THUNDERBOLTS ending with 32

Sad news out of the October solicits this week as it's been announced that THUNDERBOLTS 32, by writers Ben Acker and Ben Blacker and artist Kim Jacinto, will be the last of the series. I've really enjoyed this series, particularly since Soule took over and so far I've enjoyed Acker and Blacker's run (one issue by the time of writing this post, though issue two of their run comes out THIS VERY DAY) so I find myself particularly sad to see this happening, though not entirely surprised. I think we've been fortunate to get even 32 issues out of this one so there's not a lot of room to complain. Hopefully this acts as something of a test run for Acker and Blacker and that they have more opportunities in coming days.

Comics this week!

Hi everyone, ain't got no time for small talk but I'm sure I'll make some along the way. LET'S PRE-GAME.

Avengers World 9
I've really enjoyed this book though I was skeptical going in. Instead, there are, what, three concurrent storylines happening? I'm entertained by all of them! I don't even know what's on the docket this week (at a guess, I'd say Falcon and the Chinese SHIELD whose name I currently forget but I HAVE NO TIME, GUYS) but I'm still looking forward to it!

Elektra 4
This one narrowly edges out MS. MARVEL, which I'm really enjoying and would advise all of you to pick up, because I adore the art on this and I'm really intrigued by the story and the narrative. SHE-HULK also narrowly edged out MS. MARVEL because I've been thinking about it all week so SORRY MS. MARVEL, WOOOOO, I AM FOR REAL.

Original Sin 6
Man, even this edges out MS. MARVEL? Someone screwed up. Anyway, Nick Fury is a one-man space army but he still didn't answer the question about whether or not he killed the Watcher, which means either he totally did it or he's kind of crappy at the job we're told he's pretty good at?

She-Hulk 6
The blue file! People are going crazy at the very mention of it and Wyatt Wingfoot is in a particularly bad spot to go crazy! WHAT WILL HAPPEN TO OUR HEROES AS THIS STORY PROGRESSES?

Thunderbolts 28
Bens Acker and Blacker have started the series off with a literal bang (or at least a literal boom) as Punisher quit the team and was promptly blown up in a safehouse of his. Who will he blame? Who is to blame? Are the answers the same? Boom, rap it.

Marvel announces major change to THOR

A new THOR series will debut in October with a pretty major change for the series as Jason Aaron (THOR: GOD OF THUNDER, ORIGINAL SIN) and Russell Dauterman (CYCLOPS) give fans an all-new female Thor for the first time ever. The news was first announced, for whatever reason, on The View, where inexplicably Jenny McCarthy explained that the new Thor was at some points saved by her predecessor but has remade herself and now is the true Thor. More details have surfaced with writer Aaron quick to point out that "This is not She-Thor. This is not Lady Thor. This is not Thorita. This is THOR. This is THOR of the Marvel Universe. But it's unlike any Thor we've ever seen before."

This strikes me as a really compelling move. As Marvel has clearly gone above and beyond in answering criticism about their lack of female-driven books by delivering a slew of really fantastic ones over the course of the past couple years, a female Thor no longer feels simply like an attention grabber. It is a huge shift, and not just because now Thor is a woman (while the original Thor remains in the universe, as seen below with an axe and a prosthetic arm). This rather changes Asgard in a lot of ways that I'm sure will be seen as the series launches. Just like with the recent announcement that there will soon be a new Captain America (did we talk about that? I feel like we didn't because I think I was at work when I found out. Well, guys, there's gonna be a new Cap) with Steve depowered and running things from the sidelines, the once-Thor and the new-Thor in the universe at the same time makes for a compelling shift. We'll see how it all pans out.

Leftovers 7/9/14

100th Anniversary Special: Amazing Spider-Man 1
S. Ryan (w) and I. Lee (a and c) and Cowles (l)

