Inhuman 1, New Warriors 3

Inhuman 1
Soule (w) and Madureira (a) and Gracia (c)

The Terrigenesis wave has spread across the world and it's brought out Inhumans new and old across the planet. On top of the new Inhumans who experienced Terrigenesis as a result of Black Bolt's bomb, factions of Inhumans have emerged to show off their philosophies. Primarily, that puts Inhuman Lash at odds with Attilan queen Medusa, effectively putting Attilan up against Lash's home of Orollan. Orollan had limited access to Terrigen and thus only evolved people who they thought had earned it and who they believed would help the community with their evolution. As a result, Lash and his Inhumans believe that Terrigenesis is not for everyone, as Black Bolt made it, and he wants to make sure that Inhumans only get stronger with this new wave. He captures one cocoon from Norway and waits for its inhabitant to emerge before deeming it weak and killing it. He then appears at the Des Plaines, Illinois home of a family with some amount of Inhuman DNA in them; the sick and frail mother has enough to trigger Terrigenesis but not enough to survive the process while her son Dante has enough to enter and emerge from the cocoon. Lash believes he's been unchanged and aims to kill him but Dante quickly bursts into flames a la Human Torch and attacks. Though Lash is impressed that he has indeed changed, he believes that Dante (who we may as well just call Inferno at this point) cannot control his transformation and still readies to kill him when Medusa appears to defend Dante and his still-human pregnant sister Gabriela. Medusa forces Lash to leave, though he vows that their paths will cross again, and promises to bring Dante to the remains of the Attilan family.

There are a number of questions to ask about this new series and the aftermath of the Terrigenesis bomb and almost all of them, for me, have to do with process. In this case, is this book going to have enough of an impact to make the Terrigenesis bomb and the new influx of Inhumans worth the wait? The problem with the delay (and I do believe, given what I know of the writer switch and everything, that the delays were worthwhile; you never want a writer who's writing something he doesn't want to be writing as it seems the case had become as the story broke more) is that now we've seen some of the effects of the Terrigenesis wave and, frankly, unless you're a diehard Inhuman fan, I think you're probably mostly over it. Of course, the plan had been to launch this book just after INFINITY and I think it would have had built in impact just with the timing. Now we're rather through the majority of tie-in books to this "event" and we're just starting the core book. While I do believe that the warring Inhuman factions is an interesting story and one well worth watching (hey, I finally mentioned something about this book specifically!), I worry that it may end up being too little too late. Instead of getting a boost from its well-timed release, now Soule and Madureira have to create a better book to actually entice people to pick it up in the first place. Feet to the fire and all that.

New Warriors 3
Yost (w) and To (a) and Curiel (c)

The High Evolutionary explains to Nova that the Celestials had long ago created the Eternals, the Deviants, and the Humans on Earth and that the Eternals and the Deviants fought one another while the Humans grew and evolved, much to their liking. However, all of the mutations and outside effects that have created the Marvel Universe as we know it (mutation, radioactivity, alien experimentation, Atlanteans, etc.) have caused humanity to diverge from the path the Celestials set for it and now they're coming back to erase their mistake. The High Evolutionary, then, is trying to save the world by purging it of the subsets of humanity who differed from the plan. In addition, his Evolutionaries have brought in Scarlet Spider, Hummingbird, and Water Snake (Faira) from Mexico. Meanwhile, Sun Girl and Justice come at odds with one another as they escape cops trying to shoot their new horn-headed pal. Justice believes that they should leave well enough alone and set Mark (horn-headed pal!) up with the Attilans while Sun Girl believes they have to get to the bottom of this. Justice reluctantly agrees to step up and says that their first course of action should be finding Nova. Speaking of Nova, Scarlet Spider manages to summon spiders to the High Evolutionary's machinery, breaking it enough that he can bust out of his holding cell and break everyone else out too. Nova vows to go get help but they're all quickly overrun by the Evolutionaries.

I've been a little iffy as this book has kicked off. I think Yost has done a pretty good job starting to establish his characters and giving us a story that's clearly got pretty big pieces to it but it was going to be a tough tightrope to walk (as opposed to the tightropes that are like, totally simple to walk) building the characters up while also navigating a complicated story. This issue proves that he'll be able to knock it out of the park. Really solid issue, we get a lot of character development with our team and one of the most concise and complete definitions of the Marvel Universe in the High Evolutionary's speech to kick the book off. Phenomenal work to clarify parts of the universe that are admittedly difficult to follow for an audience perhaps unfamiliar with it. Suddenly this series is not just a nice selection of characters melded together by a good writer, it's also a fully functioning story that will very clearly carry itself and which has been really well-defined for such a sweeping story. Check this book out for a great look at some neat and under seen characters and a pretty cool story to boot.

Comics this week

Hey there everybody. Big week for Marvel and for for this blog in general as we get right to Captain America: Winter Soldier, the most anticipated Marvel movie since Avengers for some reviewers (guys, we're talking about me. We're ALWAYS talking about me). Fortunately, particularly after that whirlwind of comics last week, Marvel has chosen to give us a bit of a break so we can get out there and see that movie. Only fourteen new releases this week and even a couple of those are suspect (movie tie-in books and the like). Still, we're champions over here at Marvels (still talking about me) and a week where there are maybe ten legitimate books is still RIPE FOR THE PICKING for the five most anticipated books of the week (the key, everyone, is that they're just anticipated. I don't have to promise that they're good. Though, honestly, thinking about it, most of these ones are set to be).

Black Widow 5
Black Widow, star of the upcoming film Captain America: Winter Soldier, can also be seen absolutely destroying over in BLACK WIDOW, the amazing comic series from Nathan Edmondson and Phil Noto. Join her this week as she goes for round two with her newest enemy, the Hammer of God Molot Boga. Guys, check this book out. I guarantee it'll be worth it.

Captain America 19
Captain America, star of the upcoming film Captain America: Winter Soldier, can also be seen dealing with a villain who won't be starring in Captain America: Winter Soldier over in CAPTAIN AMERICA. Dr. Mindbubble has already proven himself an interesting adversary and I think, as Cap nears a villain designed to counter people like himself, he's only going to get more interesting as things push forward. Remender's taken this book in some crazy directions already and Cap hasn't even had a moment to breathe, something that's been pretty key to the entire run and something that hasn't really happened like this since...well, since Brubaker's Cap-Winter Soldier run. Dude was off the chains then. I may secret review that whole bit at some point.

Inhuman 1
GUYS, it's finally here. After problems in the arrangement and release of INHUMANS, the first issue (following the now somewhat random issues created by Matt Fraction) is coming THIS VERY WEEK. Will the delays hurt it, now that it's coming out after even the slowest of tie-ins to INFINITY and INHUMANITY have all but passed (looking at you MS. MARVEL)? Only time will tell. The Inhumans are typically pretty interesting so it should be a good time to take a bit of a deeper look and sudden superstar Charles Soule seems ready to take us there.

Moon Knight 2
After a revealing first issue showed a little of what we can expect from this Warren Ellis-Declan Shalvey offering and I and I'm sure many others are dying to see what comes next. This book has the potential to really break some new ground and catapult Moon Knight up the ranks of well-liked characters, maybe even enough so to land him a role in Captain America: Winter Soldier (though, in all likelihood, that catapult will come too late to have an effect on a movie that was finished several months before the launch of this new series).

She-Hulk 3
I'll be honest, this one is up here and it's almost surprising to me. It's been a good book through three issues but there are a slew of both good and interesting books on this week's list. I think this one intrigues me in a lot of ways I'm not sure about. I've never been entirely sold on She-Hulk as a character, I'm not entirely sold on the art, I'm not entirely sold on the stories or the growing supporting cast. Thanks to all the "nots" in that sentence, it makes it seem like I'm not enjoying this book. I am though, which is what makes this book so interesting to me. I can't accurately cite why I'm really enjoying this one but I am. So it edges on to this list in front of books like NEW WARRIORS, PUNISHER, and MAGNETO because I'm so flummoxed by it. That's what you want to hear about a book right?


