WE COULD SEE LOCKJAW IN A MOVIE

We could see Lockjaw in a movie.

Daredevil 9, Ms. Marvel 9

Daredevil 9

Matt, Foggy, and Kirsten talk about Matt potentially writing a book with Kirsten's father, an idea Kirsten is against and Foggy worries about, though the advance check is crazy intriguing. Foggy, though, worries that Matt delving back into his life for an autobiography will dig up the parts that he's done so well to push down, a fear Matt doesn't seem to share. Meanwhile, the Purple Children are living large, walking around and scaring everyone, overwhelming everyone with their feelings, magnified to a child's level, and driving some cop cars around. Though Daredevil has more experience than most at fighting Purple Man, he's overwhelmed by the children's sense of fear and despair and loneliness and rage and grief and everything Matt's buried comes back up to the surface, wrecking him and leaving him curled up on the ground under an overpass where the healing Purple Man discovers him.

This is it, everyone. Everything Mark Waid has been building to and everything we've expected to come over the last few years of Waid's run is finally coming to a head and it's masterfully done. I've been guilty, of course, of expecting this sort of thing to come much sooner but Waid's patience is important here as every issue that Waid waited to have this sort of thing happen strengthened the payoff. This issue has a great balance of fun with Foggy, Kirsten, and Matt and of darkness with the Purple Children, a surprisingly sympathetic villain for Matt, who recognizes that the kids aren't acting like Killgrave, that they're not trying to convince people, they're just blasting their kid emotions at peak levels, as he puts it. It's too much for Matt and now we have our way in to the next story. Excellent work from Chris Samnee and Matt Wilson, whose highlight here comes in a full page juxtaposing the kids feeling their emotions and memories in Daredevil's head related to those emotions. It's absolutely incredible and it defines the issue so well. Fantastic work all around, as if that will come as a surprise to anyone with this title.

Total Score: 5/5


Ms. Marvel 9

Kamala is forced to fight in just her regular street clothes as she finds she can't change her appearance in the midst of a fight with one of the Inventor's robots going after her school. She wins the fight but passes out, not healing quickly enough to keep up. Bruno manages to force his way into the fight area and finds Kamala passed out at the center. Medusa, keeping a close eye on the new Inhuman, appears and has Lockjaw transport them all to New Attilan, where Inhuman healer Vinatos helps and monitors Kamala's recovery. He also tells her when she wakes up that her healing ability seems to revert things back to their normal form, so the more she heals the less she may be able to shapeshift. Rejuvenated and now aware that she's an Inhuman, Kamala returns home and apologizes to her parents, happy to see them. That night, she goes back to the place where she rescued Vick, prepared to free the kids inside. Doyle is waiting for her and unleashes another big robot for her to fight, which Kamala defeats with the help of Lockjaw. She finds the people inside the building only to find that they weren't kidnapped, they're volunteers.

There are few books that have developed a supporting cast as quickly and as strongly as MS. MARVEL under G. Willow Wilson's direction. Wilson has done an excellent job making us care about Kamala, about Kamala's family, about Kamala's friends, and about the heroes who have crossed Kamala's path. That's extremely difficult to do, particularly when you're building an entirely new character in her own entirely new book. If a character is created in a separate book and built over an arc in someone else's book, you can use a new solo series to further develop that character. Wilson doesn't have that benefit here, meaning that she has so much work to accomplish and she's 100% accomplished it already. My girlfriend and I recently, just because this is who we are, wrote big long lists of our favorite superheroes, ranking them in order as best we could. I don't know if you guys know this, but I love superheroes. After careful deliberation, I found that I'd placed Ms. Marvel at number sixteen. That put her between Captain Marvel and Dr. Strange. AMAZING company (worth noting that after the top like, three, the difference in position is negligible because I just really like them all so much everyone). This wasn't really a haphazard list, I really did think about it a lot and gave reasons for everyone at every position (I got up to 30 heroes before putting the list down). Maybe this sounds self-indulgent (uhhhhh, have you read this blog? Because obviously it's self-indulgent and, frankly, I'd call it self-important) as I focus on my own personal opinions of this character but I think it's important to note that, after nine issues (only seven or eight, really, when I made the list), Kamala Khan had cracked the top twenty. That says a ton about this book, whether you trust my judgment or not. Great work as ever and this book just continues to be a lot of fun.

