Avengers AI 11, Avengers Undercover 2

Avengers AI 11
Humphries (w) and Araújo (a) and D'Armata (c)

Alexis, transported to the year 12,000 AD, has been told that she needs to save Jessie Clatterbuck from deactivation by SHIELD. She's caught a glimpse of the future, one where Dimitrios has destroyed mankind and many other species and is only really challenged by the Avengers Empire, a traveling Avengers team composed entirely of AI. Her older self sends her back in time with explicit directions and she returns and delivers them. Dimitrios has created a Trojan Horse around Clatterbuck; if SHIELD deactivates her, a virus will run through their systems granting him access to all of their weaponry. The future Alexis saw had Dimitrios controlling all of that hardware and even a secret nanobot weapon that would devastate mankind before Dimitrios, in the form of a new start-up company, would offer everyone nanobot-repelling rings that would sterilize humanity. It's a dark future and one that can only be prevented by stopping SHIELD from taking Clatterbuck. Unfortunately, Jocasta has just pressed the button to deactivate the LMD.

As this book heads towards its conclusion next issue, the plot has really ramped forward. Alexis sees the future and learns how to stop it. It's an interesting idea and puts SHIELD in the place that SHIELD so often finds itself: the cause of the entire world's problems. Despite the rapid dissemination of plot here, Humphries still manages to get a couple of character moments thrown in, although he has no time for subtlety here. Victor returns to a body and he and Doombot bond the tiniest bit as he accuses Doombot of staying because he wants to and not because he feels like he's stuck. Hank continues to worry that he has been more of a harm to society than a help and is allayed by Vision, who assures him that he's done far more good than bad. Future Alexis demands that Alexis save the world then go see Steve Rogers because, apparently, she's in love with Steve Rogers, etc. If this issue is any indication, the finale should be pretty solid with a lot of plot and only a little time to get through it all.

Avengers Undercover 2
Hopeless (w) and K. Walker (a) Beaulieu (c)

The Murder World survivors head down into the pit entrance of a giant villainous underground city in Bagalia in the hopes of finding Cullen Bloodstone. They're spotted almost immediately and are forced to fight their way through a few minor bad guys on their way to Cullen on Cammi's tracker. When they're through the bad guys, they push into a bar owned by Arcade where Cullen supposedly is. As they arrive, they're shocked to find that Cullen has accepted the way of life proffered by the villains below. They try to talk him into leaving with them but he refuses. He's not evil, he says, just happy to be in a place where people aren't afraid of him all the time. The kids get comfortable for a bit while they see if Cullen's okay (Cullen explains who they are to everyone and everyone is excited to meet them). Hazmat and Anachronism dance for a bit, Death Locket is examined by mad scientists before Excavator (who she had wailed on outside) comes to buy her a taco, Chase makes out with a villainess, and Cullen introduces Nico to Daimon Hellstrom, who helped him control his powers and has some experience in controlling black magic and distancing himself from his parents. Cammi gets sick of it and attempts to finally pull them out of there but Cullen insists they go elsewhere. Daimon magics them away and puts them in nicer clothes, sending them to a fancy dinner party where Arcade is introduced as the guest of honor.

Really neat turn here for this series. AVENGERS UNDERCOVER was advertised as as a book where the survivors from AVENGERS ARENA go undercover in the new Masters of Evil. I think that's probably still coming but I didn't expect it to go this way. I really like this interpretation, one where these survivors go what seems to be the natural way. They're all good kids (with maybe varying levels of good); that's why Arcade stole them away and that's why there's a conflict here. However, it's not unreasonable to believe that this would be the next logical step. Hopeless throwing in Daimon Hellstrom as one of their first contacts in this seedy underworld is another great "writes itself" sort of move. Hellstrom isn't all bad for sure. He constantly finds himself assisting heroes or working at odds against villains and the ties to black magic and bad influences makes him a natural fit to hang out with these kids. There's so much that this book can do and I think it's off to a good start, taking things in a new and interesting direction. Pretty great second issue, helps to confirm that things are moving the right way.

