Death of Wolverine 4, Death of Wolverine - Logan's Legacy 1

Death of Wolverine 4

Wolverine arrives at Dr. Cornelius' laboratory to find the doctor majorly behind the Weapon X program and responsible for his adamantium skeleton has been trying to perfect his technique on what would be a fully controllable, adamantium, healing army, claiming that he wants to better the world in a way he couldn't with Wolverine. He derides Wolverine as simply a killer, even named after the only animal (aside from man) that kills for pleasure, and explains that he doesn't want his legacy to be making a killer better at killing. His problem so far, and why he's wanted Wolverine and others, is that he can't seem to perfect the healing factor the would-be soldiers need to survive the adamantium. Of course, that doesn't go so hot since Wolverine no longer has his healing factor and, after he puts down Cornelius' protection, forcing Cornelius to flee, he destroys the machines, causing the last of the adamantium Cornelius has secured and re-used for hundred of experiments to pour out over him. He grabs the last syringe of passable healing factor Cornelius has been using and follows Cornelius to the roof, where his getaway chopper pilot bails before the wounded Cornelius can follow him. Cornelius bleeds out on the roof asking what Wolverine has ever done besides kill. As the adamantium hardens on our hero, he decides he did enough, looking into the sun as he solidifies.

Wolverine has always been defined by a number of things, particularly his animal nature and the Weapon X program. Soule and McNiven crafted Wolverine's death story with that in mind and, as such, gave us a final Wolverine story befitting the well-loved dark and mysterious hero. It's a story that allows Wolverine to go out unquestionably as the hero, destroying a mad scientist's attempts at making an unstoppable army and ensuring no one else goes through what he's gone through, while doing it quietly, succeeding in a way that, as Wolverine himself says it, is enough. Most hero deaths, when they happen, happen in front of witnesses, ranging from the many to the few but always with shocked onlookers. Instead, Wolverine, despite the impact he's had (which we're going to see in great length all across the Marvel Universe in the coming weeks), dies silently, away from everyone he knows and loves. And it works really, really well. Great work by Soule and McNiven and though all the makings are there for his inevitable rebirth, it's the kind of death story that has meaning and works thematically with the character so well that you can understand why Marvel was willing to do it.

Total Score: 5/5


Death of Wolverine - Logan's Legacy 1

Someone has captured Daken, X-23, Sabretooth, Mystique, and Lady Deathstrike and, supposedly, implanted them with a number of trigger words that should effectively control them. Together with their mysterious benefactor, they're meant to get to the bottom of a few secrets behind Wolverine's death.

Okay, this one wasn't nearly so great. It's just...the thing is, this one is so weird. I don't know if it's hindered by the slowed release schedule or if it was just planned to have a weird first issue, but it's unlike anything I've ever seen. The issue teases moments and character changes still to happen in this series. I legitimately wasn't sure of this and thought that maybe we were being shown clips from some infinite comic I hadn't read or something but no, it seems like it's just previewing issues to come. I...I don't get it. I mean, I get it to a point, but I don't think it's a good storytelling technique and it feels like it really doesn't benefit this series in any way. I'm hoping the next few issues will be better as they'll likely be in a more standard format. This one's just so strange though.

Total Score: 1/5

Death of Wolverine 2, Edge of Spider-Verse 1

Death of Wolverine 2

Armed with the knowledge that Viper has put the contract out on him and with a fairly new Iron Man helmet with which to barter, Wolverine travels in a fairly lax disguise to Madripoor and meets with one of Viper's underlings to set up a meeting with her, showing off the Iron Man helmet and offering to make a deal. When the underling brings him, she immediately knows who it is (he's really not hiding it) and she sics her real henchmen on him. He easily beats them and moves on to questioning his ex-wife. She admits that she's just subcontracting another job she got for an extraordinarily wealthy client, one whose name she refuses to divulge. She promises more answers if he can defeat Sabretooth in battle, which he does but only by the skin of his teeth and the intervention of Lady Deathstrike, who reveals her name has also popped up on the hit-list Viper put out to the world's mercenaries. Viper herself has disappeared and Lady Deathstrike suggests the pair of healers team up before learning Wolverine's not healing any more and rescinds her offer, instead hoping she can defeat him and trade his freedom for hers. However, she's surprised to find Kitty Pryde reaching through her chest before she can act.

Charles Soule just signed an exclusive contract with Marvel (his DC titles will continue through next March though, giving him time to wrap things up if you're reading those) and it continues to seem like an ace move by Marvel, who has proven in the last couple years that it's dedicated to keeping good talent around as best it can with the use of exclusive contracts (Kieron Gillen jumps to mind) and new titles (I'd look to someone like Dennis Hopeless for that, or Sam Humphries, though I haven't liked as many of his titles). So far, DEATH OF WOLVERINE is proving another in a long line of really compelling and exciting stories from Soule, who I lauded for revitalizing THUNDERBOLTS and for kicking SHE-HULK off to a very fun start (jury's still out a little bit on INHUMANS but I'm mostly liking it so far, just confused by its timing). This is the Wolverine I've been missing from his solo title the last couple years, one who faces danger head-on but doesn't always go in half-cocked. He's quiet, he's threatening, he's quick-witted, he's tough, he's maybe a little bit menacing, and...he's going to die? Geez, now I'm sad again. Really solid second issue with a number of twists and turns that generally work for me and some great art from McNiven.

