Showing posts with label eliopolous. Show all posts
Showing posts with label eliopolous. Show all posts

Sunday, March 16, 2014

This week's picks

Some really good comics out this week and some comics I really, really disliked this week (looking over at you SECRET AVENGERS). So which three comics make up the list of the top three of the week? Well...look, I'm figuring that out.

Avengers Undercover 1
I thought this was a good issue, maybe even a very good issue, in and of itself. What elevates it to "top picks" status over, say, CAPTAIN MARVEL or X-FORCE (which, truth told, I think I probably enjoyed more as a book), is that I think it's setting up its own world so extremely well. I think it's often really hard to incorporate what came before either as a direct or indirect sequel and build another story with changed characters around it. I think that AVENGERS UNDERCOVER has already done a marvelous job at showing what these kids are up to and what they're up against for this series, which is an incredibly difficult feat for a first issue. Very rarely does a series world build so effectively in one issue. Of course, that comes with the caution label that reads "AVENGERS ARENA finished just a couple months ago and is fresh in my mind so maybe that's what has built the world more than this issue" but I think you could come into this book without having read AVENGERS ARENA and still have a good sense of what's happening here. More impressively, I think you could come into this book knowing what happened in AVENGERS ARENA and not be plagued by over-excessive backstory and summarizing. That's particularly hard to do in the case of books that take such a huge shift, especially where so much tangibly happened last series. Good start to this one, really looking forward to how it shapes up.

Black Widow 4
Another new release week, another issue of BLACK WIDOW gracing the top picks list (get ready to see another familiar name on the top of the next entry). BLACK WIDOW is the kind of book that seems to have everything; writing, characters, plot, art, and colors. Everything is working on this series and, as Edmondson and Noto enter into Natasha's first arc of the new series, it seems like this is going to be more of the same. Normally when people say "more of the same" it's a negative, worrying that the book isn't trying anything new. WELL GOOD NEWS, this book is incredible already so "more of the same" is just "more of the doing great work" kind of thing. This one didn't get as much into Natasha's character as the last three did, though it works here because Edmondson clearly set out to establish her character in those first three issues and did a magnificent job of it. Getting us into story now is definitely a good way to go. Also, this book will find it hard not to make my top three every time if Phil Noto continues to absolutely bring his A-game in the art. Incredible and definitely able to carry a subpar book anyway. Fortunately, this isn't a subpar book.

Hawkeye 17
HAWKEYE has long been doing things unprecedented in mainstream superhero comics. The conceit of the book as a whole was that it would focus on the days when Hawkeye wasn't with the Avengers or whatever other team he may be a part of at the time. That means it was the daily life of a superhero with no powers while he set up his DVR or bought tape or watched a holiday special. With this most recent issue, these are all things he's done in this series, and done to tremendous effect. This issue finds Clint falling asleep watching a wintertime holiday special and dreaming of said special which happens to mirror his own thoughts on things and his own situation. He denies help from everyone repeatedly but they refuse to be sent away and, as a result, he and the others overcome the problems. Will this message translate to Clint's life? Probably not. He's kind of stupid. But it's a wonderful book and it's one that's incredibly well-done with artist Chris Eliopolous stepping in for series regular David Aja and providing exactly the right style of art and the right feel for the book (as well as expert colorist Jordie Bellaire stepping in for series regular expert colorist Matt Hollingsworth). I talked a lot in my full post this week about how HAWKEYE has succeeded while trying all sorts of new things and things that, on paper, absolutely should not work, so I won't recount it all here (just click that link above, guuuyyyys) but all of that is part of why this book makes this list. Also because it's great.

Thursday, March 13, 2014

Hawkeye 17, Black Widow 4

Hawkeye 17
Fraction (w) and Eliopolous and Aja (a) and Bellaire (c)

Back in issue six of HAWKEYE, Clint was invited into Simone's apartment to watch some holiday specials with her kids. This issue brings us back to those heady days with a frame of Clint sitting on the couch with the kids before all the pages between the first and last show us that cartoon, entitled "Winter Friends." The Winter Friends are a superhero group consisting of animals representing various holidays (including Santalope, the Kwanzaagator, the llama Rama-in-Pajamas, and Menorable, a cat with a menorah on its head) and they're up against one of their biggest foes yet: Mister Sun, who is turning the winter into summer, meaning no one needs the feeling of warmth and kinship provided by the winter holidays. With all of the Winter Friends defeated, Steve, the dog with no powers that they hang out with for some reason, is called into action. Joined by his smaller sidekick dog Lil and his brudder dog Herman, they set off to find the Winter Friends. They're attacked by the Dingoes, a bunch of tough dogs who slow up the three dogs. Eventually, three friend dogs Birdie, Lady, and Spooky jump in the fight and help Steve and his friends, despite his continued insistence that he can do it all by himself. He sets off alone for the sun palace and attacks Mister Sun, though he can't really do much against him without any powers. Steve continues the fight, though, because he's not going to let people get away with things just because no one will fight them. Eventually his other dog friends show up and save the Winter Friends, who summon Mother Winter to help them defeat Mister Sun. Before she goes, she calls Steve a good dog. Later, at the multidenominational pantheistic all-inclusive seasonal festivities, Steve thanks Lil for her help and admits he couldn't have done it without her. This lesson, though, may be lost on Clint, who has fallen asleep on the couch.