Avengers Undercover 1, Deadpool 25

Avengers Undercover 1
Hopeless (w) and K. Walker (a) and Beaulieu (c)

The survivors of AVENGERS ARENA are dealing with their new lives in their own ways, with Hazmat trying to keep her head down (though she can't help punishing some jerks commenting on the videos), Chase making a new living on the interview circuit, Nico trying to keep to their shared promise of NOT making a new living on the interview circuit, Death Locket trying to get her Deathlok soft and hardware removed, Cammi returning home, and Cullen hunting Arcade wherever he may be, to the chagrin of Anachronism. They're each trying to return to civilization but it's made infinitely more difficult by the release of the videos by Arcade, which has played into the world's love of reality television and the like. After one of Cullen's most recent online videos in a line of videos he's posted where he searches and torches a number of Arcade's hideout, it's become clear that he's bitten off a bit more than he can chew when he attacked Baron Zemo's new Masters of Evil and been captured. The other survivors (minus X-23 who is out galavanting with the O5 X-Men) agree to go try and help Cullen.

Really strong first entry into this new series as Hopeless and Walker move directly from AVENGERS ARENA to AVENGERS UNDERCOVER. The personalities are still fresh in their minds just as the events of AVENGERS ARENA are fresh in ours. It's a really interesting and compelling idea to have the entirety of AVENGERS ARENA available to view in this universe, giving regular people a chance to watch it all and ignore the horror, instead focusing on the competition and the strategies where there were strategies. Suddenly, people like Hazmat who weren't even on the radar of normal people find themselves endlessly talked about and discussed and critiqued when all they want to do is forget that part of their past. It's huge and inescapable and really fascinating to see already. Excited to see how this one progresses, particularly given how strong this opener was.

Deadpool 25
Posehn and Duggan (w) and Hawthorne (a) and Bellaire (c)

Deadpool chats with Crossbones for a while over a few beers before they eventually take to the streets to battle. Crossbones, of course, is furious with Deadpool for leaving him up in a hot air balloon and Deadpool is sick of everything in his life right now and goaded into even more violence by the Preston voice in his head, though the Preston voice seems to actually just be another voice in his head as the real Preston, alongside Coulson and Adsit, shows up just in time to keep Deadpool from completely murdering Crossbones. The SHIELD agents have also brought Deadpool's money with them, giving him a chance to take off on vacation out to Europe to get away for a little while.

For a fight issue, this one definitely moves a little slower than the average. It's not a bad issue, per se, but typically when you have an issue that's almost entirely made up of fighting it moves a little quicker than this. If a fight comic does move this slowly, it's usually saying a little bit more. There's some weight here as we start to see just how much the recent events have impacted Deadpool's already fragile state of mind and how much it may mean to him going forward. Still, it's maybe a little heavy-handed in its presentation of a depressed Deadpool, though it doesn't cross the line to boring at any point. On top of it, posehn and Duggan wrap up, if a little anti-climactically and abruptly, the Gorman storyline as he drops into the fight randomly and gets thrown into a trash compactor for his efforts. Bit of a weird way to wrap it up there. Still, certainly the way has been paved for Deadpool's next adventure.

Avengers Arena 18, Uncanny Avengers 14, Avengers Assemble 21

Avengers Arena 18
Hopeless (w) and Walker and Gorder (a) and Beaulieu (c)

Katy and Death Locket watch the teen heroes fight from Arcade's bunker with Katy's finger on the trigger the entire time. The raging battles between Cammi and Nico and Anachronism and Reptil come to a grinding halt when attention is directed at the imploding Hazmat, ready to wipe them all out unintentionally. Reptil transforms into a a bigger dinosaur, one with more speed and a longer mouth, and promises he'll help her, picking her up in his mouth without a second thought, despite her protests, and rushing her into the water, where everyone sees her explode. Katy, angry that the fights have stopped, unleashes some of Arcade's last tricks, forcing the kids to fight for their lives until Tim takes a brief moment of control over Katy and demands Death Locket, still in love with Tim, kill them. Suddenly, the insect swarm, sand people, and napalm winds subside and Death Locket appears by the other survivors to explain. With the game over and Arcade gone, they decide, with the insight of the returning Hazmat, now out of her suit and not glowing but alone as she leaves the water, that they won't say anything about what happened. SHIELD and the heads of the schools come to pick the kids up and investigate but they refuse to say a word about what happened, not wanting to give Arcade the satisfaction, though Arcade gets his satisfaction as he begins to upload his 30 part video series "What Really Happened in Murder World."

