Avengers Arena 15, Infinity the Hunt 1

Avengers Arena 15
Hopeless (w) and K. Walker and Gorder (a) and Beaulieu (c)

Cullen's monster, released when Cullen took off his Bloodstone ring to protect Aiden, is putting up a solid fight against the thought-unkillable X-23. She seems to snap out of her bloodlust and admits she doesn't know how to stop the monster. She's saved as Reptil, Darkhawk, and Nico come out of the woods to protect her and to engage the new and unknown monster. Cammi, Nara, and Aiden start looking desperately around for the Bloodstone ring, which is eventually found by Cammi but inevitably knocked away and into the ocean by a flung Reptil. Nara dives after it while Cammi and Aiden talk about whether or not Aiden will have to kill Cullen to stop the monster. Both are morally against it but Cullen had told Aiden how to do it if he needed to and had made him promise to do it if he lost himself. As Aiden is about to strike, Nara bursts out of the water with the ring, managing to get the monsters attention and eventually touching the ring to its skin, pulling Cullen out and making the monster disappear, but not before the struggle with the monster kills Nara.

There's a ton happening in this issue and even more on the horizon because of this issue. It's easy to forget, given how many contenders are still alive and the depth of personality each of these characters has demonstrated, that issue 18 is the final issue, putting us officially at three remaining issues following this one. There's so much to resolve and so much fear that it won't be resolved. That's been the best thing about this book, in truth. I'm not following it to see who survives or who "wins," though I'm certainly interested in that. There's so much more here and it's more that I want to know about. Where does/do the survivor/s go after this? What of the relationships formed here or that were brought in from various other books here? What of the mental scarring? I think every character in this book has been, at one point or another, a risk for turning evil. Avengers Academy was built so that kids Norman Osborn "created" didn't follow in his footsteps. Apex kind of is evil, very conniving and mastermind-y. Kid Briton was an arrogant bully. Anachronism has rage issues. Cullen was left in a horrible monster dimension for years and years. X-23 was created to be an assassin. The Runaways are the children of supervillains. Death Locket is a female Deathlok. Cammi was abandoned by the her favorite person and father figure, the assassin Drax the Destroyer. In this issue (narrated by Nara), we learn that Nara was the daughter of two Atlantean traitors, who followed Attuma and rebelled against Namor, leading to their death at his hands. Red Raven believed Namor killed her father. Darkhawk was the son of a dirty cop. Juston's only friend was a mutant-hating Sentinel (reprogrammed somewhat successfully). Have I made a point? Plenty of superheroes have these tragic backstories but these ones are all young enough to still potentially be turned with the right scarring. In fact, I'd even hazard that the least damaged ones, the ones most likely to err on the hero's side, are the ones who died first (Mettle, Red Raven, Darkhawk, Juston), just as Arcade predicted in issue one (telling them that, in essence, being the villain would be the only thing to save them here). It's all really fascinating, and all of that doesn't even get into Nara's complex emotions and backstory or the change we'll see in Aiden with his new girlfriend dead saving him and his best friend. Really stellar book, as ever.

Infinity the Hunt 1
Kindt (w) and Sanders (a) and Campbell (c)

A new mini-series spawned out of Infinity and also a multitude of other books. This book focuses on the heads of various superhero schools across the globe deciding to band together to create an intramural competition between all of their students. The games themselves, called the Contest of Champions, haven't been established yet as this issue chooses instead to focus more on introducing the schools and the key students we'll likely see. The schools represent places all over Marvel, with the Jean Grey School, Avengers Academy (where this takes place), the Future Foundation, the Braddock Academy, a Pan-Asian school, a Wakandan school, a Latverian school, and an Atlantean school (not participating, given the tensions between Wakanda and Atlantis right now). We get a brief overview of each school and an introduction to a couple characters from each as well as a thought bubble from each character giving a small window into their personalities and motivations. It's perhaps a bit heavy-handed but it gets the point across. The opening ceremonies are interrupted, though, when an emergency broadcast from the Atlantean school shows the destruction in Atlantis and an attack starts on LA from Thanos' army.

As I said, the introductions are a little ham-fisted as they prefer text over subtext ("you know how I'm your brother?") but it gets the job done. The real story here, presumably, will be the way these adults running the school and these kid heroes band together to push back Thanos. It's all hands on deck right now on Earth as the Avengers are off-planet so it makes sense that we'd see the young heroes and their guardians getting in on the fight, I guess I just didn't expect them to all be banded together while they do it. There are an impressive amount of new heroes introduced with new powers pretty laid out for us though, again, I think it's a little heavy-handed. Not to keep coming back to Avengers Arena, but Avengers Arena created all-new characters without me even realizing they were all-new. The first few issues, I just nodded and assumed they were already established and that the Braddock Academy was already a thing, not all stuff that Hopeless created for the series. Granted, Kindt has far less time here to establish the sort of things Hopeless (who just won a Harvey Award, I believe) has been able to do over in Arena. Fairly ambitious book, we'll see if it leads to anything.

