Avengers Undercover 3, Iron Patriot 2

Avengers Undercover 3
Hopeless (w) and Green II (a) and Beaulieu (c) and Caramagna (l)

Cammi is furious with Cullen that he brought them to Arcade without asking any of them, saying that it should be their choice if they want to go seek revenge. The team is divided on the issue but doesn't have much time to fight it out because any sort of plan needs to happen now, as Arcade has opened a new "Murder World," which is essentially just crazy old billionaires paying to fight to the death. The team splits up with one group going to shut down Arcade's power and the other, along with a near-comatose Hazmat, distracting Arcade. Arcade is thrilled to see them, talking to them about how high they'd all risen and how they'd never get that high again, himself included. Just as they're nearly defeated, Death Locket manages to fry the high processing computer near Miss Coriander that powers Arcade and suddenly he's back to just being a guy. They pound on him but don't quite go to killing until Hazmat wakes out of her stupor and recites the words Arcade said to the group when he killed Mettle: "Whatever you say, kid. Welcome to Murder World." She fries him as video is relayed to Baron Zemo, Madam Masque, Hellstrom, and Constrictor.

Story
Things continue to heat up in AVENGERS UNDERCOVER as these would-have-been heroes turn to murdering Arcade amidst the least debate about revenge maybe ever. Even Cammi, who believes they should have all been asked prior to being sent to Arcade, relishes in the revenge part. The turn, of course, is that Hazmat goes the extra step and destroys their enemy (we, I suppose, don't necessarily know he's dead, but that seems hard to come back from) without any sort of debate, though her teammates have varying degrees of shock and horror on their faces (important and well done by Timothy Green II, which, I think, may be the name of a Disney movie?). Between this and the video sent to Zemo and the others, who excitedly watch the outcome, there are plenty of great places for this series to go and it's off to a strong start. 5/5

Characters
There's a lot happening in this issue and much of it is plot-based but that doesn't mean Hopeless doesn't have time to establish some character in here. There's a slight look at everyone if just in their willingness to fight or the way the others regard their willingness to fight (there's a fun moment where Death Locket eagerly volunteers to help fight her way through the billionaires to reach the control panel and she's met with surprise by her teammates). It's rare that a story so plot-heavy and so revenge motivated, particularly surrounding a team, manages to bring out its characters so well but that's what we have here. Hopeless, of course, helped himself enormously in AVENGERS ARENA by making all of these living and breathing characters but dropping them into a new series would only require a new reader to know the most basic of facts about them to really become invested quickly. Solid work. 5/5

Writing
The tone of the book is what it needs to be, nothing particularly outstanding about what's created here as the key to this issue is all in the story and the characters. The dialogue flows pretty well and each character has a unique voice and attitude. I don't know that there's a lot more that Hopeless needed to do here to improve on his story or characters through the writing or the tone or what have you but he does solid work nonetheless. 5/5

Art
The art is appropriately chaotic as the kids rush through the new Murder World on something of a time-sensitive mission. The emotions of these characters are what drive the art here as everyone brings a different level of reluctance or of anger to this journey and it all comes out in their faces, leading up to the important reaction shot of Hazmat's attack on Arcade. Great work by Timothy Green II who, as I stated before, may be the same Timothy Green who had an odd life in a Disney film that I find myself disappointed to discover I know so much about. 5/5

Miscellaneous
Not a ton to add. Really like this book so far just as I really ended up liking ARENA. I also think the team that Zemo has pulled to be his new Masters of Evil is an interesting team-up. Should be fun to watch as things unravel.

Total score: 5/5


Iron Patriot 2
Kot (w) and G. Brown (a) and Charalampidis (c) and Cowles (l)

Iron Patriot is underwater, the suit malfunctioning with Rhodey still in it. His last hope is to eject out of it, though the eject is pretty specific in that it will launch the suit like a rocket while ejecting its operator. Rhodey points it out at the monster stomping around the water, effectively taking it down, as he makes a last push to swim to the surface. He barely makes it but passes out as he gets there. Meanwhile, his father Terrence has been captured by terrorists (though he put up a fight) and his niece Lila, who evaded the first round of captors, gets picked up as well. Things go from bad to worse as Rhodey is picked up in a helicopter by two men claiming to be journalists but working for whoever is behind the attacks that have struck all over the country. They drop him off in New Orleans where he nearly passes out from compression sickness before being approached by an armored individual, the apparent mastermind behind all of this.