SUPER SECRET UNEXPECTED PICK
MOVIE TO WATCH FOR THIS WEEK:
CAPTAIN AMERICA: WINTER SOLDIER.

Superior Spider-Man 28, Indestructible Hulk 19

Superior Spider-Man 28
Slott (w) and Camuncoli and Dell (a) and Fabela (c)

Spider-Island has been bombed and Spider-Man takes what equipment he can with Robot and flees, leaving his Spiderlings to try to fight off the Goblins. Spidey heads to Parker Industries to try to concoct a plan, where he's set upon by both Sajani, mad that he's been gone for so long, and Wraith, who believes he may have a hand in Carlie's disappearance. Speaking of Carlie, she joins all of them in her new Goblin costume and deformations and chases Peter and Sajani through the building. Eventually Peter pushes Sajani into a separate room, assuring her that Monster will follow him, which she does, and it gives Carlie a chance to talk to Peter without spectators. She needs Doc Ock to fix her brain in only the way he can so that she can be saved and so she can tell him of what's coming next. Meanwhile, MJ has been gathering up friends and family of Peter's, having realized it's Goblin attacking the city and Spider-Man, to keep them safe. Unfortunately, she misses Anna Maria and Lily Hollister, the Goblin known as Menace, gets to her first.

Plenty happening as GOBLIN NATION continues. Slott's created a pretty good tone, and one that he's usually pretty good at maintaining and controlling, a tone of war and destruction. Spider-Man has the best-known and biggest supporting cast of any of the Marvel heroes so when a war is waged on Peter Parker, there are a lot of moving parts. On top of that, Spider-Man never has just one issue to deal with so, on top of Goblin's attack, J. Jonah Jameson has launched "Goblin Slayers" into the city, though MJ recognizes them as Spider Slayers. Slott's always been good at threading multiple storylines and multiple antagonists through a story and it making the story read pretty quickly in the midst of it all. Of course, he tends to have more words per issue than some of the best at it (looking at you, Kirkman) so the over-explanation can sometimes slow one of these fast-paced, high-energy issues down, but he always manages to tell a compelling story and build the characters up through it. Even with three or four concurrent plotlines all led by different characters, Slott's going to make sure we see enough of everyone to get the full feel for it. Should continue to be a good event moving forward.

Indestructible Hulk 19
Waid (w) and Raapack, J. Bennett, R. Jose and Grummett w/ Kesel and Hennessy (a) and Staples (c)

Banner has been thrown out of a moving jet by the newly Terrigenesis'd Randall Jessup, whose new form seems to feed on anger, making it stronger and calming down the other person. Like most Inhuman powers, it's a reflection on the person, as Jessup was always the one to try to stop fights and smooth situations. Unfortunately now, it means that Banner is falling from the plane and can't Hulk out. He resorts to breaking his own finger to surge Hulk back out. He leaps into the air to battle Jessup's new form while his other assistants parachute out of the plane. Hulk realizes that the monster's eyes are the key to his absorption and keeps Jessup from looking at him. Able at last to keep his anger, he defeats the monster and reverts Jessup back to human form. They try to find a cure for him only to find, right as Banner thinks he's done it, Jessup being kidnapped away by one of the numerous evil organizations out there intent on experimenting on new Inhumans. Hulk tries to stop the kidnappers but fails, making it look like, to all Banner's assistants, Hulk killed Jessup or something.

One of the cool things about the Inhuman mutations, as it's been explained during this REALLY prolonged event, is that they tend to reflect the person as much as they're just a cool power. Thanos' son Thane held the power of life and death (well, really death and worse death), the new Inhuman in IRON MAN is a giant jerk, and now Jessup absorbs anger. It's a particularly neat idea because that mutation does reflect Jessup but it also acts as a perfect foil to Hulk. This is pointed out fairly often in the issue, even going so far as to compare the fact that Jessup was at the bomb site when Banner's Terrigen bomb went off to Hulk's origin. When I first realized what Jessup's monster form was, it felt very much like it could have been a situation where it was just a writer saying "this is a cool foil to Hulk and I can do anything so here he is!" There's a new Sonic the Hedgehog cartoon coming out (guys, shut up, I'm pretty well-connected) and the teaser for it shows a scene where Robotnik has created a robot named "Burn-Bot" that Sonic quickly figures out doesn't actually burn anything and blames Robotnik for "false advertising." It's played as a laugh moment, a moment where you're siding with the cool and funny Sonic for pointing this out but behind it, you know the writers named it Burn-Bot just to have that joke and it's not a worthwhile joke to introduce such a stupid concept. I should really get back to talking about Hulk but ANOTHER EXAMPLE is something comedian Kumail Nanjiani brought up about Casino Royale. The stakes at the poker game aren't as high for the audience because it's writers writing a poker game so the incredible fact that Le Chiffre has four of a kind but is beaten by Bond's royal flush isn't as incredible. ANYWAY, this monster could have been that sort of situation but instead, thanks to Inhuman/Marvel canon, Jessup's transformation makes sense and acts as a perfect foil to Hulk. Pretty cool stuff, you guys.

Uncanny Avengers 16, Avengers Assemble 23, Inhumanity 2

Uncanny Avengers 16
Remender (w) and McNiven, Dell, and Leisten (a) and L. Martin (c)

With most of the Unity Squad pulled into the ark, it's up to Thor, Wasp, and Captain America to stop the ark from leaving with all of the world's mutants and save the world from execution at the hands of the Celestial Exitar. Fortunately, the arrival of Exitar has not gone unnoticed and some of the big science brains in the Marvel Universe (non-mutant) are busy working on solutions. Thor's got his own solution too, which is to find Jarnbjorn and talk with Exitar or, barring that, hopefully kill him before he can attack the Earth. Knowing that the Apocalypse twins have Jarnbjorn, Thor attacks Uriel and Eimin in the ark. He frees Steve from his captivity (Cap-tivity) and together they manage to separate the twins, which stops the biggest of their powers from working. While Thor whales on Uriel, Cap manages to outmaneuver Eimin and launch her out of the spaceship (it was pretty cool you guys). Thor follows Uriel to Jarnbjorn and punches up Uriel some more. Meanwhile, Wasp is trying to shut down the tachyon dam that's keeping Immortus from entering with his reinforcements but gets interrupted by Grim Reaper, who tells her the only way to shut the dam down is to kill him first. Back on the ship, Thor continues to annihilate Uriel, eventually shoving him into an exploding portal, potentially killing him. As Thor follows the explosion to the exterior of the ship, he finds Eimin, holding Jarnbjorn in the shadow of Exitar, ready to fight him for it.

Very intense issue. While I like this whole team and I think Remender's done a good job overall to develop the entire time and to grant focus to everyone at various points, I think this issue benefits from the small remaining team. It's a big issue with lots going on and it really highlights very good one-on-one battles between, particularly, Thor and Uriel and Cap and Eimin (we don't see a lot of Wasp and Grim Reaper). It also gives us a chance to really settle into this plot which has multiple parts. McNiven's art is very good and well suited for the story, particularly with the Cap stuff. Laura Martin holds her own too, giving the art a sense of weight and scale that matches the tone of the story. Even with all of the plot going on and all of the battles, there are some really nice character moments tucked away in this issue, including Cap's admission, while battling exactly the way he intends to battle, that he's maybe a bit past his prime, Thor's deference to Cap as a leader, and Thor's reaction to seeing Scarlet Witch killed. Very good issue all around and this one remains one of the better Avengers titles and, even without the mutants around, one of the better X-titles. Good stuff.