Total Score: 5/5


Edge of Spider-Verse 1

In 1939, the magician Mysterio wants to take real control in the city and he aims to do it by taking the blood of the vigilante Spider-Man (Noir). Though he's working under the control of the Kingpin right now, he hopes to infuse Spider-Man's blood, which he believes is truly from the spider god Anansi, with his own and gain his mystical powers. Teamed with his own magic and illusions, he believes he could run New York City. He lures Spider-Man out with a threat on Spider-Man's old lover Felicia Hardy. Though Mysterio manages to trap Spider-Man, the vigilante breaks out and defeats the magician, though it doesn't stop the pounding of his danger-predicting sixth sense. Suddenly, a masked figure approaches, threatening to eat the Spider-Man, when another Spider-Man (Superior) appears, distracts the figure, and transports Spider-Man (Noir) out to meet in 2099 with a handful of other Spider-Mans (assorted).

EDGE OF SPIDER-VERSE, the new Spider-Man event, has its official debut on the heels of a prologue in the suddenly continued SUPERIOR SPIDER-MAN and the Spider-Man offices at Marvel make a good call by kicking things off with Spider-Man Noir, one of the more interesting ideas and visually compelling (particularly with Isanove's skill and affection for noir) Spider-Men we've seen. It's a strong first entry as writer David Hine manages to give us some good backstory and character development despite having to start in the middle of a story that isn't actually the story he's tasked with telling, which he gets to. LOOK, it's late and I'm tired and I KNOW my sentences are breaking down by the second but these books are both event books and AVENGERS 34.1 didn't really justify being in the first day so here we are. Anyway, good book, still an interesting premise even if we didn't really learn anything we didn't already really know from SUPERIOR SPIDER-MAN 32.

Total Score: 4/5

X-Men 10

X-Men 10
Wood (w) and Anka and C. Mann (a) and Keith and Mounts (c)

Arkea and her new sisterhood have moved from Dubai and plan to continue their journey and to combat the X-Men with their newfound power and with a a couple more tricks up their sleeves. Their first obvious trick is that the original meteor that brought Arkea back to Earth broke apart in the ocean and managed to find itself some old Sentinels that had long since sunk and now Arkea controls them and can constantly repair and adapt them to the X-Men's attacks. The second trick is that Arkea wants to resurrect Madelyne Pryor (the horribly messed-up continuity former wife of Cyclops/Goblin Queen/mother to Cable/whatever else she may or may not be) and Selene Gallio (psychic vampire and former Black Queen of the Hellfire Club), to the chagrin of Lady Deathstrike. Meanwhile, the X-Men are trying to track and stop the spread of Arkea before it gets too out of hand. Their efforts aren't going particularly well (though Monet isn't dead after last issue so that's a win for them) and things are made more complicated by Rachel's feelings for and ultimate denial of John Sublime. A group of the X-Men students (or recent graduates or something, not ever quite sure of the way the school works) go to meet the Sentinels coming up on the beach and quickly discover the fight is going to be more of a challenge than it seemed.

This isn't a bad issue to jump in on if you're a new reader looking for a solid way into this series. What I will say is that the somewhat extensive recap that this one gives is somewhat lacking in describing Arkea's endgame, what her plot is actually meant to achieve beyond destroying the X-Men. I believe she's looking for world domination still but there is a sense that maybe she should have a little more drive. Still, the plot is fairly well-explained in a way that should be engaging to new readers and which isn't too exposition-heavy. There are a few mistakes in this issue that kind of take people out of the issue a little bit, even if only for the moment (at one point, an empty helicopter is given speech bubbles meant to be directed off-panel to Arkea and one of her sisterhood. Also, Selene Gallio is referred to as Selene Gallo, which seems like a small error but made it difficult for me to look her up. THAT'S RIGHT, I need references sometimes you guys). While I don't know much about Gallio so I can't really speak to adding her to the story, I don't love the idea of adding Madelyne Pryor (as savvy readers may have gleaned from the first paragraph) as I think her continuity is so totally in shambles and I don't find her interesting enough to justify attempting to unravel that history. Maybe Wood has a great idea and a plan to disentangle some of that but we'll have to see. The art stands out in this issue as Kris Anka does pretty solid work on the first fifteen pages or so before Clay Mann (I assume it's Clay and not Seth but the book doesn't give much indication on that) takes over (Mann's stuff is good too but I prefer Anka's). Either way, decent issue with a good jumping-on point and a little bit of a better look at our opposing factions.