Story
IRON PATRIOT is off to a hot start as a full-on attack on America has been the driving force behind the start of the series. There's so much happening story wise but Kot does a good job making it manageable to understand while also making it chaotic enough to see how rampant it is. It's a tough line to walk, one where Kot needs not to overwhelm the audience with information right at the start of a new series but does need to show just how serious the problems are, particularly in a book for a non-A-list character. So far, so good. 5/5

Character
Most of the characterization in this issue comes from the actions that these characters take. Rhodey acts to take down the monster while trying to save himself as a second priority, Terrence chooses his moment and takes down one of his kidnappers (until the second one gets the drop on him), and Lila cleverly evades capture and learns as much as she can about her grandfather's abduction before being fooled by more terrorists acting as police. There's nothing particularly outstanding about any of the character developments here, nothing that would shock to the core or anything, but everyone acts in a very specific way and it gives a great sense of our players in this book so early on. Every book doesn't need to have a shocking revelation for a character, it just has to make sure the characters acts in an appropriate way for that character and Kot is doing a good job maintaining status quo as the plot drives things forward. 5/5

Writing
The tone here, one of desperation and chaos, shines through and carries the writing of this one. There's some narrative and some dialogue that helps put things in perspective and establish our characters but the key here is the tone, one that shows us just how bad things are. The book reads extremely quickly with so much action and so little dialogue and narrative but it's not an insubstantial read for that. It's just the sort of book that will surprise you when the end comes because you assumed you had only read maybe half an issue only to find, nope, plenty happened and they just covered a whole issue. Well done. 5/5

Art
I had some opinions on Garry Brown's faces last time out but they don't really persist into this new issue as everything Brown does, with the assistance of Charalampidis' colors, adds to the tone and the desperation of every situation. The faces, the emotion, the action, it's all well drawn here and it adds to the story rather than taking away from or simply maintaining. For now, it seems Brown is perhaps the perfect guy to draw this book. 5/5

Miscellaneous
I don't have a lot of experience with Ales Kot, having only seen him on books like SECRET AVENGERS recently but the experience I had had given me pause. I'm surprised and delighted to say that this issue stepped right over that pause and turned out to be a pretty great read. Of course, the series will still hinge on the reveal of the bad guy (got some suspicions on that front, as I'm sure anyone reading this book does) and the purpose of these attacks, but as a stand-alone couple of issues, these have really worked.

Total score: 5/5

Journey into Mystery 652, Iron Man 258.3

Journey into Mystery 652
K. Immonen (w) and Schiti (a) and Bellaire (c)

For whatever reason, I tend not to clump this book among my favorites. Part of that I would have to attribute to the fact that I have so many books I'm a bit in love with right now. The other part might be that it hasn't really blown me away in any issue so far. It could still have something to do with the fact that my mind tends to seize up a little around Asgard stuff; there's a lot of history there and I don't know huge swaths of it, even considering how much I do know and that frustrates me. However, when we get right down to it, I love this book because of the way Immonen treats Sif. Immonen clearly has a perfect picture of the way she wants her main character to be presented and the way that Sif deserves to be presented. She's still undeniably Asgardian but she is her own Asgardian. She still has all the same warrior tendencies and the same bafflement at Earth qualities but she has such a clearly defined voice aside from all of those rather defined traits. If you're looking for a book with an interesting character and a good place to read character, you could do far worse than this one. As that is something I'm usually looking for, I tend to enjoy this book throughout then forget about it when I'm choosing favorites. So it goes.

Gaea, one of the Asgardia all-mothers, has taken ill and no one knows what to do about it. She's, as you might assume, the all-mother tied to nature so the Asgardians are particularly nervous about what this could mean. They also have no idea how to heal her. Sif goes to Broxton to talk to Jane Foster and see if humans have any sort of thoughts on this and Jane recommends quarantining and observing Gaea and her garden. Tony Stark offers an asteroid that he has marked as a place where they could quarantine her. Sif volunteers to take care of it and watch her out there but, when they get there, they get a call from Beta Ray Bill asking them to quickly evacuate the base because he and his ship Skuttlebutt are in pursuit of a ship that's set to crash on the asteroid, a ship that is being driven by Bill's ex-girlfriend. There's a lot of fun dialogue throughout the issue and Sif and Bill's relationship is already looking like a fun one, so it'll be good to see their interplay throughout the arc. Just a really fun book with a very strong central character.

