This week's picks

Geez, I usually use this space to talk about how hard it was to narrow things down on a week full of comics. Not so, this week. Pretty easy and I had it pretty well in hand from the get-go. Apologies to IRON MAN and MARVEL KNIGHTS SPIDER-MAN which were pretty much the closest ones to making it but weren't close enough to warrant further discussion.

Avengers World 1

AVENGERS WORLD feels like Avengers back-to-basics, giving us a look at smaller teams dealing with smaller problems. Don't get me wrong, they're still pretty big problems, big enough to warrant the Avengers' involvement, but it's smaller than what Hickman's done throughout the AVENGERS series. It also breaks the team up into more manageable parts, so hopefully we'll get to see a little more personality out of the team as a whole. Interested to see where this one goes and I think it made the right steps in issue one.

Black Widow 1

Truly gorgeous book on its first time out and one that has the plot power to deliver interesting stories throughout its hopefully long run. I talked a little bit about how BLACK WIDOW books don't tend to last long for one reason or another but I hope that the distinguishing art and the full spy-feel of this book hold reader interest long enough to put this one on the map. With a slew of woman-led books coming out this year (though very few of them still created by women, sadly), it would be a real shame if a couple didn't catch on. High hopes for this one.




Young Avengers 15

One of the best comics of 2013 has, horribly depressing as it is, officially come to a close in the first comics week of 2014 and, while I'm sad to see it go, I'm happy that it got to finish the way it wanted to finish. YOUNG AVENGERS 15 is an homage to the rest of the series, a love note to the title at large that gives a final look at our characters as individuals dealing with their new lives and lets us see them as a team one last time. More gorgeous art out of Becky Cloonan (whose art may be the most impressive in the issue), Ming Doyle, Joe Quinones, Jordie Bellaire, Maris Wicks, Matt Wilson, and, of course, Jamie McKelvie and some top-notch character writing from Kieron Gillen to send this series to archives. Sad time but at least we got more than we could have ever asked from this series.

This week's picks!

Okay look, this post doesn't need to exist but I also feel like it's tradition and so it has to. However, picking three of the four books out this week (in keeping with my normal number of picks) seems petty so I'm only going to pick two. And anyone who read either of the last two posts know which two I'm picking so let's keep this short.

New Avengers 13

Solid book, great series, plenty to look forward to. Really complex and neat mythology that Hickman's built for the foes over in this one. As impressive if not more (time will tell) as the Builders.





Superior Foes of Spider-Man 7

Really fun issue, slots impressively with the (small) existing history of the Beetle. This book has been moving up and I'm glad to see it's finding its niche and its footing.

This week's picks!

Another long week filled with long comics and some that felt too long and some that felt too short. Honestly, more that felt too long than ones that felt too short. I feel like I have to note here that CABLE AND X-FORCE barely didn't make the cut this week, which would have made this an incredibly easy list of picks to find in the comic book shop as they would have been all perfectly in a row on the shelves.

Captain America 14

Rick Remender continues to push Cap to his absolute limits and we're seeing it out there. It's rare that Cap is put through such unquestionable tragedy and put through something that maybe even he, who has seen just about every sort of horror, can't get past but it's possible Remender has found something of that sort here and it's coming through in very intense ways. One of the debates that has raged for a while with Bucky-Cap carrying a gun and whether or not Cap kills people and so on but I've always landed on the side of "Steve Rogers is a soldier. He has done these things. He's a great guy and has an unflinching moral compass but he does what needs to be done." That starts to come out in this issue with the idea that he might kill Nuke, with his rational brain saying that it's this or all of Nuke's future rampages are on his head but we can see as an audience that there is no rational brain here. On top of that, Falcon has some good moments and has to ask some questions himself. Just a lot of strong stuff happening here.

Captain America Living Legend 4

I've really liked this mini throughout and I think it ended just as strongly as it started. Throughout, I lauded this book for creating real-feeling peripheral characters who created sympathy for an entire nation and for the civilians in these crazy situations. It continues right up to the end as Colonel Gridenko immediately develops into a strong character when he's brought to the forefront of the story. It's a really interesting story and it's got solid writing and absolutely phenomenal art, making the whole of this series totally worth reading. Always nice to see writers I've not seen write Cap before write him really well. Sometimes you run into popular writers or people you've seen before take him and really just blow it. I didn't see that at all here. It didn't hurt that everyone had a good role in this series.





