Uncanny X-Men 27, Wolverine and the X-Men 10

Uncanny X-Men 27

Matthew Malloy is still out there, wreaking some serious havoc and baffling the X-Men and SHIELD, nearby in a helicarrier. In an attempt to quell him, Rachel Grey creates a big psychic image in front of him, showing the X-Men and Avengers ready to fight him with Xavier leading the pack, asking if Malloy will allow him to rebuild the barriers in his mind for the good of the world. Malloy waffles between trusting him and hating him but ultimately begins to wonder if maybe he shouldn't be using this power to do much more. He sees through Rachel's trick and lays waste to the helicarrier, transporting most of the X-Men back to their homes (though some remain unaccounted for). Everyone is caught off-guard by this strange tactic but Scott Summers recovers quickly enough for Magik to teleport him back to Malloy, where Cyclops convinces him that he believes what Charles did was wrong and that he wants to help mutant kind, maybe the way Malloy wants to express his new powers. Cyclops asks Malloy if maybe he wants to talk a bit and Malloy consents.

The big plot development here, obviously, is that this sudden omega-level or beyond mutant is potentially ending in Cyclops' smaller camp of militant mutants, tipping the scales of the battle. I have my usual issues with Bendis books (namely some mood-breaking back-and-forth dialogue and quips) but my hesitation about naming this a good arc stems from something bigger here, I think. I don't like SCHISM and I don't like what's spawned from it. Do I think the X-Men probably needed some sort of a shakeup? Yeah, I guess so. Was SCHISM intriguing? Sure. I liked the idea of an increasingly more militant Cyclops and an increasingly more caring and protective Wolverine. On the flipside, I don't think it's carried well and it's clearly weighing on the writers at this point too. Obviously the added wrinkle of "Scott Summers killed Professor X" has extended the life of the split but I even think that's weak. Doing no research on the subject, I'm not sure there's a single character involved in these fights that hasn't been brainwashed or possessed or controlled or what-not. So has Cyclops been skewing another way for a little bit now? Well sure, I suppose people are starting to get more cynical of him. But should they erase their long history with him and his new people because he, very clearly under control of the Phoenix Force he couldn't contain and that they all knew he couldn't contain, was partly responsible for the death of his mentor? Look, I think not. What I'm getting at is that I don't think this whole antipathy between the two sides is warranted and that's entirely what this story is going to boil down to. I also have some amount of problems with omega-level+ mutants just appearing. ANYWAY. Doesn't mean this won't be an interesting story, just means I'm having some trouble buying into it. I also have been wanting to write a tiny bit about the ramifications of SCHISM for a little while now and the WATXM review should be pretty short so WHY NOT PUT IT HERE? Like that cover though.

Total Score: 3/5


Wolverine and the X-Men 10

Wolverine's ex-girlfriend Melita Garner visits the Jean Grey School to collect interviews for her upcoming book on Wolverine, a book that wolverine didn't want her writing but that Beast believes she should write, if just to serve as required reading for the students of the school. She talks with a number of Wolverine's friends and colleagues who all very clearly miss hero. She saves a couple of the big ones for next time, though, between Storm and Quentin Quire.

It's essentially a book of remembrance, showing how everyone is taking the loss and how everyone loved Wolverine. Plenty of books, I'm sure, will be doing this sort of thing over the coming months so I'm sure we'll have plenty of opportunities to talk about these retrospectives, but you could certainly do worse than to read this one, which is sweet, moves pretty well, and highlights a number of different artists. Sometimes the switch between artists is understandably jarring but each section settles into its rhythm nicely.

Total Score: 4/5

Uncanny X-Men 24, X-Men 17

Uncanny X-Men 24
Bendis (w) and Anka (a and c) and Caramagna (l)

Beast, using Cerebro, knows where Cyclops and his group are. He's been unwilling to disclose such up to now because he doesn't want to deal with Cyclops any more but now the team gets on a jet and flies to the old Weapon X facility to gather their old teammate. They tell him what's happening and head back home with Cyclops, Emma, Magik, and Kitty following via teleport. Amidst fears that Xavier may have left the school to Cyclops, She-Hulk begins to read the will, which reveals a marriage to Mystique and a chip with a video recorded message from Xavier that promises a big secret reveal.