Sorry about the solo review post; I tend to avoid those unless I have something I think is worth saying beyond my norms. In this case, it was simply a hard week in which to break up the posts, with four new series launching and every other book worthy of somewhat early-week examination. Dedicating a full post to X-MEN 10 was the smartest way, it seemed, to keep with my self-assigned themes and still get X-MEN reviewed before Saturday. Little look behind the curtain there.

Uncanny X-Men 14, X-Men 7

Uncanny X-Men 14

Bendis (w) and Bachalo, Townsend, Mendoza, Vey, Irwin, and Olazaba (a) and Bachalo (c)

The new X-Men team Cyclops has assembled isn't exactly up to spec yet and Cyclops wants to make sure they're ready when the true tests come. That means extra training for everyone, both using and not using powers. Perhaps the most disillusioned is Benjamin Deeds, the new X-Man who can change his appearance (or at least people's perceptions of him) to match what others want to see. He believes he is not of much use to the X-Men and Cyclops doesn't really help that feeling. Emma Frost, though, sees his power as perhaps the most impressive of the bunch and takes it upon herself to train him a little more, bringing him to Atlantic City and running him through a couple of tests to get him used to using his powers. After he's worked a bit with it, she sends him on a mission, delivering a letter to one Timothy Dugan (who readers will recognize as Dum Dum Dugan) in a disguised SHIELD facility. Deeds manages to make his way through successfully, deliver the message, and leave. The message, unfortunately for Deeds, informs Dugan that SHIELD is using Sentinels and that they need to discontinue or it will spark a war and is signed by Cyclops. Men surround Deeds as he's trying to leave, though Illyana and Emma break him out in time. They return to base and find an impressed but not surprised Cyclops waiting.

I think this would be the right move for this book for the next set of issues, a series of what basically amount to one-shots focused on each new character individually. I think the team moments of this book have been bogged down by Bendis' need to back-and-forth every bit of dialogue and to make everyone quip in the background of tense moments and what have you. Changing the focus from team to individuals to help establish who these characters are would go a long way to legitimizing the X-Men team as a whole. We've had this team for 14 issues now and I feel like I have very little sense of who these guys are as individuals and even by their powers. The best way to right that ship would be to allow each of them some one-on-one time with a professor or something, giving them their own story to establish them, as this issue did. As a result, I liked this issue more than I've liked a lot of the others. I think giving us a sense of character would help a lot in terms of making the book feel more like an X-Men book and would, perhaps, make some of the back-and-forth banter parts more tolerable (less optimistic on that front).

X-Men 7

Wood (w) and T. Dodson and R. Dodson (a) and Keith (c)

Lady Deathstrike is returning to the Marvel Universe in the form of a shared body after dying some time ago. The body she's sharing is that of 18-year-old Ana Cortes, billionaire heiress to her recently deceased father's Colombian empire. Cortes wanted to team with Lady Deathstrike and upgraded herself to accept her consciousness and powers (kind of ill-defined on the how she did that, as yet, or REALLY the why). Her target now is Karima Shapandar, newly out of her coma, hoping that she can get her hands on the Omega Level Sentinel tech inside of her. Armed with a set of henchmen and dossiers on the everyone at the school, Cortes arrives at Westchester, hoping to access Karima. It's easier than she thought to reach Karima as Karima and new school resident Monet, formerly of X-Factor and currently taking some time and laying low, are out for a run. Cortes' men manage to get a shot on Karima, hitting her in the arm, before Monet, not documented on Cortes' intel, absolutely destroys the henchmen and their weapons. Cortes leaves but not before Monet identifies her as Lady Deathstrike. As both teams regroup, the X-Men realize what they're up against and Deathstrike finds a new target and a new assistant; her new target, based on recent gathered information, is the immensely powerful Arkea, and her new assistant is Daredevil villain Typhoid Mary.

A lot of cool stuff here as our cast of characters grows a little bit with the addition of Karima, Monet, and (kind of) Bling. Bling has a moment in here where we find out she's been talking to Jubilee about her love-life and things aren't going particularly well, as her unrequited feelings for Mercury led to Mercury punching her, apparently. She tells Jubilee that it's okay though, as she has her eyes set on someone else now (HINT: smart money's on Jubilee), meaning we're not likely to see the last of her just yet. ANYWAY, the story I spent the whole paragraph above describing. The re-emergence of Lady Deathstrike is an interesting choice and one that I think I'll be a little more interested by when we get a little more information. I had to re-read most of the comic before reviewing it and still ended up deleting a lot of my first attempts at sentences, as they mostly kept saying things like "Cortes wanted to team with Lady Deathstrike because...oh, we don't really know that. Cortes upgraded herself by...I don't know. I mean, the slot in her neck, right? And like, a USB drive? Um. Okay." Still, the characterization is solid with a nice amount of time spent on new resident Monet and on Karima, as well as brief flashes of Storm and Rachel's continued power struggle and Jubilee's situation. There's a story forming here and it seems like it could be a good one, but I'd like to get a little more information out of it first.