Avengers Arena 14, Young Avengers 9

Avengers Arena 14
Hopeless (w) and K. Walker and Gorder (a) and Beaulieu (c)

We're approaching, far too quickly for my liking, the planned end of this series. This is an ongoing series but it does have a conclusion in mind (just as it always must have, given the nature of this story) and we'll reach that conclusion with issue 18. For now, though, we have to ask who's going to make it that long. Apex and Death Locket are still underground at a laboratory/morgue somewhere on the island. The rest of the survivors, minus Nico and Chase, have been wandering the island for seven days hoping to find their way to Arcade or off the island. Anyone who's separated from the group has disappeared; Reptil first, going to scout ahead only to vanish, then Hazmat and X-23, chasing after something Hazmat saw and hoped was Mettle. Now Cullen Bloodstone, Anachronism, Nara, and Cammi are at breaking point with only a couple days left before Arcade's deadline. Cullen shares his story with Cammi after he and Anachronism had a bit of a row (they're British, they say things like "row") but the story is interrupted when a trigger scent is released by a Mettle skeleton walking around the island (so at least Hazmat's not going crazy! She might be dead though, she was with X-23 when the trigger scent activated). The concoction is flooding the island and a feral X-23 is attacking anything that moves, including, presumably, a newly spawned monster from deep within Cullen (activated when he took off his Bloodstone Ring).

You can see how we might be winding down to the end of the series as Arcade floods the island with kill hormones for X-23. Even without that, though, the attitude of those who remain is markedly down, even if it was never particularly up. They've plotted, they've planned, they've strategized, they've learned about the island, and it's all for nothing because, at the end of the day, they're still totally stuck and exactly where they started. People have disappeared the last couple days, leading to even lower spirits, and the end is nigh. The book has always been really good at tone and really good at, in a natural way, giving us backstories for its main characters. We haven't really had a good one in a few issues (most people have been explained by this point, particularly the ones we don't really know in the main Marvel Universe) but Cullen's is disseminated intelligently and at the right moment. Sure, it's not in the form of flashbacks, like so many of these ones have been; instead, it's Cullen flat out telling his backstory, but it fits well here and Cammi's the right person to bring it out of him. The reason she's been alive so long is that she knows when and how things need to be done and now is when this story needs to come out, both for them and for us. I also really like the use of the trigger scent here. Well, I hate it for Laura but I like it for story and motivation. One of X-23's biggest problems she's had to try and overcome is being used by people as a weapon and that's exactly what's happening here. Tough stuff to try to come back from. This series continues to impress and I'm sad to see it go with 18, even if I wouldn't have said that at the start of the book and if they've promised us something cool after (I feel like I've read that somewhere).

Young Avengers 9
Gillen (w) and McKelvie w/ Norton (a) and M. Wilson (c)

Last issue ended with a load of cliffhangers so we have to get through those little by little as this issue progresses. First and foremost: the kiss. David explains to Hulkling that he realized, when he lost his mutant power but his brain was still fully opened to him, that he was bisexual, though it hasn't come up in recent days because he hasn't been looking to start a relationship. He's still not, really, but he admits that he would have regretted dying without kissing Teddy the once because he views Teddy as the remarkably strong one in what looks like a rather strong relationship. Teddy admits his fears to David who suggests he try to take some time off, if he can, to get his head together. Of course, that can only happen when they're not stuck in Mother's dimension running from her. Working on that is the rest of the team, who are still facing down Leah in the barren place Loki had sent her. She talks to them briefly and with much vitriol before America leads them out. Loki tells what is mostly the truth to his teammates: she is sort of his ex and he sent her to this dimension because he couldn't hurt her here. Kid Loki, trapped in Loki's mind, taunts him for the reveal of the truth (being the best lie) but he doesn't have time to deal with that. He concocts a plan to rescue David and Teddy which involves running through a bunch of their evil dimensions to gather a horde of villains to dump on Mother as they make their escape with their teammates. It, improbably, works, and Mother is left to clean up her dimension while they make it back to their Earth. They discuss their next plans, which are basically to stay the course of Loki teaching Billy magic (Billy could be the most important person in the universe so it's probably good that he learn how to use his tools). Teddy approaches Billy at the end and tells him that they need to take a break. He departs to go meet with a therapist in the form of a support group for people who, weirdly enough, have been left feeling abandoned and confused by their partner. His therapist? A seemingly more grown-up Leah (Teddy didn't meet her when they all ran into her).

Oh man, too much to say about this issue. Guys, that's a really long summary and frankly I don't think I covered enough. There are weird bits and pieces that deserve their own analysis (Mother asking Kate when her birthday is and threatening that she's about to join Mother's side) but THAT'S HOW MUCH THERE IS HERE. This series remains as complicated and beautiful as ever, with McKelvie's art really shining through as there are plenty of long panels meant to illustrate a single character's features and emotions. There are a pair, on back-to-back pages, that show Leah and Loki in separate wide-angle panels that focus on their eyes that are just stunning. I've long praised, on this blog and in life, the art of Jamie McKelvie but the emotion he brings to characters continues to blow me away. The first real look at his art was in a Secret Avengers issue written by Warren Ellis (16, I think, of the last volume of Secret Avengers) wherein McK drew this amazing underground city with insane architecture and had Moon Knight soaring around it. It was absolutely gorgeous and that still tends to be what I think of when I think of him. Though I've seen plenty more of his work by now, this series is really changing my perception of him, going from that guy who draws these beautiful and fluid set pieces with really strong characters to being one of the best in the business at drawing people and their various emotions and tics. It's truly wonderful to see. Aw geez, I've spent all my analysis time talking about the art. Maybe you guys should just check this book out. No wait, you definitely should. One of Marvel's top books for sure. And I mean, just look at that cover! Teddy has long been probably my least favorite member of this team (I don't dislike him, I've just never particularly been drawn to him by anything he's done or said or whatever) and this cover still makes me want to die a little inside. Beautiful.