You know those complaints I occasionally lodge about a story REALLY dragging forward? Well here ya go. It also plays to my more specific criticisms of this rift in the X-Men Universe being a rift in name only since they're ALWAYS hanging out together. ALSO, while we're on the subject of issues I'm having, I roll my eyes every time I see that cover and remember the punk (is that what we'd even call it? Just terrible, is what I'd call it) makeover of Dazzler. Look, what I'm saying is that there are real issues with this issue. There are some upsides, particularly in that it looks like Bendis might actually be ready to go a little deeper with some of the characters he's had in his control for the last two years or so, including Ice Man and, maybe, Beast. Still, more bad than good for my own tastes.

Total Score: 3/5


X-Men 17
Wood (w) and Diaz and Briones (a) and Mounts (c) and Caramagna (l)

The X-Men have brought the fight to The Future only to be stopped in their tracks by The Future's defense mechanism Bloodline, which allows only people with The Future's DNA to enter. At Kymera's request, Beast has brought Shogo to the fight scene. Using her future knowledge and begging the trust of her mother and the other X-Men, she brings Shogo to the edge of Bloodline and cuts his finger, wiping the baby's blood on one of the plants in the forest. Bloodline, needing to adjust, shuts down for enough time to allow Jubilee out of her prison and the X-Men into the forest. However, even Jubilee is too slow as the forest rips through the ground and kills The Future itself. Not all is well, though, as Shogo is poisoned by the foliage. Beast is forced to admit that he used Arkea to save Primal and Sprite and asks Storm to trust him as well as he injects the strain into Shogo, which he does and it saves his life. The X-Men all head home relatively happy, though Kymera sets off to live in the world, understanding that her mother didn't ask to suddenly have a teenage daughter and that the two would likely butt heads to no end. She'll still be around, ready to help and to protect the baby Shogo (her best friend in the future), but she won't be at the school.

The Future's storyline is interesting and ends up being almost more of a story for Kymera, who saves the day with some risky maneuvers and the sort of decisiveness we've come to expect from a Munroe. It's not a bad issue (a particular highlight is an unleashed Storm, prepared and able to raze the forest to stop The Future) and the art is pretty solid throughout. It does feel a little anticlimactic for a villain who, just a couple issues ago, seemed so untouchable, to die horribly tucked away from all of our heroes. Still not a bad issue, just a strange ending and one that doesn't sit particularly well, as if Wood had to rush out to finish up the other storylines and check in with all of our key characters before the issue officially ended.

Total Score: 4/5

Uncanny X-Men 23, X-Men 16

Uncanny X-Men 23
Bendis (w) and Anka (a and c) and Caramagna (l)

As the team recovers from the most recent attack of the future evil brotherhood, She-Hulk receives a startling package. While Cyclops tries to talk to Eva about whatever it is she's hiding and her suddenly faster aging and as Emma, Magik, and Magneto try to help Dazzler track down Mystique, She-Hulk heads to the Jean Grey School and calls together Storm, Beast, and Iceman, waiting only for Cyclops to turn up so that she can read the last will and testament of Charles Xavier.

The issue serves as both the start to a new arc and a bit of a rest issue after the last arc. It drags a little bit in its own way, combatted well by Bendis by jumping around the X-Universe a bit. As the team settles back in, welcoming recent overpowered hero Hijack back into their midst, Bendis sets up the new story which will, he promises, rattle the X-World to its core. That said, it comes as a big sort of GASP moment at the end when She-Hulk informs the three X-Men around her that they'll need to get Cyclops to hear the reading of the will, which would probably be more effective if the two rival teams didn't see each other every third book or so. For someone who has sort of been excommunicated by the X-Men, Cyclops has still made a number of appearances, met with varying degrees of anger and I think it's weakened the series and the death of Charles Xavier a bit. I'd have liked it more if they could have kept this Uncanny X-Men team from the X-Men team or the Wolverine and the X-Men team or whatever entirely, really giving a sense of isolation. Instead, Cyclops has appeared in every major X-Men story, it feels like, and Bendis has even gone so far as to send the O5 X-Men with Kitty Pryde to Cyclops' side. Hardly feels as dramatic. Anyway, the total score/review for this issue is only for this issue, not for the faults I'm expressing about the series as a whole. So...

