Marvel cancels Fearless Defenders

Quick post on my lunch break. Cullen Bunn has confirmed on Twitter (which I would link to but I'm afraid my phone could not handle so many tasks at once) that issue 12 will be the final issue. I've talked about this maybe coming pretty recently in Fearless Defenders posts (as recently as last week, if I'm not mistaken) so I won't add too much here just now. Sad that we lose what looked like a promising female-led series but that didn't ever really shine, at least for me. Maybe I'll write more on it later but guys, I've talked about this, I think, just about every issue. My thoughts are pretty well-documented here. Sad that a female-led book again failed but hard to blame the characters for the problems. Hopefully this book's cancellation doesn't set a precedent for other female-led books.

Venom cancelled with issue 42

WHAT IS THIS. I spent Venom's whole review this week talking about how much I liked it and how impressive it was that it's lasted this long and how it's nice to see a book that doesn't deserve to be cancelled not being cancelled ONLY TO FIND OUT TODAY that Venom has been cancelled (apparently it was announced over the last week and a half but I'm a little late to the game). That's right, Marvel cancels Venom with issue 42, a short THREE ISSUES from now! Well. That's a bummer. I'd talk more about it but, you know, I already did, this week, with my review of Venom. Sad times you guys.

Winter Soldier 19, Red She-Hulk 66, X-Factor 257

Winter Soldier 19
Latour (w) and Klein (a and c)

The final issue of Winter Soldier finds Tesla having created a cosmic cube of some sort, the Tesla Tesseract. Her plan is to create chaos by going back in time with it to kill the people who have brought her pain. She advises Bucky to take the opportunity to go back and finish Novokov before he can hurt Natasha or wipe her memories. He refuses, knowing that time shouldn't be broken this way. He watches helplessly as she jumps them to various points in her life where she was hurt and kills whoever was torturing her. All the while, Bucky pleads with her to return and live the life she has. Finally, she brings him back to the day he killed her father and tells him that now he has the chance to make all of this go away by not killing her father. He explains that he understands what he was and who he is and how everything feeds into his life and how he can't just go back in time and change things, as much as he wants to erase his Winter Soldier past. No good can come from altering the past. Tesla attacks him, using the body of Father Hammer, who was evidently watching Bucky even at this point to see his skills. As Bucky gives up the fight, he shows Tesla her reflection on his knife. When she could have gone to see her father in this time, she chose instead to look like Father Hammer. Mortified by this, she brings them back to the present and admits her mistakes, fighting a war on soldiers. Unfortunately, it's too late to save them as the cosmic energy is expanding too quickly. Bucky uses his arm, rigged with a homing beacon, to send them back to Earth while she keeps them intangible so they don't crash into anything. They land in the ocean and she sinks away, disappearing, while he emerges at the top. There's a nice wrap-up for Joe Robards where he acknowledges without acknowledging that he knows Bucky killed his wife but he understands the weight of having a mission. Bucky returns to the cube despite himself and goes back in time to kiss Natasha at a time when she knew him before leaving again.

It's a wonderful and fitting wrap-up for the Winter Soldier, whose biggest demon since his return, and rightfully so, has been his past as the Winter Soldier. This issue gives him an out, a way to try to erase the things he's done and the person he was in that time, or even small parts of it. He could erase the horrible acts he's committed, he could erase Novokov and get back Natasha, he could do just about anything. Instead, he comes to terms with what the past means. Will he ever be over it? No, probably not. He probably shouldn't ever be. But maybe he can move past it with this feeling. Latour and Klein inherited an almost impossible job (replacing a beloved writer who created this character on a near-failing book) and did very nice work anyway. Klein's art really stands out here as there's a great piece at the beginning that shows the Winter Soldier's beginning as Bucky falls into the water from the drone he couldn't stop which calls back to early Avengers style art and uses great colors. The issue is solid and their run was well-executed. Still very sad to see this book go. Well at least the other two books in this review are still going strong and will never-oh.