Another glimpse into the future as we see where Peter Parker might be in another few decades, battling Kingpin over a techno-symbiote, a Venom that grants him access to the world's electrical data. In a city where even the cars are connected to a giant grid, it gives him unparalleled control and the ability to hunt Peter at any turn. Peter manages to escape into the technology-less Central Park and make himself a torch, which he wields as Venom approaches. He dives at Kingpin with it and manages to burn off the suit, taking Kingpin down. He returns home and we learn that he's recently lost Aunt May (hard to feel too bad, she lived to maybe 700 years old, given the way she looks in early SPIDER-MAN) but he's ready to keep fighting. It's not a bad in medias res book (though it claims to be 8 of 8 and it's the first time Kingpin is revealed as the villain, so it's indicative of a pacing problem in the arc) and Sean Ryan's writing doesn't over-explain too much (as would be the temptation as you jump into a whole new world and the end of an arc) while In-Hyuk Lee's art is very impressive. Strong stuff, certainly entertaining enough to read, though it seems a little heavy-handed about the role of electronics and the pace of technology and so forth. 4/5

All-New Invaders 7
J. Robinson (w) and Laming (a) and Guru eFX (c) and Petit (l)

Torch continues to explain to SHIELD agent Malloy what happened with Radiance, which leads to a story within a story within a story and ALL OF THEM ARE BORING. The original Invaders were set to cause a tsunami in Japan that would likely end the war but Golden Girl, Radiance's grandmother, could not abide the loss of innocent lives the tsunami would cause. She and the Kid Commandoes fight against the Invaders and eventually cause them to see the innocent people and they all refuse to go through with the plan, prompting the army to drop the bombs. Radiance backs off, ashamed that she took such steps to nearly really hurt some people, and Torch takes the fall for her and he explains it to Malloy and Malloy is apparently an alien AI and I DO NOT CARE. This book has SO MUCH over-exposition, kicking off with Malloy literally saying "let me list what you've said" at one point and it's just stuff like that that make this one of the most poorly written and therefore boring books I've seen. 1/5

Amazing Spider-Man 1.3
Slott (w) and R. Pérez (a) and Herring (c) and Caramagna (l)

As the science fair approaches, Peter decides to enter a magnetic device he used against the Vulture. It fails to impress but it works well when Clayton Cole shows up at the fair in his Clash get-up and Peter assumes the worst, changing to Spider-Man and attacking before Clash can hurt anyone. Of course, it makes matters worse and Clash is more powerful than he was before. Spider-Man forces him to flee with the magnetic device but has earned the ire of everyone around and his turned Clash even more against Spider-Man. This is a fairly slow issue with equal time given to the new storyline as to the old ones (like the Vulture fight) so you already know a lot of the stuff that's happening. More than that, though, it reverts Spidey to his original personality maybe a little too well, making him far less likable and more reactionary. He is rather the cause of all of these troubles (with a generous helping of Clayton Cole's insanity). 2/5

Avengers Undercover 7
Hopeless (w) and Walker (p) and Gorder (i) and Beaulieu (c) and Caramagna (l)

Chase is in neurosurgery even after Nico uses her power to heal his chest and it rather sends her off the deep end. She's been training with Alex, her evil, one-time, thought dead boyfriend, who has determined that her power is legendary but her willingness to use it is holding her back. When Chase returns near death, she flips and decides to give up, letting in to her more wrong desires and kissing Alex. Meanwhile, Maria Hill, Hank Pym, and Steve Rogers lament the loss of AIM's prisoner, a SHIELD agent named Crenshaw who pretty much built their entire communications security and who is now in Zemo's grasp and Cammi, kept quietly in a cell, creates a peephole to see where she's being kept only to find out that it's right above Zemo's living room. She sees them celebrating, Zemo's hand around the waist of a woman with her back to the cell, and can't figure out what the celebration is for, leading her cellmate, the still alive Arcade, to offer some theories. Really interesting book as these kids only get more interesting and as their situation seems to get more dire. Lot of fun with a couple of good twists and turns and the promise of the next issue zooming us three months into the future. 5/5

Deadly Hands of Kung Fu 3
M. Benson (w) and Huat (p) and Yeung (i) and Aburtov (c) and Sabino (l)

Shang-Chi, with the help of the Daughters of the Dragon and MI6, follows after White Dragon and a mysterious friend, learning that they've taken hold of a book of powerful dark magic. Shang is joined by sometimes adversary Skull Crusher, also believing White Dragon is up to something too sinister to continue. They sneak into the White Dragon's lair and come upon him, managing to subdue him but ultimately succumbing to the magic in the room. Then Dragon's friend appears, revealing himself to be Midnight Sun, brother to Shang-Chi, who is set on taking his father's place and running the crime world of England. They've already killed most of the Triads' leaders, using their heads for their enchantments, and White Dragon offers up his own to Midnight Sun, who takes it and then proceeds to take Skull Crusher's. Things look as bad as they have for Shang-Chi, who is facing quite an adversary in his own brother. The book moves well and doesn't over-explain, though still gives enough of a sense of things for unfamiliar readers to get a foothold in the story. I'm also particularly partial to Huat's art after X-MEN LEGACY so this book is doing pretty well in my book, though it does get a little too deep into Shang-Chi's story for the casual reader. 4/5