OKAY, first things first, I was totally wrong in my pre-game this week when I said this was promised to be "the dog issue of sign language issues." BUT, IN MY DEFENSE, the site I use to see what comics are out in a given week lied to me first. Now, about this issue, it's absolutely great. HAWKEYE has found this incredible little niche where it's able to do just absolutely insane things seemingly at will and, guess what, they always pull it off. This is a series that wasn't expected to go past about six issues; according to Fraction himself on the recent LiveWire podcast, he was on his way out of comics in that people were starting to stop calling when HAWKEYE was set to kick off. On top of that, Hawkeye never lasts more than about six issues whenever someone starts up a new series about him. Instead, it took off and did really well, well enough to justify issues like the dog issue and the time-bending and the interesting storytelling and so on. So it does unheard of things (which I think has also inspired Marvel to allow others to try new things, sometimes working and sometimes not) and, most importantly, it always pulls them off and are always worth reading. This issue has series regular artist David Aja illustrating the first and last page, the frame with Clint, and series regular letterer and children's book artist and cartoonist Chris Eliopolous drawing all the pages in between to give it a real sense of a cartoon holiday special. It's incredibly well done and the beats are all funny and sweet as Steve attacks everyone who tries to help him. Perhaps the funniest part is when Birdie, Spooky, and Lady appear as the comic drops all pretenses of passing for a regular special (Birdie, Spooky, and Lady, who represent Mockingbird, Black Widow, and Spider-Woman respectively, all very obviously have explicit ties to their counterparts). Things start to get more and more obvious throughout the issue, presumably as Clint loses any grip on the show as he falls asleep. Really great stuff in here and very, very sweet. If you came here for the ongoing story of the HAWKEYE series, this one may disappoint you, as, you know, it's a children's holiday special set in a HAWKEYE issue that was over ten issues ago. However, if you're here because you've liked what the book has done so far, you'll love it.

Black Widow 4
Edmondson (w) and Noto (a and c)

Black Widow gets caught up in an assassination plot when she's sent to go plant bugs in a foreign embassy only to have the embassy blown up while she's outside. She spots the bomber and gives chase over the rooftops but, when she catches up to him, he mutters a Russian word and cracks a hole in the ceiling of the church they're standing on, sending them both to the ground. Natasha blacks out with a broken arm while her assailant escapes. Her next step, under the authority of Maria Hill, is to spy on a meeting in the Cabinet of Ministries in the Ukraine to find what they know. She finds that they haven't authorized this man, Molot Boga, but that his next target is the Croatian ambassador, who will soon be stopping off in South Africa. Sure enough, when the ambassador arrives, Molot Boga is standing in the middle of the street, giant machine guns blazing. Natasha tries to intercept but has some trouble with accuracy with her broken arm. Still, she gets a couple of shots on him, though it seems to do him no harm. He calls himself the Hammer of God and continues to rail bullets against her. When he runs out on his giant machine gun, he fires a grenade at her, knocking her back into a storefront and giving him the opportunity to assassinate his target. He's in the wind before she can recover. She vows to follow him and meets with Hill to procure what she needs. Meanwhile, Molot meets with his benefactor, the man Molot may believe is God, and tells him that his next target is hard to kill and recommends that he destroy the plane the man is coming in on, regardless of the casualties.

This series has done something really interesting in its layout, something that comic books don't tend to do these days. BLACK WIDOW spent its first three issues creating this Natasha and showing her doing her work around the world. Some of it, of course, has seeds that will be harvested later, but the first three issues were more episodic than serial, in that you could follow the action and the character choices but, by the end of the issue, the story was over. Of course, the Iron Scorpion is someone likely to return but the story he first appeared in here ended with the issue, not a "to be continued" sort of thing. I think it served the series well. Natasha is a character, as I mentioned in my review for SECRET AVENGERS this week, who tends to flummox writers some, unsure if they should make her somewhat maniacal or somewhat unhinged or completely cold and efficient or, you know, more human. This series has a very clear view of Natasha, a very human view, and so sets about establishing that before it tries anything else. HAWKEYE, actually, was not too too different. Of course, there were even more seeds at the start of that series, with appearances by the tracksuit draculas and a slew of supervillains and so on, but every issue ended without an explicit "to be continued." Most books now immediately plunge into arcs within the first or second issue. Here, though, Edmondson and Noto have chosen to give the audience some time to get into the character and the style of storytelling before getting us into a full story. I think it's going to really pay off. Another wonderful issue with absolutely gorgeous art. Phil Noto's Natasha may be my favorite Natasha. Amazing stuff.