Avengers Assemble 23
DeConnick and W. Ellis (w) and Buffagni (a) and Woodard (c)

Araña and Spider-Woman talk with Maria Hill about the Toxie Doxie situation and Hill sends some information over while the two spiders chat. Shortly, though, Spider-Woman tags out for Wolverine, mostly benched by Cap while he figures out the healing factor business, and he and Anya make for Covington's lab, but not before Wolverine can thoroughly chew out Spider-Girl for unpreparedness. Freshly decked out in a new costume that isn't just her spandex, Anya accompanies Wolverine to the lab and the two of them take down the assistants and looters within, finally getting some answers from one of Covington's assistants who reveals that the man in the cocoon may still be alive. Covington herself has also gotten some answers as well as she's tracked down the man who delivered her the exploding cocoon and learned that it was a New York AIM branch who had it delivered to her. Now powered with some Inhuman DNA, she's ready to make a move.

This book has been a fun one throughout its run (sadly ending soon) and this issue manages to straddle the line of being very fun and pretty serious. After a nice little learning and bonding session from Spider-Woman (with an amazing reference to Avengers: Earth's Mightiest Heroes, an incredible cartoon also ended before its time though that one was replaced with something far worse and AVENGERS WORLD will likely still be pretty good, though probably pretty different), the tone changes as Wolverine takes charge and demands that Spider-Girl stop treating her life like it's a game. The Wolverine in this book is a really strong one, one who clearly has the weight of his life on his shoulders. He's not incapable of making a joke or two but he has things he needs to say before he can get to it and Spider-Girl, even with her teenage ways, can't help but bow to his requests and understand his reasons for making them. There's an interesting plot going on here but it's really only a backdrop to the great character work and fun writing that's happening in the foreground. Matteo Buffagni's a good choice for the book as his art is both not entirely cartoony and yet not entirely realistic so it fits nicely with the tone. Good work all around.

Inhumanity 2
Fraction (w) and Bradshaw, Nauck, Hanna, and Palmer (a) and Fabela and Mossa (c)

After a bit of a stall in the last couple months (hindered by creator differences and a complicated shipping schedule thanks to the holiday season) INHUMANITY pushes on as we see up close and personal what's going on with the Inhumans themselves as the Terrigenesis Wave spreads through the world. For Medusa, leader of the Inhumans, she must tamp down the presumed loss of her husband (Black Bolt was still in Attilan as it fell and has not been seen since, though we know he's alive) and the disappearance of her son (Ahura and all other Inhuman children have gone missing since the teleports out of the city) as she leads the Inhumans into this new world. To make matters more complicated, the human world is looking for answers and many have reacted in different ways, with some humans experimenting on cocoons or capturing them for study and some thought-gone Inhumans re-emerging to take the cocoons for their own, presumably to build an army against the current throne. There's plenty for Medusa to do and she starts by crashing down with a small team on an AIM base where experiments on the cocoons have taken place and ensures they don't have anything to experiment on and that the fear of Inhumans has been struck in their human hearts.

It's not a bad issue but it's a little hard not to separate from the time between where we've already seen so much happen. Even in books like IRON MAN we've seen Medusa in a proactive role, though this book gives the sense that it took her a bit of time to reach that point. Not a long time, mind, she steps up when she needs to step up, but enough that there are some tensions among her people and even within her own mind. However, the separation between the end of INFINITY and this issue isn't the most jarring thing about this issue; that award goes pretty firmly to Nick Bradshaw's art. All of the women look both sort of anime and super-feminized. All the women, as opposed to the men in the book, have the classic big, bright eyes with completely unblemished skin and big, pouty mouths, none of which seems to work with the tone of the book and none of which works with me on a personal level. With that said, it's hard to take the tone of the book seriously, which is too bad because, removed from the art, it seems to hit on the chords Fraction wants it to hit. Can't really recommend this one because I don't think it's going to give you a huge look at this event or status quo change or whatever this is from an angle we're not seeing done just as well elsewhere and the art really drags this one down.

Comics this week

GUYS. ONLY 14 BOOKS OUT THIS WEEK. AND THAT INCLUDES SOME THAT I MAY NOT EVEN REVIEW! WHAT A WEEK! PRAISE BE TO THE END OF JANUARY.

Inhumanity 2
Little confused about this one going into the week so that should be good for us! INHUMANITY continues after a bit of a wait in INHUMANITY 2, previously known as INHUMANITY - MEDUSA. Why the change? Well smart money says its in the crossfire of the switch from Fraction to Soule as writer on INHUMANITY. Who's writing this issue? Who knows! But it should probably be a big one!

Superior Spider-Man 26
With GOBLIN NATION just getting under way and impacting the entire Spider-Man universe and with the knowledge that Peter Parker is still alive inside his own mind somewhere, things are set to start ramping up for this series before April's launch of AMAZING SPIDER-MAN. Now seems as good a time as any to get onboard if you've been curious.

Thunderbolts 21
Fun! Whimsy! Adventure! Most of the Thunderbolts in Hell and Elektra and Punisher likely facing off against Mercy! Just read this book and enjoy it, you guys.

Uncanny Avengers 16
Things are happening in this book and they've been happening for quite some time in this book. All of the mutants have been whisked away to the ark and put into stasis for the journey, seemingly ending any hope at rebellion against the Apocalypse twins. So what stands in their way? Well it seems probably not Earth since the Earth has been sentenced to death for the death of a Celestial. Geez guys, didn't you have enough problems already?

X-Men Legacy 23
This amazing title has reached its penultimate issue. Well, I mean, it's going to number 25, which will be number 300, but that won't really have to do with David and won't be by Si Spurrier. Well, Spurrier will have a story in it and it might focus on David, I don't know that. OKAY LOOK, this book has been incredible and the story we know is rushing towards its conclusion in the very next issue. Seems like maybe this is a bit of a weird time to jump on but seriously, give this book your money while you have the chance (also buy the trades and tell every single person you know about it, regardless of everything else you know about them).



Here's one of the super awesome things though: THESE FIVE BOOKS ARE NOT THE ONLY ONES WORTHY OF YOUR ATTENTION. There's also CATACLYSM - ULTIMATES' LAST STAND, which will likely feature the death of a hero whose image is STILL blocked out on certain sites despite the fact they didn't block it out in the back of last week's CATACLYSM - ULTIMATE X-MEN. There's UNCANNY X-FORCE, which will end the VENDETTA crossover and will effectively say goodbye to both CABLE AND X-FORCE and UNCANNY X-FORCE in one fell swoop. There's MIRACLEMAN 2, another fully colored reprint of Alan Moore's original series. There's THOR: GOD OF THUNDER, which will mark the start of another new arc for a series that so violently jumps back and forth between really good and tolerable and may ALSO mark the return of Esad Ribic art. REVOLUTIONARY WAR - KNIGHTS OF PENDRAGON is out this week and it stars...the KNIGHTS OF PENDRAGON, one of whom is UNION JACK. GUYS. I've only NOT named like, four books and frankly, even some of them will probably catch your eye. Look, what I'm saying is get to your comic book store this week and check out some of these neat books coming out this week.

Hawkeye 16, Iron Man 20, Indestructible Hulk 18

Hawkeye 16
Fraction (w) and Wu (a) and Hollingsworth (c)

Kate is still out in LA and still short on cash and most everything else. She finds a seemingly kindred spirit wandering the highway as she rides her bike down it and agrees to help him get back something he claims was stolen from him. She soon finds out that the old hobo is actually '60s musical sensation Will Bryson and that he's not actually an old hobo at all. Will claims that his brother Grey, his one time recording partner, stole the masters of Will's long-awaited masterpiece album Wishes and that he released them bit by bit to the public. Kate is quickly embroiled in this little family feud despite the urgings of her extremely reluctant police contact and vows to help Will get his recordings back and figure out who is, in fact, behind it. Kate's investigation leads her into a fight with Bryson nurses/bodyguards and eventually she talks with Grey and realizes he did steal it but that there's not much she can do about it, nor, perhaps, that she should do about it. Will holds a concert to play bits of Wishes and Kate attends with her new LA friends and, for a moment, feels like she's going to be okay. Then Madame Masque pops up behind her, whispers "found you" and disappears again.