Total Score: 4/5


X-Men 16
Wood (w) and Buffagni and Sandoval (a) and Mounts (c) and Eliopoulos and Caramagna (l)

The Future, thrown a bit by Kymera's appearance and actions, has altered his plan and captured Jubilee instead of killing her and trying to take Shogo himself. He retreats to a safehouse in the Adirondacks and waits for the X-Men's response. They prepare an assault, readying even the students for the fight, despite the notion that students should stay away from the fighting and acknowledging that the kidnapping of an X-Man and the brutal attacks on their home are more serious than most things they face. As they begin their attack, they learn that The Future has all manner of futuristic defenses, including a sort of bio-coded forest which would only allow entrance to people with the same DNA as The Future, stopping even the powerful Monet in her tracks. When The Future makes an offer of a trade, Jubilee for Shogo, to Storm, sure that she will give up the baby that he believes means nothing to her, she declares war.

Things are getting heated against The Future and I think that the only problem with the story as a whole is that The Future is still such a foreign entity. That isn't altogether bad; the idea that the X-Men don't really know who they're facing and that they've never faced him before opens the door for plenty of fear and poor decisions. However, it does make it kind of hard to see how much of a threat he is. Obviously Wood has done his part, showing The Future effortlessly attacking the Jean Grey School and incapacitating Psylocke (actually hard) and kidnapping Jubilee (ehhhhhh, not so hard once you're IN the school). Even with that, though, it's hard to get a read on this guy. This is where the continuity of comics hurts the current comics because the X-Men, appropriately, are treating this as one of the biggest threats they've faced but long-time X-Readers are undoubtedly thinking of all the other villains in the team's rogues gallery and wondering why The Future stacks up so high suddenly. Again, not necessarily Wood's fault or the fault of this book but it is a problem when reading this story. Still, strong issue overall, harkens back to Wood's ULTIMATE X-MEN with the sentient seed and the forest that fought on behalf of the mutants of Utopia, even if now a pseudo-sentient seed is fighting against the X-Men.

Total Score: 4/5

Winter Soldier: The Bitter March 4, Wolverine 7, B-B-B-BONUS Savage Wolverine 19

Winter Soldier: The Bitter March 4
Remender (w) and Boschi (a) and Chuckry (c) and Cowles (l)

As the train goes crashing into a small village, Ran Shen and Mila manage to use a grappling hook to stay above the explosion, just as Winter Soldier and the Drain hover out of it on Bucky's jetpack. The Drain starts to open Winter Soldier's mind to his past, draining his will to live by showing him what he's become after what he'd been. Bucky is barely able to keep from killing himself but jettisons the Drain on to the village, blasting himself a bit away from his influence. The Drain calls out to Shen and Mila, appealing to Mila's desire to help people by making the villagers kill themselves and draining their willpower. When she shows herself to make him stop, he does the same to Shen, calling him out as someone whose given everything to a country he no longer believes in and citing a mission that went wrong and led to plenty of innocent deaths. As Shen is beginning to believe that he should kill himself, the Winter Soldier shows up again and punches the Drain, forcing him to flee with Mila and giving Bucky a chance to appeal to Shen for his help. As they advance, he tells Shen that his memories are blurry and that the Hydra psychic opened something up in him. When they catch up to the Drain, the psychic convinces Mila to kill herself, preferring she die than fall into enemy hands. As Shen attacks the Drain, Winter Soldier dives off the cliff and catches Mila.

I've been writing shorter reviews this week rather pointedly but between this and the earlier THUNDERBOLTS issue, I just can't stop telling you the plot. That's sometimes not a great thing because sometimes it means there's too much plot told through too much exposition and I have to relate it all for the summary to make sense. In this case (as with THUNDERBOLTS though probably more here), it's because I'm excited by the story and because so much happened in 22 pages that I want to say it all. It's a pretty phenomenal issue and it's such an interesting limited series as we get to see a Cold War-era Winter Soldier remember who he is and temporarily break out of his programming. Remender has so much happening but it never bogs him down; instead, the pacing is near-perfect and the characters all get their moment and it's all compelling. Roland Boschi's art is great and Chris Chuckry's colors complement it perfectly. Really phenomenal book and I'm sad but excited to see the way it all ends next time. This has, so far, been one of the most satisfying limited series I've read in a long time.

Total Score: 5/5


Wolverine 7
Cornell (w) and Sandoval (a) and Curiel (c) and Petit (l)

Some monkeys steal the orb that Wolverine needs to get for MI-6 before Sabretooth can get it while he plays his team and pretends that he's still trying to get the orb for Offer so he can make a deal with Sabretooth. As Sabretooth goes in pursuit of the Orb, the Hand bring Wolverine down with poisoned arrows. Faiza shows up to extract the poison and save Wolverine before withdrawing, but she can't leave before Pinch sees her and it confirms Pinch's fears about Logan. They finally get their hands on the orb and it fights Logan, who can't get the passcode, with his opposite Logan. When the doppleganger's been put down by Pinch, who, with the help of Fuel, can interact more successfully with the Orb, she and the team leave Wolverine behind. Captain Britain extracts him but Sabretooth finds Pinch and the others, kills Fuel, and shows Pinch that he has her daughter.