Total Score: 5/5

Inhuman 5, Ms. Marvel 8

Inhuman 5

The former king of Attilan, whose name has been stricken from the records and is referred to now as the Unspoken for the crimes he committed, has proposed to Medusa in the hopes of helping her lead New Attilan, though really to find more Terrigen. She, of course, rejects him, but does not imprison him, hoping to live up to her new welcoming stance and to find out the location of Black Bolt, which the Unspoken claims to know. As soon as he's left alone, the Unspoken enters a secret passageway which leads to a secret wealth of Terrigen, a depleted but extremely important resource for the Inhuman community and the source of the Unspoken's powers. Medusa, of course, never trusted the Unspoken and followed him down there in the hopes he would lead her to more Terrigen, assuming if anyone knew of any, it would be him. Unfortunately, he's able to take some of the Terrigen, allowing him to access his tremendous powers (he can pretty much do anything when he has the Terrigen) and he quickly takes over the city.

I've talked a lot about how the biggest flaw of this book is simply the timing. After numerous delays on the front end, this book is coming out about a year after the Terrigen Bomb went off in INFINITY, leaving Soule tasked with defining the past of the Inhumans, establishing the present of the Inhumans, and seeding for the future of the Inhumans, all while trying to do it quickly to keep up an overall series pace. The story itself is pretty interesting and the characters, when given a chance to breathe, can mostly hold their own, but the pacing tends to break down a bit as exposition wins out occasionally, like in this issue when Medusa gives a paragraph explanation of the Unspoken that is clearly only for the benefit of the reader and ends up being clunky and forced in the moment. I want to note here, because I don't think I ever really stress this, that isn't necessarily a dig at the writer; it's his job to tell a story and get people to understand that story and take interest in that story. It may even be an editor saying "hey, we need to explain who this guy is and we don't really have time to ease it out." Regardless of whose fault it is, though, it ends up hurting the book as a whole and it happens a couple of times. Hopefully the series will reach its potential as Soule gets the book to a place where he can feel confident just pressing forward.

Total Score: 3/5


Ms. Marvel 8

Ms. Marvel is having no luck finding leads back to the Inventor but is having luck finding giant Inhuman dogs as Lockjaw finds his way to Jersey and Kamala promptly adopts him. She and Bruno use the Facebook of the mutant teenager Wolverine had been looking for to try to learn more about her abduction. They use the location tracking on her last weird post to find where she was abducted and Kamala learns that Lockjaw is more than just a giant dog who likes hugs as he teleports her instantly to the spot. Together, Kamala and Lockjaw investigate the area and end up in a fight against one of the Inventor's big machines, this time powered by one of the kids she found at the house in Greenville. They take down the machine by removing the power source and she brings the protesting guy to the hospital, making her late for school and drawing more suspicion from her friends and classmates. That suspicion, sadly, isn't allayed as the Inventor sends another bot after Kamala at school after dropping a homing beacon in her bag. Will Kamala and the extremely helpful and great Lockjaw be able to save the school and keep her identity secret? Going to be particularly hard as Kamala can't seem to change her appearance!

Another great team-up as Lockjaw finds his way to Kamala on the orders of Medusa. Though he inspires fear and alarm in everyone else who sees the massive dog walking down the street, Kamala instantly takes to him, giving us another great look at the spirit and character of Kamala. One of the most impressive things about this series is that it feels like Kamala has been around forever, even if the story feels new. It's a testament to G. Willow Wilson's writing that Kamala feels so real and deep after just eight issues. Perhaps more interestingly, I'm not a hundred percent sold on the story or the series villain and I'm still totally onboard with this book as a whole. I think there's certainly still intrigue there for the story and villain but that's been a little less defined than Kamala so far, intentionally so but still potentially problematically. However, Kamala carries the book so adeptly that you're absolutely willing to give the plot a pass for a while, happily entertained by the characters in the book.