I said last week that THUNDERBOLTS might just be the most fun book that Marvel is putting out these days. While I stand by the sentiment that it is certainly fun, it's hard not to read this book and hand the title right on over. If THUNDERBOLTS is the book that's trying to be the most fun (and pretty much succeeding), Kate might still be the most fun character, so I have to say that HAWKEYE might just win out. I think THUNDERBOLTS is going for a lighter feel in general than HAWKEYE (which might be harder to say right now considering we haven't seen a Clint-centered issue in a while) but geez, this book is a non-stop fun ride. Kate's voice is absolutely unique and delightful and the book manages to be chock-full of references without ever feeling bogged down. That's a really important and specific type of writing to hit and it's the difference between, say, the amazing Venture Brothers and the deplorable other reference-centric comedy like Family Guy or The Big Bang Theory. This is a lovely little issue and it again highlights the beautiful differences between David Aja and Annie Wu. Fraction answered a question on his tumblr that pretty perfectly encapsulated what makes this little switch-off so great, saying that if he was only going to be allowed access to Aja for the Kate stories he wanted to tell, he probably wouldn't have sent her to LA. Obviously Aja's art is amazing but it's incredibly different from Annie Wu's, though Matt Hollingsworth's colors also deserve mention for still linking the stories so well. Wonderful book, nice story, great character, and amazing art. Can't ever go wrong with this book.

Iron Man 20
Gillen (w) and Padilla and Hanna (a) and Guru eFX (c)

IRON MAN jumps into INHUMANITY as Tony and Arno continue searching for the Mandarin rings only to find one, the Nightbringer, alighting on a human with a whole flight of issues already. This human, Victor Kohl, has had plenty of personal problems and his most recent one, a distrust of his father and brothers and a suspicion that he's not really his father's son, is exacerbated when the Terrigen mists hit and his family all cocoon and he doesn't. The government comes to take the cocoons away and Victor watches the news, discovering that the Inhuman DNA is passed through bloodline so it appears he was right and he wasn't part of their bloodline. He drinks himself into a stupor and goes to attack the Inhuman Nativity Center his family was brought to. The Nightbringer finds him there and rests on him, happy with his desire for vengeance and his anger. As soon as the Nightbringer goes active, Tony and Arno spot it on their equipment and Tony goes to recover it. He and Kohl fight and Kohl damages the cocoons before Iron Man gets a clean shot off on him. Nightbringer recognizes that they're incapacitated and teleport away before Tony can get his hands on him. Transported underground, Kohl is surprised to find himself suddenly cocooning. When he breaks free in his new Inhuman form, Medusa arrives to show him the remains of his father's cocoon, destroyed by Kohl. She also informs him that his family was living in the same place when the Terrigen bomb was detonated and so had the same level of exposure and therefore all changed at once but he lived elsewhere at the time and so changed later but he's still of their blood. However, she admonishes him for killing an Inhuman and exiles him from Inhuman society. The Nightbringer convinces Kohl that it's really Iron Man's fault (not a hard sell for Kohl) and he swears revenge, taking the new name The Exile.

Pretty cool little tie-in here and one that manages to show us the Marvel Universe at large but still keeps the story rather contained to Iron Man's world. It's a nice play by Gillen as he constructs an issue that works to achieve both ends well. The sentient rings continue to be a really cool idea and the idea of Tony and Arno searching them out but only able to find them when they go active adds a layer of depth and intrigue that's worth acknowledging and that keeps the reader on his toes. There's also a nice talk between Tony and Arno about INHUMANITY which feels like something of an admission on Marvel's part that GEEZ it feels like this has been going on a while already and it has barely even started. There's also talk about Bruce Banner trying to find a cure (as we'll see below) and Tony wondering if it's really necessary to worry about. Lot of good bigger universe stuff in here, which is the sort of thing that Gillen's IRON MAN has avoided diligently and it's yielded good results, yet here we are with a solid tie-in that really works. Can't complain.

Indestructible Hulk 18
Waid (w) and Raapack and Sepulveda w/ Grummett (a) and Staples (c)

Banner's bomb goes off too low over Tulsa and things immediately descend into chaos. Hank Pym would have been caught in the explosion but managed to shrink down to microscopic size and actually avoid the particles as they flew by. It's a good thing he did since he starts to figure out what's happening before anyone else. The bomb itself integrated tech that Banner recovered from the Chronarchists int he hope that he could create time fields that would accelerate the Terrigen particles so they were spent almost instantly, keeping them from everyone else. It's a good idea and one that Pym particularly is impressed by but he finds a cocoon amidst the chaotic time fields and realizes it must not have worked. After everything is set straight again in the town below the bomb's detonation, the super scientists determine that there were too many variables with the Terrigen particles that no one could have foreseen. It doesn't make Banner feel any better. He plans to hitch a ride back with his team, who broke out of the lab despite Hill's orders, only to see them nearly go down before reaching him as Randall Jessup cocoons and turns into some sort of monster, which seems to emit some sort of almost sedative rays, to the point that he calms the raging Hulk back into Banner and throws him from the jet.

The bomb storyline was only a two piece arc but it worked for me. I think that I enjoyed the first part more, which really delves into what's happening with Banner and what's at stake for him pride-wise. Waid did a really good job (as he's done all series) characterizing Banner and giving us a sense of what these kinds of things mean to him (it seems like there are big changes coming for the series as it moves into its new ALL-NEW MARVEL NOW launch and I think Waid's done an excellent job facilitating the shift). This issue was a little more dedicated to the action and the science of it, which maybe slowed down the character-driven bits a little, though it does shine a bit of a light on Hank Pym's character for anyone looking for that. The transformation of Jessup is something that Waid's been working to but we'll have to wait until next issue to really see what it means. Entertaining and engaging book all the same.

A+X 16, Infinity: Heist 4, Inhumanity: The Awakening 2

A+X 16
Spider-Man and Psylocke: S. Ryan (w) and Parlov (a) and Gandini (c)
Captain America and Cyclops (and so many friends): Duggan (w) and Yardin, C. Smith, N. Lee, and Pallot (a) and Mossa (c)

In our first story (set several years ago), Spider-Man happens to be swinging by a restaurant when he hears a crash. He goes to check it out and finds Psylocke in there, surrounded by sword-wielding men in suits. He helps her dispatch of them but, as she tries to interrogate one, one of the felled men drops a grenade. Spidey stays out of the blast radius but Psylocke ends up impaled by a sword on the ground. Spidey rushes to her side and immediately realizes he can't move her. She doesn't want him to leave for help and so he stays as she tries to hold on to consciousness. Right as it seems like she might be fading, the X-Men show up and take her away, presumably to save her (she's still alive now, isn't she?) and Spider-Man makes his way home. Weird little story, doesn't seem to fit any where but it's a nice intimate look into the superhero community, which I suppose is the goal of this series. The story moves well and the art works well enough for it so I guess I can't complain. Still a little weird though, right?

Continuing the long Cap+Cyclops saga, the assembled team squares off against Cadre K, the Skrulls who were trained by Charles Xavier and who are hiding out on the planet. In the middle of their big fight, Emma Frost realizes that they're not doing anything wrong here and informs the heroes. Everyone stops the fight and they talk for a bit as Cadre K explains that they're just trying to make a decent living for themselves out on the farm and trying to keep the cattle who have Skrull DNA in them out of other farms and out of processed foods in America (some of their farm is comprised of the cattle that Reed Richards convinced Skrulls to be on their first trip to Earth, a move everyone considers pretty jerky). The heroes decide there's nothing wrong with what they're doing (in fact, they'd prefer those cows stay out of the market) and promise to stop fighting against them and fight for them as need be. Unfortunately, the LMD Cap and Cyclops have been working with shows up and reveals that he, Cap, and Cyclops have been infected with nano-Doombots who have monitored everything so Doom is likely on his way to capture these Skrulls. Looks like we'll have to wait a little longer to see a resolution between Cap and Cyclops.