Red She-Hulk 66
Parker (w) and Pagulayan, Olliffe, Bennett, and Jose (a) and Staples (c)

Red She-Hulk and X-51 arrive in the Florida Everglades, the Nexus of Realities, according to the Terranometer. Time is different here and Aaron is hopeful that they'll have the best shot of changing a fixed point in time by going to where time is least fixed. As they arrive, Red She-Hulk instantly spots and attacks Man-Thing, home after his journey with the old Thunderbolts some months ago. He teleports her into a different reality, one where she goes out and saves Bruce Banner on the gamma testing site where he saved Rick Jones and became the Hulk. As a result, she becomes the Hulk (still red and a she, but now the only Hulk) and he's just a great scientist. In this reality, Banner is able to help Betty keep Hulk in check and maintainable, leading to her eventual transformation into a form far more like the Red She-Hulk we know. As a result, she's more accepted in society and is a valued Avenger (who makes out with Thor at least once in her lifetime), all of which makes Banner jealous. Banner teams with Dr. Stack and creates the Machine Men, used to attack super-powered individuals. This whole time, Aaron has been trying to contact Betty in this world to get her to remember who she really is and bring her back to their universe. He can only effectively communicate with her through dreams and she shakes them off in the morning, fully embracing her new life when awake. When Banner and Stack create the Machine Men, Aaron is finally able to enter the world as more than just a spectator, as he enters his own alternate body. Man-Thing continues to watch from the sidelines, unsure of what exactly is happening and unable to teleport them back in any useful way. On the plus side for them, though, She-Hulk has tracked Red She-Hulk with the help of Echelon before leaving them in the dust to reach Betty and Aaron first. She arrives as Aaron, who, in this world, is programmed to hunt superheroes, is trying to tell Betty that this world isn't hers and she needs to go back with them. Unfortunately, Aaron is just a machine and must continue attacking her while trying to give her advice so it comes off pretty misleading. Man-Thing is able to open Betty's eyes to her past, but now she has both histories running through her mind so she's not in great shape. Man-Thing and Aaron try to get She-Hulk to help but Betty goes full Hulk right as General Fortean arrives so everything is going completely wrong and crazy as the series ends next issue.

GUYS, I can't believe this series is ending. I've loved this book since it switched over to Betty as the primary character and this issue illustrates again how perfect it is. First and foremost, this is an alternate timeline done right. Parker did it very well in Dark Avengers but this is a different animal, as it's one change that has meaningful implications and that logically moves from one step to another. I could name other books where, for example, Hank Pym is killed and then everything changes to such a ridiculous degree that you might mistake Hank Pym for God. Instead, one switch changes the whole Hulk dynamic of the Marvel Universe and everything naturally follows from that switch. On top of that, we have our characters acting in character (except occasionally Betty, who doesn't actually know what her character is) and doing what they can to solve this. One of the best parts, though, comes from Aaron who is fresh off his failure against the Yologarch because he couldn't escape the fact that he's just a robot following code. In this new universe, he is humbled again to find that he still can't break code so, as human as he is, he can't stop attacking Betty, his friend, while he's trying to save her. It's a brilliant extension of the ideas addressed with Aaron before this, and something that comes up occasionally with AIs but is still an engaging idea made far more engaging by the long game Parker has been playing to make us like Aaron so much and to give him so much personality over the course of this series. It's hard for me to understand why this book is ending, though Jeff Parker has assured me it's not my fault so I feel pretty good about that.

X-Factor 257
David (w) and Edwards and Carnero (a) and Milla (c)

"The End of X-Factor" six-part arc has officially started which should bring us right up to Peter David's final X-Factor issue and the final issue of this run on X-Factor (there is some speculation that it will be restarted as a part of Marvel NOW! or Marvel NOW! 2 which is apparently a thing that is happening that I'll probably have to look into more when I haven't written a few overly giant reviews already (stop writing and canceling great books and maybe I'll stop typing so much...but don't actually stop writing great books, okay? And look, in the interest of honesty, I probably won't stop typing so much). We jump right into it as Layla has tracked the demon goat-headed Madrox to Marrakesh, Morocco where he's being held by a boy named Aziz who hopes to use him to open a portal to the afterlife and bring his mother back from it. Yes, it's already kind of the saddest story. Layla, who knows things, has found her powers to be a bit off of late. This run-in with Aziz and his uncle (who has dabbled in dark arts and thinks he can use Jamie to open the portal successfully) was something she saw in her thoughts but it was supposed to be a quick detour as the portal never opened and Madrox was supposed to still be Madrox when it happened, not goat-head Madrox. Unlike her visions, though, they successfully open the portal and goat-head goes in and pulls the mother out. Unfortunately, the mother is a horrible demon thing now and kills Aziz almost instantly before approaching Layla. Layla's forcefield doesn't protect her from this otherworldly being and she's about to suffer the same fate as Aziz when goat-head Madrox pulls the demon back and throws her into the portal. Layla disguises Madrox and they leave, still unsure of what to do next and Layla unsettled by her inaccurate visions.