There's a lot of fairly interesting stuff here that's tied together by a somewhat loose few strings. The first loose string is that the orb is rather a convenient plot device of a weapon, one that announces to Pinch that Wolverine is a hero and pulls his opposite version, a feral villain, out of the ether to fight him to further confirm things (also that it needs a passcode, which is weird for an orb). The second and probably more important string for the big character moment of this issue is that I don't buy Pinch and Wolverine's relationship. Granted, Cornell may not have had a couple years to cement their relationship as something that seemed real before this arc but it still feels like their relationship was something wispy and hardly there and now it's the crux of this entire emotional journey. It feels weak from both sides so using it to raise up the entire story causes the whole thing to rather collapse. There are some interesting ideas in here and I like Sandoval's art for the story (makes things look a lot more dynamic than anything in Cornell's first WOLVERINE story and feels maybe a little more cartoonish in the action than Stegman's stuff, though Stegman didn't have as much action to draw), but it all falls somewhat flat on their relationship (and, to a lesser extent, on the convenient orb).

Total Score: 3/5


Savage Wolverine 19
Simone (w) and N. Edwards (p) and Pallot (i) and Sotomayor (c) and Petit (l)

Note: This is a b-b-b-bonus review insofar as it came out last week but I didn't get my hands on it until pretty late so I rather put it off more than I should have. So, not so much bonus as "here it is, late." Here it is either way though, SAVAGE WOLVERINE 19 written by the incomparable Gail Simone (I wrote this blurb before I read the issue so hopefully I have only good things to say about Simone afterwards)

Wolverine dreams of a home under the Northern Lights, removed from people, with Jean. Of course, it's too good to be true and Professor X communicates with him to break him out of the dream, reminding him that he and Jubilee have been captured by AIM for testing. They're trying to get a hold of where the two are but for now, he has to get out of his restraints and find Jubilee. He manages it and learns that they're under a new sedation method that makes them dream of something they really want, meaning that they don't really fight the sedation and the brain does all the work for them. Though Wolverine broke out of his, Jubilee remains attached to hers (where she's one of the most powerful X-Men, even with her powers, and Wolverine is her sidekick) even when he breaks her out. Professor X informs Logan that they're closing in and that he shouldn't break Jubilee's illusion in the fear that it's strong enough to do real damage to her mentally if she comes out unexpectedly. So Wolverine, acting like Jubilee's sidekick, follows her as she storms through the compound being ineffective. Finally she does get smart to what's really happening but, as it happened softly enough, she's okay, just a little hurt by how bad her powers are. However, as Wolverine gets blasted, she manages to hold off AIM long enough for him to recover and for them to get out of there. He cheers her up as they leave, telling her that her powers, in his eyes, are some of the best around (he harkens back to the Northern Lights as he compliments them).

It's a rather sweet issue and an overall very fun issue. One of the things that I really like about Gail Simone (though I haven't read too much by her as she's mostly with DC these days) is that she gets into the head of a character so well and that she seems to understand the humanity of a character. On top of that, she's not afraid to pull punches. In this issue, she teams Wolverine, someone who claims to be the best there is at what he does, with Jubilee, someone with the power of fireworks (the only way you can be more '80s/'90s is by dressing like Jubilee did in the '80s/'90s). Jubilee's happy place is a place where she is more powerful than she actually believes she is. On top of it, she snaps out of it and almost immediately says "my powers suck," which is rather true but also rather cutting. You don't see that sort of self-awareness from a lot of characters. On top of that, Simone cuts right to the core of things (very important for a self-contained issue) and teams Wolverine and Jubilee, two characters who don't particularly see themselves fitting in with the X-Men at any point. It's immediately a compelling story and one that instantly works. Obviously she's not the first person to team the two and it's a duo that's worked to varying degrees in the past but she dives right in and makes it her own here. Solid book, definitely worth a look.

Total Score: 4/5

SUPER QUICK REVIEW: X-Men: Days of Future Past

As ever, no spoilers until there's been more time for people to get out and see the movie (believe it or not, I'm still optimistic I'll get full reviews out for all the movies I've missed).