Infinity: Heist 4
Tieri (w) and Barrionuevo, Bachs, N. Edwards, Domingues, and Rauch (a) and Sotocolor and Mossa (c)

The supervillain team-up not in league with Captain Atlas of the Kree (so pretty much just not Spymaster) present have been imprisoned and knocked out so that they can be executed (weird that they're waiting) by the Iron Man soldiers that they helped to steal, unwittingly, for the Kree Empire. We'll get back to that, okay? Anyway, Unicorn goes crazy and manages to break them out of their containment and, with the help of a remote controlled Iron Man who has figured out what's happening here and the help of Blizzard's new Inhuman powers (which apparently act as a battery, so he overcharges a lot of the armors), they manage to defeat Atlas and Spymaster. Not willing to let his pals go down for the fight, Blizzard flies the remote Iron Man out and freezes them both while the others escape. When the pair come to, Iron Man shuttles Blizzard off to jail, where the SHIELD psych team gives him a dream of joining up with the Inhumans on Attilan while Whirlwind and Firebrand start a relationship over again in the tropics.

There was a time this week where I wasn't sure I'd be able to read this book in time to review and, well, I'm kind of jealous of that possible-timeline-Tim. I haven't totally hated this series overall and I don't totally hate this last issue but I certainly don't care for it. There's plenty here that doesn't quite gel for me. First and foremost is the idea that someone from the Kree Empire is deadset on stealing Tony Stark armor and using B-List villains to do it, including hiring Spymaster to coordinate the whole thing. One of the biggest things about the Kree Empire is that they're masters of technology. I don't really see them going crazy to steal all of Tony Stark's outdated armor. I know that might seem like a minor flaw but really, it's the plot point that's driving LITERALLY EVERYTHING we've seen in this mini-series so not buying it means that the whole series is weak. Also, everyone looks and sounds rather the same (aside from Firebrand, who at least looks different, thanks to being the only woman in this series) so it's hard to tell exactly what's happening at any one time. The final reveal that Blizzard is actually dreaming his future with the Inhumans is played like a big and shocking reveal but it's really not that big a reveal and it's not that meaningful because, again, B-list villain who we haven't really grown to love in this series, despite what Tieri might think. Ah well, at least the final piece of INFINITY seems to be over, which is more than we can say for AVENGERS VS. X-MEN, am I right A+X?

Inhumanity: The Awakening 2
Kindt (w) and Davidson (a) and Beaulieu (c)

The assortment of kids (I'd be fine if that was their superhero team name - The Assortment of Kids! Actually, never mind, I'm going to use that one, copyright Tim Nicastro 2014) manage to track down new Inhuman Fiona's new Inhuman brother Flynn after he destroys an apartment building which we learn was the apartment building that housed the jerk kids who nearly tortured Fiona in the park before she flew away. He was doing it out of love and a severe anger problem, that's all! So the Assortment of Kids® goes to meet up with Flynn and Finesse talks him down from his anger, explaining a bit of her history to sympathize. They stage it so that it looks like the apartment building was actually just the result of an Inhuman transformation and then they give Flynn and Fiona a choice of which superkid school they want to go to: Flynn chooses the Latverian School of Science (geez guys, warning bells, huh?) and Fiona checks all of them out to learn she's not alone in the world.

Like the last issue, this one is framed by social media. It's a little less intrusive here as we don't follow the Instagram account of anyone in the book but it's still pretty prevalent as every page shows a weird non-sequiter sort of Twitter conversation between two people who seem unrelated with all of this and it's weird and creepy and I do not care for it. One of the blurbs from one of the creators at the end of YOUNG AVENGERS this week called YOUNG AVENGERS the perfect comic for the Tumblr generation (which I a little resent because I loved that book and similarly hate that generation but I understand what it's saying) and it feels like this book is trying just super hard to be named that. Instead, I think it flounders and gets a little too heavy-handed about these kids not fitting in and finding their place and so on and so forth. On top of it, the art is a little bit weird and kind of makes everyone look super ugly super all the time. Also, I just really can't say enough how much I don't need a Twitter feed going across the top of a comic book. Gross. Hope no one was looking for interesting action from the cover of this one! Plus side: the book that this one advertises at the end of this one is AVENGERS UNDERCOVER, which I'm looking forward to and, more importantly, which isn't this one.

Daredevil 34, Indestructible Hulk 17, Thor: God of Thunder 16

Daredevil 34
Waid (w) and J. Rodriguez and A. Lopez (a) and J. Rodriguez (c)

Matt brings the piece of sacred text he took to Dr. Strange who admonishes him for stealing from Satana, swearing that will catch up to him. Strange also informs him that the text holds a secret word, a name that, when uttered, can have intense persuasive abilities but warns him that he'd have to research the word before saying if it had a harm on the user. Matt comes up with a plan to bring out the Serpents but he needs Kirsten McDuffie's help for it so he drops the not-Daredevil act and enlists her for her fearlessness. With the help of former Serpent Nate Hackett and favors called in (off-panel) to various Avengers, they put together a city-wide broadcast system for Matt to call out all of the Serpents. As he demands Jester be released to him alive, Kirsten reads the word out to prove they mean business. The Serpents comply but try to leave a trap for Daredevil, which he easily bests. However, Kirsten goes off book while Daredevil's roaming the streets and puts herself in harm's way while delivering an important message about the Serpents. The Serpents find her (tracking her from the wind behind her in the broadcast) and try to shoot her but Nate tackles her, saving them both long enough for Daredevil to bring the helicopter down. As they prepare to celebrate (seems like Matt and Kirsten may be getting back together), Kirsten gets a call from the office and tells Matt it has to do with Foggy.

Another really solid issue. Daredevil is on top of his game after a stretch of self-doubt and seemingly overwhelming odds. This one strikes again at the heart of Waid's run, showing Daredevil as resourceful, clever, fearless as ever, and just a ton of fun. The height of fun comes as Matt officially outs himself to Kirsten in the most show-off way ever, jogging backwards alongside her in the park, skipping over roots and obstacles, and, still as Matt Murdock, stopping a mugging under a bridge they cross. If Matt's going to reveal himself, this is how you want him to do it, particularly this iteration of Matt. Great story, solid cast, fun writing, and really incredible art. Even with Samnee off the book for a bit, it's been amazing to see Javier Rodriguez step so comfortably into the artist role and match the tone and pace of the book so perfectly. Also glad that Kirsten McDuffie doesn't even really mildly annoy me, which has been a downfall of Matt's typical love interest (other super-people very obviously excluded). Anxious about the word on Foggy but couldn't help laughing when the book ended with the worry about Foggy juxtaposed against the words "Next: Elektra." Oh boy, I'd love to see more Foggy-Elektra team-ups.

Indestructible Hulk 17
Waid (w) and C. Mann, S. Mann, and Sepulveda (a) and Staples (c)

INHUMANITY has struck and the big scientists of the Marvel Universe are out in force trying to learn more about the Terrigenesis and its effects. Banner demands Stark and Pym, who turn up in his lab, and the rest give him a 24-hour window to look into it alone, as the de facto expert on "monstrous physiological changes brought about by radiation." They give him his start but quickly take it back as things go south for Banner, who prepares to bring his team into the field only to find that they've been grounded by Maria Hill because at least one of them may undergo Terrigenesis. Pym and Stark return, now with Beast, before the window closes and see that Banner's project is in the form of a bomb, which immediately puts them on edge and they prepare to shut him down without listening to him. Banner can't stop himself and transforms, taking the bomb and leaping out of the lab. The other heroes chase him and fight valiantly to stop him before Beast and Pym point out that this is rather all Tony's fault for belittling Banner and Beast points out that maybe this bomb things will work. It's Tony's call, as the scientist who's known Banner longest, on whether they keep fighting or give up. After a moment's hesitation Tony shoots the bomb himself.

