Iron Man 23, Thor: God of Thunder 20

Iron Man 23
Gillen (w) and L. Ross (a) and Guru eFX (c)

Iron Man is on the hunt for the Mandarins out there and happens to find that one of them is the fired director behind a musical based on Iron Man that created Tony to be a pervert. Of course, Tony's people fired him and now a ring has made its way to the disgruntled artist. Tony tries to put him down softly but, before he's able to, Malekith appears and straight up murders the guy, taking the ring and disappearing before Tony gets his bearings. Tony now knows who's behind the capture of the rings and so he turns to his new specialist on magical affairs, Shevaun Haldane, Dark Angel. He explains to her that he doesn't want to go to Malekith expert Thor because then his attack on Malekith ends up being political between Asgard and Svartalfheim as opposed to being simply about the rings and he doesn't want to put that on Thor. Shevaun builds him a weapon that she thinks should render the rings inert temporarily and creates three magical one-use doors that will, if all goes according to plan, drop him in Svartalfheim, drop the weapon next to him, and return him home from Svartalfheim when it's finished. Wearing the stealth suit with the hopes that he can sneak through Svartalfheim without alerting too many people to his presence, Tony is sent through the first door only to find that he's been dropped right into the center of Malekith's hall.

Plenty going on right now and the book moves really quickly as a result, even despite the amount of explaining and backstory they have to give. On top of the A plot summarized above, there's a B plot involving a relationship developing between Arno and Abigail Burns, the Red Peril who just lost her hands to Malekith's attack. There's a good chance that none of this is ideal news for Tony but you can't help but feel good that Arno's making friends. Anyway, there's always the chance that a story like this, one that crosses a couple of different mythologies, can come off feeling really forced and leaving the audience feeling cynical about the motives behind the crossover, as it were. Here though, Gillen nicely threads the needle between the science vs. magic and the Iron Man vs. Malekith so that the story feels like a really solid one developing instead of some kind of weird opportunistic cash grab. Pretty neat, you guys.

Thor: God of Thunder 20
Aaron (w) and Ribic (a) and Svorcina (c)

Thor and Rosalind Solomon are out to stop Roxxon, whatever it takes, as Rosalind hates them and what they're doing to the environment and Thor is pretty sure that Earth hates them and also he likes Rosalind. Thor has taken several books out from the godly library he's visited in recent days about the death of many different worlds and he's prepared to do what it takes to bring Roxxon down. In this case, it means blowing up a few of their plants in an "Act of God" manner that means insurance won't pay for it. Of course, increasingly evil Dario Agger knows who is behind it and insists that his men find a way to hurt Thor, to strike back in this new war. Their suggestion to the evil man who is both nicknamed and physically, on occasion, "minotaur" is that they strike at Broxton, Oklahoma. MEANWHILE, in the far-off future, King Thor tries to talk with Galactus about maybe not eating Earth and then, when words don't work, prepares to fight.

There are parts of this story I like and am intrigued by and there are parts that I can't help kind of rolling my eyes at. For example, I like the idea that Thor wants to get into the conservationist mindset because he just straight up loves Earth and anything that harms it, whether it's Dr. Doom trying to take it over, Ultron attempting to kill everyone on it, or Roxxon actually killing it, is in for a fight. The idea that he'd be behind the "hey, let's make nature be great!" kind of fight is one that I both get and that I like for his character. On the other hand, Dario Agger is eye-rolling villainous. He admits that he's caused chemical spills just to kill wildlife, that he's introduced predators who don't belong in certain places to be in those certain places, and that he's altered several bears to completely deplete the salmon population in certain rivers, all so that Roxxon can provide the solutions eventually. While I don't doubt that there are evil people out there, this is so frustratingly comic book evil that I can't help but be a little disappointed by it. I tend to prefer my villains either untouchable and evil or even a little more complicated. It does seem as if they're ready to build up a sad backstory for him but I think it may already be too late. Anyway, King Thor calls Galactus rude so I GUESS I'm saying you should check out this issue?

