at the equipment she was using prior to Thor's arrival on Earth in the last two years or so. This is a scientist who we're supposed to believe is incredibly smart and inquisitive who has given up because her boyfriend (who she knew for like, three days, mind you) disappeared two years ago. I have some real issues with that characterization.

Fortunately for Jane, it's far overlooked by my sheer annoyance at Darcy Lewis who is inexplicably still hanging around with Jane. The first movie posited that she was an intern for Jane and Erik, though not particularly into whatever they were doing (she was a political science major but she was the only one who applied for the job so neither party necessarily wants to be with the other). Somehow now we find out she's been at this for an additional TWO YEARS, still as an intern and still knowing very little (and seeming to care very little) about the science Jane does. Perhaps more inexplicably, she has found some dumb British kid to be her intern. Darcy talks non-stop and is given plenty of obvious laugh lines but they mostly come off as annoying and mood-breaking. I was encouraged to hear, in the second viewing particularly, that people by and large were not laughing at her lines which told me it wasn't just me being snooty about it. Her character is a waste and unquestionably hurts the movie. It would be a smaller complaint but her role is larger even than the first film, which had the good sense to pretty much knock her out of the second half. Selvig too sees a bit of a character decline from the first film, going a little over-the-top crazy after the events of The Avengers. All of this, I think, hurts the film and particularly hurts the final fight scene which shows all of them hard at work to try to evade the Dark Elves and to help Thor stop Malekith's attack. The problem is that, with the possible exception of Jane, none of them have shown themselves to be remotely capable of this and still they get an absurd amount of screen time.

Overall, despite these complaints, the film holds up on the strength of the plot and effects and on the characterization of Thor and Loki. Thor is different than the Thor we saw in the first movie, the brash and arrogant would-be king of Asgard. Here he's learned his lessons in worthiness and wields Mjolnir deservedly. He's still somewhat arrogant on the battlefield but, while it's certainly earned, it feels a little like a show for troop morale. Back in Asgard, he's somewhat removed, even covering himself in plain clothes and presenting a bit of a more brooding hero. He's more distant with the Warriors Three and with Sif (who has far too little of a role in this, in my opinion) and he's removed himself from many of their celebrations. Presumably a big part of this is Jane but it also seems to have to do with his newfound love of Earth as a whole, lending itself to the Thor we see in comics, a Thor who spends the majority of his downtime on Earth because he just prefers it. It also gives weight to the final scene, where he tells "Odin" that he wants to patrol the nine realms and that it wouldn't matter if Odin said he could rule Asgard with Jane by his side, he still would prefer to be roaming. It's a nice decision to make Thor someone who's matured as much as this Thor has but who still clearly aches for Earth. His character is far less complicated than someone like Loki; Thor is good, Thor is right, in the same sort of way that Captain America is goodness and rightness (that's not the last time I'll mention him). That means his moral decisions aren't ever really going to be huge draws for a crowd. Instead, it's Loki who draws us to questions of "what will he do here?" Thor, then, has appeal here as someone who knows what's expected of him vs. what he wants to do and as someone who believes firmly in the way he wants things done.

So Loki. Loki, thanks to Hiddleston's portrayal of the character in both Thor and The Avengers has become a huge star in the Marvel Cinematic Universe. Here's the thing: it's completely well-deserved. I found his interpretation of Loki in Thor to be dead on, right down to every minute facial expression and movement. There's something utterly charming and utterly slimy, all at once, in this Loki. Here we see him in a sort of different light. He's still angry about the secret of his parentage and he sees nothing wrong with what he attempted to do on Earth during The Avengers. He lashes out at everyone but he has a tender scene with Frigga, giving us the appearance that he isn't just some evil villain. It also plays to Loki as he and Thor put on a bit of a show for Malekith later to try to convince Malekith that Loki is on his side. The audience can speculate that this is all part of a plan for Loki but no one in the crowd can be totally sure because, well, because it's Loki. Loki delivers some of the best lines in the movie and the writers throw in the funniest part based around Loki, wherein he and Thor walk down a hallway in the palace and (SPOILERS YOU GUYS, I KNOW I SAID IT BUT THIS PART WAS SUPER GREAT AND I DON'T WANT IT SPOILED FOR YOU) Loki alters their appearances a couple times, eventually landing on Thor walking with one of his "new companions," Captain America. Chris Evans has a near-perfect cameo as Cap here with Loki-Cap spouting lines about truth and freedom and the American way. It's hilarious, it's well-timed, it's a great surprise, and it's probably the highlight of what was already a good movie.