This is a certainly compelling storyline. I love Madrox, as readers of this blog should certainly know by now, and so I'm happy if this final arc focuses on trying to get him back. The idea that Layla's visions aren't predicting the correct events is an interesting one and how exactly she'll be able to translate those to help could lead to a great story. On top of that, this seemed to be the first time that we saw goat-head show some sort of semblance of an idea of what was happening, as he saves his wife and escapes with her pretty willingly. Whether that's more a survival instinct or part of Jamie's personality coming through is up for debate. Still, the issue was a very quick read and was over well before I was ready for it to end, which is always a good sign, if a little depressing. I'll be interested to see where this one takes us to trigger the ending.

Marvel cancels Gambit, Red She-Hulk

Marvel cancels Gambit after issue 17

As I said in this week's review of Gambit, I do think that the book is finding its footing. The next few issues will still go on to prove or disprove that but sadly for fans of the most charismatic X-Man, it won't particularly matter at that point. By and large I don't think the book was doing anything far off from what's being done in other books, aside from focusing on Gambit, but that didn't make it a bad book by any means. Asmus had a feel for the character and Clay Mann had solid artwork and it's always sad to see a pretty good book go down. However, Gambit books never do seem to last and it seems harder and harder for solo books to gain traction these days. If anything was giving James Asmus and co. hope, it should probably have been Fraction's Hawkeye book, which was a solo title for a character that never can sustain a solo title but, instead of being cancelled, it's gotten huge critical acclaim and seems to sell really well. Hawkeye doesn't feel like a superhero comic, though. Clint also doesn't feel like a superhero or even much of a hero in it either. Gambit toed the line between heist book and thief book and all sorts of other things on that spectrum but, at the end of the day, it still felt like Gambit was a superhero and was doing things to be a hero. Even when he was stealing from people, it was stealing from the rich, clearly bad guys. Again, I don't want to infer that being a superhero book was a poor decision for this title because I don't think it was. I don't know where else you go with this character and I sure don't know enough Gambit history to tell anyone what to do with him. It is risky though, in this day and age where Marvel releases loads of books, to sustain one title about a less popular character (less popular than someone like Cap or Iron Man or Thor) and have it feel like another superhero book. Readers can lose interest in that and you're typically starting off with a smaller base anyway so reader loyalty is hugely important. Still, sad to see this one go, if only because I rather like Asmus. For other fans of Asmus, you should know he'll lead a book called "Quantum and Woody" for Valiant, starting in July. The little promotional poster I got from my local comic book store seems to feature a goat on it, so keep an eye on that title.