Thor: God of Thunder 19, Winter Soldier: Bitter March 1

Thor: God of Thunder 19
Aaron (w) and Ribic (a) and Svorcina (c)

King Thor examines Earth millennia in the future, now a cold, dead rock, with his three granddaughters, who are less enamored of Midgard than Thor was. As King Thor laments the way the world defeated itself, we turn back the clock to see what's happening with Thor the Avenger. It turns out he's trying to land a date with SHIELD agent Roz Solomon, who is, herself, trying to bring down the somehow constantly re-formed Roxxon. Thor helps her bring down some whalers before the two of them head for a new Roxxon unveiling with new Roxxon head Dario Agger. Agger has led an expedition to drill ice from Jupiter to try to "cure thirst" or something along those lines but Solomon knows that it's just a way to control the profits of Jupiter water. Thor arrives at the press conference with way more ice straight from Jotunheim, killing a lot of Agger's profits (business, am I right, guys?) and putting Thor and Solomon right on the map for Agger. After this act, Solomon agrees to go for coffee with Thor. Now we go back...to the FUTURE to see King Thor and his granddaughters on Earth as Galactus approaches.

Very clear set-up issue as plenty of seeds for the new arc are planted. There's something remarkably endearing about Thor trying to win a date with Agent Solomon that's worth seeing in this book and, of course, Esad Ribic's art flourishes here as he gets to draw giant underwater scenes and some big Asgardian style scenes. The issue starts to lose a little bit of steam as Roxxon gets involved, as Aaron is tasked with setting up a new agenda for Roxxon and a new CEO for the always always always corrupt company. I'd say that the Jupiter ice thing falls a little bit flat too since it's such a specific thing and it's hard to really see the point of it (though I suppose you could make the case that it's readily available water that Agger, like the villain in Quantum of Solace, would have at his control but, unlike that villain, Agger doesn't control the entire region's supply of water). Likewise, it's a little hard to muster up some sort of feelings for the Midgard of the future as it's far out enough that it's, you know, kind of expected that it will eventually die. Like, Thor HAD to have been told this at some point, right? Still, the seeds could harvest interesting fruit (just how I like my fruit) given just a little more time.

Winter Soldier: Bitter March 1
Remender (w) and Boschi (a) and Chuckry (c)

It's 1966 and Fury and SHIELD have learned that Hydra has captured Nazi scientists who have perfected the alchemy formula, which would allow Hydra untold resources if they're able to glean the formula for themselves. It's up to Fury and SHIELD's number two agent Ran Shen to break into a secure Hydra facility (Castle Hydra on a sheer cliff face in a snowy, remote locale) and capture the Nazi scientists or, if they can't manage capture, kill them. Shen and Fury wager on who will find the fastest way into the castle and Shen goes in the front door, counting on his smarts and ability to blend in to get him through, while Fury scales the side of the castle and goes in the drainage pipe. Shen seems to blend in okay and ends up hitting it off with a woman who seems to know something about Hydra's inner workings. The pair of them leave the party to be alone and the woman reveals herself to be the absolutely horrible new creation Madam Worm. With worms crawling out of her and into and all over Shen, designed to show Shen the beauty of Hydra, Fury appears and flamethrowers her into a big ol' pit. They manage to find the scientists and escape, to Fury's chagrin, up through the castle. They manage to avoid all guards going that way and make it outside only to have their new charges instantly stolen from them by none other than the Winter Soldier. Shen and Fury pursue him, all three essentially hang-gliding away from the castle. Shen distracts Winter Soldier while Fury attacks, causing him to drop the two targets. Shen manages to catch them and land but Fury is shot in the chest and falls elsewhere. Winter Soldier's wings are damaged and he, too, falls into the forest. Shen lands with the two scientists in the forest, realizing that he's up against a man thought only to be a myth, on foot with two Nazis, in the middle of a frozen forest.

All of our players are here, all of our plot is right here, laid out for us for this limited series, as we get our first real, extended look at a Cold War-era Winter Soldier. It's a really neat idea and the idea of three superpowers, SHIELD, Hydra, and Russia, vying for the formula tucked away in the heads of a pair of old Nazis, is a compelling story in and of itself. Throw in the fact that it'll both pit Shen and Fury against Winter Soldier and will establish the relationship that Shen has with all the players today (appearing in CAPTAIN AMERICA as the villain Iron Nail) and we have a pretty fascinating limited series on our hands. The art and the tone of the book hit their mark, feeling like a pretty solid spy story (too bad I spent so much time talking about James Bond in my THOR review, huh? Requisite Bond time has already been taken up). Matching that tone perfectly, by the by, are Andrew Robinson's covers for the series. SECRET AVENGERS has been trying to go for a spy, '70s era feel with its covers and fonts and things for a little while now and I think they've been okay but often a little convoluted for my tastes. These ones are much cleaner and the cover for issue two is pretty astounding, really looking forward to that one. Of course, I say all this but I still ended up with Chris Eliopoulos' animal variant (seen at right) for this issue ANYWAY. Look, it had Batroc as a fox, what was I supposed to do, not buy it?