I worried from day one that X-Men: Days of Future Past was going to suffer from a hugely complicated story and from having too many characters. I'm delighted to report that, while the story is pretty convoluted and while there are plenty of roles in this movie, there was no such suffering through this one. There's a bit of suspension of disbelief in play here to get through some of the finer points of the story (though likely no more than you had to suspend to get into comics and the X-Men in the first place) but it's not troubling enough to taint the movie. There are maybe a few too many winks and nudges at the audience (big winks and nudges too, broad ones that everyone can follow and not just the diehard fans who are searching them out). Regardless, the movie easily stands on its own and is certainly one of the strongest movies in the franchise to date, if not the strongest. As ever, stay til the end of the credits for an exciting, if somewhat predictable, teaser.

This week's picks

Geez, didn't quite realize how hard these three would be to choose until I actually started to think about it. Sometimes I'm not particularly confident in my pre-game picks so the pull list is pretty up-for-grabs. This week I was totally sure of my pre-game, barring possible freak inexplicably bad issues from really talented creators, so I had a good feeling that was where the picks would go. With the exception of one possibility jumping into the fray, I'm torn. The worst part is I know two of my three picks already. Alphabetically, though, they're the last two and I just hate working out of order. Well, let's see what I decide! It's a journey for ALL OF US!

She-Hulk 1

GUYS, this was a really tough pick and I'm writing these words without knowing if I'm going to use them or delete them later. SHE-HULK beats out, just by a hair, SUPERIOR SPIDER-MAN 27, which gets lots of points for tying together all of its plots and constructing a very interesting upcoming arc to lead us back to AMAZING SPIDER-MAN, and WINTER SOLDIER: BITTER MARCH, which established an amazing tone and is just a really well-constructed book. SHE-HULK wins the day, though, as it's hard to come away from a first issue with such a good grasp on who this character is and what to expect from this book. I'm not going to say that things won't change or that the book won't be dynamic or anything like that, that we're just going to get this style of issue every time out; quite the opposite, in fact. SHE-HULK shows itself as an interesting and quirky book with a real sense of its main character and of the world she inhabits. I can't imagine how hard it is, though Soule is helped by his many forebears, to take a character who is constantly giant and green (by choice, mind you) and drop her into a real world and make it still relatable and not crazy. Soule does it, though, with absolutely no problems and with a nice little flair for humor and personality through every single character. This book was almost hurt by the next book on the list if only because I don't want to look stupid when I say that "number ones are rarely this good" twice in one post but, hey, whatever, I think I've proven just how stupid I can look already.

X-Force 1

Number ones are rarely this good. This one doesn't have the kind of shock value of the sheer beauty of something like BLACK WIDOW or NEW AVENGERS but it has such a well-defined sense of itself and such a wonderful sense of the narrative that anyone, whether they're new to X-MEN, new to X-FORCE, new to Marvel, or probably even new to comics, can, I would speculate, pick up what's happening in this book so far. Despite the amount of information that kind of comfortability requires, Spurrier makes sure the book isn't loaded with exposition. It leaves us with exactly the right amount of questions and the right tone for this series as it moves forward. Our team is well-established, their purpose even more so. Spurrier even knocks it out of the park with the decision to cast our initial narrator as Marrow, easily the least visible member of the team in recent years. He took the risk of alienating readers by putting in a relative unknown with a relatively unknown point of view and a rather crazed perspective as our narrator and it pays off well, allowing us to understand her better than we would have if it were, say, Psylocke or Cable's more tempered narration, or no narration at all. Rock-He Kim's art flows well with the book and I look forward to the way that Spurrier and Kim continue to improve as they work more and more together. There is, of course, also a measure of trust in this pick. As I said earlier, the book leaves us with exactly the right amount of questions by the end and the trust comes in as I trust Spurrier to eventually reveal those questions before they fade into "does anyone really care any more?" territory. I think one of the big problems with, say, Marvel's Agents of SHIELD is that they prodded the watchers to ask so many questions (and like, explicitly told them to ask, unlike something like Lost where the characters were just as in the dark, or lost, even, as the audience) and refused answers that it's gotten fairly monotonous and annoying. I don't want to have to ask questions that I know you have the answers to and that you'll only divulge at the right time. That is, I don't if you don't overstay that time. Like a good mystery novel, the satisfaction is in the figuring it out, not in the asking. I trust Spurrier to lead us to that point because he's done it so masterfully across his other works.

