All-New X-Men 29, Amazing X-Men 9, X-Force 7

All-New X-Men 29
Bendis (w) and Immonen (p) and Von Grawbadger (i) and Gracia w/Keith (c) and Petit (l)

X-23 hits Xavier Jr. from behind, breaking his grip on the Stepford Cuckoos and releasing everyone, including his own Brotherhood, from his hold. As he attempts to regain control or to get the X-Men to kill one another, Jean Grey and the Stepfords team to keep him at bay while Laura keeps Raze busy. Eventually, after much banter, the X-Men capture Xavier and Raze, sending them to SHIELD with the explicit direction that they keep strong power dampeners and sedatives on the pair, while the innocent "members" of the Brotherhood are sent back to their own time. STILL, somehow, worst-character Maria Hill allows Xavier to write a message to himself in the future, warning them that this plan didn't work either (presumably she didn't know that's what he'd write, but come on). Also, Warren takes X-23 out on something of a date.

The cyclical and continuous nature of comics means that you almost never see a door explicitly closed. Even when, say, Si Spurrier erases David Haller from the Marvel Universe entire, there's almost always some sort of backdoor. Spurrier didn't really leave one but he acknowledged that someone could certainly come along and change things back anyhow. Still, this "enemies of the future can't be defeated until their dead" sort of backdoor is a dangerous and cynical one, one that allows a seemingly infinite amount of second chances. What might be more dangerous (and perhaps more cynical from me) is that I'm already totally sick of Xavier Jr. and his story. I was sick of it in BATTLE OF THE ATOM. Also Maria Hill continues to be terrible simply to move the story forward and now X-23 and Warren are a thing, apparently. I feel like this is all a new coat of paint on an obviously old story (guys, it's not even THAT old).

Total Score: 2/5


Amazing X-Men 9
Yost and Kyle (w) and Barberi (p) and Wong, Meikis, and Barberi (i) and Rosenberg (c) and Caramagna (l)

The Wendigo curse is spreading, having already enveloped an entire town, and no one is quite sure how to handle it. The US military wants to keep it across the border, though they're eventually outvoted by Thor and Captain America. Meanwhile, officials are suggesting people move south, hopefully keeping the plague behind them. The X-Men, of course, are trying to find Wolverine in all of this. Eventually they manage it, tracking Wolverine and his newfound allies Talisman and Puck, but they're still heavily outmatched by the power and numbers of the Wendigo. Talisman thinks, given enough time to perform the spell, she can change the Wendigo back to their true human form. The X-Men circle her to give her the time but the fight has proven too much for Wolverine, who collapses, turning into a Wendigo himself, and attacks Talisman.

Yost and Kyle, in their second issue of this young series and of this arc, keep the action up here, showing a true Wendigo infestation and making sure to illustrate just how devastating it is. It's so big that two prime Avengers make an appearance in an X-Men book. There's a bit of characterization mixed in with all of the action and the tone, with each character getting a little bit of time in the spotlight, at least long enough to establish a bit about his or her personality. It's a strong issue though I think it suffers a little from a strange desire to jump around in time and to cast the scale of the disaster against a running news broadcast about it. It stretches the issue a bit longer than it needs to be, slowing things where you don't want anything to be slowed. Still a strong issue and another good look at the new creative team.

Total Score: 4/5


X-Force 7
Spurrier (w) and R. Kim (a and c) and Sabino (l)

X-Force has the closest thing they're likely to get to a day off and they're spending it at home, mostly hitting on one another. Psylocke flirts clumsily with the guaranteed one-night-stand Cable but retracts it later when he goes a little too fundamentalist for her liking, MeMe pulls Fantomex into her world, using the Nantes in his head to tell him that she's bored and maybe they could hook up at some time, and Marrow is convinced that Doc Nemesis wants to sleep with her, even as he explains to her all the ways she's broken. Meanwhile, a past Cable had sent Domino to follow a money trail that would point to Volga's investors which pits her directly against Volga in his new robotic body even as Cable forgets she's out there. The issue ends darkly as Volga (who has been spying on X-Force) captures Domino and as Fantomex reveals that he's been killing Cable the last few days to make himself feel more important.