Iron Man 258.3
Michelinie (w) and Ross and Layton (a) and Sotomayor (c)

Entity is planning to kill both Iron Man and Justin Hammer, as Tony figured out last issue, so Iron Man goes to warn and protect Hammer of the impending attack. He gets there and is attacked by Hammer's defenses before being able to relay the message. As Hammer disengages his own attack, Entity sends in a squad of SHIELD Mandroids that he's hacked and a squad of Dreadnoughts to kill the pair. Iron Man is able to hold them all off long enough for Hammer to use his emergency escape ship to launch off to his space satellite. With Hammer clear of his island, Tony blows the whole place up to disable the Mandroids and Dreadnoughts. As they regroup, Tony heads for the satellite. His suit, though, isn't particularly made for space travel and he finds himself running low on oxygen as he reaches Hammer, who decides not to open the door for him, preferring to rid the world of Iron Man while he has the chance. Meanwhile, Rhodey has been trapped in Stark's underground computer base by the Entity and looks for a way out. He finds a new suit that looks like the War Machine suit (I don't know where exactly this series falls in continuity as it pertains to Rhodey and War Machine) which he determines isn't connected to the computer system, so it's free of Entity's influence. However, the last time Rhodey was in a suit was a pretty traumatic experience so he has to will himself into the suit, which he does to escape and try to help Tony.

Big ol' fight scenes permeate through this issue but not a ton else. There's not a giant focus on advancing the plot behind the fact that now Hammer seems to know Entity is after him and Rhodey is in a suit and on his way to help Tony. By and large, though, the issue spends its time with explosions and Tony narrating how he's going to defeat his various foes. Makes it a little tricky to delve into the plot and the characters when there isn't much to say. Oh well. Next issue is prime for some plot to happen, I suppose.

Iron Man 9, Iron Man 258.1, Iron Man: The Coming of the Melter

Iron Man 9
Gillen (w) and Eaglesham (a) and Guru eFX (c)

GUYS it's Iron Man day! For no particular reason! Just kidding, it's totally because the movie's coming out tomorrow. I'm planning to see it tonight so what better way to get excited than to review one the three Iron Man books that came out this week purely by chance! Ha, just kidding, I have a sneaking suspicion that Marvel knows what they're doing, considering two thirds of my Marvel calendars have Iron Man on them for the month of May (the third one is the Thing because why not?).
Okay, so let's dive into it then. Iron Man is on the search for 451 after 451 destroyed the Voldi (or condemned the Voldi to death. Semantics). The Guardians of the Galaxy (with whom he's currently touring the universe) drop him off at a little place called "Hope's Pustule," which, Starlord informs Tony, is not an ironic name. There Tony tracks down Death's Head, the bounty hunter he had to fight in the Voldi arena and who had managed to escape the destruction of the planet. The pair claim no hard feelings and Tony hires Death's Head to help him track down 451. The two talk about Death's Head's great ship and Tony makes a few Star Wars references before they find a lifeless Badoon ship that Death's Head's ship's sensors have brought them to. While exploring the ship, they find that all of the Badoon aboard apparently committed suicide, which isn't exactly a Badoon custom. 451 is indeed on board and Tony hopes to ambush him as he turns a corner. Unfortunately, Death's Head has been working for 451 all along and his goal was simply to bring Tony to him. On top of that, 451 has hacked PEPPER and left Tony defenseless. 451 hopes to talk to Tony but offers no explanation for the destruction of the Voldi (he also says that they were more or less living on borrowed time hiding from the Celestials and Phoenix and everyone else, though he does accept some blame). Without much choice, Tony agrees to listen to 451, who pulls out an old film cannister. On the film is Tony's dad, Howard Stark, explaining that he's done questionable things to help the world and, more specifically, to help Tony. Then 451 comes into frame beside Howard.
The plot thickens as we get more of an understanding of some of the power that 451 wields and far more questions arise in total, adding to our sizable total already being asked. Hard to speculate too much about where the arc and the series are going but it's nice to see Tony have to deal with his daddy issues a bit more and to find out that Howard is far from a saint. We'll be able to talk more about that when we know exactly what it is Howard is alluding to, but it's worth mentioning upfront that Tony seems to have a very strange relationship with his father as it is. Fun to see Gillen's take on it.