Final thing to talk about, then, is the post credits scene (there are two to this movie, one in the middle of the credits and one at the very end; the one in the middle is the one that's important to talk about for the Marvel movie-verse). Sif and Volstagg take a journey to a very odd showroom of sorts and are led to none other than future Guardians of the Galaxy villain the Collector (Benicio del Toro). Sif and Volstagg have been sent to deliver the Aether, captured again, to the Collector, hoping that he'll keep it safe there. The Collector asks why Asgard wouldn't keep it themselves and Volstagg reveals that they already have the Tesseract in their possession and it's not wise to keep two Infinity stones too near one another. The Collector lauds this as wise and agrees to protect the Aether. Sif and Volstagg leave a little warily and the Collector murmurs "one down, five to go." YOU GUYS. The Tesseract and the Aether are Infinity Gems! Thanos, key villain for Guardians (though there promises to be a slew of them), is always after those pesky gems and here we've already seen two of them and it rather fits. What is a cosmic cube? Oh, an Infinity Gem! What is this crazy weapon Malekith seems to have created? Not too much, just AN INFINITY GEM. AND NOW THE COLLECTOR HAS ONE AND KNOWS WHERE ANOTHER IS. Geez, that's exciting. Marvel laying some more in-roads here and there to get people talking about their riskiest movie in phase two, Guardians of the Galaxy. Overall, definitely a good movie, lots of fun and well worth seeing.

Journey into Mystery 652, Iron Man 258.3

Journey into Mystery 652
K. Immonen (w) and Schiti (a) and Bellaire (c)

For whatever reason, I tend not to clump this book among my favorites. Part of that I would have to attribute to the fact that I have so many books I'm a bit in love with right now. The other part might be that it hasn't really blown me away in any issue so far. It could still have something to do with the fact that my mind tends to seize up a little around Asgard stuff; there's a lot of history there and I don't know huge swaths of it, even considering how much I do know and that frustrates me. However, when we get right down to it, I love this book because of the way Immonen treats Sif. Immonen clearly has a perfect picture of the way she wants her main character to be presented and the way that Sif deserves to be presented. She's still undeniably Asgardian but she is her own Asgardian. She still has all the same warrior tendencies and the same bafflement at Earth qualities but she has such a clearly defined voice aside from all of those rather defined traits. If you're looking for a book with an interesting character and a good place to read character, you could do far worse than this one. As that is something I'm usually looking for, I tend to enjoy this book throughout then forget about it when I'm choosing favorites. So it goes.

Gaea, one of the Asgardia all-mothers, has taken ill and no one knows what to do about it. She's, as you might assume, the all-mother tied to nature so the Asgardians are particularly nervous about what this could mean. They also have no idea how to heal her. Sif goes to Broxton to talk to Jane Foster and see if humans have any sort of thoughts on this and Jane recommends quarantining and observing Gaea and her garden. Tony Stark offers an asteroid that he has marked as a place where they could quarantine her. Sif volunteers to take care of it and watch her out there but, when they get there, they get a call from Beta Ray Bill asking them to quickly evacuate the base because he and his ship Skuttlebutt are in pursuit of a ship that's set to crash on the asteroid, a ship that is being driven by Bill's ex-girlfriend. There's a lot of fun dialogue throughout the issue and Sif and Bill's relationship is already looking like a fun one, so it'll be good to see their interplay throughout the arc. Just a really fun book with a very strong central character.

Iron Man 258.3
Michelinie (w) and Ross and Layton (a) and Sotomayor (c)

Entity is planning to kill both Iron Man and Justin Hammer, as Tony figured out last issue, so Iron Man goes to warn and protect Hammer of the impending attack. He gets there and is attacked by Hammer's defenses before being able to relay the message. As Hammer disengages his own attack, Entity sends in a squad of SHIELD Mandroids that he's hacked and a squad of Dreadnoughts to kill the pair. Iron Man is able to hold them all off long enough for Hammer to use his emergency escape ship to launch off to his space satellite. With Hammer clear of his island, Tony blows the whole place up to disable the Mandroids and Dreadnoughts. As they regroup, Tony heads for the satellite. His suit, though, isn't particularly made for space travel and he finds himself running low on oxygen as he reaches Hammer, who decides not to open the door for him, preferring to rid the world of Iron Man while he has the chance. Meanwhile, Rhodey has been trapped in Stark's underground computer base by the Entity and looks for a way out. He finds a new suit that looks like the War Machine suit (I don't know where exactly this series falls in continuity as it pertains to Rhodey and War Machine) which he determines isn't connected to the computer system, so it's free of Entity's influence. However, the last time Rhodey was in a suit was a pretty traumatic experience so he has to will himself into the suit, which he does to escape and try to help Tony.

Big ol' fight scenes permeate through this issue but not a ton else. There's not a giant focus on advancing the plot behind the fact that now Hammer seems to know Entity is after him and Rhodey is in a suit and on his way to help Tony. By and large, though, the issue spends its time with explosions and Tony narrating how he's going to defeat his various foes. Makes it a little tricky to delve into the plot and the characters when there isn't much to say. Oh well. Next issue is prime for some plot to happen, I suppose.