Really great series, very nice ending. Our final survivor count sits at nine, I believe, leaving us with Cammi, Death Locket, Nico, Anachronism, Hazmat, Cullen, X-23, Chase, and (this is the only "I think" on the list) Chris Powell. I'll be honest, it never really occurred to me for some reason that Reptil could die in this series and, only looking back do I realize, I have no idea why I thought that. First and foremost, he wasn't that big a character, no bigger than, say, Mettle, who was exploded in the first issue also trying to save Jen. Somehow he always felt off the table so I'm a little sad to see him go here. Still, there's a nice finality to the series as the kids all get off the island and get to go home with their respective school heads. Even the discussion of how they address all of this is interesting, though I'm not sure if it takes into account the idea of the video getting out. Regardless, it's a very exciting set-up for the next step in this teens-in-peril streak Hopeless is on as some of our characters aim to infiltrate the Masters of Evil in AVENGERS UNDERCOVER. Pretty excited to see Hopeless and Walker pick up again in March. Sad this series is over, glad the characters will move on.

Uncanny Avengers 14
Remender (w) and McNiven and Dell (a) and L. Martin (c)

At various points in the future, Kang is gathering an army of supers presumably in the hopes that they can help him defeat the twins. Meanwhile, back in the present, Shiro and Rogue rush to the Ark to stop Wanda and Simon from completing the spell they think will separate mutants and humans forever, not knowing that Wanda intends to bring the mutants to the Ark to stop the twins. Rogue is dead-set on stopping Wanda any way possible but it will have to wait a moment as Daken and Grim Reaper lie in wait and pounce as soon as Rogue and Shiro appear. Wolverine, apparently following Shiro and Rogue, jumps into the fight to give Shiro the chance to remove Simon from the spell. Wolverine continues to insist no killing but is held by Daken long enough to watch Rogue escape Reaper and charge Wanda, stabbing her through the chest with her borrowed Wolverine claws. Wanda falls and Simon follows her down. Grim Reaper gets the drop on Rogue as she reaffirms to herself that it was the only way to stop Wanda. Reaper stabs her through the heart with his scythe and then, with his enhanced powers, leaves no room for doubt that she's dead as Wolverine, dispatching Daken, sprints towards him, watches him electrify her. Simon rushes to Wanda's side and, as she dies, he pours all of himself into her to power her spell, dissipating himself to help her finish her plan, calling all the mutants to rise against the twins.

Geez. Huge issue. Two major characters die and one Wonder Man maybe dies. I'm not sure how much more I have to say about this. The past thirteen issues of UNCANNY AVENGERS built to this, from Rogue and Wanda's feud to Wolverine's insistence that everyone find a no-kill solution to Wonder Man's non-violence to the return of Grim Reaper and Daken, among the other horsemen, to Rogue's killing of Grim Reaper to the mutant solution to just everything all comes down to this issue, where Rogue kills Wanda and then Grim Reaper kills Rogue all while Wolverine watches. Nearly perfect culmination of everything that Remender's been working towards all along and something that very clearly isn't a conclusion but a climax. Although it's something that we've been building towards, it's not the final step, we still have plenty to look forward to. Let's also not overlook the fact that he just killed off a couple major Marvel Universe characters, for however long. What a big and well-executed issue.