Iron Man 258.1
Michelinie (w) and Ross and Layton (a) and Sotomayor (c)

When I read the description of this book, I was pretty much able to write the entire review in my head. Old Iron Man pros David Michelinie and Bob Layton return to the armored Avenger to give their take on John Byrne and John Romita Jr's Armor Wars II (Michelinie and Layton were the minds behind the first). The Armor Wars were pivotal books in Iron Man history that, like most other Iron Man books not pertaining to his drinking, revolved around someone stealing the Iron Man tech and selling it to bad guys. I rather like that Gillen has sent Tony to space if only because his armor isn't that big a deal in space and he didn't bring many extras with him so no one is that eager or able to steal it. In this book, which will be continued next week allegedly, a biomass that was taken out of Tony (and connected to computer chips and nanites in his body) gains sentience and access to Tony's computer systems. He then kills a doctor that was helping Tony and reveals himself to be what Tony should have been, according to him.
So what I was going to say immediately after reading the description is "nice read, definitely worthwhile for old school Iron Man fans to pick up and relive the magic but not too relevant to today's Marvel." I think that still applies, but I will admit to being surprised by the ending. The reveal of the "Iron Mind," Tony's connected biomass, was a solid twist. Why he thinks he's what Tony should have been is worth exploring, so we find ourselves with a nice little read that's definitely worthwhile for old school Iron Man fans to pick up and relive the magic, but isn't too relevant to today's Marvel, though it may be building into a somewhat compelling story nonetheless.

Iron Man: The Coming of the Melter
Gage (w) and Lim (a) and Sotocolor (c)

I don't know what to make of this book. I had some ideas about it when I saw it on the list this week (maybe it's like Iron Man 258.1, a former Iron Man writer stepping in to tell a story that hasn't been told before) or maybe it's an Iron Man movie tie-in (though I was pretty sure the Melter wasn't appearing in the movie; I guess I'll find out tonight starting at 9 PM). Maybe it's an easy-to-read story for new readers interested in Iron Man but unwilling to start with Gillen's far-different-than-the-movies arc or maybe it's a quickly/cheaply produced book trying to cash in on the movie's arrival. After reading it, I'm at a bit of a loss. I'm something of a Christos Gage fan, as he was born and raised in my home state and used to go to one of my comic book stores. I also quite liked his Union Jack mini-series several years back and reluctantly enjoyed his Avengers Academy title. He has a weird role in Marvel, though, and sometimes he gets books like this which leave more questions about what it's doing than what it's done. Let's start with plot. The Melter shows up and interrupts a press conference Tony is holding to startle and defeat Tony in quick combat in front of cameras before telling the press that he'll be selling his new weapon to the highest bidder soon, after another display. He turns up against War Machine a few days later and also defeats War Machine. Tony and Rhodey team up to try to figure out who's behind the Melter armor, which leads to the by-the-book detective Rhodey doing things his way while off-the-rails detective Tony does things his way. Neither comes up with a perfect solution but they reconvene with their information to figure it out and eventually track down and stop Melter. They each agree that, while they have their differences, they're stronger working together than apart.
Who was this book meant for? I would say it's meant to try to let children read a comic book about Iron Man before or after the big movie comes out, but I don't think kids will be particularly entertained by a villain they won't see in the movie and will certainly not be entertained by the random crime procedural in the middle of the book. Anyone older than children, though, will be somewhat bored by the issue and will find the explicitly delivered moral trite and a bit obnoxious. I don't think this would attract new readers into reading more comics and it will just confuse older readers. Weird release, other than to hopefully make a few quick books. That kind of does fit, though. Gage also wrote the recent movie tie-in limited series for Iron Man so maybe part of his role now is to churn out the easily and quickly produced books to make a couple extra dollars. Worth missing. Like, it's actively worth missing, not just okay if you miss it.