Deadpool 31
Posehn and Duggan (w) and J. Lucas (a) and Staples (c) and Sabino (l)

While Deadpool and Dazzler keep pulling apart the vampire nests, Preston meets with Butler's brother in Chicago. She meets Ellie, who has something of a fondness for violence and gore, but she's asked to leave by Utler before anything really happens. However, a separate task force appears to capture Ellie and Preston manages to all but fight them off. When she's shot and taken out in the process, though, she manages to spend a text to Deadpool to tell him what's happening, which sends him looking for any help to get him to Chicago quickly. After exhausting all his likely allies, he happens upon Thor at Avenger's Mansion, who allows him to hang on to Mjolnir while he throws it for Chicago. The book moves pretty well and advances the plot nicely, though the vampire hunt seems to be taking something of a backseat to the Ellie situation, which feels a little strange. The art is maybe a little more disconcerting than I'd like but otherwise, pretty strong showing. 4/5

Fantastic Four 7
J. Robinson (w) and Kirk and Haspiel (p) and Haspiel and Kesel w/Magyar (i) and Aburtov and Woodard (c)

Johnny ruined Reed's chance to help Ben in the past and now Thing remembers it all and demands Johnny not speak to him again. He leaves Johnny's apartment and heads to the bar, where he gets a call from Alicia saying she's been kidnapped by her step-father, the Puppet Master. He rushes to her, calling Reed to come help on the way. When Reed arrives, he finds Thing standing over the body of Puppet Master, swearing that he didn't do it. Much of the first half of the issue is dedicated to the ORIGINAL SIN flashback, which is rather unnecessary as we pretty much got the gist of it last time. There's still plenty going on with Puppet Master and it feels like this is the sort of crime/trial/mystery that could go on for a while and maybe have an easy wrap-up. Still, the book reads alright, though a little over expository, and the differing art styles (Haspiel for the OS flashback and Kirk for the rest) work for their parts. 3/5

Nightcrawler 4
Claremont (w) and Nauck (a) and Rosenberg (c) and Sabino (l)

The Trimegas attack the school and Wolverine and Nightcrawler find that Margali has escaped after dismantling Storm and Beast to just their memories. Amanda sets to work repairing them but finds that they have memories missing, specifically the ones about Kurt's return. Her plan seems to be to go to Heaven and conquer that world with her Trimegas and her magic but Kurt and Amanda find and stop her out on the lawn, though not before she opens a portal between the two. Amanda dives into it to help close it from that side but Kurt is barred access, already having chosen to leave Heaven. She refuses to let him try, fearing he'll erase himself from eternity of he tries (??) but promises she'll be waiting for him and the portal closes. The adventure is a fairly strong one and it intends in classic Claremont fashion but the issue is bogged down a little by unnecessary dialogue and explanation, such as Nightcrawler's inner monologue that runs through his list of everyone fighting, something that has come up in just about every issue so far and which wasn't even necessary the first time. There are things here that are interesting but they'll have to get past the bogged down presentation to really unleash them. 3/5

Original Sins 3
Inhuman: Soule (w) and Browne (a) and Delgado (c) and Cowles (l)
Young Avengers: North (w) and Villalobos (a) and Gibson (c) and Cowles (l)
J. Jonah Jameson: Slott (w) and Bagley (p) and Rubinstein (i) and Mounts (c) and Cowles (l)

An Inhuman named Lineage learns that Black Bolt started a war with the Kree, the Young Avengers are convinced to make a mini-Cerebro for the Hood to learn everything they can from the drug addicts who took too many secrets, and J. Jonah Jameson fires a young reporter who digs a little too deep into Spider-Man's past only to learn that Jameson had once reviewed Spidey's one-man show positively. The INHUMAN story, written by INHUMAN writer Charles Soule, seems to indicate more coming, the YOUNG AVENGERS story continues to be well-written with a lot of fun moments but ultimately a little slow, and the Jameson story is a fast enough read that it's just a cute little one-off. Can't complain too much on this one. 4/5