Avengers Assemble 21
DeConnick (w) and Buffagni (a) and Woodard (c)

INHUMANITY has started and the Avengers have to deal with the slew of Terrigenesis cocoons that have started popping up. Among those cocoons is the social studies teacher of Anya Corazon, aka Spider-Girl, who brings her case to the Avengers, hoping they'll be enticed by the fact that he was kidnapped while in cocoon. Spider-Woman and Black Widow team up with Anya to form a full blown spider-lady team and strike at an AIM lab that has connections to the kidnapping. They hit the lights, giving them ten seconds to dispatch of the beekeepers inside, which they manage to do with relative ease. As they start to question one of the fallen, they're surrounded by a secondary AIM team led by Widow's former foe Kashmir Vennema, the inter-dimensional arms dealer Widow ran into back in CAPTAIN AMERICA AND BLACK WIDOW. Vennema reveals that one of the cocoons they captured died (Anya's teacher) and the other is still available for sale. She also decides to have the three Avengers killed, knowing she's protected because AIM is an officially recognized entity that has now been invaded. Meanwhile, June Covington aka Toxie Doxie is on the hunt for cocoons and for vengeance for her purchased and subsequently exploded cocoon.

Nice to have a little bit of a less tense book following up AVENGERS ARENA's conclusion and UNCANNY AVENGERS' biggest issue probably ever (kind of willing to say it might be one of the biggest issues of any non-event series in recent history). Not to say this doesn't have its tension...actually, it kind of doesn't. I feel like maybe it should have had more but it's really hard to say if the lack of tension is created because it's, you know, just AIM and they're Black Widow, Spider-Woman, and Spider-Girl or if it's less tense because I'm so fresh off reading these darker and grittier books. Not to say this isn't still a fun book; there's a lot of great characterization stuff between the three leads of this issue as well as between Captain Marvel and Spider-Girl, who spar a bit over what's important and who's being condescending to whom (hint: it's Captain Marvel to Spider-Girl). Fun issue, nice little arc developing. I still really like this book as a bit of a more relaxed and character-focused Avengers title. Nice issue.

Avengers Arena 14, Young Avengers 9

Avengers Arena 14
Hopeless (w) and K. Walker and Gorder (a) and Beaulieu (c)

We're approaching, far too quickly for my liking, the planned end of this series. This is an ongoing series but it does have a conclusion in mind (just as it always must have, given the nature of this story) and we'll reach that conclusion with issue 18. For now, though, we have to ask who's going to make it that long. Apex and Death Locket are still underground at a laboratory/morgue somewhere on the island. The rest of the survivors, minus Nico and Chase, have been wandering the island for seven days hoping to find their way to Arcade or off the island. Anyone who's separated from the group has disappeared; Reptil first, going to scout ahead only to vanish, then Hazmat and X-23, chasing after something Hazmat saw and hoped was Mettle. Now Cullen Bloodstone, Anachronism, Nara, and Cammi are at breaking point with only a couple days left before Arcade's deadline. Cullen shares his story with Cammi after he and Anachronism had a bit of a row (they're British, they say things like "row") but the story is interrupted when a trigger scent is released by a Mettle skeleton walking around the island (so at least Hazmat's not going crazy! She might be dead though, she was with X-23 when the trigger scent activated). The concoction is flooding the island and a feral X-23 is attacking anything that moves, including, presumably, a newly spawned monster from deep within Cullen (activated when he took off his Bloodstone Ring).

You can see how we might be winding down to the end of the series as Arcade floods the island with kill hormones for X-23. Even without that, though, the attitude of those who remain is markedly down, even if it was never particularly up. They've plotted, they've planned, they've strategized, they've learned about the island, and it's all for nothing because, at the end of the day, they're still totally stuck and exactly where they started. People have disappeared the last couple days, leading to even lower spirits, and the end is nigh. The book has always been really good at tone and really good at, in a natural way, giving us backstories for its main characters. We haven't really had a good one in a few issues (most people have been explained by this point, particularly the ones we don't really know in the main Marvel Universe) but Cullen's is disseminated intelligently and at the right moment. Sure, it's not in the form of flashbacks, like so many of these ones have been; instead, it's Cullen flat out telling his backstory, but it fits well here and Cammi's the right person to bring it out of him. The reason she's been alive so long is that she knows when and how things need to be done and now is when this story needs to come out, both for them and for us. I also really like the use of the trigger scent here. Well, I hate it for Laura but I like it for story and motivation. One of X-23's biggest problems she's had to try and overcome is being used by people as a weapon and that's exactly what's happening here. Tough stuff to try to come back from. This series continues to impress and I'm sad to see it go with 18, even if I wouldn't have said that at the start of the book and if they've promised us something cool after (I feel like I've read that somewhere).