I talk frequently about the occasional need for a series to take a slight break, something to reset the action and slow things down a bit. X-FORCE, unwilling to really take time off, keeps the pace and the darkness off by introducing frequent Cable collaborator Domino to the series and immediately having Cable's "die everyday" revelation have some serious repercussions. Cable going fundamentalist by promising that X-Force will not cease and will even spy on possible threats to make sure their goals are achieved is paralleled by Volga making a speech to Domino that says more or less the same things Cable is, even ending with a pair of panels that put Cable and Volga's faces side-by-side. METAPHOR.

Total Score: 5/5  

X-Men Legacy 24, X-Force 1

X-Men Legacy 24
Spurrier (w) and Huat and Yeung (a) and Villarrubia (c)

My plan, right, was to lead Wednesday off with AVENGERS and SECRET AVENGERS, as I tend to put Avengers titles out first if I have them. Scheduling forced my hand, though, and had me lead with X-MEN LEGACY, the end of my favorite book of the year, and X-FORCE, the start of what I hope will be a favorite (I'm writing this before I read that one). I think, given the impact of these two stories (and particularly this one), it's the right call to highlight these books as early as I am, middle of the day on a release day, but it also makes me more wary of spoilers. I've toyed, going back and forth, with having reviews that wholly summarize the book and having reviews that vaguely point at things and reviews that are more log lines with analysis of something I refuse to define. I've more or less settled on fully summarization, leaving out some of the finer details to allow potential readers the chance to find those out for themselves.

There's no room for that here.

This book is not only totally spoiler-laden, it's maybe the most incredible story I've read in comics since Gillen's JOURNEY INTO MYSTERY or the Winter Soldier creation. It's meaningful, it's wonderful, and it, above all else, knows exactly what it is. I refuse to spoil it here and I refuse especially to do so on a Wednesday, when plenty of people won't even have a chance to get to it. All I'll do is advise you to go out, buy this book, buy any copy of X-MEN LEGACY you can find, and absorb it all. Drink it all in. As Spurrier says in the traditional final letter to the audience, the book is "a title, a character, a creative team and above all a vibe so bloodymindedly unlike its fellows." If it's not for you, it's not for you. But it's absolutely been for me and it's absolutely been something to watch. It's an incredible departure from any other superhero comic in the way that YOUNG AVENGERS played with the medium and the art form as a whole or the way HAWKEYE insists on not being about superheroes. It's something worth seeing even if it's not what you're looking for. Please take note of it. I'll end this not-quite-review with more of Spurrier's words:

There will be some, I think, angered by these last few pages, on the grounds that a tale's "importance" can only be weighed according to some grand impact on its Universe. I understand but disagree with that view. Instead I wouldn't have chosen quite such a perversely bittersweet ending if I didn't think it the best way to emphasize a very important point: even when nothing else has changed, when all the explodo and punching seems to have been for nothing, it's the lesson learnt - even the merest echo of it - that renders the journey valuable. Our memories remain.

X-Force 1
Spurrier (w) and R. Kim (a and c)