Total Score: 5/5

Ms. Marvel 7, Nova 20

Ms. Marvel 7
G.W. Wilson (w) and Wyatt (a) and Herring (c) and Caramagna (l)

Ms. Marvel and Wolverine continue their team-up, which involves beating up on a genetically modified alligator and a number of other physical challenges and finally culminates in a walls-closing-in room (official name). They find the power source in the room and Kamala shrinks down to follow the wire to the actual power source. To her horror, it's being powered by a young girl who ends up being the student Wolverine was looking for. With the power disconnected, the pair of heroes make their way out of The Inventor's lair, bonding all the way. When they go their separate ways, Wolverine calls Captain America to let him know about the young Inhuman hero, leading Cap to visit Medusa and let her know about the very special new member of her people. Medusa readies Kamala's next teacher, Lockjaw.

It's another fantastic issue for MS. MARVEL as her chemistry with Wolverine really shines and carries the issue. Like in Kelly Sue DeConnick's final AVENGERS ASSEMBLE arc, it's a young hero under the wing of a mentor, specifically Wolverine. Like in AVENGERS ASSEMBLE, it works really well but hinges on the relationship between the two heroes. Fortunately, it works extremely well, even better here than there. Wolverine is pitch perfect, toeing the line between supportive and brutally honest, exactly what you'd want to see out of the surliest of heroes. Really charming, really entertaining, really looking forward to a team-up with Lockjaw.

Total Score: 5/5


Nova 20
Duggan (w) and Baldeon (p) and Pallot (i) and Curiel (c) and Deschesne (l)

Nova heads out to find the helmet for Adomox while Rocket tries to find a cure for their poisoning. Nova's quest leads him to a secret Nova bunker, which has old weaponry and files on the Nova Corps. Sam uses the files to learn about his father's past, learning that he did indeed look guilty of the attack Sam saw but it was far more complicated than that; in fact, he was trying to trick Adomox at the time into believing his corruption. Reinvigorated by the news, Nova heads back to Adomox with a booby-trapped helmet and he and Rocket manage to get the drop on Adomox. With the help of Cosmo the psychic dog, they get the antidote and Rocket gets his money out of Adomox while Sam vows to find his innocent father, who fights on a gladiatorial planet these days.

Not a bad issue. Like with so many of the ORIGINAL SIN tie-in books so far, we've gotten the old bait-and-switch as we see someone do something horrible only to reveal in the final issue of the arc that, in fact, nothing horrible happened and the accused is actually something of a hero. You know what, that's kind of a terrible cop-out when we talk about it happening upwards of three times in a month (HULK VS. IRON MAN, DAREDEVIL, and NOVA...maybe some others too I'm not thinking of). The problem is that I can't blame NOVA simply for being the last released in the group. It's still got the fun narrative and dialogue that Duggan has brought to the series as a whole, it's just not the most exciting twist in the circumstances.

Total Score: 4/5

Original Sins 1, New Avengers 19

Original Sins 1
Deathlok: Edmondson (w) and Perkins (a) and Troy (c) and Cowles (l)
Young Avengers: North (w) and Villalobos (a) and Gibson (c) and Cowles (l)
Lockjaw: S. Moore (w) and Geary (a) and Svorcina (c) and Cowles (l)

Three stories to kick off our ORIGINAL SIN tie-in book which here is two-thirds ORIGINAL SIN tie-in and one third promotional. The first third is the promotional, with a short story by Nathan Edmondson (BLACK WIDOW, PUNISHER) and Mike Perkins (CAPTAIN AMERICA, UNION JACK) featuring Henry Hayes, a new Deathlok, unbeknownst to Hayes. Seemingly leaping right out of Marvel's Agents of SHIELD, Hayes is war vet with bionic parts and who is, on occasion, mind controlled to execute missions at the behest of his handlers, whereafter he is dumped back where he started with no memory of the mission. He has just such a mission when a SHIELD agent approaches him in a train station and tells him that he's Deathlok, as was revealed to him by the Watcher's truth-bomb. As the SHIELD agent leaves, Hayes' handlers send Deathlok to execute the man. Though there is a clear tie-in to ORIGINAL SIN, the key of this book is building excitement for October's DEATHLOK, also written by Edmondson and illustrated by Perkins. It's not an awful test-run and it's certainly an easy enough premise to kick things off. Right now, Edmondson can do no wrong by me so let's hope that even a series spawned by (though with no connection to) a show I find almost entirely boring will separate itself the way BLACK WIDOW and PUNISHER have.