Young Avengers 9
Gillen (w) and McKelvie w/ Norton (a) and M. Wilson (c)

Last issue ended with a load of cliffhangers so we have to get through those little by little as this issue progresses. First and foremost: the kiss. David explains to Hulkling that he realized, when he lost his mutant power but his brain was still fully opened to him, that he was bisexual, though it hasn't come up in recent days because he hasn't been looking to start a relationship. He's still not, really, but he admits that he would have regretted dying without kissing Teddy the once because he views Teddy as the remarkably strong one in what looks like a rather strong relationship. Teddy admits his fears to David who suggests he try to take some time off, if he can, to get his head together. Of course, that can only happen when they're not stuck in Mother's dimension running from her. Working on that is the rest of the team, who are still facing down Leah in the barren place Loki had sent her. She talks to them briefly and with much vitriol before America leads them out. Loki tells what is mostly the truth to his teammates: she is sort of his ex and he sent her to this dimension because he couldn't hurt her here. Kid Loki, trapped in Loki's mind, taunts him for the reveal of the truth (being the best lie) but he doesn't have time to deal with that. He concocts a plan to rescue David and Teddy which involves running through a bunch of their evil dimensions to gather a horde of villains to dump on Mother as they make their escape with their teammates. It, improbably, works, and Mother is left to clean up her dimension while they make it back to their Earth. They discuss their next plans, which are basically to stay the course of Loki teaching Billy magic (Billy could be the most important person in the universe so it's probably good that he learn how to use his tools). Teddy approaches Billy at the end and tells him that they need to take a break. He departs to go meet with a therapist in the form of a support group for people who, weirdly enough, have been left feeling abandoned and confused by their partner. His therapist? A seemingly more grown-up Leah (Teddy didn't meet her when they all ran into her).

Oh man, too much to say about this issue. Guys, that's a really long summary and frankly I don't think I covered enough. There are weird bits and pieces that deserve their own analysis (Mother asking Kate when her birthday is and threatening that she's about to join Mother's side) but THAT'S HOW MUCH THERE IS HERE. This series remains as complicated and beautiful as ever, with McKelvie's art really shining through as there are plenty of long panels meant to illustrate a single character's features and emotions. There are a pair, on back-to-back pages, that show Leah and Loki in separate wide-angle panels that focus on their eyes that are just stunning. I've long praised, on this blog and in life, the art of Jamie McKelvie but the emotion he brings to characters continues to blow me away. The first real look at his art was in a Secret Avengers issue written by Warren Ellis (16, I think, of the last volume of Secret Avengers) wherein McK drew this amazing underground city with insane architecture and had Moon Knight soaring around it. It was absolutely gorgeous and that still tends to be what I think of when I think of him. Though I've seen plenty more of his work by now, this series is really changing my perception of him, going from that guy who draws these beautiful and fluid set pieces with really strong characters to being one of the best in the business at drawing people and their various emotions and tics. It's truly wonderful to see. Aw geez, I've spent all my analysis time talking about the art. Maybe you guys should just check this book out. No wait, you definitely should. One of Marvel's top books for sure. And I mean, just look at that cover! Teddy has long been probably my least favorite member of this team (I don't dislike him, I've just never particularly been drawn to him by anything he's done or said or whatever) and this cover still makes me want to die a little inside. Beautiful.

Avengers Arena 13, Secret Avengers 7

Avengers Arena 13
Gage (w) and Moline and Pennington (a) and Beaulieu (c)