X-Men Legacy 24

If you didn't think this book was going to be on this list after the "review" I posted this week that was less review and more open love letter, I can't help you any more. This is the kind of book that will stay with me for years to come and this issue has been on my mind as much as anything else in the last week. I can't stress enough how much I want you all to read it. I've made just about everyone who's come into contact with me in the last few days read it because I need people to talk to about it or even just to know it exists. Every bit as meaningful as the comic itself was to me, so too was Spurrier's little letter to the audience at the issue's conclusion. There's so much to love about this and it's so hard to be sad that the book's over since, you know, kind of the point of this is that we shouldn't be sad that it's over. David himself told us not to be, you guys. As a whole, this series has been one of the best Marvel, or any publisher out there, has put out in quite some time. David is one of the most well-characterized and, despite all of his power and the scale of his problems, relatable characters I've seen. Check this title out and tell me what you think. Am I overblowing it? Maybe. But I suppose that's my right, isn't it?

X-Men Legacy 6, X-Treme X-Men 11

X-Men Legacy 6
Spurrier (w) and Molina, Lee, and Wong (a) and Rosenberg (c)

This book never stops moving, it seems. Six issues in and David's still harnessing new powers and, don't be put off by how lame this sounds, discovering himself. I KNOW, I wouldn't have bought it if I read that either. But for real, he makes some incredibly important decisions that benefit his characterization like mad. On top of that, he finishes up the story in this arc with a bang and leaves us with an idea of the sort of things to expect all while creating a new and very complex villain for us to be on the lookout for. Not bad for one issue.

Legion, held at knifepoint by the rescued child Karasu while her possessed brother attempts to kill Blindfold, decides that he's fed up with being led and grabs a new teleportation power that sends him straight to Luca possessing Karasu's now-dead twin brother. Luca is one thrust away from killing Blindfold when Legion stops him, but he leads Legion on a chase through the X-Mansion. Luca, now in control of half of Blindfold's power, has set up a number of traps and contingencies for Legion to fall into. In some cases, Legion does, but in others, he avoids narrowly. Legion keeps a step or two away from Luca before Karasu appears again, threatening David to stop him killing her brother. As David faces a moment of weakness, an unseen personality in his head takes over and easily knocks the girl aside, telling Luca that he'll be useful someday, before giving way to David's true personality again. The fight against that personality takes a lot out of David so he's winded when the X-Men show up and Luca puts on the guise of a little boy again and blames David for attacking him and his sister. Before the X-Men can react, Blindfold, recovered, leaps in and slices Luca across the middle. She goes on to cool things down with the X-Men, who offer David a chance to stay and find help. Claiming again that he won't be led, he leaves, determined to go the extra step of his father's dream, actually accomplishing something in the fight for mutant equality rather than just being reactive. His evil personality is revealed, telling him that Blindfold will eventually kill David to save mutantkind. That personality is a disappointed Charles Xavier.

Lots of demons here, lots of plot, lots of character building, lots of support characters, just lots of everything. And it's all executed really well. David's personality (and his powerset) has grown stronger and stronger with each issue without sacrificing any actual feel for the character. His resolve is stronger, though this new demon is bigger than one he's faced yet. It'll be very interesting to see where we go from here.

X-Treme X-Men 11
Pak (w) and Segovia, Valdes, Crisostomo, and Ruggiero (a) and Kholinne, Noor, and Sotomayor (c)

Geez, lot of creators on this book. ANYWAY. So Nazi Xavier, unlike the cliffhanger of last issue might have led readers to believe, is totally a friggin' Nazi. Namor has lost too much at his hand and has been waging war on the psychic for about ten years, by Nazi Xavier's count, and he looks primed to kill the last 500 humans on Earth in his latest attack, all to get at Xavier. Though the X-Treme X-Men hate this new Xavier, they refuse to watch Namor kill the last humans, so they all work together to take out Namor before Dazzler sneaky-stabs Xavier, allowing the wounded Namor to finish the job. The team's Xavier tells the team that this completes their journey and that, in the morning, he'll bring them all where ever they want to go.

There's a little bit of characterization to follow, including a new relationship for Dazzler and Cyclops and Dazzler's admission that she's changed so much in this journey that she's not sure she can go back home. The others celebrate and recount the ten evil Xaviers they've killed and, of course, come up with only nine. They hurry off to find their Xavier, who is now bonding with two previously-deceased Xaviers (including the friggin' Nazi), promising the destruction of worlds. So there's somewhere for this book to go yet, as the team faces three evil Xaviers at once. Then they'll probably cut away real quick for the X-Termination event (I'm not sure if that will slide in neatly or if it'll be in the middle of this arc or at the end of this arc or even at the beginning, I'm not sure when it happens and, frankly, as I type this sentence, I'm only kind of sure that it WILL happen). That's about all I've got here. A lot of stuff happened but it was largely plot. I friggin' hate Nazis. Always worth mentioning that.

