Fraction (w) and Aja (a) and Hollingsworth (c)
Here's the thing about HAWKEYE that's been so rewarding for readers: that summary. Not, like, I did a really good job with it or anything like that (I'm fishing for compliments here, dear reader, take a hint, okay?), but the fact that it's so packed with things that happened. Every part of the issue was important and I STILL didn't cover everything in the book. Despite how jam-packed it is, the comic reads really well. It moves quickly, it keeps you exactly the right amount off-balance to keep you reading and entertained but not overly confused or lost, it has compelling characters with compelling relationships, and it's ultimately about the failures of Hawkeye more than the successes. Granted, it's a slightly different feel when Kate is our star because, simply put, Kate succeeds more. Hawkeye is a hero with the Avengers, he's someone who always shows up, usually does his part (which is sometimes actually helpful), and goes home. At home, though, he's a different person, trying to do his best with just about no sense of the actual world. This book was created by someone who understood Clint's life, who saw the bigger picture of Clint Barton. He was an orphan, he became a circus act, and he moved into a life of crime before being plucked from it and becoming an Avenger, which he's been ever since. That didn't leave a lot of time for studying or for understanding the way the real world worked, which is why Clint is where he is now. It's all summed up in an exchange with Jess where he says that he's just trying to do the right thing, that what the tracksuits were doing wasn't right and he wanted to fix it. When she tells him it's not that easy, he mutters "yeah, but it should be." Perfect Clint, perfect book, another good issue. AND GUYS, this analysis didn't even mention the fact that the Barton boys are seriously injured by issue's end.
Fantastic Four 1
J. Robinson (w) and Kirk and Kesel (a) and Aburtov (c)
James Robinson has been in comics for a couple of decades now but I'm only just getting around to hearing about him. He's spent much of his time over at DC with long stints with characters like Superman and Starman but, as you may have guessed, I don't have a whole lot of history with DC. Pretty much, I know Batman and even that is at a far lesser level than I know about the more minor Marvel characters. Robinson's written things for Marvel before but I can't safely say that I've read it (he did a few issues of HEROES REBORN: CAPTAIN AMERICA and I'd hazard a guess to say I've read them, as I've read some HEROES REBORN and I love Captain America, but I can't recall anything about them so here we are). Now he's the writer of the ongoing ALL-NEW INVADERS and FANTASTIC FOUR. This long intro to James Robinson is essentially just my way of talking for a while before I have to say that I'm getting a similar vibe out of both of these books and that vibe is the same sort of vibe, albeit less egregious, I get from Robinson's fellow countryman Paul Cornell, he of WOLVERINE. I have less patience with Cornell after the last WOLVERINE series because it just flat-out bored me, which Robinson has not yet done with either of these two books. However, there is a robotic kind of feeling to the writing that kind of shows there are characters here but makes it feel like, even this early into both series, we're not going to get anything new from these characters. New stories, new situations, sure, but the characters themselves seem like such boilerplate versions of the characters we already know. That said, we are EXTREMELY early into both FANTASTIC FOUR and ALL-NEW INVADERS so I'd be delighted and unsurprised if they turned me around (I'd also be surprised if I ever got to the point with these books that I have with WOLVERINE) and this may be nothing more than an incorrect gut feeling but it's worth noting that it's certainly what my gut is telling me right now.