Cable has assembled Psylocke and formerly-powered Marrow to be a part of his new mutant strike team, a "dirty tricks crew" for mutant nation. The reasoning behind this one is more firm than the reasoning behind the most recent couple of X-Force teams, one brought together by threat and one brought together to prevent disasters Cable foresaw. This one is here to do a little bit of everything, including making sure mutants don't get dealt out of the world-building hand. After an attack in Alexandria (which may be linked to why Hope is suddenly strapped up to machines with Doctor Nemesis claiming that she's "theoretically alive") took over three thousand lives with a mutant square in the center of it, Cable wants to figure out what the mutant's tie was to the explosion, hoping to keep people from getting more mad at mutants, and to recover whatever the weapon was, hoping to arm up the mutants. His "broadly trustworthy" informant has discovered that the cyber-weapon that shut down communications in Alexandria was also used in various other countries at various other strikes to gain data. Now this informant is being held by the Chinese and the team needs to get him out before they can advance to the next stage. Of course, to Psylocke's dismay, the informant is Fantomex. Fantomex reports that the weapon is being carried by a plane always airborne over Antarctica (international air) and it's only susceptible to attack when it's being refueled. He also happens to know the refueling schedule. The team dispatches in EVA to attack the refueling plane, hijacking it to allow the formerly-depowered Marrow to hurl herself at the plane with a Doc Nemesis concocted timefreeze grenade, allowing her 30 seconds of unfettered access. She shatters the engine of the plane before sticking a parachute on the weapon container and launching it and herself out of the wreckage in that 30 seconds (real time a few tenths of a second) before the plane blows. Inside the weapon's container is, as Cable suspected, a new mutant.

Very interesting first issue and one that makes completely clear that these characters will all very much have their own distinct personalities and uses. I talked a little bit in my pre-game this week about the upside to having a team that's a little smaller than the recent X-FORCE teams (and really than most teams in general) and, after reading this issue, I have to emphasize again how neat it is. Four people on the team (plus unofficial member Doctor Nemesis) means we get ample time to check in with each character and get a feel for everyone, even in just the first issue. Marrow, the biggest question mark of the roster, handles narration duty and it gives us a look into an adrenaline junkie's mind, one that we can also see through her action and her dialogue. The narration colors her as something more than just a deranged thrill-seeker, which her dialogue may not have done so well. Cable, of course, is the terse general, always plotting and always leading. Psylocke is the most complicated and perhaps the least fleshed out here, though not because Spurrier does a bad job with her. She's probably the most prevalent character in the wider universe from this team right now so there's less need to really get too far into her character but it still sticks the landing (OLYMPICS) by showing her as the uber-powerful and lethal telepath with a complex history and a vow to stop killing. Fantomex gets perhaps the biggest makeover with Spurrier really relishing the dive into his over-the-top personality and his French aspects. Fantomex sometimes confounds writers thanks to his strange origins. He chose to be French when he was raised as part of the Weapon Plus program and it's something that writers don't tend to bring out too much (even Remender didn't focus on it besides a word here or there and Wolverine's insistence that his nickname be "Le Pew," a nickname which Wolvy would be pleased to know carries over here). Spurrier sees it as a key character point and I can't help but agree. The man chose to be French, of course he's going to embrace it. It also gives him the unerring air of smugness and irritation so points to that as well. Really fun first issue, looking forward to this one as it continues and as we start to go deeper into the story and the people.

Uncanny X-Men 15, Cable and X-Force 17

Uncanny X-Men 15
Bendis (w) and Anka (a) and Beredo (c)

The girls of the New Xavier School have realized that they don't have much by way of clothes or entertainment or whatever else they might need and so convince their female professors to take them shopping. Emma is excited about it and provides the needed money while Ilyana and Kitty are ambivalent but willing to go anyway. They go to London and shop and buy clothes and talk for a while until sirens interrupt a meal. They follow the sirens to find cocoons popping up all over the city and the telepaths, scanning the mind of anyone they can reach, hear about the Terrigenesis bomb. They go to one of the nearby cocoons which has a transforming Latverian in it who comes out and, after a brief talk with the X-Men, knocks them all unconscious without trying. AIM shows up right after and takes the boy into their custody, excited that he seems to be able to take out a fleet of X-Men without even trying. The women eventually wake up and they leave the scene, realizing that the world is about to get more complicated.