X-Men Legacy 5, X-Treme X-Men 9

X-Men Legacy 5
Spurrier (w) and Molina (a) and Rosenberg (c)

Boy, this book sure is a fun one. On the one hand, I don't think I'm ever going to get sick of the idea of David fighting his many powers inside his own brain to contain and control them. It's rife with action, interesting new abilities, character building, more or less everything I'm looking for. Meanwhile, David himself has become a pretty compelling character in his own right. He spends the beginning of this issue calling his mother, with whom he hasn't dealt in a while and hasn't really been a part of his life. It's an interesting look at David, who has recently lost the father who brings forth many conflicted feelings. He eventually hangs up before actually speaking to his mother and continues the issue. Stationed outside of the Jean Grey School, David uses some of his "200 omega-level split personalities" to find and transport a pack of dire wraiths to the school to distract the faculty and students as he mentally looks for Blindfold, who had previously told him that she thinks she's supposed to be his nemesis. That's right, everyone, Blindfold has an interesting story.

We learn in this story that her background, which, to my knowledge, hadn't really been revealed prior, is extremely dark. This by itself isn't a huge differentiator from many other mutants, as plenty dealt with hate and fear in their childhood. However, Ruth did watch her anti-mutant brother kill her mother for protecting her before nearly killing her. Then, in an unforeseen twist, we find out that the two children Legion protected last issue are working against him. The little boy Sojobo has been possessed by Ruth's powered-up brother (he ended up accidentally stealing some of her powers) and Sojobo's sister Karasu has been sent to distract Legion to ensure he doesn't stop Sojobo/Luca from finally killing Ruth. Legion, who is trying to turn his life around and affect the world positively while trying to wrestle down his own 200 inner demons, has been played and delivered everything to right where it was needed to kill Ruth, with whom he bonded last issue.

Like I said in the first paragraph, I'd've been thrilled with a book that was just Legion fighting down his split-personalities. Maybe, as with what happened last issue, occasionally whipping a recently contained one out to defend himself or someone else. I'd've been thrilled. But instead, there's all that PLUS actual meaningful plots with actual weight to them and real threats. It's very exciting to see where the story goes and how David reacts. How he reacts to this newest turn will be a pretty defining thing for this book. David's personality is clearly established and it's very clear that Spurrier knows where he wants to go with it, but I get the feeling that this kind of a twist is the sort of thing that will really illustrate what we can expect of David as we move forward.

X-Treme X-Men 9
Pak (w) and Diaz (a) and Kholinne, Noor, and Sotocolor (c)

I'll start this off by saying this isn't a book I typically look forward to. I'm not a big Dazzler fan (because I'm like most of the world) and I already care a ton about a lot of characters in the 616, I don't need NEW universe characters to care about. Also, the premise of the book is pretty neat, but always feels a little 13 Ghosts of Scooby Doo to me (or a more relevant reference, whatever, I work with what I know and I know that REALLY well). I also have, even still, some trouble believing Dazzler would automatically ascend to team leader on a team that has not only a Wolverine, but a Wolverine that is USED to leading. In one of the more recent books Dazzler appeared in, she was grilling Pixie on her accent and dialectic words. Those kinds of moments are big in Dazzler's recent history. I'm not saying it's unlikely she'd ever become a leader, I'm saying it seems like a really fast transformation for our benefit, as the audience who knows her and not the rest of the team.

Still, this book moves pretty quickly. I was surprised to find that I was already done when it ended and that's usually a pretty good sign. I do like the idea that there are plenty of Xaviers out there who weren't so prone to good because it's interesting to see the world without his positive influence. There also has always been a real sense with Charles that he has some villainous qualities to him. I do think our Charles always believed whole-heartedly in his dream (though you have to imagine somedays he had to remind himself of that) but he was often stern and withholding to his students and, though he shaped up eventually, did occasionally read their thoughts to accomplish something or other. Not stellar qualities (though hard to curtail, I'd imagine, as a telepath), no, but he still fought for the right side. These are the Charleses that didn't or that didn't need to or something.