Someone outside of the Arena suspects that something's wrong. Unfortunately for the people in the Arena, the person who suspects something is wrong is 12 year-old Molly Hayes (is she 12? I'm pretty sure that's the last age I remember her being but it's entirely possible I made that up, you guys. Don't tell anyone). Molly doesn't believe that her fellow Runaways Nico and Chase have, as they reported it, simply disappeared to try to work some things out away from home. Molly doesn't believe the texts they keep getting or even the phone calls they occasionally receive. She brings her problem to Avengers Academy head Hank Pym who promises to look into it. He works out a few pieces of the problem, realizing that he lost kids (Juston, who went back home allegedly, and Hazmat and Mettle, who ran away so they could stay in a relationship Hazmat's parents didn't approve of) the same time the Runaways ran away. With a little investigating, he finds out that X-23 and some of the Braddock Academy kids disappeared at the same time. All of it bothers Pym tremendously but he can't seem to convince anyone else something is wrong and, more than that, he can't find any substantial evidence. Arcade has done a truly phenomenal job (or, in truth, Miss Coriander has) covering his bases and only pulling kids likely to disappear for one reason or another and maintaining a presence for them within their communities. Eventually Pym has to give up the fight when he's met by Mettle (Arcade's trump card, cybernetics hidden under what appears to be, disgustingly, Mettle's real skin) and assured that everything is okay but that they still have to lay low because Hazmat's parents are trying to call it a kidnapping. Is there anyone else out there looking for the young heroes?

Solid explanation of why no one has become suspicious in the world and, given everything else that Miss Coriander has arranged for Arcade, it fits well within the scope of the story. It's also rather nice to see Christos Gage writing another story that ties so nicely to Avengers Academy, which was a deceptively good book, surprising in the same way this book is but probably a little less action heavy. Minor complaint to start (and it's incredibly minor and petty but it's been bugging me so WHATEVER): Tigra appears in this book (she's number two at Avengers Academy and romantically linked to Hank right now) and her caption calls her a were-woman, which is entirely wrong on a couple fronts. First off, "were-," as in "werewolf" translates to "man," hence why it's werewolf and not wereman or manwere. So calling her a were-woman is saying she's a man-woman which complicates PLENTY and she's already complicated, okay? Secondly, it implies that she transforms back and forth and I'm pretty sure she doesn't, she's just all Tigra all the time. That's PRETTY MUCH my only complaint though so I guess it evens out. Nice explanation, slows down the series a little bit from all the high-action we've seen lately but certainly a necessary addition to the book.

Secret Avengers 7
Spencer (w) and Guice and Magyar with Epting and Theis (a) and M. Wilson (c)

Maria Hill continues her unbeaten streak of being my least favorite Marvel character in existence. There are plenty of contenders in that race, including Wonder Man and Milla Murdock (okay, some are more relevant than others), but no one ever holds a candle to Maria Hill. Maybe its my own biases here but I have real trouble believing, as the recap page says, that Hill had to make a terrible decision. I don't think she ever thought it was terrible, having Daisy removed from SHIELD. Just like I have my doubts that she had problems making this call. Sure, give her a look like it was a really hard decision and soften her up later but I'll never buy it. Man. Maria Hill, am I right? Anyway, we flash over to Barbuda to find that the strike team needs a way out and that Mockingbird has a shot at the real Scientist Supreme (AIM had warning of the attack and got their man out of the way). Hill shuts her down, wipes the memory of her being on this mission from the team, and gets them out of there. So Mockingbird is stuck on AIM Island with no idea what she's doing or why she's there. Maria Hill, ladies and gentlemen.

This was, admittedly, the first issue in a while for Secret Avengers where I was surprised and intrigued by the ending. I'm still not totally onboard with this Avengers team that has chosen to work for SHIELD (SHIELD and Avengers notoriously don't get along and many could say it's because of issues like this and YES, "issues" there is a double meaning because I'm a great writer and I want you all to know it) and chosen to have their memories played with by SHIELD. It just doesn't feel entirely right, largely, I think, because all of these heroes (and that is an all-encompassing "all") are broken and they all (all) have trust issues and frankly they probably could have figured out that AIM Island was bad news without SHIELD's help. On top of that, I have trouble viewing SHIELD with any real constructive eye; they're always sort of backups to the Avengers or blocking the Avengers in some way  (because their literary function isn't to be the heroes, that the hero's job, it's to throw up more roadblocks or, best case, to assist the hero in some minor capacity) so it's hard to view them as doing anything competently. Despite them being the focus of the book in a way, it's hard still to say they're doing anything competently, which makes it far harder to like them which, in turn, makes it harder to like a book driven by their actions. Tricky scenario Nick Spencer has worked himself into. Let's see if he can get out of it (maybe throw Winter Soldier on the team, hm?).