I really like this issue and it continues to play to the themes Waid has built up (something, judging solely by this issue and the above DAREDEVIL, that Waid is phenomenal at doing). Everything is here, making this a pretty solid jumping-on point if you're thinking about getting into this new HULK series. You can get a good sense of Banner's desire to impact the world with his science more, you get the way that the science and superhero community view Banner and the way he's been ostracized, you get a good quick look into his team, you get some solid action and some good writing, you get some good art, just a lot of really good things to this issue. I think, and this may sound like a weird sort of slight but isn't, that Waid might be the best at creating natural jumping-on points for readers. A lot of the would-be jumping-on points for books (which comics are constantly doing because it can be incredibly overwhelming to get new readers into a series that's had 50 years of history go into it) fall short because the writing is stunted, giving way too much exposition for new readers to follow or old readers to care about, or because it's such a basic introduction that it doesn't really tell anything about the character. Waid creates jumping-on points by rehashing themes of the book and establishing characters with little glances here and there, not with full-on stares. Great work overall, which is more than I can say about my attempts to quick-hit these things.

Thor: God of Thunder 16
Aaron (w) and Garney and Lupacchino (a) and Svorcina (c)

Malekith, having proven his point with the appearance of his new Frost Giant allies, disappears, leaving the League of Realms to sulk and stew and to point fingers. Everyone begins to believe there's a traitor in their midst, someone feeding information to Malekith. The most fingers start pointing at Lady Waziria and most of the League wants her burned alive. Thor, though, has his eyes set on the troll as their traitor and knocks him out before executing him. The League, somewhat in horror and not really believing he was the traitor (not to mention this won't please the troll community), disbands. Thor has a plan, though, and brings Waziria with him to Midgard to a hidden Dark Elf guard station. Shortly after their arrival, Malekith again strikes, leading Thor to assume that Waziria is indeed a traitor. However, Malekith reveals that Thor is the traitor by calling forth a horrible worm thing from his body.

The fight against Malekith rages on and it continues to be just a little bit boring. The actual fight stuff isn't that bad and some of the interactions aren't awful but the League of Realms stuff continues to feel a little too Lord of the Rings for me and it kind of cheapens the whole thing. I don't know if that's entirely fair to say since THOR: GOD OF THUNDER is a little too easily put into that fantasy camp, as the realms are populated almost entirely by fantasy tropes which kind of all spring from LOTR, meaning that any sort of team-up will have an LOTR feel to it regardless of its content. However, there is a cynical part of me viewing this arc as a cash in on November's Thor: The Dark World and a cash in on The Hobbit and the new one (with that dragon, you guys). I imagine the creative team was working on this book and then went to see the movie and was disappointed to learn that Malekith's role in the movie was less a cunning psychopath and more a set piece with maybe a total of five lines in two hours. Oh well, guess you should have put more Jane Foster and more...Kat Dennings character in this one. So I guess what I'm saying is "it could be worse."

A+X 15, Inhumanity: The Awakening 1

Sorry about the lateness of this post! Busy week and I couldn't get my hands on A+X until late so I almost skipped this post entirely. Look for my picks of the week shortly.

A+X 15
Dr. Strange and Beast - Nitz (w) and Smallwood (a and c)
Captain America and Cyclops - Duggan (w) and Yardin and C. Smith (a) and Mossa (c)

In our first story, Doctor Strange teams with Beast to investigate a strange and somewhat haunted yoga session in Greenwich. Beast, given his attachment to science, believes it to be alien technology while Strange, of course, believes it to be magic. The two bicker as they visit Dormammu's realm to find more. There, they meet their counterparts from another dimension, Dr. S of the Strange-Men and Sorcerer Supreme Beast, both of whom want to destroy the 616 because of the yoga business. Our Strange and Beast distract them and get away. Given a moment's respite, they realize this must be the work of the Impossible Man and visit him and manage to convince him to set things right. They return back to their home world, neither of them any more accepting of the other's business. Not a bad little story. Definitely fun, even if it treads a lot of the same ground A+X has been treading (people with differences bickering, mostly).

Meanwhile, the Cap + Cyclops storyline continues as they bring the shot-Skrull back to their base. The LMD there informs the two that the Skrull is still alive, having shifted his organs in his body right before being shot and that he is, in fact, conscious. The Skrull wants fast food at a specific restaurant but promises that afterwards he'll take them to a Skrull secret base. Cap and Cyclops each call in their own help, with Cyclops calling Emma Frost and the Stepford Cuckoos to help give them a telepathic edge and Cap calling in Ant-Man to help destroy the Skrulls guns, as the fast food place ends up being the secret base and they attack pretty immediately. Ant-Man and Emma agree to tag along for the rest of the adventure. Together, they all realize that part of the plan of Cadre K is to take over the cattle industry and poison the meat. The story is starting to gain some legs but, more importantly, the characters are starting to take some shape. They still snap at each other here and there but they're getting more tolerant of their work, which is pretty neat and leads to some nice little lines here and there. Not a bad issue overall, two fairly fun stories. More than I could say about other issues of the series.

Inhumanity: The Awakening 1
Kindt (w) and Davidson (a) and Beaulieu (c)

Following right on the heels of INFINITY THE HUNT, this mini-series picks up with the students of the American schools cleaning up in New York after INFINITY. Pixie is monitoring social networks and realizes there's a newly-Inhuman girl who may be about to kill herself from bullying and her transformation. Pixie leads Quentin Quire, Striker, and Finesse to the girl and see her flying high in the sky. Pixie realizes that she's not flying, she's falling, and saves her. The girl tells her story through Instagram pictures and their comments, where she's been examining her life even before transforming into a feathered and winged Inhuman, which she also documents. Her jerk brother's friends tortured her at one point and she's harassed by a troll online and it's all become to ouch for her. Striker talks about his time in the spotlight and what it's meant for him and how he deals with it and it seems to straighten her out a bit. She reveals to them that her brother also cocooned and they go to see him only to find that he's burst out and is now wreaking havoc in the world.

Followers of this blog will probably notice that I did not care for INFINITY THE HUNT and it seems like I may care for this mini-series EVEN LESS. This one is obsessed with showing all of the recent events (INFINITY and, now, INHUMANITY) through the eyes of social media. So on top of the story being told through a series of Instagram pictures and their comments (not to mention through her narration over the pictures), there's a running Twitter feed at the top of every single page. It's unbearable. There are probably people out there who would be more forgiving about this than I am but I absolutely hate the layout of this issue. Here's the thing: YOUNG AVENGERS has done something like this throughout their series. Each issue starts with a Tumblr-like recap page, which works for this series and, importantly, is one mostly-inconsequential page that's loaded with neat little bits and, again, are not important overall. They also did a set of Instagram pictures to explain away their in-between-issues adventures. It worked and it made sense. Here there's way too much of it and it permeates the entire book. I read online someone saying that it was a powerful book that addressed bullying and other important teenage problems but I can't even really say that. There's obviously a lot of bullying, but it's almost too much a parody of bullying to be taken seriously and it seems like Kindt wants to do too much else in the book to really fully examine bullying or something. Just...not a fun book, you guys. The downside of actually getting my hands on A+X was that I suddenly found myself needing to both read the rest of this issue and review it without just dutifully ignoring it. Oh well, right?