Marvel cancels Red She-Hulk after issue 67

Surprising no one whose read the blog except for me, this cancellation stings a bit more. Despite my feelings on Hulk books in general at the time (now I think Red Hulk ranks lowest for me by a pretty wide margin, and that's where this book kind of spawned from), I've found myself engrossed in the story and loving the main characters throughout this run. One of the upsides and also downfalls of Hulk throughout his history is that he's the ultimate Jekyll and Hyde but his change is so drastic that it rarely allows for breaks in the plot. What I'm trying to say is that Hulk is so clearly not Bruce Banner (unless we're talking about one of the several runs where Hulk gains intelligence or Banner gains access to Hulk while keeping his own mind) and they're either kept very separate (to the point of we only see Hulk or only see Banner ever) or they're fighting one another. It limits the amount of plots you can have and it limits how much you can connect with your main character if he's constantly afraid of a green monster coming out of him or if he's constantly a green monster. With the She-Hulks, though, they've both found a way to temper their Hulk state and keep it at a more human-like appearance and a more regular brain state. What I'm getting at in a very long-winded way is that I appreciate the fact that we can understand our main character and her motivations and that she's rather fun to be around. She's still enough different from the human Betty Ross that we know the transformation is more than purely physical, but there's still enough Betty left in her to drive the story and the character. We also got the revelation that the She-Hulks, at least Red, can hulk out even further than they have, which is an interesting turn. Add to all this character stuff that there's a compelling story with a somewhat mysterious villain in General Fortean, an upcoming appearance by She-Hulk, incredibly old machinations by SHIELD and Nicola Tesla himself, and one of the best support characters I've seen re-emerge in recent days in X-51 and this has been a monumentally fun and interesting book that felt different than most other books out there. Sadly, for all my talk above about how Gambit wasn't quite different enough to succeed, Red She-Hulk was a little too different to succeed. She's also a character who isn't popular enough to really sustain readership and the comic wasn't featuring huge guest stars and was featuring Nicola Tesla and a machine that can see the future and possibly make the world run. They were fighting an uphill battle all the way (most of the series that have been cancelled in recent days I've read while saying "geez, I can't believe this is still a series." Not to say they didn't deserve to be, just to say that they didn't quite fit the "successful series" bill). Still, I'm far more sad about this than I would have expected to be just a few months ago. Another solid book down, I suppose.

Winter Soldier 18, X-Factor 255

I know what you're thinking: Tim, you're so good at this blog and you almost always have a reason for choosing a couple of books to be reviewed together, as imperceptible as those reasons may be to us, the wonderful readers! But we are having some trouble understanding this team-up, especially so early in the review week. Friday is too early to have paired up the other books and have these left as the remainders and you LIKE both of these books, you would work to pair them up with things first. In fact, there were several more X-books this week you could have paired X-Factor up with, though we admit we too would have been hard-pressed to figure out with what to pair Winter Soldier. Well, I have some bad news for you upbeat and very complimentary reader. This is "sad day" in the review week, wherein I review two cancelled Marvel books as they live out the rest of their sentence. That's right, though we knew Winter Soldier was cancelled, we've learned recently that the long running and nearly always entertaining X-Factor has also been cancelled. As a proponent of both of these books, I'm depressed over this most recent news, but I haven't the time for a proper retrospective this week and will have to dive into it next week. Instead, I'm writing an overly long introduction to my reviews for this week's issue of each book.

Winter Soldier 18
Latour (w) and Klein (a and c)

Just as with Hawkeye this week, we get a background for the villain of this arc in this, the penultimate issue of Winter Soldier. Tesla Tarasova was, as we know, a child when the Winter Soldier killed her father, a brilliant scientist who focused his work on cosmic radiation. A very smart girl, Tesla was raised in the same horrible orphanage/school that Bucky destroyed a few issues ago. We get a deeper look into life as a child of that institute and find it every bit as disturbing as we may have speculated last time. Every child there is trained to be a killer, a whole school of little Winter Soldiers to end up sold to the highest bidder. However, Tesla was different. Though she still excelled in training and was extraordinarily intelligent, she obsessed over her father's work on cosmic rays and eventually managed to expose herself to some, creating the Electric Ghost. Now her goal seems to be to unleash the same potential unleashed in her in the people like her, people without fear. Instead of seeing James as the man who killed her father and, as one would assume, hating him for it, she sees him simply as being like her, someone without fear and with power to be unleashed. She immediately deduces that he's fighting against his past not because he can't live with what he's done, but because he can live with what he's done. That's a great idea for Winter Soldier. Bucky has, since his return to the Marvel U, been haunted by everything he's done but he has never hidden from it. In fact, he's fully aware of what his past has wrought, including a pretty great arc (when he was the acting Captain America) where he had to fight people from his past and decidedly used the Winter Soldier costume to inspire fear and recognition. The fact that he still wears that costume is very telling of who he is. He fights against his past, but the question has never been raised about why he's insistent on still being the Winter Soldier. Is he simply not willing to shy away from his past? Is he upset about his past and needs to atone for it as the same person? Maybe. But the question itself of whether or not there's a part of him that can live with it is interesting.
So the Electric Ghost doesn't hate Bucky. In fact, she sees a kindred spirit in him and thanks him for changing her life in such a way that she's now here, controlling satellites and making people fear her or overcome any fears. She's so thankful, in fact that she makes out with him at the end of the issue. She doesn't like that he's still chained to Natasha and his past, chained to something like any other normal person. Where will that lead next issue for her and for Bucky? What will become of Bucky after this ends? Is this a way for Bucky to cut his losses with Natasha? I kind of hope not. I love them as a couple and hope that eventually things settle themselves out. But there are all sorts of interesting questions being raised and I worry that one remaining issue might not be enough to answer them all.