Spider-Man 2099 1
David (w) and Sliney (a) and Fabela (c) and Caramagna (l)

Miguel O'Hara, posing as Mike O'Mara in the present, is the Spider-Man of 2099 but he's trapped in 2014 and trying to make ends meet. He works for Alchemax, the company that will go on to ruin the world by his time and he rents a pretty crappy apartment in the city. He's chased by something of a timecop, sent back to destroy him before he changes anything, but he manages to outmaneuver it, causing it to blow its own head off instead of his or Alchemax owner Liz Allan. As Spidey 2099 leaves her office, Liz has her assistant verify that no windows have been broken, believing that this Spider-Man is on her payroll somewhere. There are interesting things happening as this series kicks off, particularly with the added twist of an intelligent Liz Allan immediately taking steps that seemingly no one else has ever taken for Spider-Man, but the issue starts to get a little too cute as banter slows things down and makes the timecop (from future agency TOTEM) almost comical at times while being threatening and cold at others. Still, strong first entry and only a couple times with Miguel saying future-swear "shock." 4/5

Superior Foes of Spider-Man 13
Spencer (w) and Lieber (a) and Rosenberg (c) and Cowles (l)

Chameleon managed to get away from the crime scene as the cops and Mach VII showed up, but most of the other guys were taken away. Boomerang and his team, though, successfully snuck out with the portrait, planning to head to a safehouse. Meanwhile, Shocker and the head of Silvermane make it out of their predicament when Shocker realizes he can use his gauntlets to fly away from Hammerhead and his goons. He lands at the safehouse before Boomerang, setting Shocker and his old team for a reunion. The book drags a little bit when it focuses on Shocker and Silvermane but overall it's an incredibly fun book with a lot of truly funny moments. Many books that go for funny fall a little flat because they seem to come out of left field or the situation doesn't really call for funny or something like that but this book reliably manages to hit just the right tone and to keep the book fun. Strong showing for this one. 4/5


Wolverine 10
Cornell (w) and P. Woods (a) and Curiel (c) and Petit (l)

Sabretooth has access to the weapon now and is ready to transform New York entirely, making it truly Darwinian world, one where his strengths should set him up to be the ruler of all (which seems to work in counterpoint to his new CEO Sabretooth appearance). Meanwhile, Wolverine tracks him with help from the X-Men, to whom he apologizes, and prepares to attack with the help of his Guerica Bar pals, to whom he apologizes, Thor, to whom he apologizes, and SHIELD, to whom he apologizes. Wolverine has decided to accept help finally and now it'll be a matter of timing about whether Wolverine's forces can stop Sabretooth before he unleashes his weapon. Things are shaping up here for a big final showdown but it's still slowed by the stupid Guernica Bar stuff, the maudlin Wolverine, some weird art, and CEO Sabretooth. 3/5

Captain Marvel 5, Daredevil 5

Captain Marvel 5
DeConnick (w) and D. Lopez (a) and Loughridge (c) and Caramagna (l)

Captain Marvel realizes that the Haffensye aren't intercepting goods coming to Torfa, they're covertly mining the planet for natural resources, in this case vibranium. This also explains the recent sickness that's washed over the community, a reaction to the vibranium and easily treated now that they know with what they're dealing (like so much House). Carol and her team (sans Tic, who has been captured) explain everything to the people and Carol goes on to deduce that some of the once-friendly Sentimault, still living amongst them, are helping the Haffensye mine the vibranium and that said vibranium is to be delivered to J-Son to give the Spartax an impregnable army. The Haffensye and J-Son are quibbling over the vibranium themselves and Spartax is prepared to come to the planet and take it on their own, only to be met by a war-ready Captain Marvel.

With the mystery solved, Carol returns to form as she makes herself heard and refuses to leave a struggling people even as their leader tells her that she should not get involved. The final pages of the issue, giving the audience another emotional speech, not unlike the the first issue of the last volume (wherein Carol received advice and strength in a letter from her childhood hero), that has been something of a driving force for DeConnick's run. Following that is a pretty gorgeous double page spread that shows Captain Marvel hovering in space, staring down a fleet of Spartax ships. It's a powerful moment and one that sticks with the ongoing feeling of the book and the strength of Carol's character through this run. It's a solid way to end the issue.

