Van Lente (w) and Grummett and Hamscher (a) and Sotomayor (c)
The movie tie-in books are rarely anything to really write home about but they give potential new readers a chance to understand the form of a comic book and give everyone a chance to maybe dig a little bit deeper into the movie characters as separate entities from the comic characters. There's not a lot added to this though we get a nice look at Black Widow and Captain America's relationship as they've clearly been working together on ops like this for a while now and we get to see that Cap has grown somewhat familiar with the new world around him, understanding and citing concepts like WiFi and signal jammers and so on. It's not a bad book and it's certainly a decent set-up for the relationship these two are bound to have in the upcoming (ONLY A WEEK NOW, EVERYONE) Captain America: Winter Soldier. STILL, worth a review because it comes with a reprint of the original 1969 CAPTAIN AMERICA 117, the introduction of the Falcon and a TOTALLY GREAT ISSUE that I shall be reviewing AS WELL as a special BONUS REVIEW.
Captain America 117
Stan Lee (w) and Gene Colan and Joe Sinnott (a)
Red Skull has the Cosmic Cube and has used it for his most DEVIOUS of plans! He's swapped his body with Captain America's (FORTY+ YEARS BEFORE SUPERIOR SPIDER-MAN) and cast Steve, now in Skull's body, to the Island of the Exiles. The Exiles, of course, are former co-conspirators of the Red Skull whom he betrayed and have been cast to their own inescapable island, meaning that, on top of being Nazis, they're all gonna be really mad to see the Red Skull there and probably won't listen if the Skull explained he was really Captain America (not that it would help matters with them). Of course, they run into each other and Steve is quickly attacked, though ultimately saved by a falcon swooping in and attacking his attackers before flying off to safety. The distraction was enough for Cap to flee and plan his next move. Fortunately, Cap's a soldier and knows how to use mud to make a passable face-disguise that covers his entirely red skull (??). MEANWHILE, Skull is now in CAPTAIN AMERICA'S BODY and we all know what kind of havoc that could mean! What's he up to? Gaining secret information from SHIELD or the Pentagon? Sabotaging missions that would further America's standing in the world? Deleting all the contacts from Steve's phone? No, he's kind of just kicking around, letting the paparazzi take pictures of him and signing autographs. This is a pretty weird plan, Red Skull. Back on the island, the newly-enfaced Steve meets the man behind the falcon attack, Sam Wilson. Sam, a man from Harlem, explains that he and many others came to the island after being promised work only to find that the Exiles are totally evil and no one can get off the island. He does what he can to sabotage them or to help his fellow workers but there's a limit to what he can do, even with his seemingly mentally-linked falcon Redwing by his side. Steve knows a thing or two about inspiring people so he gives Sam a quick course in hand-to-hand fighting and tells him that he needs a costume, something to act as a symbol to his people. Together they design a green and yellow costume and prepare Sam, now named the Falcon, to fight.
Guys, it's impossible to overstate how much I love this issue. Between this and the issues that follow it, we get SO MUCH GREAT CAP STUFF. I've also only ever seen this in black and white in one of the big ol' Cap collections so it's great to see it reprinted in color here and it makes Steve's mud-face EVEN MORE IMPRESSIVE. But seriously, I absolutely love this introduction of Sam Wilson. Marvel seriously botched the character up down the line, retconning some ridiculous twist into this that said he was a pimp in Harlem who was sent to do this job to befriend Cap so he could betray him or some such because apparently some people decided that Sam was maybe too progressive when he was introduced and they'd like to negate some of that. Leaving all that out of it though and looking at Sam as a character in this issue and the issues that directly followed it, Sam Wilson is the first big African-American superhero and here he is, not even ONCE mentioning that he's African-American, just as it never comes up for Steve. It's played EXACTLY the way it should be: as not a big deal. Just two guys coming together and becoming friends after sharing common experiences and personalities. It's perfect, it never feels like an attempt to make a statement or anything like that, and it's completely negated by the garbage Marvel would later try to tack on for literally no reason at all. Ugh. Anyway, let's not forget how absolutely amazing Red Skull's plan is here. He gets in Cap's body and he's like "hey, better stroll around town and let the public adore me for a while!" It's fantastic. He goes on to start trying to ruin Steve's reputation in what might still CONTINUE to be the least diabolical plan anyone, let alone chief Nazi, made-of-evil Red Skull, has ever come up with when he's simply just kind of a jerk to those reporters and refuses to sign an autograph for someone. Guys. Comics are amazing.
No comments:
Post a Comment