X-Factor 255
David (w) and Kirk and Leisten (a) and Milla (c)

The Hell on Earth arc continues (admittedly somewhat regrettably) as Mephisto wins the day. He's defeated all the other Hell Lords while Tier waffled about in deciding to try to kill the Lords or not. Now Mephisto has won and has set himself up as the new ruler of all the hells and is seemingly unstoppable, except for Tier who finally chooses to take the fight to Mephisto. Meanwhile, Monet and Guido continue their fight, both physically and verbally. Guido notices that Monet is getting more shaken up by the fight than she should be and comments on it. She denies it and continues to fight with him, eventually leading to him punching her a little too hard (though, he notes, not hard enough that it should hurt her as badly as it does) and, well, killing her. So that was a shocker. Oh yes, spoilers and all that. Look, it's a review blog and my formula has stayed more or less the same, so there are quite a few spoilers in each review. Maybe I should make more of a note of that. I'll take it into consideration. Maybe clump the summary together more and then leave the analysis separate. We'll see. ANYWAY, Monet just died, what are we talking about? That's a pretty big deal. Of course, people have come back from the dead before in this book (and recently, at that) so it's not out of the question that she'll be revived. HOWEVER, with the book facing cancellation and Peter David never looking for the book to get stale, maybe this is the real deal. Also, one of the cool things (and one of the things I'll miss most about X-Factor) about this book is that no one who stars in this book really appears anywhere else in the Marvel Universe. Someone might make an appearance, or the team might even pop by in an event or something to see what's happening, but they seem to be the largest self-contained team in the 616 and the most self-contained characters in the Marvel Universe. What I'm getting at here, in my long-winded way, is that Monet could very well die here and the Marvel Universe at large would not even need to take notice. It's not like a fake-out Cap death where he's on 90 teams and in his own book so we know he's probably fine. It's Monet in one book on one team and, frankly, if you asked 90% of the 616 who she was they probably wouldn't know unless they were particularly well-informed. That's where this book pretty much leaves off. OH, and Jamie is still a goat-headed demon and Mephisto needs to turn that around stat because Madrox is great.
I alluded to not particularly liking that this arc is continuing at the start of this review and I stand by that. It's a major arc and I guess, when shaped this way, it definitely could have a final story feel to it. Major characters have returned, major characters are dying, major events are happening, etc. Still, it hasn't been my favorite story from X-Factor and I'm going to be more sad if the book ends on this note. I'll say again, though, that's personal preference. It's entirely possible some diehard X-Factor fans are loving this arc and loving what the team is going through right now and are contentedly sighing at the final outcome for our beloved second-tier heroes. Sadly, I'm not one of those people and if the book ends with this arc I'll feel a little empty inside.
I plan on doing a real sort of retrospective on X-Factor at some point but this week is a little busy and I already have my Monday post planned and it's a little more time sensitive than whatever my thoughts on X-Factor are, especially when my thoughts on X-Factor are pretty well documented here.

Another book cancelled

Winter Soldier cancelled with issue 19

After missing the memo last time around about X-Treme X-Men and Age of Apocalypse's cancellations, I created a Google alert to warn me when the term "Marvel cancels" appears. Already, one new cancellation in, it feels a bit like getting a call in the middle of the night from a family member and knowing it can't be good news. Of course, it didn't help that the first cancellation my new alert informed me about is one of my favorite ongoings. So yes, the news is out, Winter Soldier is officially cancelled, ending with issue 19 in June. Suspicions arose with the July solicits revealed this past week and no sign of Winter Soldier 20. So sadly, we couldn't even figure out what Bucky's been doing for 20 issues, we just get the 19. I'm sure we'll get more of what Bucky's up to as time goes on, but for the time being, we're going to be left with what last month's solicits showed, Bucky in space intertwined with someone who may or may not be the Electric Ghost. Presumably it will the arc he's on now, as well as the series.