Total Score: 5/5


Daredevil 5
Waid (w) and Samnee (a) and J. Rodriguez (c) and Caramagna (l)

We flash back a few months to Foggy's last minutes "alive" to Matt explaining to his friend that faking his death is the best way to proceed, that it's the only way to get him out of the spotlight and to ensure that his treatment isn't tampered with. As they run through the park together, Ant-Man in Foggy's blood to keep trying an experimental method to deal with some of the cancer, Foggy complains to Daredevil about how hard it will be to pick back up when they reveal he's not dead after all, that he's not a superhero and normal people don't just return from death. At that moment, "supervillain" Leapfrog emerges from a pond in new battle armor, picking up Foggy and scrambling away with him, proving Matt's fears about leaving him in the open. DD pursues and eventually catches up with Leapfrog, managing to snare him. Leapfrog tries to escape, hoping that Daredevil will focus on his friend rather than the villain, but DD catches him, believing Foggy can handle himself. However, everything changes when Matt realizes that Leapfrog was desperate to escape because his abandoned suit is actually a bomb. Matt makes a big show to yell to foggy that the suit is a bomb and he needs to get it out of the city, that he's the only one who can enter it in time and leap high above the civilians. Foggy doesn't hesitate, climbing in and preparing to sacrifice himself. As the suit explodes in midair, Ant-Man returns to the ground with Foggy. Everyone believes Foggy's dead after a very public and extremely heroic sacrifice.

It's a nice Foggy-centric issue here (always like those) and it answers a couple of questions hanging over the series and over Daredevil's decision to reveal himself to the world. It's, admittedly, maybe a little convenient as Leapfrog makes his perfectly timed appearance, seemingly not orchestrated by Daredevil, and there's no way to make the ending anything but predictable for the audience, who should remember Ant-Man is with Foggy and who, of course, knows that Foggy survives, but Waid and Samnee do a good job to keep the action and the fun up anyway, giving something of a laugh as Daredevil very obviously lets the entire street know what's happening as he yells to Foggy while still making it a poignant and feel-good story as Foggy, not realizing that he'll be saved, immediately makes the choice to save everyone else. Solid issue with more great Samnee art and Rodriguez colors.

Total Score: 5/5

Bucky Barnes: The Winter Soldier ongoing, Death of Wolverine: The Logan Legacy mini announced

Couple of news announcements this week out of Marvel and they're pretty big ones (well, one is. The other is fairly predictable). The first is the announcement of a new ongoing, BUCKY BARNES: THE WINTER SOLDIER. Writer Ales Kot (SECRET AVENGERS, IRON PATRIOT) and artist Marco Rudy (MARVEL KNIGHTS SPIDER-MAN, NEW AVENGERS ANNUAL) plan to take Bucky all around the Marvel Universe, having him do his spy work anywhere and everywhere. It's an interesting move, one that was certainly bound to happen given the success of the movie and the success of the character, even pre-movie. I'm still lukewarm on Kot, not enjoying his SECRET AVENGERS pretty much at all but finding myself liking IRON PATRIOT. On the other hand, I'm already anything but lukewarm on Marco Rudy, absolutely loving MK SPIDER-MAN and his recent Dr. Strange-centric NEW AVENGERS ANNUAL. It'll be interesting. BUCKY BARNES: WINTER SOLDIER is set to debut in October.

The other new announcement is the follow-up to the anticipated DEATH OF WOLVERINE series later this year with a mini-series entitled DEATH OF WOLVERINE: THE LOGAN LEGACY. A seven-issue mini set to run through October, November, and December, will alternate creative teams, placing the focus on various villains, mostly (with a nod to X-23). The first and the final issue will both be written by DEATH OF WOLVERINE scribe Charles Soule. It has drawn comparisons to the post-Captain America death book FALLEN SON. So that's two more new books coming with big, long titles, because apparently Marvel doesn't care about bloggers who have limited tag-space on a given post.