All and all, I recommend this book, though a little cautiously. It's typically a pretty quick read and the characters are endearing enough. If you're not a huge X fan, some of the alternate reality appearances and the weight of evil Xaviers might be lost on you and that might undermine your enjoyment. Such things happen, and I could understand it happening here. Even if you're not a big X fan, though, you should be able to follow the basic gist of the books solidly enough. Now might not be a bad time to jump on if you were considering it, as there seem to be a couple of permanent additions to the team just making their way in pretty recently and we might have some interesting and traitorous developments on their way. Also, totally respectable by me if my calling it similar to 13 Ghosts of Scooby Doo gets you onboard. Totally respectable.

X-Men 12

THIS IS NOT A REVIEW OF X-MEN 12. ALSO, "X-MEN 12" REFERS TO X-MEN NUMBER 12. LIKE, THE VERY FIRST X-MEN SERIES ISSUE 12.



Sometimes people ask me what the very best comic of all time is. Or they SHOULD. I’ll tell you what I wouldn’t say, though, is X-Men 12. If you ask what my favorite comic was, I might say X-Men 12.

KEEP OUT! yells Cyclops. YOU CAN'T KNOW ABOUT THIS THING I
CLEARLY KNOW ABOUT BECAUSE...um, because we TOTALLY trust you.

As you’ll see above, this is the issue where we learn the ORIGIN OF PROFESSOR X. If you want to learn for yourself, DON’T READ ON. If you want to hear what I have to say on it, it’s because Professor X was a mutant and his bro, Cain Marko, was jealous and then became the Juggernaut and hated Prof. X. So. You know. That’s a good story. Xavier sits the X-Men down and tells them, at what would appear to be the most inopportune time, about his past. So there's our frame. And though Xavier tells the story, he evens it out by pointing out just how much he deserved Cain's hatred. There was one time where Cain started poking at all the ill-begotten trophies Charles had “earned” (by being a mutant) and Charles shoved him, then read his thoughts to gain the advantage in the fight. Yeah, so Cain’s a bully but Charles is also kind of a prick?

ANYWAY, Cain and Charles go off to the Korean War (after Cain jumps out of a car that plummets off a cliff with Charles inside. It’s cool, though, because Charles created a mental shield with his “E.S.P. powers,” which means extra-sensory perception/mind reading and doesn’t mean “holy crap I can keep myself shielded from falling off cliffs in cars,” weirdly. It doesn’t. I looked it up) and Cain decides to lay low in a cave for most of the war, despite Charles telling him that "THAT’S COURT-MARTIALABLE, YOU FOOL." And there he dons the crimson bands of Cyttorak and becomes the unstoppable Juggernaut.

Charles, do you realize what that means?

AND HE’S ATTACKING THE SCHOOL FOR MUTANTS RIGHT NOW! 

Couple of things here: Hank, you clearly know what a chair is. None of us buy that you've never sat in a chair before. Just...just sit down. Also, stop making light of Professor X's ridiculous story. And Jean's powers seem to be...womanly intuition? And by intuition, I mean she can see faces and interpret what feelings the person wearing them has. Invaluable skills. Strong female character.

So everyone’s worried and Juggernaut is proving REALLY powerful. He gets through their actually pretty detailed defenses, including a wall of pure ice (geez, wonder who thought THAT one up, ICEMAN) and some logs that shoot sleep gas grenades out at him when he hits a trip wire! That’s a pretty cool defense, actually! I’m genuinely impressed by the work these high school students have done to defend their SCHOOL. It’s especially interesting when you consider that he appears to be the only one who could get through all these defenses and none of these students have the faintest idea who he is. They are only learning about him JUST NOW. Look, Professor X, I know you’ve been busy with all your intense training schedules and what-not for these kids, but maybe you should have warned them that your brother is an unstoppable being who totally hates you. Because you know what time isn’t a really appropriate time to tell your students about Juggernaut? When Juggernaut’s attacking your students. Professor X disagrees.

TIME IS RUNNING OUT! Gather round, children, gather round. No time to tarry!
He could kill us any second and you have to know why.

Look Bobby, I'm in the middle of something here. Just chill out.
Do you guys get it? Chill out. Because of the ice. 

HANK, I'M GOING TO HAVE TO ASK YOU TO STOP BUTTING IN AGAIN. One more interruption
and I'll have to give you a detention and you won't be allowed to fight Juggernaut.

Well at least you have your priorities straight, Professor. Look, are you even a professor, or did you just tell a bunch of dumb kids you were?