Superior Foes of Spider-Man 6

This one makes the cut over CABLE AND X-FORCE and THUNDERBOLTS, particularly, because of its sense of fun and it's pretty quick-paced tone. There's a lot happening here in terms of story and character but the fun of it all really comes out in the dialogue. I mentioned in my actual full review that the best scene came in the argument between Boomerang and Mach V as Mach V accuses Boomerang of breaking his parole and suspects him of continued supervillainy. One thing that's been obvious throughout this series is that Spencer has a real voice in his head for Boomerang and that's really been the driving factor of the book as a whole. As intriguing as parts of the plot have been (even when they move somewhat slowly) the key to the series has been the distinct voice and the tone of the book as a result. It's at its strongest here and it makes the book strong in turn.


Best Cover
Thunderbolts 19

I mean, look at this cover. Hilarious. Compare it to the first issue of THUNDERBOLTS and you can probably see the change in tone for the book, a change that I think has made the book far better and far more unique.

This week's picks

Kind of a short week for new books (I still feel like I missed one or two out there. Not counting the All-New X-Men special because I certainly didn't miss that one). Still, short week didn't mean there weren't standouts. LET'S GET TO IT, FRIENDS.

Captain America Living Legend 1

I like where this one is going and I'm excited to see it through. The first issue, with rather limited facetime for Cap, brought us solid characterization for the series antagonist and even a good amount for the series protagonist. On top of that, I mentioned in my review mostly seeing Adi Granov's work on covers and how nice it is to be seeing him on interiors. That one hundred percent still stands and, now that I've had a little bit of space from my review, may even be a stronger plus for this book than it was before. It's just really astounding art, very majestic. I've said before (during the first arc of Daredevil Dark Nights) that it's almost cheating putting this much snow on the ground in a comic because snow, when you're not standing in it, is really absurdly lovely. That happens a bit here but it's not as much the focal point here as it was in Dark Nights. It's just a lovely backdrop for truly phenomenal art. Good stuff, you guys.

Marvel Knights Spider-Man 1

This book, I'd say, gets the benefit of a rather slow week. Even typical standout Iron Man had less of a showing this week as the hero/villain climax was mostly resolved last issue, putting Tony up against a ticking clock for half of the issue and putting him up against a birthday party for the second half. That's not to demean this book; it still earned its spot over Iron Man and Hunger and Mighty Avengers. However, this is definitely one that will need to stick the landing in the second issue to push this series from definitely interesting to definitely good. The worry with books that are more experimental is that they don't necessarily have anything hiding behind the surprising look and feel of the book. On the plus side, Rudy's art is phenomenal so even if this does end up thinning out with ideas, we'll have to look forward to. In truth (and with endless optimism), I'm not overly worried about it not pulling its weight. I think it's going into a good spot. Also really encouraging on Marvel's part that two of my top picks this week are the first issue of a new series. Constantly moving in the right direction (except in certain X-related fields, perhaps).

Superior Foes of Spider-Man 4

This one gets the call because of how strangely fun it is. This book has been moving for that tone throughout but I really felt like it hit here. The story is still advancing (albeit in its own time) but we're more concerned with the characters in this series than we are with the story. That's a risky move to pull in a new comic, especially one that focuses on a character we haven't really examined before. It's not Spider-Man, who we all know pretty inside and out and who can sell a book even if it's just about his personality (though don't be mistaken, the fact that "Spider-Man" is in the title is one hundred percent Marvel showing that they know what they're doing). Now that it's spent a few issues developing character and story, it can really delve into those characters and their relationships, a little more secure in their resolve. Really solid, really fun issue with an exciting little twist at the end. It steals the "fun" spotlight from Thunderbolts this week, which, as the last two T-Bolts issues have proven, is not an easy thing to do.