The second story finds three members of the Young Avengers, Hulkling, Noh-Varr, and Prodigy, teaming up to investigate what's happening in Manhattan. When Hulkling sees footage from the fight and recognizes Exterminatrix in the middle of it, he gets Prodigy to hijack Noh-Varr's shuttle so it will pick them up and bring them to their friend (who isn't leaving his space station home and also isn't picking up his phone). They convince him to come along and, in the course of their investigation, they run into a somehow un-evacuated woman being held hostage by the Hood, who needs the help of these three Young Avengers. Ryan North, who writes MIDAS FLESH and ADVENTURE TIME for BOOM! Studios and has countless other adventures in comics and other text (like his great Dinosaur Comics or like the choose-your-own-adventure Hamlet or his upcoming choose-your-own-adventure Romeo and Juliet), brings his usual playfulness and fun, natural, conversational style of writing to this project and it really works for the Young Avengers. Looking forward to where this goes.

Finally, Stuart Moore and Rick Geary bring us a short tale of Lockjaw uncovering a secret from the Watcher's truth treasure trove and, after trying a number of other heroes, conveying the importance of said secret to Iron Man, who accompanies him to the moon where he digs up a bone he'd left there. Fun little story which must have given a slight break from all those gorgeous painted THOR interiors to Eisner-nominated colorist Ive Svorcina.

Total Score: 4/5


New Avengers 19
Hickman (w) and Schiti (a) and F. Martin (c) and Caramagna (l)

The Illuminati travel to Earth-4,290,001, the home of the Great Society (Boundless, Dr. Spectrum, Sun God, The Rider, The Jovian, and The Norn) to discuss what's coming. They reveal that they have a doomsday device, something capable of destroying a world, but would much rather not have to use it. While they argue about how they would use such a device (in the case they can't figure something out, one world has to be destroyed to save the other world and to save both universes; the incursion going off as planned would mean the end of both worlds and both universes), Maximus runs some experiments on the frozen Corvus Glaive, locked away with his master Thanos. Back on Earth-4,290,001, the Illuminati try to justify their actions to the Great Society and continue to ask for help coming up with a way to save both worlds before they have to move on to worst-case scenarios but Namor, tired of the indecision, attacks The Rider, prepared to be what the incursion will make them all and provoking a fight between the two once-heroic groups.

One of the things I'd been saying since the start of this series was that NEW AVENGERS feels like a movie or a television show (its presentation, particularly at the beginning, felt more like gorgeous cinema but its episodic nature makes it more like a television show) and it seems to be sticking with that feeling. Hickman knows how to write scenes and how to present them and the artists attached to this book (including series colorist Frank Martin) really know how to make everything feel big and grand. In this issue (as in the last several) we get a number of recent flashbacks that add context and weight to the actions of the present while also allowing us to move on with the story in a way that maybe isn't so dry or straightforward. Some of those flashbacks involve Bruce and Hank talking about morality and the choices they face, Reed talking with Black Swan about the things they can do to help push forward, and Tony telling Reed that Cap knows and soon the most powerful Avengers team ever assembled will be coming for them. It's a strong story and the flashbacks allow the book an opportunity to remind you just how many threads are still out there and how intricate this situation is. I've also been looking for a way to plug this some more and so, while it's only tangentially related, it feels as big and grand, at times (though not always so gripping), as Hickman's EAST OF WEST, which is an absolutely phenomenal book I can't recommend enough. Val Schiti does the art on this issue and really brings great emotion to the characters, from hubris to fear to arrogance to sadness to resignation (guys, most of those descriptions are just for Namor).

Total Score: 5/5