Readers of this blog will know that Winter Soldier is both one of my favorite ongoing series and one of my favorite characters. I love the conceit behind Winter Soldier and the story of his origin enough to boost him there (let alone his tie with other favorite character Captain America), but through his time in the Marvel Universe his personality and the strength of his books have further cemented him in my heart. I'm extremely saddened to see this series go. It seems like Latour and Klein are both reaching a level of comfort with the character and with the story that would have brought Bucky to new places and new areas of his life. It's particularly sad because Bucky is entering a new point in his life, fresh off re-entering his own life after the brainwashing that created the Winter Soldier. After Brubaker's run ended, he's without Natasha and presumed dead by most of the world. His connections are as diminished as they've ever been and the start of Latour's run aimed itself at reintegrating him into missions from Nick Fury. On top of that, all the things I said about X-Treme X-Men and Age of Apocalypse being really solid and entertaining books that have been kind of pushed to the side for bigger events and titles and characters apply to the Winter Soldier title as well. I'm sad about this, though I think we all kind of knew from the get-go this was either going to kill or never survive. It's the kind of book that has probably more of a niche than most superhero books and those tend to have some trouble surviving (with obvious exceptions like Hawkeye leaping to mind).

As sad as I am about the cancellation, it's not entirely a surprise. Like I said, I think most fans of the book probably knew we were living on borrowed time with this one. In fact, we only got as far as 19 because of the announcement last Comic-Con that the new Captain America movie would have the title "Captain America: Winter Soldier." Brubaker revealed in some of his exit interviews that the book had been teetering on cancellation before that. He had said, after announcing his exit from Captain America, that he intended to remain on Winter Soldier for the foreseeable future, at the time expecting the foreseeable future to put him pretty much where he ended, given the book's cancellation. Instead, the title saw a bit of a sales boost after the movie reveal and Brubaker had to jump ship anyway. Latour and Klein both note in their blog posts dealing with the cancellation (below) that they knew they were fighting an uphill battle when they signed on but that it didn't change their desire to do the book. The problem with a character and a book like Winter Soldier is that, even though fans of the cinematic universe might leap on to the book to prepare for the upcoming movie, it requires the origin story to truly understand. Bucky is so woven into his own history that jumping into the series midway through probably didn't help a lot of new readers, eager to learn about the character who will feature in the motion picture. Also, the motion picture will cast him as a villain and suddenly he's a completely different character, one that audiences of the first Cap movie will recognize as dead, in the book.

I'm sad to see the book go and that's my primary view on this. Was it expected? Yeah, a little bit. Was I happy to have whatever time I got from this book? Sure was. Do I think that this is the end of Winter Soldier appearing in the Marvel Universe? Absolutely not. Marvel will certainly continue to throw Bucky into situations, likely starting with Secret Avengers where he was promoted even before the book launched, because he's a great character and he's well-liked. Hawkeye hadn't caught on in a solo series until Fraction's and he's still cited as plenty of people's favorite Avenger. With a movie coming out, Marvel isn't going to keep Bucky on the bench. So take some solace, then, that James Buchanon Barnes won't be on the sidelines long before we see him again. Will it be in his noir-ish solo series? Probably not. Is that super depressing? Sure is. Is there comfort in knowing good characters won't just fall by the wayside? Yes. So thank you Ed Brubaker and Butch Guice and Michael Lark and Bettie Breitweiser and Jordie Bellaire and Declan Shalvey and Jason Latour and Nic Klein and everyone else involved with this risky book from the start and from the middle and from the end. It was a great title that, yeah, deserved a bit better than it got but certainly gave it all. Pick up every issue from here on out for support and, you know what, go back and buy the rest too.



Writer Jason Latour's blog post about the cancellation can be found here. Artist Nic Klein's can be found here.