An INHUMANITY tie-in here and one that, I suppose, helps illustrate this new event and shows us that Cyclops' team is aware of what's happening but doesn't do a ton else. There's a lot of dialogue here, as is typical in a Bendis book, but most of it doesn't really delve deeper into character than we've already been. Celeste doesn't like Jean and Jean doesn't really like that Celeste doesn't like Jean because of what she could become and Celeste actually doesn't like Jean because she shouldn't be in this time and so on and so forth. Beyond that, not much more is discussed beyond the women's desire to go shopping and some defensive lines from Bendis about how it's not sexist, they just like to go shopping is all. There's a lot of the back-and-forth dialogue that, again, serves to slow the book a lot while making every character sound the same and somehow, spectacularly, not adding anything to the book's story. Kris Anka picks up the art on this one and it's definitely the highlight of the issue. Anka's done good work on UNCANNY X-FORCE covers this run and he's done pretty killer character and costume design work recently (he also works on the excellent new Teenage Mutant Ninja Turtles show on Nickelodeon so I've nothing but praise for him). Overall, the story is one you're probably reading everywhere else across the Marvel Universe right now and it's done better elsewhere and, if you're reading UNCANNY X-MEN, you won't get much new out of this one unless, I suppose, these new clothes take a front seat in the next arc?

Cable and X-Force 17
Hopeless (w) and Sandoval (a) and Rosenberg (c)

The Adversary is on the loose in the X-Force bunker and Forge and Doctor Nemesis are trapped in Forge's mind while he uses Forge's body. Forge realizes that he hasn't left the bunker yet because he can't; the Adversary's incredible magic powers don't work on cold metal, such as the steel the bunker is entirely made out of (seems arbitrary). The key, then, is to keep him in there and to get Doc's consciousness out of Forge's body and have Doc kill Forge to stop the Adversary getting loose in the world. Doc refuses but Forge insists and both try to contact Boom Boom to stop her blowing holes in the bunker and to get her to get Doc out with the mind sync in the lab. Meanwhile, Domino and Colossus stop the avalanche hitting the small town below with a bit of luck and some ingenuity while Cable and Hope have worse luck against the Reavers and their Reavertron 9, made up of the lower level Reavers in the area. After a bit of fighting and some impressive fortitude on both their parts, Hope destroys the Reavertron and takes down the higher ranking Reavers and Cable carries her exhausted body out. Back at the bunker, Boom Boom manages to reach the switch, sending Doc's and Forge's consciousnesses into Doc's mind but, with the mind sync grabbing all nearby consciousnesses, it also sends the Adversary to Doc. Forge is annoyed that it seems impossible to save any of them but Doc points out that not all minds are created equal and he uses the tools in his own mindscape to indefinitely trap the Adversary, eager to hold his victory over Forge for long to come.

Nice little issue as everything here wraps up pretty cleanly and rather abruptly. Domino and Colossus get their moment together as they get to go on their date night after successfully working together to save the town and detonate the Sentinel. Cable and Hope get a bit of bonding time and Hope gets to prove herself to her father. Doc and Forge share a nice moment when Doc reveals that his plan of entering Forge's mind was a little short-sighted and he didn't have time to plan an exit strategy, too concerned was he in saving his reluctant friend's life. I'm also in favor of this issue because we get a lot of Doc Nemesis and we get to see him pretty much win outright in his constant battle of wits with Forge. Nice issue and a nice conclusion, in a way, to the series. There are still a few more issues before this book and UNCANNY X-FORCE disappear and get replaced by Si Spurrier's X-FORCE early in 2014 but the next few issues will be the crossover series VENDETTA between the two X-Force books and will therefore not exactly be based around the mission statement of this team (or of the other team but that one has less of a mission statement and more of a "we banded together because we had to in order to stop this crazy threat") so it's like the series is ending here, in a way. Bit sad. It does make me wonder how long in advance Hopeless knew about the replacement of this book, especially considering how abrupt the finale of this little arc was, wrapping things up in a hastily tied bow. Oh well, it all works out well and Sandoval's art really fits the sort of chaotic action we see throughout the issue. Nicely done all the same.