Daredevil 9, Ms. Marvel 9

Daredevil 9

Matt, Foggy, and Kirsten talk about Matt potentially writing a book with Kirsten's father, an idea Kirsten is against and Foggy worries about, though the advance check is crazy intriguing. Foggy, though, worries that Matt delving back into his life for an autobiography will dig up the parts that he's done so well to push down, a fear Matt doesn't seem to share. Meanwhile, the Purple Children are living large, walking around and scaring everyone, overwhelming everyone with their feelings, magnified to a child's level, and driving some cop cars around. Though Daredevil has more experience than most at fighting Purple Man, he's overwhelmed by the children's sense of fear and despair and loneliness and rage and grief and everything Matt's buried comes back up to the surface, wrecking him and leaving him curled up on the ground under an overpass where the healing Purple Man discovers him.

This is it, everyone. Everything Mark Waid has been building to and everything we've expected to come over the last few years of Waid's run is finally coming to a head and it's masterfully done. I've been guilty, of course, of expecting this sort of thing to come much sooner but Waid's patience is important here as every issue that Waid waited to have this sort of thing happen strengthened the payoff. This issue has a great balance of fun with Foggy, Kirsten, and Matt and of darkness with the Purple Children, a surprisingly sympathetic villain for Matt, who recognizes that the kids aren't acting like Killgrave, that they're not trying to convince people, they're just blasting their kid emotions at peak levels, as he puts it. It's too much for Matt and now we have our way in to the next story. Excellent work from Chris Samnee and Matt Wilson, whose highlight here comes in a full page juxtaposing the kids feeling their emotions and memories in Daredevil's head related to those emotions. It's absolutely incredible and it defines the issue so well. Fantastic work all around, as if that will come as a surprise to anyone with this title.

Total Score: 5/5


Ms. Marvel 9

Kamala is forced to fight in just her regular street clothes as she finds she can't change her appearance in the midst of a fight with one of the Inventor's robots going after her school. She wins the fight but passes out, not healing quickly enough to keep up. Bruno manages to force his way into the fight area and finds Kamala passed out at the center. Medusa, keeping a close eye on the new Inhuman, appears and has Lockjaw transport them all to New Attilan, where Inhuman healer Vinatos helps and monitors Kamala's recovery. He also tells her when she wakes up that her healing ability seems to revert things back to their normal form, so the more she heals the less she may be able to shapeshift. Rejuvenated and now aware that she's an Inhuman, Kamala returns home and apologizes to her parents, happy to see them. That night, she goes back to the place where she rescued Vick, prepared to free the kids inside. Doyle is waiting for her and unleashes another big robot for her to fight, which Kamala defeats with the help of Lockjaw. She finds the people inside the building only to find that they weren't kidnapped, they're volunteers.

There are few books that have developed a supporting cast as quickly and as strongly as MS. MARVEL under G. Willow Wilson's direction. Wilson has done an excellent job making us care about Kamala, about Kamala's family, about Kamala's friends, and about the heroes who have crossed Kamala's path. That's extremely difficult to do, particularly when you're building an entirely new character in her own entirely new book. If a character is created in a separate book and built over an arc in someone else's book, you can use a new solo series to further develop that character. Wilson doesn't have that benefit here, meaning that she has so much work to accomplish and she's 100% accomplished it already. My girlfriend and I recently, just because this is who we are, wrote big long lists of our favorite superheroes, ranking them in order as best we could. I don't know if you guys know this, but I love superheroes. After careful deliberation, I found that I'd placed Ms. Marvel at number sixteen. That put her between Captain Marvel and Dr. Strange. AMAZING company (worth noting that after the top like, three, the difference in position is negligible because I just really like them all so much everyone). This wasn't really a haphazard list, I really did think about it a lot and gave reasons for everyone at every position (I got up to 30 heroes before putting the list down). Maybe this sounds self-indulgent (uhhhhh, have you read this blog? Because obviously it's self-indulgent and, frankly, I'd call it self-important) as I focus on my own personal opinions of this character but I think it's important to note that, after nine issues (only seven or eight, really, when I made the list), Kamala Khan had cracked the top twenty. That says a ton about this book, whether you trust my judgment or not. Great work as ever and this book just continues to be a lot of fun.

Total Score: 5/5

Daredevil 8, Elektra 6

Daredevil 8

Matt and Kirsten take in the town on a vigilante-free date when Kirsten reveals that she recently got a call from her somewhat estranged father, who lives in the Bay Area and invited Kirsten and Matt out on his boat. They accept and it goes rather well for a bit, up until Kirsten's father, a publisher, reveals that he wants Matt to write an autobiography, which annoys Kirsten. They head home with Matt sort of thinking about it (he calls it a flattering offer, which Kirsten points out is his kryptonite). Meanwhile, the Purple Man is back on the scene and collecting his illegitimate children, who have the same powers he has but who he hopes will be immune to his own powers and will therefore love him for who he is and not for an ulterior reason. Unfortunately for Purple Man, they don't love him for ripping them out of their homes and killing their mothers and they use their considerable combined powers to send Purple Man walking in front of an oncoming bus before preparing to tour the town.

The Purple Children are already proving themselves to be formidable and terrifying foes for Daredevil to go up against in short time and Mark Waid does a good job to illustrate these kids right off the bat while Chris Samnee and new colorist Matt Wilson do a phenomenal job showing just how creepy they are. Another thing I don't think I've talked about enough with this series is that Waid is doing a really nice job with Kirsten McDuffie. Obviously Daredevil is one of those characters who tends to make an impact with women and has both a slew of long-lasting relationships and one-night-stands on his resume. By and large though, I tend not to like the women writers bring in (obviously excluding ones who I do like from the larger Marvel Universe but still may not like in context of him dating, like Black Widow, Elektra kind of, and Black Cat) and Kirsten marks the first love interest since probably Echo that I've found myself liking and who doesn't seem to play the typical superhero love interest. Of course, that probably means Waid is ready to kill her off.

Total Score: 5/5


Elektra 6

Elektra has led Cape Crow, Kento, and Matchmaker from safe house to safe house, only to be attacked every step of the way by mercenaries and assassins looking to bring in the sizable fee on all of their heads. Elektra has met every challenge but finds herself worn out and running out of safe places. They reach Cape Crow's last safe house only to be attacked by the Serpent Squad. Elektra sends Cape Crow (no longer a killer) and Kento running for the house only to realize a moment too late that the Serpent Squad is a distraction and that sending Cape Crow into the house is exactly what whoever is behind this trap wants. She disposes of the Squad and rushes for the house with Matchmaker, who discovers Cape Crow's helmet torn apart by a sword before she herself is stabbed through the back by the culprit: a healed and monumentally more powerful Lady Bullseye out for revenge on Elektra.

About half of this book is a recap of their recent days interspersed with information about the assassin's guild and their extensive fees and health care plan, which Lady Bullseye utilizes. It's an effective storytelling technique as we stay with our main characters and learn a bit about them through dialogue and through their interactions with one another but also get key plot points, like the experimental and probably fatal procedure Lady Bullseye agreed to undertake to wipe out her debts to the guild and save her life temporarily, giving her a chance to go after Elektra. Though I think the art is pretty good here, it's hard to go from Del Mundo to anyone else and my love of this issue suffers a little as a result (not to mention that Matchmaker has ditched the amazing aviator cap and goggles for a more Alex-in-A-Clockwork-Orange outfit, which is a super bummer, you guys). Also, I'll be pretty upset if they kill off Matchmaker, I think she's phenomenal and I simultaneously want to learn everything about her and be given no explanation for her. It's complicated. Really like that cover, too.

Total Score: 4/5