Uncanny X-Men 15, Cable and X-Force 17

Uncanny X-Men 15
Bendis (w) and Anka (a) and Beredo (c)

The girls of the New Xavier School have realized that they don't have much by way of clothes or entertainment or whatever else they might need and so convince their female professors to take them shopping. Emma is excited about it and provides the needed money while Ilyana and Kitty are ambivalent but willing to go anyway. They go to London and shop and buy clothes and talk for a while until sirens interrupt a meal. They follow the sirens to find cocoons popping up all over the city and the telepaths, scanning the mind of anyone they can reach, hear about the Terrigenesis bomb. They go to one of the nearby cocoons which has a transforming Latverian in it who comes out and, after a brief talk with the X-Men, knocks them all unconscious without trying. AIM shows up right after and takes the boy into their custody, excited that he seems to be able to take out a fleet of X-Men without even trying. The women eventually wake up and they leave the scene, realizing that the world is about to get more complicated.

An INHUMANITY tie-in here and one that, I suppose, helps illustrate this new event and shows us that Cyclops' team is aware of what's happening but doesn't do a ton else. There's a lot of dialogue here, as is typical in a Bendis book, but most of it doesn't really delve deeper into character than we've already been. Celeste doesn't like Jean and Jean doesn't really like that Celeste doesn't like Jean because of what she could become and Celeste actually doesn't like Jean because she shouldn't be in this time and so on and so forth. Beyond that, not much more is discussed beyond the women's desire to go shopping and some defensive lines from Bendis about how it's not sexist, they just like to go shopping is all. There's a lot of the back-and-forth dialogue that, again, serves to slow the book a lot while making every character sound the same and somehow, spectacularly, not adding anything to the book's story. Kris Anka picks up the art on this one and it's definitely the highlight of the issue. Anka's done good work on UNCANNY X-FORCE covers this run and he's done pretty killer character and costume design work recently (he also works on the excellent new Teenage Mutant Ninja Turtles show on Nickelodeon so I've nothing but praise for him). Overall, the story is one you're probably reading everywhere else across the Marvel Universe right now and it's done better elsewhere and, if you're reading UNCANNY X-MEN, you won't get much new out of this one unless, I suppose, these new clothes take a front seat in the next arc?

Cable and X-Force 17
Hopeless (w) and Sandoval (a) and Rosenberg (c)

The Adversary is on the loose in the X-Force bunker and Forge and Doctor Nemesis are trapped in Forge's mind while he uses Forge's body. Forge realizes that he hasn't left the bunker yet because he can't; the Adversary's incredible magic powers don't work on cold metal, such as the steel the bunker is entirely made out of (seems arbitrary). The key, then, is to keep him in there and to get Doc's consciousness out of Forge's body and have Doc kill Forge to stop the Adversary getting loose in the world. Doc refuses but Forge insists and both try to contact Boom Boom to stop her blowing holes in the bunker and to get her to get Doc out with the mind sync in the lab. Meanwhile, Domino and Colossus stop the avalanche hitting the small town below with a bit of luck and some ingenuity while Cable and Hope have worse luck against the Reavers and their Reavertron 9, made up of the lower level Reavers in the area. After a bit of fighting and some impressive fortitude on both their parts, Hope destroys the Reavertron and takes down the higher ranking Reavers and Cable carries her exhausted body out. Back at the bunker, Boom Boom manages to reach the switch, sending Doc's and Forge's consciousnesses into Doc's mind but, with the mind sync grabbing all nearby consciousnesses, it also sends the Adversary to Doc. Forge is annoyed that it seems impossible to save any of them but Doc points out that not all minds are created equal and he uses the tools in his own mindscape to indefinitely trap the Adversary, eager to hold his victory over Forge for long to come.

Nice little issue as everything here wraps up pretty cleanly and rather abruptly. Domino and Colossus get their moment together as they get to go on their date night after successfully working together to save the town and detonate the Sentinel. Cable and Hope get a bit of bonding time and Hope gets to prove herself to her father. Doc and Forge share a nice moment when Doc reveals that his plan of entering Forge's mind was a little short-sighted and he didn't have time to plan an exit strategy, too concerned was he in saving his reluctant friend's life. I'm also in favor of this issue because we get a lot of Doc Nemesis and we get to see him pretty much win outright in his constant battle of wits with Forge. Nice issue and a nice conclusion, in a way, to the series. There are still a few more issues before this book and UNCANNY X-FORCE disappear and get replaced by Si Spurrier's X-FORCE early in 2014 but the next few issues will be the crossover series VENDETTA between the two X-Force books and will therefore not exactly be based around the mission statement of this team (or of the other team but that one has less of a mission statement and more of a "we banded together because we had to in order to stop this crazy threat") so it's like the series is ending here, in a way. Bit sad. It does make me wonder how long in advance Hopeless knew about the replacement of this book, especially considering how abrupt the finale of this little arc was, wrapping things up in a hastily tied bow. Oh well, it all works out well and Sandoval's art really fits the sort of chaotic action we see throughout the issue. Nicely done all the same.

Inhumanity 1, Young Avengers 13, Secret Avengers 12

Inhumanity 1
Fraction (w) and Coipel and Morales (a) and L. Martin (c)

The Terrigen Mists have flooded the Earth, revealing new Inhumans all over the planet. To add to the confusion about the new Inhumans, Attilan has fallen and our core Inhumans are spread about the world. Karnak, one of the wisest Inhumans, has gone a little crazy and the Avengers try to talk him down before having to bring him down and contain him at Stark Tower. Hawkeye gets him talking a bit and, as Karnak relates the history of the Inhumans, more Avengers filter in to listen and ask questions, including the Illuminati and Cap, among others. Karnak explains the origin of the Inhumans, the Kree experiments that led one-time neanderthal humans to be enhanced and to evolve faster. He talks about the Terrigen Mists as a way to enhance the new Inhumans further, to prevent the Kree from ever coming back and trying to absorb them into their kingdom. With the Terrigen Mists came the splintering of Inhuman tribes, with many Inhumans refusing the Mists and separating from the core of the people. As they separated and spread further over time, more and more Inhuman children were born and then had children and so on, never exposed to the Mists. Karnak deduces that Black Bolt and Maximus brought down Attilan, an unfortunate side-effect to their true goal: world-wide Terrigenesis of these hidden Inhumans. At this point in the explanation, Medusa has shown up and questions Karnak further. Things start to piece together in Karnak's head faster than he can explain them and he realizes that he's made an error in calculations and that, to survive as the new leader of the Inhumans, Medusa will have to forget everything she knows about their past and their people. As he says this, he bemoans the fact that he was wrong and that he failed her so, all while using his finger to crack the unbreakable Wakandan crystal that the window is made of. The window shatters and before Tony can turn off the forcefield keeping him in, he throws himself from the building. They manage to get in and peer down in time to see his body on the ground below, dead.

Ominous start to this little event. It's a little hard to say what this event is going to entail and how long it's going to last, let alone the effects. The start was pretty strong, with solid writing and, somehow, still enough time for characterization. The INHUMANITY checklist at the back of the issue lists a lot of tie-in books but nothing by way of an event ongoing or anything like that, though I believe there's supposed to be an INHUMANS book coming, from Fraction as well, that will be an ongoing by itself, not serving as an event or anything of the sort. Still, this issue serves as a great introduction to the Inhumans for people who aren't so familiar but covers enough new ground so as to not bore longtime Inhuman fans. As I said, on top of the expanding plot and the need to educate, a solid amount of characterization comes through, helped by the fact this this book is a bit longer than a typical one, just shy of a true double-issue. Nice start to this whole little event and something certainly worth exploring further.