This week's picks

Thee were a lot of books that were good this week but not too many that really stood out as blowing me away. That's not a bad thing; I'll take a book that's reliably good over a book that hovers around a mediocre point with a few blow-away issues mixed in. It's incredibly rare for a series to blow you away with every issue (though there are a couple books I'm skipping over this week in picks that have kind of done that throughout their series). That said, I do think there were a good deal of good books and plenty that I think laid the groundwork for possible huge issues. Still, this post requires a few books that stood out beyond the rest so HERE THEY ARE, in alphabetical order yet still somehow starting with 's.'

Secret Avengers 9
I've been a bit put off by this series so far, which I think has a lot to do with the needed set-up for the series, which is fairly convoluted, and the focus on SHIELD as an organization. SHIELD is a tricky animal because it exists so prevalently in the Marvel Universe but kind of needs to be crappy so that our heroes can shine. This issue still focuses on SHIELD in a wide-angle sense but it's more personal, dealing with Johnson vs. Hill. It's a more intriguing story and it's pretty easy to follow, even with the persistent talk of mind-wipes and international incidents. As I said in my review this week, the Secret Warriors feel doesn't hurt the book either. I'm not going to lie, this also gets added points for the inclusion, though we knew it was coming, of Winter Soldier. This is a good role to put him in, squaring him up against SHIELD knowing that they're toying with Natasha's memories (even if she agreed to it). Should be fun going forward. Also nice to see Guice drawing Bucky again.


Thunderbolts 15

Speaking of fun, this book is absolutely full of it suddenly. There's a real characterization to this Thunderbolts team which is rather the characterization I was waiting for when the lineup was announced. It's a solid team that lends itself to both tension and a sense of fun, in the same sort of way an action movie can. Deadpool's a great character for that feel because his brand of fun can be both like an action movie and something else entirely, just regular type fun. For example, this issue finds him strolling the streets of New York, being called Spider-Man and kind of rolling with it. It's not like the our and sometimes obnoxious Deadpool who would proclaim himself Spider-Man and get a little too into character, shouting through the streets. Instead, it's a Deadpool who is called Spider-Man and kind of just goes "yup, sure. Web things are broken so I'm taking the subway." It's a really good Deadpool, you guys. Even with the fun sense in the book, there's a real underlying tension ready to burst, with the Leader quietly sabotaging Red Hulk and the extremely powerful Mercy just dying to get freed (dying, that's kind of a pun, you guys, keep up). Really solid book. Still really like the artwork here.

Ultimate X-Men 31

This book continues to be one of the best books out there for pacing and overall storytelling. That's not to say that characters are a weak point or anything, I'd still say they're fairly well-defined, even given how big the cast is. But the tension, which continually ramps up without feeling overwhelming, is a really impressive touch. That's been true arc after arc and it continues here, as Kitty and Jean both react to moves made by the other. There's a lot happening and it would be easy to get lost in subplots or minutiae here but Wood stays his path and keeps putting out a really reliably good book with strong characters. Also, for all the worry of a lack of strong female characters in comics, this one features a few really solid ones. Kitty leads the pack but there's also Storm, Rogue, Mach Two (even for her age), Jean (even for her crazy), and plenty of smaller characters we haven't seen much of but who haven't been weak, for sure. Really good book all around, continues to delight issue after issue. I'd have to say this is one of the most consistently worthwhile buys.


Best Cover - Ultimate X-Men 31
G. Hardman w/ E. Breitweiser
I've long been a fan of the Ultimate X-Men covers which tend to go more for symbolic or idea over a standard comic cover of a specific character or characters doing something rather extreme. This week is a change from that as we get three of our lead characters driving and riding in a jeep while attacking an unseen target just to the side of the camera. It's a well-drawn cover but really, this goes back to the coloring for me, which is superb. There was a nice comforting feeling about this cover when I first looked at it, like someone I hadn't seen for a while showed up again in my life. That's exactly what happened, in fact. These are, one hundred percent Bettie Breitweiser colors and guys, she is amazing. I said way back in my post about colorists that Breitweiser was the first real colorist I noticed and could pick out because her palette was so defined. Even these colors, which aren't really the colors I've seen her use too often in the past (her great work through a lot of Captain America and Winter Soldier stuff tends to stray darker than this), stick out as being part of that very specific palette. Really wonderful stuff. This one beats out another solid Shalvey/Bellaire Venom cover and a Samnee/Rodriguez Daredevil cover.