Avengers Arena 11, Secret Avengers 5, Young Avengers 6

Avengers Arena 11
Hopeless (w) and Burchielli (a) and Beaulieu (c)

Hazmat and Reptil, after escaping from a feral, trigger-scented X-23, managed to find their way to a safe zone beach. Hazmat's personality has changed pretty drastically in the time they've spent there, sending her from the angsty and complaining type to someone far more flippant and upbeat. She spends a lot of time napping and a lot of time sunbathing, particularly while Reptil worked his way back to full health. Even after Reptil was ready to move, Hazmat kept them there, not caring about the game. Reptil is worried about her but is also delicate in his handling; he knows that she lost Mettle and he knows this attitude isn't her but he doesn't know what to do about it until Cammi, Nara, Bloodstone, Anachronism, and X-23 fall out of the sky on to their beach. They explain everything that's been happening with them and Reptil explains everything that's happened on the beach. Bloodstone is furious that they've sat away from the danger with everything going on and that lives have been lost quite probably because of their non-involvement. Cammi is planning to go back out and try to find and save Nico if she's still alive and tells Reptil that he needs to snap Hazmat out of this attitude. Reptil takes the advice to heart and wrestles a sunbathing Hazmat, at great personal risk considering her radioactive body, to force her to listen. She snaps a little bit and lets some of her emotion out. As Reptil is about to give up on changing her mind, she joins up with the rest of them, ready to fight.

Definitely a little slower than the last few issues but it gives us a good sense of where we stand and a slower issue every once in a while is definitely necessary. You need something, as a reader, to balance out all of the action or else it all becomes indistinguishable. Here we get a little bit more information, particularly about where Hazmat and Reptil have been, the state of some of our characters, and the overall mood in Murder World. Surprisingly, spirits are not especially high. Solid issue. A little light on plot but still a good read for characters and to give a sense of the way that Murder World is functioning, which is made more important and relevant because we've spent so much time worrying about Katy and far less lately about what this place is. One of the really nice things about this issue is that we'd had ten full issues prior to this and issue one started with Hazmat narrating and talking about how she's always the type to complain and to judge, as complaining somehow makes her feel better. Now here, she's dancing, she's outgoing, she's making jokes. This is what Avengers Arena has done so effectively and is now able to cash in. Entirely well-done series.

Secret Avengers 5
Spencer (w) and Ross (a) and Wilson (c)

After AIM's production and dispersal of Iron Patriots, Daisy Johnson sent a team comprised of Nick Fury, Black Widow, and Hawkeye to assassinate AIM's Scientist Supreme, Dr. Andrew Forson. The three have officially received their orders and Hawkeye instantly refuses them, unwilling to kill. He and Fury argue about whether it's justified or not and whether this is a war or not before Black Widow jumps in and says that it doesn't matter; she'll be the one taking the shot and they can figure out later whose fault it is. They get into their positions, with Black Widow ready to take down Forson. Just before she can take the shot, though, she's attacked by AIM's weirdly cyborg-ish Yelena Belova, the other Black Widow. Natasha gets thrown out of her high window by Belova and Hawkeye disobeys his order to assassinate Forson himself and instead shoots a net arrow with a parachute at Natasha, saving her from the fall. Fury, at ground level, attacks the small AIM gathering himself, killing numerous henchmen before shooting Forson in the face. The three escape and are debriefed by Coulson, who is attempting to get to the bottom of the events. When Fury questions why he needs to go through all this, Coulson admits that Daisy has been removed as head of SHIELD pending an investigation and Maria Hill is back in charge. Hill, meanwhile, is having a chat with her security council liaison and discussing what should be done about the whole situation and about Daisy. Dalton, the liaison, informs her that it's a delicate scenario because they broke some very clear rules but acknowledging that would sound like siding with AIM and dishonoring Senator Ralston's memory. As a result, now they must work with AIM to try to ensure nothing like this or the Iron Patriot attacks happen again, which Dalton is sure will be made easier as AIM Island now has a permanent seat on the UN security council. He puts Hill in communication with their representative, Dr. Andrew Forson.