All-New X-Men 29, Amazing X-Men 9, X-Force 7

All-New X-Men 29
Bendis (w) and Immonen (p) and Von Grawbadger (i) and Gracia w/Keith (c) and Petit (l)

X-23 hits Xavier Jr. from behind, breaking his grip on the Stepford Cuckoos and releasing everyone, including his own Brotherhood, from his hold. As he attempts to regain control or to get the X-Men to kill one another, Jean Grey and the Stepfords team to keep him at bay while Laura keeps Raze busy. Eventually, after much banter, the X-Men capture Xavier and Raze, sending them to SHIELD with the explicit direction that they keep strong power dampeners and sedatives on the pair, while the innocent "members" of the Brotherhood are sent back to their own time. STILL, somehow, worst-character Maria Hill allows Xavier to write a message to himself in the future, warning them that this plan didn't work either (presumably she didn't know that's what he'd write, but come on). Also, Warren takes X-23 out on something of a date.

The cyclical and continuous nature of comics means that you almost never see a door explicitly closed. Even when, say, Si Spurrier erases David Haller from the Marvel Universe entire, there's almost always some sort of backdoor. Spurrier didn't really leave one but he acknowledged that someone could certainly come along and change things back anyhow. Still, this "enemies of the future can't be defeated until their dead" sort of backdoor is a dangerous and cynical one, one that allows a seemingly infinite amount of second chances. What might be more dangerous (and perhaps more cynical from me) is that I'm already totally sick of Xavier Jr. and his story. I was sick of it in BATTLE OF THE ATOM. Also Maria Hill continues to be terrible simply to move the story forward and now X-23 and Warren are a thing, apparently. I feel like this is all a new coat of paint on an obviously old story (guys, it's not even THAT old).

Total Score: 2/5


Amazing X-Men 9
Yost and Kyle (w) and Barberi (p) and Wong, Meikis, and Barberi (i) and Rosenberg (c) and Caramagna (l)

The Wendigo curse is spreading, having already enveloped an entire town, and no one is quite sure how to handle it. The US military wants to keep it across the border, though they're eventually outvoted by Thor and Captain America. Meanwhile, officials are suggesting people move south, hopefully keeping the plague behind them. The X-Men, of course, are trying to find Wolverine in all of this. Eventually they manage it, tracking Wolverine and his newfound allies Talisman and Puck, but they're still heavily outmatched by the power and numbers of the Wendigo. Talisman thinks, given enough time to perform the spell, she can change the Wendigo back to their true human form. The X-Men circle her to give her the time but the fight has proven too much for Wolverine, who collapses, turning into a Wendigo himself, and attacks Talisman.

Yost and Kyle, in their second issue of this young series and of this arc, keep the action up here, showing a true Wendigo infestation and making sure to illustrate just how devastating it is. It's so big that two prime Avengers make an appearance in an X-Men book. There's a bit of characterization mixed in with all of the action and the tone, with each character getting a little bit of time in the spotlight, at least long enough to establish a bit about his or her personality. It's a strong issue though I think it suffers a little from a strange desire to jump around in time and to cast the scale of the disaster against a running news broadcast about it. It stretches the issue a bit longer than it needs to be, slowing things where you don't want anything to be slowed. Still a strong issue and another good look at the new creative team.

Total Score: 4/5


X-Force 7
Spurrier (w) and R. Kim (a and c) and Sabino (l)

X-Force has the closest thing they're likely to get to a day off and they're spending it at home, mostly hitting on one another. Psylocke flirts clumsily with the guaranteed one-night-stand Cable but retracts it later when he goes a little too fundamentalist for her liking, MeMe pulls Fantomex into her world, using the Nantes in his head to tell him that she's bored and maybe they could hook up at some time, and Marrow is convinced that Doc Nemesis wants to sleep with her, even as he explains to her all the ways she's broken. Meanwhile, a past Cable had sent Domino to follow a money trail that would point to Volga's investors which pits her directly against Volga in his new robotic body even as Cable forgets she's out there. The issue ends darkly as Volga (who has been spying on X-Force) captures Domino and as Fantomex reveals that he's been killing Cable the last few days to make himself feel more important.

I talk frequently about the occasional need for a series to take a slight break, something to reset the action and slow things down a bit. X-FORCE, unwilling to really take time off, keeps the pace and the darkness off by introducing frequent Cable collaborator Domino to the series and immediately having Cable's "die everyday" revelation have some serious repercussions. Cable going fundamentalist by promising that X-Force will not cease and will even spy on possible threats to make sure their goals are achieved is paralleled by Volga making a speech to Domino that says more or less the same things Cable is, even ending with a pair of panels that put Cable and Volga's faces side-by-side. METAPHOR.

Total Score: 5/5