Young Avengers 13
Gillen (w) and McKelvie w/ Norton and Thompson (a) and Wilson (c)

Loki, as Loki does, was manipulating everything. He betrayed Mother, he created all of their resurrected villains (not the ones from the other dimensions, but the ones who directly impacted our heroes, except the Patri-not, who is still mysterious and about), and it's only after America sacrifices herself to save him that he realizes what he's done. It's not a full sacrifice, though the intention was there; she dove in front of the Ultimate Nullifier's ultimate nullifier to protect Loki but, of course, it was eventually revealed to be Loki-created so it goes away when Loki confesses. And Loki does confess; he confesses everything, even up to the fact that he's a copy of the old Loki who was left to destroy the kid Loki (of JOURNEY INTO MYSTERY fame), and that he's not the murderer Loki, he's the murderer's weapon Loki. With the confession, there enemies disappear and Loki is able to save Teddy from being a chair. David convinces him to go to Billy and to give him the strength he needs, reassuring him that whatever it is they have, whatever started it, is really love. With their love rekindled, Billy is able to ascend to Demiurge status and look over creation, enough to vanquish Mother once and for all before being pulled back to his real place in the world (had he stayed, he might have fixed everything or, as Loki points out, he might just have broken it more). With the spell gone, the adults of the world would have been able to see the other-dimensional invading villains and so, rather than get destroyed, they all go home. Everyone (including Billy's parents) is restored to normal and Loki disappears, hiding himself away from the rest of the team. It's not the end, it only feels like it.

I'm not sure how much more I have left to say about this series as a whole. It's wonderful. Every issue has a real and defined root in its characters and the story has been built upwards from that. As impressive as the plot has been (or, perhaps, as the characters would likely tell you, as cliche) it's all worked because this book and a sincere love for its characters and for its storytelling, which is sometimes more important than the story itself. The plot of this issue involved everything coming to a head, all of the plots we've already seen including Loki's past, Loki's manipulations, Billy and Teddy, Mother, the Patriot, parents, Kate and Noh-Varr, America's past, and more AND YET, everything I'm taking away from this issue has to do with the characters and the way the story unfolded (and with the art, but that's a different bit entirely). That's not to lessen everything plot-wise that happened here; it's to show how well-formed and important these characters are. Loki has a huge, emotional moment. Billy has a huge, emotional moment. Teddy has a huge, emotional moment. Prodigy has a huge, emotional moment. America has a couple huge, emotional moments. Kate has a huge, emotional moment. Noh-Varr has a huge, emotional moment. This issue is normal length and it never once drags. It could probably have used more space but Gillen and McKelvie made sure it didn't need it. the plots, the characters, the questions, they're all resolved by issue's end. Well, not resolved, maybe, but addressed, certainly. It's a truly wonderful book with some of the most awe-inspiring art I've seen in comics in the last few years. That is to say, it's just another issue of YOUNG AVENGERS.

Secret Avengers 12
Spencer and Kot (w) and Guice (a) and Wilson (c)

Mockingbird is still deep undercover at AIM and not exactly sure why. Unfortunately, she doesn't have much time to figure it out as she's expected, in the guise of her AIM officer, to give a presentation on a project she's supposedly working on to the high council. She tries to stumble through it but eventually Scientist Supreme Forson reveals that he knows she's Mockingbird and they bring her to the interrogation room. Forson's show in front of the high council only engenders more distrust towards him, which might be part of why a group of AIM scientists has gone to Maria Hill to try to work out a deal. A faction of AIM, not led by Forson, wants things to go back to the old way but to work with SHIELD more than against, like, as they describe it, Nazi scientists working with American scientists after the war. She's skeptical so they offer her, in exchange, knowledge about Forson's secret underwater base, where he's training his black ops team. She sends Fury, Black Widow, and Hawkeye to check it out and they're quickly set upon by Yelena Belova and her troops and someone who looks and acts an awful lot like Avenger Shang Chi. By the end of the issue, Maria Hill has discovered that these scientists, the ones who don't want to keep working under Forson, are led by someone else: Modok.

Let's talk about SHIELD a bit. I've had some qualms with this series in the past because, by its very mission statement, SHIELD pretty much runs this op. Ask me how many times I've actually sided with SHIELD over the course of a series, let alone wanted to follow their exploits. I'll assume you asked. Twice. Steranko was a legend with them, Hickman was great with them. The thing about SHIELD is that, in most Marvel superhero comics, they're opposing the superhero in question in one way or another. Sure they might work alongside now and again and, perhaps, as an entity, they're not as bad as AIM or someone along those lines. As an entity, they're trying to do good. That doesn't really help the fact that they tend to oppose our favorite superheroes. The other thing about SHIELD is that, typically, there are ulterior motives at play. When done well, this can mean an exciting wheels-within-wheels story, like Hickman developed back in SECRET WARRIORS. When done half-heartedly or with too many irons in the fire, it can weaken what might have already been a fairly weak story. I had the chance to talk recently over Twitter (the only way anyone talks these days, right?) with writer James Asmus about ABC's Marvel's Agents of SHIELD show, which it occurs to me I meant to review at some point and still haven't. Asmus was wondering why he liked the Marvel movies so much but didn't like SHIELD and I raised the points then that I raise now, about SHIELD being pretty terrible in the comics too, aside from Hickman and Steranko. He brought up the fact that there's no espionage element to it, no shady underside, pointing out that Captain America: Winter Soldier looks like it will delve into more (guys, it's seriously gonna be so awesome). He also mentioned that it feels like the show is limited in what it can use and not having something like Hydra or AIM is really hurting it. Why isn't AIM in that show? Seriously. Then I got to the last page of this issue and remembered a discussion my girlfriend and I had had about that very topic and about how Modok exists. Okay, whatever. The point is, this issue STILL DIDN'T HAVE WINTER SOLDIER IN IT.

Comics this week!

Another week chock full of comics but there are fewer Thanksgivings so hopefully it won't feel quite so jam-packed. Also, Annuals time is apparently in full-swing as we have another pair this week to join the recent surge of them. ALSO also, the finale of FEARLESS DEFENDERS, which I'm less invested in than I was the books that ended last week and the books ending in our near future (SCARLET SPIDER and, oh my god, X-MEN LEGACY and YOUNG AVENGERS, to name a few). Well let's worry about this week rather than the future for now, hm?

Inhumanity 1
Not often that my pre-game picks, listed alphabetically, start at "I." Anyway, INHUMANITY is the follow-up to INFINITY and it's set to change the landscape of the Marvel Universe considerably. Hickman gets a break from events as Fraction takes over and Fraction has been absolutely on fire of late. His last event, FEAR ITSELF, was maybe my least favorite event of the past...wait, I can't say that any more, thanks to AGE OF ULTRON and BATTLE OF THE ATOM...still, it wasn't great and it dragged on and on and on, like so much AVENGERS VS. X-MEN (though it came first). All of this mention of other events, though, clouds the fact that Fraction is on fire and this is bound to be interesting. Check it out.

Iron Man 19
New set of Mandarins coming out, it seems, plus the continued story that is the combination of Tony and Arno Stark, determined to build the future. Kieron Gillen keeps on rolling in all of his books and may be as on fire or more on fire than Fraction right now so this is another one continually worth checking in on.

Secret Avengers 12
We're rolling up on the final issue of this volume of SECRET AVENGERS before it changes hands and (very slightly) teams in 2014. Unfortunate as Spencer is starting to hit his groove here but we still have a couple of issues coming and they WILL, at some point, FEATURE WINTER SOLDIER. Geez, finally.

X-Men Legacy 21
This is one of those ones I'm just not ready to end. That said, it looks as if it will be heading to a very powerful and action-packed ending and, as much as I don't want this to end, I'm not dreading the issues themselves coming out; much the opposite, I'm very excited to see them and can't wait to delve further into Legion's mind. This issue will find David fighting for everything as he goes up against the gold-skinned Xavier.

Young Avengers 13
This is, by my count, the final issue of the ongoing Mother arc/story, with the final two issues of the series (set to both come out before mid-January, so get ready for a rush of YOUNG AVENGERS, hoorayyyyyyyy before it's all gone booooooooo) focusing on the afterparty. Everything will come to a head here and, as I've been saying all along, this is one of the best books on the market and you would be well-served to check it out.