This book is still a little hard to get a full read on. I'm never really disappointed by it and the the issues themselves tend to move quickly enough, but I never come away from it feeling altogether satisfied either. It's not a case where I'm not satisfied because the ending is so shocking or is so traumatizing or moving or whatever, which would leave me unhappy but pretty satisfied (or at least emotionally exhausted); instead, I come away feeling like I'm not getting a good grip on the story or the characters. The particularly strange thing here is that I know, when I pull back enough, that plenty happens in each story and that I have at least a bit of a sense of each character. I do think we haven't focused enough on character but it's only been five issues and there's been a ton of plot; striking an appropriate balance isn't ever easy. Still, it often leaves me uncomfortable and fidgety and I can't put my finger on why. My best guess would be that I don't have a feel for the characters in their roles in this book and that's making it a bit harder to warm up to it.

Young Avengers 6
Gillen (w) and K. Brown (a and c)

Prodigy, one time New X-Man, has taken on a job as tech support in an unnamed company, but one that's fascinating nonetheless. His calls revolve around telling people how to dismantle Skrull bombs, how to stave off an attack from Elektra, etc. He's a depowered mutant after M-Day but the knowledge he gained with his mutation (which allowed him to absorb and mimic knowledge and skills of other mutants) stayed with him, even though he lost the powers, which left him a genius. Also at this company but working in the factory area is former Young Avengers Speed, twin brother (also psychically created by Scarlet Witch) of Wiccan. He uses his powers to quickly assemble everything he needs to assemble, leaving him done a week's work within moments. He meets up with David and the two talk over noodles and, the next day, coffee. Speed relates all about the problems he had with the Young Avengers (mostly their penchant for do-goodery and their inevitable break-up) and asks David why he's working such a terrible job if he's a genius. David, a bit bitter, explains that his time as a poster-boy for Cyclops during the Schism didn't make him particularly popular with people and few jobs are open to him as a result. He intends to do this long enough to simply retire, leaving the hero world (who he feels used him and everyone else) behind. They arrive at work in the second day of their friendship (first full day, if we're being picky) to find that someone had broken into the company to steal the components. The security camera shows someone dressed as the Patriot committing the crime and staring into the camera. Speed calls Eli's house and learns that Patriot hasn't even been leaving the house, let alone committing crimes in unnamed company, and Speed offers himself and David up as surveillance for the company to try to catch the guy. When he breaks in that night, Speed attacks him but is pretty quickly brought down by what appears to be a psychic attack. Speed gets up in an attempt to run from the mysterious not-Patriot but is caught even as the not-Patriot moves zombie-like to him. He reaches out a gloved hand and touches Speed's shoulder, causing him to disappear instantly. David is understandably startled and gets only cryptic answers from the not-Patriot. He pulls a glove off, revealing a lack of a hand and tells David to accept the glove if he wants Speed back. David refuses and calls him insane. The not-Patriot tells David he's in denial then disappears himself, leaving David alone as the issue ends.

I feel like these summaries are longer than any other summaries I write for other books. Here's the thing you need to know if you're reading this summary and not this book: the issues never move slowly. For all that happens, for all the character and all the story and all the suspense and all the brilliance, the book have not once felt like a chore to read or like it's adding anything that doesn't warrant adding. There's no amount of wasted space, even in the pauses and the silence. It's an entirely impressive title in a lot of ways and cramming in so much story and character without making the reader's head explode is an unenviable but totally worthwhile task. This book features Kate Brown as the artist and colorist and, like New Avengers last week, the change in artist from one who I can't stop praising to another works totally well. Her art is solid and it's a great change for an issue that changes things so much. I love McKelvie's art but it's a smart decision, like the one New Avengers made to swap out Epting for Deodato last week amidst an issue that slowed things down a bit, to switch artists to show that this is a different story than the one we've been reading, requiring the reader to look at it differently. It's the same book and the great dialogue and the strength of the characters as seen through dialogue and actions shows that perfectly well, but the change in art lets you know that we're in a different scenario entirely. Also, Kate Brown's art is pretty perfect for this issue and the colors feel similar to the palette we've seen through the series so far, though a little more muted and less solid. Another great issue.