Venom 42, Ultimate Spider-Man 28

Venom 42
Bunn (w) and Coelho (a) and Loughridge (c)

The final issue of Venom ends as Venom and Mania summon Mephisto to discuss the Devil's Mark that has apparently passed from Venom to Mania. Mephisto reveals that the symbiote appears to have cloned itself and pushed the Mark out with the clone, the crafty guy. Mephisto still will not remove the Mark, meaning that Mania is now the possible successor to Mephisto, as the Mark was attached to the symbiote, not to Flash. Flash, feeling fatherly, attacks Mephisto on behalf of Andi, though it has no effect on the devil. Mephisto waves if off, allowing Flash to live and act as a guardian for his possible successor, keeping her safe until her number is called. They, along with a little help from Mephisto, fight back Crossbones and his team, and end the current threat. Mephisto withdraws and Flash promises Andi he'll find a way to get the Mark off of her, to save her.

It's a nice final issue for Flash and it highlights a lot of the themes he's gone up against throughout the run on this book. Obviously his father was a really big theme and it kind of comes full circle here as he takes on a father's role for Andi (who just lost her father in the midst of all of this) and dedicates himself to her protection. It's also an introspective and retrospective time for Flash, who remembers all of his dreams throughout his life, becoming an all-star, a hero, a soldier, and realizing that, through all the hardships and all of the setbacks, he's really been able to do it all. Whether it's all he wanted it to be or not is still up for debate but there's no denying that his life has had some aura of greater purpose to it. It's a nice last issue with more impressive art by Coelho and really nice colors by Lee Loughridge (one of the times it stuck out to me was just flipping through the issue to get to the last page to remember exactly what had been said there and kind of zoned out as I flipped, just watching the colors go by, very stark, very different, very defined, great colors). Sad to see this book go, definitely one of the good, longer-running books. Surprised it lasted this long and certainly happy it was able to.

Ultimate Spider-Man 28
Bendis (w) and Marquez (a) and Ponsor (c)

Spider-Man, Spider-Woman, Bombshell, Cloak, and Dagger make their strike against Roxxon with fairly sound success. Mr. Roxxon himself is every bit the jerk you'd expect him to be and the kids act accordingly. He's not dumb, though, and he has his science team (all of whom, of course, have some level of power to themselves) come to his aid. He's also figured out Miles' true identity and flaunts the information over Miles as Miles, for several pages, keeps him dangling from the side of the building. There's a lot of info there, about the creation of this Spider-Man and Roxxon's place in the world and about Miles' family but it's not really stuff Miles is terribly interested in at the moment. The kids beat the science team and Jessica calls in SHIELD to clean up, though it's a little complicated because SHIELD has had contracts with Roxxon. As Monica Chang grills Jessica Drew, Jess reveals that she'd like to start up some sort of ongoing team with this group (hint number one that maybe Cataclysm won't, as advertised, destroy the Ultimate Universe).

Not a bad issue, which is certainly good considering where I tend to stand on certain Brian Michael Bendis books these days. There's still perhaps a little more back-and-forth jokey-joke dialogue for the feel the book wants. Actually, maybe that's part of the problem. It's hard to place what feel the book wants if you have these intense fight scenes as a result of this outrageous moral behavior but have people quipping and bickering playfully throughout. It's not always off-center as you have a bunch of teenagers working this case but it certainly doesn't help the flow of the book. Regardless, the story is pretty good and the art is phenomenal. Making the decision to have Roxxon dangle off the side of the building, webbed up by his feet, with Spider-Man sitting above him for a few pages works pretty well. We get a fair amount of information in a way that, while feeling kind of over-exposition-laden, makes sense because we see Roxxon panicking and freaking out a bit, no matter if it's out of fear or rage or parts of each. Keeping Miles silent through it all, only to end by saying "you're under arrest" after Roxxon explodes for a few pages, is another solid call, giving us a nice side of Miles and letting us watch Roxxon deteriorate. As I said, fine art helps carry the issue as well, making the fight scenes more entertaining and the exposition more interesting. Pretty good issue.